A Metalocalypse episode concept I can see so vividly is one where the band finds out Charles is gay, and they start doing that typical straight guy “just don’t start hitting on me hahaha” thing. To which Charles reassures them that he’s professional and wouldn’t do anything to make them uncomfortable. Also they shouldn’t worry because none of them are his type.
That last comment causes everyone in the band to take psychic damage. They spend the rest of the episode obsessing and panicking over why Charles wouldn’t like them. Meanwhile Charles is just doing his job as normal.
✨Raven Mother✨
A successful duplication spell.
It was an unusual style for me. But I decided to try.
ceddy kins
hes trying
I continue to draw stf (Sofia the First) characters, and this time it's Greylock. I really liked him when I first saw him, and I also liked his interactions with Cedric.
Thanks to @callipraxia for inspiring me to write this.
I know I've joked about how silly it is that Ford wears a turtleneck and trenchcoat in the humid Oregon summer, but as someone who lives in the humid midwest and has dermatillomania, I 100% understand.
Perhaps most important is the fact that he's basically cosplaying as Carl Sagan, which I've mentioned before, but I think I finally found the words to explain why it's so meaningful. I know that modeling my own outfits after my idols provides a huge measure of emotional safety and that is something that Ford would absolutely need after coming back to his old house.
That house is ground zero for his biggest failures. That house is where he met Bill, where he was manipulated, where he slaved on working a damned portal for a demon. He stayed awake for days upon days in that house, bleeding from his eye, unsure if the whispers were only in his head or leaking from the dimension beyond. His brother was branded in that house and it was his fault. Fiddleford lost his mind in that house and it was his fault. The world was doomed in that house and it was his fault.
I'm particularly concerned because Ford spent a lot of time alone in the lab with the portal, just him and his thoughts. He was so close to fixing everything once and for all and what right did Stan have to rob him of his heroic moment? Manually dismantling the portal feels a whole lot less heroic than storming the nightmare realm with a massive gun and it does very little to distract him from how angry and tired he is; he's angry about being tired and he's tired of being angry.
I personally headcanon that Ford is absolutely covered in tattoos and scars under those long sleeve layers. He's been through hell and his body reflects that. But those marks are incredibly personal; a lot of them represent pain and failures and this is the author of "TRUST NO ONE" we're talking about. Vulnerability gets people killed in his experience and there's a reason he's still alive. He has to stay alive to fix his mistakes.
I would like to introduce you to Thistlebert, cousin of Fiddleford McGucket. He was once mentioned in the Third Diary and I decided to draw him according to my idea.
Hippie, loves tea, enjoys playing the guitar. By nature, a calm guy, careless, prefers not to worry about anything.
Opposes any kind of violence. He is optimistic about the world, always ready to help his friends.