Why Was Isaiah Recognised As A Victim, But Not Bucky?

Based Hank Wimbleton says Trans Rights

Hank Jmotherfucker Wimbleton in the real

heres some bonus pictures. more silly vibes with them

Tom Holland does Rihanna’s “Umbrella” on Lip Sync Battle

I'm so glad Daredevil is tackling how Punisher has become an unwitting icon to corrupt cops. Very glad they have the guts to do this story because it REALLY needs to be told, can't wait to see Frank end them all

Free Palestine seen in Chicago

Every anti John Walker post makes me realize that there is no objective reason to hate John Walker, only subjective, and that's fine. It's only when people start making up shit to hate him for (like he abuses Olivia, or he's a racist, or a psychopath, comparing him to Homelander or Peacemaker 🙄). That's my biggest problem with antis.

I understand if people dislike him because they can't let go of Steve Rogers just yet. (I mean I was the same way at first, but it was Sam and Bucky's unreasonable stubbornness that changed my mind). You don't have to like him, you don't have to be a fan, but if you have to create and warp existing context to extreme and stupidly wrong lengths in order to justify your hatred of this character WHILE supporting actual childish and unhelpful behaviour from Sam and Bucky, then of course you're gonna have people disagree with you under your anti posts. It's not because we're "pressed", it's because you're wrong but you're still trying to pass it off as fact.

As the saying goes: If you wanna hate a character, at least hate them correctly

The new DRAFT U.N. Resolution, set to be voted on today, calls for:

• ... “urgent and extended humanitarian pauses” in the fighting throughout Gaza and the opening of corridors inside the enclave “for a sufficient number of days to enable full, rapid, safe and unhindered humanitarian access.” • U.N. Secretary General António Guterres to appoint a senior coordinator “with responsibility for facilitating, coordinating, monitoring, and verifying in Gaza, as appropriate, the humanitarian nature” of all assistance, and demands that “the parties to the conflict cooperate with the coordinator to fulfill their mandate without delay or obstruction.” • ... “immediate and unconditional” release of the hostages. It also demands that “all parties to the conflict comply with their obligations under international law ... including with regard to the conduct of hostilities and the protection of civilians and civilian objects.” • It reiterates the council’s “unwavering commitment” to a two-state solution for Israelis and Palestinians and “stresses the importance of unifying the Gaza Strip with the West Bank under the Palestinian Authority.” (12/22/23 | Source: WaPo)

Although the resolution's language was toned down, this is a sign of progress. While such measures are long overdue and should have been honored from the start, we must do everything possible to meet the urgent humanitarian needs in Gaza and relieve unfathomable suffering.

DON'T STOP POSTING. KEEP UP THE PUBLIC PRESSURE. DEFEND HUMAN RIGHTS.

Stay tuned for today's vote.

even if u only watched the movies or the show, ur media literacy is shot

Goals: Find a girlfriend  

Obstacles: Human Megatron being that Hot

A Young!Miner Megs as a treat! Because YouTube jumped to the Beauty and the Beast soundtrack while I was working on a larger piece and  was like LOOK THERE HE GOES THAT LAD IS SO PECULIAR, I WONDER IF HE’S EVEN WELL??? WITH A DREAMY FAR-OFF LOOK, AND HIS NOSE STUCK IN A BOOK—

I’m going to post separately because I don’t want to keep hijacking the interview quote that someone who clearly loved the show posted.

When TFATWS first ended I was disappointed, but not resentful. Sam and Bucky got where they needed and Anthony and Sebastian looked like they genuinely enjoyed the time making it. There was healing, albeit a bit awkwardly rushed in episode 5, but it got both the characters to a better place than at the start.

Then I watched interviews about the creative process and I haven’t stopped fuming since. Skogland freely admits that she had no idea about the characters or the story before she came in to pitch her idea, which was simply “this is the most important story of the century”. Which of course it is, but her wording gives a sense of how she approached the telling - she is using the characters to tell a particular story, rather than telling a story about the characters while addressing those same issues they want to convey.

Now there’s nothing wrong with writing a story around the portrayal of a social issue, particularly one as topical as TFATWS did. But crafting a story around an idea, then using established characters takes a level of finesse that neither Skogland nor Spellman had - as well as a level of love and respect for the characters’ histories that neither of them cared about.

The level of pain on Sam’s face when he heard about Isaiah being imprisoned and experimented on for 30 years is completely undermined by his lack of empathy for Bucky - who was imprisoned and experimented on for 70 years. We can meta the heck out of those scenes (and I have - check my AO3/shameless plug) but it doesn’t change the sense that the intention of the creators was to make us horrified at the the prolonged victimisation of a black man, while at the same time minimising a very similar victimisation of a white man. Throughout the series, Sam empathises immensely with Isaiah and Karli, but barely sympathises with Bucky and John Walker - while pre-TFATWS Sam definitely would because managing vets with PTSD was his line of work.

As someone who enjoys writing stories, I know how hard it is to use the "connect the dots" method of story writing, because it's always hard to connect dramatic scenes in a logical way that works within the world and for the characters. Civil War did it with some success, but here the creators were barely trying. I also know that as a writer you need to be very cautious about your biases, because it's so tempting to always keep your favourite character in the best possible light which inevitably means another character will have to do all the problematic things to push the plot along or create conflicts. This is the sense I'm getting with TFATWS and that's what irks me the most. It just reeks of lazy, biased writing, because half the time it completely broke Bucky's character and didn't make sense for his motivations. Keeping Sam "in the best possible light" also meant he avoided conflicts at all costs which ironically made him come across like a pushover who sympathised more with his enemy than his friends and allies.

I might come across sounding like I hate Sam but I don't - otherwise I wouldn't have just written 16k words from his POV. I hate what they've turned both him and Bucky into for TFATWS, by using him to sell a particular story without making the story about him, as it really should have been. And let's face it, Sam-Bucky only worked because of Stackie's amazing chemistry, because as much as Anthony waxes lyrical about the "tenderness" and "bro code" between Sam and Bucky, I definitely couldn't see it on screen for the first 4.5 episodes until they suddenly became a married couple in episode 5.

the story of John Walker is not that he is an irredeemable villain who can’t be saved

(quote inspired by Avatar the Last Airbender)