Above Image Is A Pride Flag With Every Color Band Represented By A NASA Image. White Is Earth Clouds,

Why is this korean GL starting like Strangers From Hell? 😂

Plus

just light parallels but it makes me more intrigued

Edit: ALSO

“My name is Neil Josten, and I’m this city’s one – and only?– Spider-man”

Keep reading

My poor boy Aaron...

Maybe someone already have asked the question, but why in The Foxhole slasher, Andrew is the one who works in infirmary(instead of Aaron). I think it's for Andrew starts to trust Neil earlier. Because here we only have the summer for the plot + the epilogue. But maybe you have another point of view?

Honestly, at first it was indeed intended mostly as a plot device!

As you said, it was easier for Andrew and Neil to bound if Andrew is the one who saved Neil's life, since it made a good excuse for them to interract often (+ Andrew would know for sure Neil is hiding something, because he saw his body covered with scars, it worked perfectly for that context,). Also, I liked the idea that Andrew has to look after people he cares about. It's such a big part of his character in the original books to me (well not in the "medical" sense, but you know what I mean, he is such a devoted person when he has to look after someone).

A lot of my original ideas changed and developed since my first Tumblr post about the slasher fic, and now there is actually an angsty reason behind it, but I can't say it. ; ) The only thing I can tell you is that it is related to the twins' past in that version of the story (it will be different compared to canon).

And yeah, Aaron indeed dreamed to become a med student, it's just that something happened that shatered his dreams. 👀

Don't FUCKING argue with me. "Neil Josten let his cigarette burn to the filter without taking a drag. He didn't want the nicotine; he wanted the acrid smoke that reminded him of his mother." Is a fucking dynamite intro!! Is it edgy as fuck? Yeah. So? Is it hella melodramatic? Probably. So? Is it bad writing? Motherfucking NO! It's damn near expert level execution of several writing principles!

Who is the story about? First two words, next question.

Catch the reader's attention as soon as possible? "Why the fuck is he wasting a cigarette?" Intrigue successfully demanded, next question.

Raise questions that will keep the reader hanging long enough to have answered? "Why the fuck does acrid smoke trigger his mommy issues?" + "Wait it's because he burned her corpse??" Many many more questions raised + blind sided reader via preconceived expectations being subverted, next question.

Character establishing moment? What other characters use for physical and emotional regulation, he uses to fucking reminisce and wallow in his feelings, next question.

Set the tone for the rest of the story? Edgy, melodramatic, and emotionally gut wrenching, NEXT. FUCKING. QUESTION!

The Muses asked Nora to roll for Hook and she rolled a nat 20 five times in a row in 30 words or less. Hook, Line, and motherfucking Sinker bitches

Some of y'all need to stop ragging on AFTG's writing and start using it as a fucking case study cus this shit has the addiction capacity of heroine and god help the goddamn saltine cracker throwing stones

I can't get away with the tt sound in my head...

And i also can't accept canon atsushi who's not glad with the director's death. Soooo

Atsu drinks one day and open up about one of his life story

Atsushi:and BAAM. He had hit by big ass truck

Rando: Whaaat

hero department kids

Deleted textpostlines from Strangers From Hell

I don't need Neil to act crazy in the rest of the series anymore. I just need him to be mildly respectful of the trojans because he thinks they're cool and he wants to make a good impression. And I want Jean and Kevin to be frothing at the mouth irate because where the fuck was this energy until now.

Valentines Day soon:

Aromantic Awareness Week soon:

424

All right, listen. It’s pretty damn funny that two weeks ago I posted all like, “oh I don’t really comment chapter-by-chapter, I’m waiting to see what happens next,” but this one broke me.

This chapter was everything I wanted for bkdk, and it’s so much more tender than I ever dreamed it could be.

This post is not going to be like most of my posts, because I am a flood of emotion. If you’re wanting some detailed, well-researched analysis of this scene, that ain’t coming for a while.

I don’t have some kind of comparative linguistics to show you. I just have my visceral reactions as someone who speaks Japanese and has absorbed Japanese media for many years. I have shared my heart with others in Japanese, I’ve sputtered out words between sobs and felt the many kinds of comfort different people try to offer. I have comforted others who let themselves be vulnerable with me.

In all these moments, just as in English, I wondered if my words and feelings reached them. Each time, I felt the warmth of connection when they looked at me, and I decided that they knew I did my best. They accepted me, even if it wasn’t perfect.

I’m gonna tell you the truth, and I wouldn’t normally say this so directly, but it matters to me: the fan translation for this specific scene is not good. The tone is wildly off in some ways and it outright omits a number of very important words.

The official translation gets so much of it right.

But that’s not really what I want to talk about right now. I want to talk about how people are reading this scene.

I have seen a ton of, frankly, oblivious interpretations of Izuku’s side of things.

Listen to me. Izuku is not making fun of Katsuki for crying, he is not telling Katsuki that crying isn’t like him, that isn’t in the text at all. He is not rejecting Katsuki’s feelings, or belittling them, or ignoring them, or any of that.

Izuku has seen Katsuki cry in-canon a number of times, but every time it was over his own personal failures, and the frustration, anger, guilt, and grief associated with them. We see it in the aftermath of Deku vs. Kacchan 1. We see it during Deku vs. Kacchan 2.

Izuku is shocked to see Kacchan cry because this is the first time he has cried for Izuku.

When Katsuki apologized in 322, he looked Izuku in the eye and told him his feelings with conviction and poise. He was gentle and vulnerable, but strong, because he was asking Izuku to trust them and rely on them. To come back with them and believe in them, like they believe in Izuku. He bowed his head to show his remorse. He caught Izuku when he fell, and he accepted Izuku’s own apology.

He embodied dignity, sincerity, and strength of character. He was a true hero.

This?

This is the raw, honest sorrow of a young boy. It is a tender, earnest, unguarded display of how much Izuku means to him.

These are the tears you shed for someone you cherish. These are tears for when you think you are losing something you can’t live without. Because Katsuki isn’t just crying for the loss of Izuku’s dream—it’s their dream, the future they dreamt up together as kids.

Izuku is almost pathologically incapable of understanding how other people see him and feel about him, but this is unmistakable. He is stunned because there is no other explanation.

There is unmitigated heartache and longing at the core of Katsuki saying, “I just thought somehow we would be together like this, competing and chasing after each other, forever.”

And Izuku is reeling, but so, so touched, and filled with fondness. Look at how his shock shifts to this overwhelmed, affectionate smile.

He’s right—this isn’t the usual Katsuki, and that is precisely why it means so much. We as the audience have been privy to Katsuki’s feelings, but until now Izuku himself has never really grasped the depth of them. This is all the tenderness Katsuki has kept locked up inside, and he is letting Izuku see it for the first time.

To see Kacchan—strong, fierce, and absolutely unstoppable—shed these innocent, helpless tears for him and tell him through sobs that he wanted things to stay this way forever, I can’t blame him for being blown away.

I think Izuku expected Katsuki to be shocked and a little sad that he gave up OFA, both for Izuku’s sake and because it is the legacy of their hero. Before Katsuki even starts crying, Izuku has this small smile on his face, like he was ready to reassure him that he had made peace with his own choice.

But he clearly didn’t expect for Katsuki to weep openly in front of him about it or to confess to wanting him by his side. Izuku had so enjoyed just being allowed near Katsuki, allowed in his life at all—to think that Katsuki could want the same and want it this much, to the point that he worries that things would change, that Izuku would abandon him or deny him? How could that ever be?

In what world could Izuku ever stop chasing Kacchan?

Izuku is a bit of an idiot. He has always thought that Katsuki understood how much he cared for and admired him—that’s why he is so shocked during DvK2 to hear that Katsuki thought he looked down on him for years. Izuku thought Katsuki understood his feelings and simply rejected them.

The way he loves Kacchan is natural and unquestionable. Even now, he can’t understand how Katsuki doesn’t know. It’s baffling to him.

But he still accepts Katsuki’s vulnerability and responds to the intimacy.

This is such an affectionate, loving thing to say. Izuku is being so sweet. I cannot convey to you strongly enough how Izuku telling Katsuki, “C’mon, stop it, this isn’t like you!” reaffirms their closeness.

If Izuku had not said this line and instead skipped straight to this nervous, awkward little attempt at comfort here:

It would have read as so much more distant.

With his tears and his confession, Katsuki pleads with Izuku to not leave him. To be with him always.

And in response, Izuku unabashedly stakes his claim on their bond by being bold enough to affectionately scold him and even assert authority on what kind of person Katsuki is. Remember these?

Chapters 202 and 319

This is such a staple in Japanese media for showing close bonds. Your loved ones know you. They tease you. They scold you. They have that right. You gave it to them.

The people you love cheer you up by reminding you that you’re strong and brave and that even if things feel hopeless and like you can’t go on, that they know you can. Everything will be okay, and they know so because they’ll be right there with you. Of course they’ll be there.

Symbolically, throughout the series, Izuku’s response to Katsuki trying to be closer to him has always been: “Of course.”

He has always accepted Katsuki as much as he is able to, as much as he had awareness for. He is wildly lacking in self-awareness, so it’s certainly not perfect, but by god does he try.

What Izuku is really saying is a mixture of “Really? You want that, too?” and “Don’t be silly!”

One part is him being shocked and touched; the other is him being absolutely certain of his own heart, and showing it as best he can.

He does get flustered and self-conscious, though—because it’s overwhelming to see Kacchan this way, and this is kind of new territory for them. So he switches tactics to reassure Kacchan about how things are now, and make sure he doesn’t feel embarrassed about this outburst. He still has the embers, so it’s okay for now. And their bodies are weak, so of course their heads will be in a bad place too, it’s easy to get low spirits. Of course Katsuki would be feeling vulnerable. It’s normal.

He gives Katsuki so many things here. He gives him as much as he can.

Izuku doesn’t know how long he’ll have the embers for and, frankly, he doesn’t have any guarantee that he will be able to satisfy this longing of Katsuki’s after he loses them. This, too, is a staple of promises in Japanese media: “I don’t know if I can satisfy you, but I want to try. I hope you can accept me.”

Things will be different—the future is always uncertain, now more than ever for their world. But what will never change is what they feel in their hearts.

After this scene, I honestly don’t care if we get something other people see as “bkdk canon.”

What Katsuki says is as good as a confession to me. What Izuku says in return is genuine and pure. This is a messy pair of teenage boys figuring out how to reach each other with words, when they have always been so damn bad at it. This is the two of them both reaching a new point of intimacy and reaffirming everything that came before.