[This has been sitting in the notes app on my phone for over a year bc I kept forgetting to format and post it]
Reminiscent of the Signs that you’re in love your roommate post that I made a few years ago
On Page 7: the first time you talk about him, you mention him jerking off (okay, I will admit this one is a bit of a stretch, but I’m just getting started)
On Page 10: you imagine “twirling around a ballroom while [he] drones sweet nothings” in your ear (and blush about it!)
On Page 11: you liken him to Prince Charming (another stretch)
On Page 14: you spend half the page describing him in quite complimentary terms (”infuriatingly symmetrical"? Really, Alex?)
On Page 14: you get upset thinking that his dancing with your sister has something to do with you
On Page 15: you clearly remember the first time you really saw him
On Page 16: you used to sneak into your sister’s room to touch his hair in a picture
On Page 16: you imagined taking said picture and keeping it in your room
On Page 16: you say he’s beautiful
On Page 18: you get defensive and upset when he insinuates that you may be obsessed with him
On Page 19: you delight in the glimpse of his personality
On Page 19: in all the wreckage, you manage to see a small cut on his cheek out of the corner of your eye
On Page 30: you already know everything about him from “hate reading” his Wikipedia page
On Page 36: you describe him poetically. Or really, the way you describe him in that entire page. His hands, his eyes…
On Page 43: you say he’s fresh and handsome and his hair looks soft
On Page 43: you say he is annoyingly attractive (and are so distracted you almost don’t hear a question you’re being asked (on television!!)
On Page 48: you enjoyed that slightly erotic fight you just had with him
On Page 50: you remember the first time you met him “down to the Union Jack on [his] anorak”
On Page 53: one of the first things you say after giving him your number is “no booty calls”
On Page 59: Luna doesn’t believe that you’re not into the prince
On Page 59: you stared at a photo of him for an hour
On Page 71: you have a stupid smile every time you look at your phone while texting him
On Page 73: you know he’s frowning at his phone
On Page 77: you text him every day
On Page 80: you imagine him killing you sensually (yeah, I’m reaching again but this page is great)
On Page 82: you get a big smile at something he says
On Page 83: You’re still smiling
On Page 91-92: You tell him about all your family drama/baggage
On Page 95: your sister compares your relationship with him to fake dating turned falling in love trope
On Page 96: you feel warm and nervous when your sister says you like him
On Page 98: you think he has a beautiful face
On Page 99: you really like him
On Page 101: you find him endearing
On Page 102: you feel a strange spark in your gut at the way he’s watching you
On Page 103: you feel giddy when he gets jealous of you dancing with someone else
On Page 106: You’re thinking about absorbing some of the “much” for him to help him
On Page 108: you don’t mind kissing him
On Page 108: kissing him is nothing like kissing anyone you’ve ever kissed before
On Page 109: you can’t stop thinking about the kiss
On Page 113: you think about him and something twists in your chest
On Page 113: You’re so caught caught up in thinking about his body that you trip and skin your knee
On Page 114: you’ve wanted to kiss him this entire time
On Page 115: You’re always thinking about him, no matter how hard you try to distract yourself
On Page 120: You’re Draco Malfoy level obsessed with him and have been for years
On Page 120: you long-distance flirt with him every day
On Page 120: basically everything that Nora is saying on this page about you…
On Page 124: you get pissed when you see him kissing someone else, before you calm down enough to think it through logically
On Page 129: You’re into his British accent
On Page 132: you feel lit up with a feeling that has probably always been there
On Page 135: you have to remind yourself that you don’t have feelings for him
On Page 145: you have to remind yourself not to care too much
On Page 158: You’re kind of obsessed with him
On Page 159-160: after seeing a picture of him, your heart does a weird thing (that definitely isn’t a whole thing)
On Page 160: You’re just as attracted to his dark moods as the rest of them
On Page 172: you open up to him about things you don’t say to anyone else
On Page 183: your migraine “demands soothing images of Henry looking cozy and picturesque”
On Page 198: you’ve never met a challenge you didn’t live, and he is a challenge
On Page 199: you know all his ticks
On Page 200: you wish you could wake up with him and watch him get ready for the day every morning
On Page 219-220: he plays "Your Song” and you have to tell yourself that you aren’t there to fall in love with him
On Page 227: he’s the one you want to call when you’re going through a rough time
On Page 234: it wouldn’t make a difference if you were told not to see him again
On Page 243: even after everything that has happened, you still feel like you want to know more of him
On Page 257: You’re “so in love [you] could die”
At this point he’s finally admitted it, and I could have stopped but decided to keep going:
On Page 257: you’ve been falling in love with him for years
On Page 263: you try to tell him you love him
On Page 266-267: for a full week, you go crazy after he ghosts you
On Page 267-270: you fly to a whole other country to confront him and won’t leave until he lets you in
On Page 271: you tell him you love him. Twice.
On Page 277: you feel something about him knowing how you like your coffee
On Page 283: you’ve been thinking about how a relationship with him would work since that first time he kissed you
On Page 291: you refer to him as one of your homes
On Page 302-303: you make a list of things you love about him
On Page 312: you’re willing to risk ruining your life for him
On Page 312: you’re never gonna love anyone else like you love him
On Page 328: you feel forever about him. and you’ve known it all along
On Page 344: you love him on purpose
So I would like to believe that RWRB and One Last Stop take place in the same universe. Here are some things I can’t stop thinking about:
Wes pissing off his family by voting for Ellen in 2016
The group (separately) watching the first woman be elected president
Annie Depressant’s ongoing bit about having a crush on American heartthrob Alex Claremont Diaz (and in turn Isaiah knowing way too much about the gossip surrounding white house trio)
Jokes about cakegate and Alex and Henrys friendship
August telling Jane that the president is a woman
Jane getting really hyped about that and wanting to know about her politics
Jane periodically asking how her re-election campaign is going
The group watching the news break that Alex and Henry are dating
The group going to the rally in New York to support them
August and Jane in matching “History, huh?” shirts
Jane gets into at least one fist fight with some asshole who has the audacity to make a comment about it
Delilah’s having a royal wedding theme night for them
Everyone smushed onto the couch in 6F watching Ellen get re-elected as Texas turns blue
Easter brunch has nothing on the “Ellen got re elected” party
Alex and Henry finding Jane’s article on the Upstairs Lounge and following her writing from that point on
August and Jane volunteering at Henry’s shelter
Overlooked scene in Crooked Kingdom.
As they sped across the bridge, Jesper thought he spotted Matthias and Wylan in their red capes, tossing coins as they steadily made their way off the Stave. If they started running, it might draw stadwatch attention. Jesper struggled not to laugh. That was definitely Matthias and Wylan. Matthias was hurling the money with way too much force and Wylan with way too much enthusiasm. The kid’s throwing arm needed serious work. He looked like he was actively trying to dislocate his shoulder.
(◕ᴗ◕✿)
the day i stop laughing at this may never come
Reblog if you think trans women are real women , and trans men are real men .
I'm trying to prove something to my transphobic father .
↷tony stark/iron man comics packs
— reblog if you picked up
— like if you save/used
— credits on my twitter account: @tonysdior
ok here's a depression pjo/hoo/toa theory i came up with :
• the last line in the prophecy of 7 ; "oath to keep with final breath" ; was not a reference to Leo's vow to go back to Ogygia instead it was referencing Leo's promise to come back to Jason Grace
• Zeus stated that there is "always another way" which is why there are 3 fates and not one which suggests there are 3 potential outcomes to each situation
• we're aware that leo's death was necessary for Gaia's end so here are the 3 potential fates of the war
- Gaia wins and Jason and Leo both die regardless
- Gaia loses and Leo dies
- Gaia loses and Jason dies
* another line in the prophecy was "storm or fire"
• however after the war, leo lives because of the physican's cure
• this couldn't be allowed due to fate ; what you reap, you sow or otherwise the theory of having to lose something to allow something else
• Leo lived which meant Jason had to die.
• so when Leo promises Jason that he'd come home to him, that oath could only have been kept if Leo had died as it would have been kept until his final breath
• but Leo lived so that oath could not be kept and Jason had to die
• so that when Leo came home, Jason wasn't there and the oath was broken
I’ve been doing a lot of thinking about Salazar lately, and his Chamber of Secrets, and the basilisk. And I think it’s possible that the common perception of why he built the Chamber might be way off base.
First, let’s start with what we are told about the Chamber. I’ll preface this by saying that I’m discounting information from the movie and focusing on the book because…well, movie. In then second book, Prof Binns tells the class that “Slytherin, according to the legend, sealed the Chamber of Secrets so that none would be able to open it until his own true heir arrived at the school. The heir alone would be able to unseal the Chamber of Secrets, unleash the horror within, and use it to purge the school of all who were unworthy to study magic.”
This has always struck me as odd–the founder of a school wanting to kill children? Yes, he argued against admitting Muggleborns, which he saw as a serious security risk for the other children. But killing them is a very different thing altogether. In fact, on this same page, Binns dismisses the tale as “ludicrous.” There is no written evidence of Salazar’s reasoning; instead, all that’s left is a legend that has traveled by word of mouth, supposedly for a thousand years. Students are likely to twist even the most banal stories into legend, so the idea of “purging the unworthy” doesn’t seem very reliable. Plus, most important of all–who’s the one student who knew most about the Chamber, who talked about it to other students? Tom Riddle. It seems to me that there is a very good chance that “purging the unworthy” was really HIS motive, not Salazar’s.
Next, let’s look at the animal itself. The basilisk is an incredibly unusual animal, and not because of its ability to kill. There are literally countless other ways to kill wizards, especially wizard children, a large number of which are much easier and would arouse less suspicion. Additionally, the basilisk can only kill or petrify a limited number of people at a time–assuming only one person can look it directly in either eye at once, that means it can only kill a maximum of two students at a time. This is highly ineffective for a large school. Spells would have been better! Blood curses would have been better! Simply jinxing the sorting hat to mark muggleborns would have been better. But he doesn’t do that. His reasoning can’t be because he’s a Parselmouth and can speak to snakes, because, remember, he never planned to use the basilisk himself. He never DID use it himself. In addition, the attacks are easy to prevent: looking through lenses or using reflections can foil an attack, and a 50-foot long snake is easy to see and attack (don’t forget that at the time of Hogwarts’ founding, there were no pipes for the snake to move around in. It COULD NOT have been Salazar’s plan for it to use the pipes.) This thing would never have been able to kill many students before the professors found it and stopped it. A “purge” of a large portion of the student body seems almost impossible.
In addition, we know that basilisks do not answer to every Parselmouth. This is clear in book 2, for while Harry can understand the basilisk, it does not answer to him at all. Leaving a creature behind that might not respond to his own Parselmouth descendants, and could therefore attack even purebloods, is completely illogical and out of character. Everything that we have seen of Salazar speaks of him striving to create a safe place for his chosen students, not put them in danger.
Then there’s the fact that the basilisk had been put into a kind of suspended animation. It had lain dormant for centuries. Put that into Salazar’s own timeline. We know he had children, because we know he has heirs. We know they were magical. We can be reasonably sure they attended Hogwarts, as it was the only school in existence at the time. If Salazar really intended for his heirs to purge the school…why didn’t they? If that were his intention, he absolutely would have told his own children or grandchildren about it. Even if we try to explain that away by saying he feared the other founders, there’s no reason why his grandchildren wouldn’t have taken up the cause. But they don’t. For TEN CENTURIES. His descendants spread far and wide, they even go on to found magical schools in other countries (!), and not a single one opens the chamber until Tom, who was raised not by wizard parents, but in an orphanage.
To me, there is only one explanation: Salazar did not intend to wipe out Muggleborns. He did not tell his descendants to awaken the basilisk and purge the school. That cannot have been his plan. If it had been, why on earth wouldn’t they have done it, and why would he have have chosen an animal that even his own children had at best a 50/50 chance of being able to control? Why not a curse, or a jinx, or an animal that would kill of its own accord? Why take this animal and deliberately put it into a stasis in which it can’t hurt anyone?
Because there’s another important characteristic of basilisks: their venom. It can destroy horcruxes. Basilisk venom is one of only two things in the entire wizarding world that can do so. This makes it incredibly important in the fight against dark magic, perhaps the most important tool there is. Out of Voldemort’s seven horcruxes, a whopping five of them were destroyed by basilisk venom–the cup and the diary with fangs, and the locket, ring and Nagini with a sword that had been imbued with the venom. The fight against Voldemort could NEVER have been won without that basilisk and its venom, especially since basilisks had not been seen in England since the 16th century. Without Salazar’s basilisk, there is a very good chance they would not have found another one. And that venom could even have been extracted from the basilisk while still dormant.
It is because of Salazar Slytherin and his basilisk that Voldemort was defeated. Because Salazar did not purge the school of muggleborns; because he did not instruct his children or grandchildren to do so; because he did not place a conscious monster in the school. Instead, he took the most valuable tool in the fight against the dark arts, placed it in the safest stasis he could, and stored it in the safest place in the wizarding world. He left that tool as a precaution against any dark wizards that would ever threaten Hogwarts.
And it goddamned worked.
Hi anon! I haven’t read many but love these:
the space between (what you want and what you need) by disapparater (2020, M, 13k)
As a specialist Healer in dark magic, Draco has had his fair share of difficult cases and awkward patients. Still, nothing has prepared him for a curse-paralysed Harry Potter.
The Snitch-Maker by Omi_Ohmy (2014, T, 21k)
Draco is content with his Snitches, with the tap tap tap of his hammer, and the tiny gears and sharp scent of metal in his workshop - until one day Harry Potter appears, asking for help to solve a rash of Snitch-tampering in the Quidditch world.
Vale Sanare by RurouniHime (2011, M, 23k)
Draco’s world gains a new component just when he thought he’d sorted everything out.
Come For Me by Frayach (2012, E, 24k)
After Draco is paralyzed in an accident, he and Harry discover a new way to make love. Please read Author’s Notes!!
On One’s Knees by pir8fancier (2008, E, 33k)
The war is over and to the victors go the spoils. If you are triggered by infidelity, this is not the fic for you.
Draco In Darkness by plumeria47 (2003, T, 34k)
Following an accident in his seventh year, Draco loses his eyesight.
fly like paper, high like planes by @harryromper (2019, M, 47k)
Harry Potter, Head Coach of the Appleby Arrows, is very content leading a quiet life. He has a doddery old house-elf who makes his breakfast, a team of players who love Quidditch almost as much as he does, and a Kneazle that curls against his damaged leg at the foot of his bed at night.
Merlin Works in Mysterious Ways by lordhellebore (2013, M, 82k)
When Harry is forced to form a Blood Bond with Draco Malfoy under threat of death, he thinks his future will consist of a cold home and sexual frustration.
Balance, Imperfect by @bixgirl1 (2017, E, 91k)
When Harry sustains an injury in the line of work, he no longer knows how to navigate the life he loved, and finds help and solace from the most unexpected source.
Any Instrument by @dictacontrion (2015, E, 131k)
Draco Malfoy wouldn’t go back to England for anything less than an exceptional case. Being asked to figure out why Harry Potter can’t control his magic might be exceptional enough to qualify.
How it went down probably
Alright Michael, we need you to play Crowley as played by David Tennant, pretending to be Aziraphale - and for this scene you need to have one side of your face be just Aziraphale (Crowley’s version) (because Gabriel is there and also symbolism) and the other side we need you to let Crowley come through, but you know, in a subtle way.
Michael Sheen: I got you fam.
-At one point, Crowley eats a slice of angel cake (and Aziraphale takes some)
-Aziraphale, all the time, calls Crowley ‘my dear’
-Crowley’s favourite show is Golden Girls
-Aziraphale’s shop is on such valuable property that mafia members sometimes come and threaten to burn down the place if he doesn’t sell it. They always go away. They never come back.
-Crowley has a Soul Music selection. With “real Soul music”, so without any James Brown. He keeps that collection in alphabetical order.
-Aziraphale hates actually selling his books and goes out of his way to avoid having to do it. He owns, by the way, a large Oscar Wilde first edition collection.
-Crowley loves sleeping. At one point he slept through an entire century
-Aziraphale’s tax reports are so accurate the authorities thought he was forging them/hiding something
-Crowley got a recommendation for the Spanish Inquisition after hanging out in Spanish cantinas at that time (instead of sending a memo, claiming it as his idea). After checking it out, he got drunk for a week.
-Aziraphale was known for helping with public proofreading and translations for book printers - one time he most likely used an opportunity to write himself into one “infamous” bible; the passage is the basis for the show’s scene of God asking Aziraphale about his sword
-Crowley made Manchester
-Aziraphale thinks dolphins are fish instead of mammals.
(and just to be REALLY CLEAR, I love them both. But the differences are fascinating, since it’s the same author adapting his work after almost 30 years. And how often do you get to see *that*?)
Crowley
Okay. So Book!Crowley is healthy. Just, absurdly well-adjusted. This is a man (demon) just happy with who he is and where he is in life. Sure Hell is annoying, but they mostly leave him alone, and he’s supposed to do paperwork, but… doesn’t. (They never check on the other end, it’s fine.) Aziraphale might be a little hung up on Heaven & similar, but he’s coming to his senses. Slowly. It might be another couple thousand years. But Crowley can wait.
But Show!Crowley is *trying* so very hard. To be cool, successful, appreciated. Book!Crowley gets an award for the M25 motorway, Show!Crowley gets blank stares and stupid questions. This is someone who wants recognition, who wants love, and isn’t getting it. He’s erratic and fragile, kind of chip-on-his-shoulder, and part of this is David Tennant himself (who has never *once* played a character I would describe as “emotionally stable.”) But part of it is the way Show!Crowley is written.
I’m thinking of the paintball scene where Aziraphale calls Crowley “nice.” Book!Crowley rolls his eyes and says, “All right, all right. Tell the whole blessed world, why don’t you?” (”Yes, angel, I know, but I’m on the clock right now and my boss is not happy.”) Show!Crowley, well. Memorably slams Aziraphale into a wall with, “SHUT IT. I’m a DEMON. I’m not NICE. I’m never NICE. NICE is a four-letter word.” @everentropy has a very nice meta about Crowley’s issues with the word nice, but no matter how you slice it, this says (loud and clear) that Show!Crowley is not comfortable with his softer side. Not even a little bit. He is “Cool Demon Crowley” because at least that’s safe.
The terrified houseplant joke also gets a different varnish in the show. In the book, it’s as if Crowley skimmed a magazine, read an article about talking to plants, read another article about the benefits of screaming into pillows, and then sort of combined them? This comes right after the joke about Crowley’s speakers (which his expensive sound system doesn’t have, because he wasn’t aware it *needed* speakers). This makes “threatening the houseplants” feel more like an “angels and demons trying to understand humanity, but subtly missing the point” sort of joke.
But on the show it’s more sinister. In Crowley’s big moments of pain and anguish, he is surrounded by those plants. With the show-specific “de-motivational” posters lining Hell, I think it’s fair to day that Crowley treats his plants this way because that’s just how he thinks motivation works. That’s how it works in Hell.
Show!Crowley is real danger of saying “Screw it. These jokers (Hell) (Aziraphale) don’t APPRECIATE what I do. What is the point of any of this. I’m OUT.” And then, actually leaving.
Aziraphale
Book!Aziraphale is a little mysterious. We don’t spend *that much* time inside his head, and the time we do get mostly revolves around his books. But we do learn that his taste in books is kind of… subversive. Here’s an angel who likes to collect books of prophecy (accurate and inaccurate) and bibles with printing errors. Aziraphale says he’s loyal to the Great Plan and the Word of God and all that, then turns around and attributes the entire book of Revelations to bad mushrooms. And when he’s drunk, he turns into a clever little rules lawyer. Nope, Book!Aziraphale has absolutely been Doubting Heaven, sneakily, for a long time. And he lays on the angelic Sweetness and Light a little thick for Crowley’s benefit.
Book!Az is tough, and a little ruthless. He’ll do things like glare at customers, and scare mobsters away from his shop. Killing the Antichrist is his plan, not Crowley’s. But Show!Az is just pure sweetness, and pure light. There’s no part of him that isn’t the sugary lemon meringue frosting you get on the surface. And the show makes it very clear that that is strength. You don’t have to be tough to be strong.
And that’s the difference. The 1990 novel was about questioning authority, questioning structures, questioning whatever role society hands you. The Antichrist just… refuses to be the Antichrist, and that saves the day. Crowley is our model: neither angel nor demon, critical of both, happy in his own world. Az is the one who needs to finish shaking off his programming. And when I was a teenager, that was exactly what I needed to hear.
But now… Adam says that Satan cannot punish him, because Satan did not love him first. This series is about the terrible risks of loving, and the strength that comes from being honest, being vulnerable (”I’m just a kid” “That’s not a bad thing to be.”) The importance of letting yourself be known. Show!Az and Show!Crowley switch bodies at the end. How much more *known* can you get?
But, it’s hard. It’s so hard for both of them. It’s hard for Crowley to take down all his defenses, and publicly acknowledge that he would rather die than never talk to Aziraphale again. And it’s hard for Aziraphale to stay sweet and pure and emotionally honest, and in love, because it can hurt so much. But they do it. It’s worth it. And that’s the message I needed now, Mr. Gaiman. Thank you.
I knew I had the “My wife cries at absolutely anything” post tab opened for years for a reason
Tony Stark Icons Pack
PLEASE LIKE AND/OR REBLOG IF YOU USE (IT’S THE POLITE THING TO DO)
**credit is not required
hey do you have a tumblr
no sorry
This is about Sci-Hub. yeah we get it.. gatekeep knowledge and protect the interests of capital…
I made a quiz! Well, it’s more of a personality test, I guess. Hope you enjoy <3
full offense but none of you would have ever survived fanfiction.net in 2009
Red and blue Billy Kaplan icons
Like/Reblog if you use
How come Tony Stark gets to fight villains naked all the time in the comics but not in the movies? I am being denied my rights!
“but the plot is so cliche and overdone! no one will want to read it!” shut up and tell me what happens after peter parker and the decathlon team/midtown high have a field trip to stark industries even if it has the exact same plot as the other field trip fic I just finished reading
Peter: *walks into room* Daddy, guess what?
Stephen and Tony: what?
Peter: …
Bruce:
Nat:
Steve:
Bruce: so who’s going to guess?
Day One of Parkner Week: Road Work Ahead / Parades / Identity Porn
Summary: Harley takes a detour after school to buy some flowers for his boyfriend.
Only, he didn’t expect for Spider-Man to think that they were dating.
ao3 link
“Here you go, young man.” The older man handed Harley the bundle of purple and white flowers, tied together in a nice bow. “Have a good time with your girlfriend tonight.”
“Boyfriend, actually,” Harley said, readying himself for some type of comment as he slid over his card.
The man took it, swiping in the register. “Everyone loves flowers of some kind. I’m sure he’ll love ‘em.” He handed Harley back the card, and Harley tucked it in his wallet. “Have a good time with your boyfriend, then.”
“Thanks, sir. Will do.” Harley gave him a wave as he exited the shop, turning down the street. He ended up having to make a detour to the Tower since there was apparently road work ahead, but he didn’t mind. It was a nice day that Harley hoped would turn into an even nicer night. Surprising Peter with flowers, they were going to dinner at a nice restaurant that Pepper had recommended to him, and then they were either going to see a movie or end up in the backseat of Harley’s car. Harley didn’t have much of a preference, as long as they hung out alone for once. Peter always seemed busy, for one reason or another, but now they had both made sure their schedules were clear for tonight, so they were finally going out on another date, one where Harley could call Peter his boyfriend without Tony breathing down his neck.
Harley turned the corner down another street, flowers swinging at his side. The Tower was gleaming in the sunlight above him when suddenly a face masked in red popped upside-down in front of his vision. White lenses widened and twitched to look down at the flowers in Harley’s hand.
“Aw, are those for me?”
Now, Harley has heard of Spider-Man, Tony’s protege of sorts. He has never actually met him face to face. The one time Harley had asked, two months after he moved to New York and two weeks after he started dating Peter Parker, he hadn’t gotten an answer and had just been laughed out of the lab. But he knew what Spider-Man looked like, he knew that Peter help work on his suit sometimes, he had just never met the guy.
Until now. And he really wasn’t making the best first impression, assuming weird things like this.
Harley narrowed his eyes, taking a wary step away from the masked man. “Why would they be for you?”
Spider-Man tilted his head, and when Harley looked up he could see that he was hanging from a web attached to the streetlight above them. “I mean… why wouldn’t they be?”
Harley’s nose wrinkled. “Because these are for my boyfriend, not for you.”
He could see the barest trace of a frown underneath Spider-Man’s tight mask, though it looked strange upside-down. A soft, disappointed noise left his mouth, a noise bordering on the edge of familiarity, but Harley couldn’t quite place it and it unsettled him. So he pushed past him, ducking underneath the dangling man. He stalked off toward the Tower to get changed before meeting up with Peter, determined to wipe all memory of that self-assured vigilante from his mind for a little while.
Keep reading
I hit 100 followers so enjoy this quick dribble!! I wrote it on mobile so please ignore any mistakes. Lemme know if you guys want me to rewrite is as a Ao3 fic aka longer/more developed. Enjoy!(:
warnings: loving degradation, Harley/Peter
Tony was a genius, that was an indisputable fact. Still, he couldn’t figure what was wrong with Peter.
He was usually such a nice kid, so well behaved and prim. An Angel. So sometimes, when he got like this, Tony didn’t know what to do.
It didn’t happened too often, like what Tony said before, Peter was a very well behaved kid. But sometimes, very rarely, he was a fucking brat. Tony didn’t get it. At first he thought it was stress, tried to tell the kid to take some time off, but that only made Pete passive-agressive-mad. Then he thought maybe it was hunger, but honestly when wasn’t Peter hungry -and giving him food didn’t help. Next, he thought maybe Peter was having trouble with bullies, Flash was a nuisance at best, but maybe it was still effecting the kid. Except, when Tony tried to bring it up, Peter just rolled his eyes and ignore him. Last he tried telling Peter to take a nap, maybe the kid just needed some rest. That had gone worse than every other attempt.
“I’m not a fucking kid, Mr Stark. I don’t need a nap time.” Peter had snarled, not looking up from his
Tony just wanted to help. He thought about bringing it up to May, see if she knew what to do, but he didn’t want to get the kid into trouble. He was gonna let it go, decided that it wasn’t that often, and if it was a problem he could fix the kid would have come to him, he seemed to every other time.
Things changed when Harley and Peter started hanging out. They had gotten along pretty well before, but Tony could tell things were different now, they had become actually friends. They didn’t just hang out in the lab, they seemed to do everything together.
Anyway, back to right now. Peter was being down right huffy. Grumpy with everyone around him and outright snapping when someone tried to talk to him. This was worse than usual. Tony just ignored moody teen, maybe that was it, just hormones.
Harley, on the other hand, wasn’t talking it, eyebrows furrowed as he scowled at Peter, annoyed that Peter was acting this way. It wasn’t till Peter actually rolled his eyes at something Harley asked that the only teen seemed to snap.
“Okay, that’s it, doll. You and me are taking a walk.” Harley ignored Peter’s protests as he dragged the younger out. Tony didn’t try to stop them, maybe Harley could figure out this weird funk.
“Seriously Harley, stop yanking my arm.” Peter said.
“We both know you could stop me if you wanted, Princess. Don’t act like this ain’t what you’ve been wanting.”
Pete stayed silent at that, letting himself be pulled down the hallway until Harley was pushing him into an empty closet not too far from the lab. Once the door was shut, Harley was shoving Peter against the back of it.
“Knew you act that way with me, baby. Didn’t think you’d be so much of a brat that you’d act like that in front of Tony.” Harley muttered through his assault on Peter’s neck, kisses biting and rough. Peter whimpered, nodding fast in agreement.
“You could have just asked, ya know, baby? ‘stead of being a brat. Now I gotta punish you, but I bet that’s what you wanted. Huh slut?”
“Yes,” Peter hissed as Harley suck a very large, very visible hickey into his neck. “Want it so bad, Harls. Please.” A quick smack to the brunettes ass had him yelping.
“Nuh, uh, darling. You don’t to act all sweet now, not after that stunt.” Harley yanked Peter around only to roughly push his front against the door.
By the time Harley fucked Peter, there were tears in the younger’s eyes from how much he wanted it. The brunette making the prettiest sounds as Harley railed him into the door.
“Tell me what you are, baby.”
“Your slut, Harley. I’m your slut, all yours. Please, Harls, need it harder, please.”
“Only cause you asked so pretty, doll. Such a pretty whore.”
Peter came loudly, not bothering to hold back moans as Harley fucked him through it, ignoring his cute, dripping cock the whole time. Next time Harley would Pay it special attention, but right now it just looked so pretty, all red and ignored.
Harley came soon after, grinding as deep as he could into Peter, maybe Pete’s pretty hole all messy with his cum.
Peter is downright bubbly when they enter the lab again, chatting away with Harley like nothing had ever been wrong at all. Tony goes to ask what the hell was going on, but when Peter turned his head and the collar of his shirt slipped a bit lower to reveal a large hickey, Tony decided to, for once, just shut the fuck up -half out of surprise and half out of fear.
what about some keener where they’ve been dating for a while and harley discovers peter has major feminization+praise+degradation+choking kinks so he uses it to like...his full advantage?? btw you are so great like 💙💙 bih you great... (how could you even have a degradation AND praise kink tho lol)
(TW: degradation, feminization, minor choking, minor d/s elements)
I love this and I love you and you’re fucking great 💖 (and also, thank you for being so patient as my disaster ass works slowly through my inbox.) I am here to tell you that you can definitely have both a degradation and praise kink, and it’s hecking awesome ;) The two totally amplify one another. Imagine: Just being utterly put down and degraded. Feeling humiliated, verging on the brink of tears, and so, so on edge. It’s borderline too much. And then, Daddy turns it right the fuck around – runs a soft hand through your hair and strokes your cheek, and murmurs, ‘good job, sweetheart.’ BOOM. REST IN PIECES.
But allow me to illustrate further:
It’s subtle in the beginning, but Harley’s smart, if anything. Peter can only blush so many times at the occasional light-hearted teasing – at being called ‘Princess’ and ‘girly’ and all the other gently mocking names Harley can’t help but occasionally drop. Harley notices how, when he treats Peter a certain way, the boy gets just that much more desperate, that much whinier and glazed in the eyes, that much more frantic in his movements as he tries to fuck down on Harley’s cock. He notices how Peter’s pulse quickens, how he cums harder when Harley has his hands close to Peter’s throat.
And, Harley notes how Peter lights up when he’s gifted with kind words. Poor boy loves both extremes.
(Luckily, Harley knows just what to do with that knowledge.)
Keep reading