Cast Bronze (Living, 1980–82) & Cast Aluminium (Survival, 1983–85) From The Plaques Series By Jenny

I think it's worth observing that Eli as a character had an established backstory and principles even before Victor while Victor's whole character and narrative predominantly revolves around Eli and going against him. Even during Lockland, he found a way to make himself the main focus of Eli's project, twist his thesis into their thesis. He forced himself onto Eli's narrative, made himself the main focus. While Eli's 'kill all EOs because they are an affront to God' was because of what he experienced with Victor and their falling out, he was still more independent a character in terms of purpose. And then there's Victor on the other hand whose whole purpose in the first book was to kill Eli. It's so fascinating and is also incredibly funny considering Victor is the main character.

One of my favorite moments from Vengeful that is not talked about enough.

(Vengeful page 494)

(This is inspired by this edit: https://www.instagram.com/reel/C1XWjrMNmdZ/?igsh=NnA3NWl4ampydzg2 )

spousal privilege

or

a very short thing i wrote for the christmas event hosted by @alterdnbweek based on the idea of c!techno and c!dream pretending they're married in prison!

“What if Qu—what if he does come back?” asked Dream.

It was probably the dozenth time he had asked some variation of that question, always with a tone that was forcefully light and always while looking at Techno with an expression of barely restrained fear. Techno hummed to himself as he carefully turned the potatoes over. They were lined up as close to the lava as possible without catching fire to cook as best as he could. Anything was better than the raw potatoes that Dream insisted were fine despite the fact they clearly were a struggle for him to eat. Thinking about it made Techno rub his own jaw.

“I mean, it’s been a long time and he hasn’t shown up yet, man. I think we’re safe.”

At the word ‘safe’, Dream shivered and Techno frowned. The bruises had faded by now and most of the injuries had healed but it was clear just by looking at him why Dream didn’t believe it.

“Yeah, but… If he does come back, it’s—He’s got leverage, right? You’re here. He could, like. I don’t know. He could torture you so I talk.”

That thought hadn’t crossed Techno’s mind before and now that Dream had said it out loud, he couldn’t shake the feeling that it was a very obvious reason to have lured him into the same cell. He was kicking himself for not realizing that sooner but it had been so hard to wrap his head around the fact that even someone like Quackity could stoop to torture. He cleared his throat.

“Well, the simple solution to that, Dream, is you don’t talk,” he said as gently as possible.

Without a moment of hesitation, Dream rolled his eyes and said, “I would, though.”

Techno shook his head with a laugh, the smile on his face fond.

“Yeah, that’s fair. That’s fair. I’d probably talk, too.” He reached out and touched one of the potatoes, testing to see if it had softened enough yet. “Alright, look. I’ve got an idea.”

One of Dream’s eyebrows lifted. The skepticism was clear.

“What?”

“We get married,” said Techno.

“WHAT?”

Dream stared at him and it took Techno a lot of effort not to start laughing.

“No, no, I’m serious, Dream.” He really needed to keep a straight face because he wasn’t lying and Dream’s face was only getting more and more exasperated. “Listen, it’s a law, yeah? Spousal privilege. If you’re married, you legally can’t be forced to reveal anything about your spouse.”

“That’s—” Dream stopped and frowned. His brow was furrowed in thought, eyes squinting. “Yeah, okay, but he’s—he’s not going to listen to the law, Techno. He tortured me! That’s illegal!”

“Is it?”

That made Dream pause. He tilted his head up, the gears turning, and Techno turned back to the potatoes. They weren’t perfect but they were a whole heck of a lot better than they had been and his stomach was growling. If he was hungry, Dream had to be starving. He carefully pushed one in front of Dream.

“I-I don’t know,” Dream finally said and poked the potato with one finger. “I still don’t get how being married will help.”

Techno ignored the heat from the potato and carefully broke it in half. It was softer though not fully cooked. He didn’t think he could get them fully cooked without burning them, not without any sort of cooking utensil.

“Because then we’ll just tell him that legally he can’t make us say anything. He’d be breakin’ the law and even if he doesn’t care about that, I’m a law abidin’ citizen so clearly I can’t talk,” he said.

A laugh escaped Dream and he grinned.

“Since when?”

“Since always, Dream. I can’t believe you’d imply otherwise.” He scooted across the obsidian floor until he was next to Dream then grabbed his potato and broke it in half as well. He held out one piece to Dream. “I’m tellin’ you, it’s a fool proof plan.”

Looking from Techno to the potato and back, Dream sighed. He took the potato and took a small bite, chewing slowly.

“So, what? We just lie and say we’re married?”

Techno sighed, relieved. It had been a challenge to get Dream to eat. He took a bite of his own potato and leaned against Dream’s shoulder. The other man pushed into him, mouth curling up into a grin. His hair was long enough now that it brushed against Techno’s arm.

“Exactly, man. Exactly.”

Dream rolled his eyes again but he was smiling and he took another bite of his potato as his free hand tapped absent-mindedly on Techno’s leg.

“Well. I still think it’s stupid,” he said around a mouthful of potato. “But it’d really piss Sam and him off.”

For a moment, Techno watched Dream’s fingers tapping gently against his thigh. There was a strange fluttering in his chest.

“Oh, I see how it is. You’re only marryin’ me as an act of rebellion.”

Glancing at Techno from the corner of his eye, Dream shrugged. He took one last bite of the potato before setting it down and it wasn’t until he had swallowed that he spoke.

“Don’t—Don’t be stupid. I’m technically not even marrying you.”

Dream started to pull his hand away, a faint blush on his face as if he had just now noticed what he was doing, and Techno stopped him, wrapping his hand up in his own. Briefly, Dream tensed and then wiggled his remaining fingers between Techno’s. Techno smiled.

“Oh, of course, of course. Still, we oughta make it look convincin’,” he said, squeezing Dream’s hand. “Y’know, just in case.”

Laughing quietly, Dream relaxed against Techno’s side.

“Right. Just in case.”

Lockland evervale makes me go crazy

Hey do you ever think about the fact that in every possible scenario Callum never kills Tristan. It makes me go insane

OH MY GOD!! YOU'RE RIGHT!! THERE IS NO REALITY WHERE CALLUM KILLS TRISTAN! NOT EVEN IN ANOTHER UNIVERSE WOULD HE DO IT!

hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

[You do not recognize the bodies in the water!!]

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A short little comic I did for halloween, I've been watching and reading some scp stuff lately and being the type of person to combine stuff I consume with the media I was currently hyperfixating on, I thought "why not do this little crossover for halloween"

It's been a while since I last made some spooky drawings! This one wasn't as spooky as my last ones, but I'm still happy with how it turned out

speaking of c!dream, man is so weird about exile in a way that i think is actually kind of delightful and hilarious to see. god forbid he admits he crossed a line, he'd rather give you a boss battle and lots of item and your discs back and two of his lives, that's-- that's fair, right?

absolute moron. just say you're sorry! well, i mean, he isn't sorry, to be fair, he definitely isn't, but surely that's better than squirming every time it gets brought up? how the hell did he survive c!sam's questioning he was being awkward about it even before the prison

oh, sure, if he can bring it up to use it as weapon, that's fine. except he also just kinda skirts around it. of all the awful shit this guy has done, bullying a teenager for two weeks is the one thing that gets him disconcerted. and of course it does, of course. king of making up reasons for everything and all he can give c!tommy in the finale is the stupid ass excuse of ermmmm ummmm welll but i could've revived you so that didn't matter-!

nice try, bro. took you two fucking years to come up with that one and you couldn't even do a better job at it. go on, speak up. tell us why you did all that. drop the excuses, tells us with your whole chest what the reasons for your behavior in exile are. go on. you know you got nothing my man, you know you can't bear looking at it in the face. little coward put himself in a torture box but can't handle guilt. and then he has the audacity to insist he was always a villain. you can't even handle the weight of your one unjustifiable sin because the idea of being responsible for this kid's suicide is something you can't stomach. oh c!dream, who are you even trying to fool? he had you the second he brought up that tower.

Them

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)