fellas is it gay to have hallucinations of your mortal enemy where they tell you they're the only person who really knows you and you agree while you're literally in a prison that said mortal enemy put you in
the “best friends who had plans of changing the world together but then one of them betrayed the other and now they’re on opposite sides and the one who betrayed the other is now morally grey and kills people but they still can’t bring themselves to kill the other because deep down they’re still in love with them” trope>>>>
— 𝙚𝙡𝙞𝙤𝙩 «𝙚𝙡𝙞 𝙚𝙫𝙚𝙧» 𝙘𝙖𝙧𝙙𝙖𝙡𝙚 & 𝙫𝙞𝙘𝙩𝙤𝙧 𝙫𝙖𝙡𝙚.
«𝘩𝘦 𝘸𝘢𝘯𝘵𝘦𝘥 𝘵𝘰 𝘤𝘢𝘳𝘦, 𝘩𝘦 𝘸𝘢𝘯𝘵𝘦𝘥 𝘵𝘰 𝘤𝘢𝘳𝘦 𝘴𝘰 𝘣𝘢𝘥𝘭𝘺, 𝘣𝘶𝘵 𝘵𝘩𝘦𝘳𝘦 𝘸𝘢𝘴 𝘵𝘩𝘪𝘴 𝘨𝘢𝘱 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘩𝘢𝘵 𝘩𝘦 𝘧𝘦𝘭𝘵 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘩𝘦 𝘸𝘢𝘯𝘵𝘦𝘥 𝘵𝘰 𝘧𝘦𝘦𝘭, 𝘢 𝘴𝘱𝘢𝘤𝘦 𝘸𝘩𝘦𝘳𝘦 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘩𝘢𝘥 𝘣𝘦𝘦𝘯 𝘤𝘢𝘳𝘷𝘦𝘥 𝘰𝘶𝘵.»
«𝘪𝘧 𝘦𝘭𝘪 𝘳𝘦𝘢𝘭𝘭𝘺 𝘸𝘢𝘴 𝘢 𝘩𝘦𝘳𝘰, 𝘢𝘯𝘥 𝘷𝘪𝘤𝘵𝘰𝘳 𝘮𝘦𝘢𝘯𝘵 𝘵𝘰 𝘴𝘵𝘰𝘱 𝘩𝘪𝘮, 𝘥𝘪𝘥 𝘵𝘩𝘢𝘵 𝘮𝘢𝘬𝘦 𝘩𝘪𝘮 𝘢 𝘷𝘪𝘭𝘭𝘢𝘪𝘯?»
«𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘺𝘰𝘶 𝘥𝘰𝘯'𝘵 𝘵𝘩𝘪𝘯𝘬 𝘪'𝘮 𝘢 𝘣𝘢𝘥 𝘱𝘦𝘳𝘴𝘰𝘯,» 𝘩𝘦 𝘴𝘢𝘪𝘥. «𝘢𝘯𝘥 𝘪 𝘥𝘰𝘯'𝘵 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘱𝘳𝘰𝘷𝘦 𝘺𝘰𝘶 𝘸𝘳𝘰𝘯𝘨.»
"If Eli really was a hero, and Victor meant to stop him, did that make him a villain?"
Victor Vale, Vicious.
been in college one week, where is victor vale at
Same, i did not enjoy Vengeful in the same degree i did Vicious. Marcella and June had great backstories, but their use in the story felt weak. I would have ADORED to see much more Evervale flashbacks and an actual conversation. If they'd imprisioned both at some point and they'd bonded over that once again like in the old times I would have definitely lost my mind. The developement from that would have been insane. And, maybe unpopular opinion, but death trope was such a good option for BOTH Eli and Victor. Just for the symbolism of it. It would have been brilliant.
god, maybe I do need to reread vengeful
I just do not like the marcella and june chapters lol. marcella’s girlbossing and june’s… whatever she does… isn’t as good as the toxic evervale obsession plotline. NOTHING will ever be as compelling as that. it is the foundation of the whole series and there wasn’t enough of it in vengeful!
honestly I think I just need to annotate the book so I can find all the good parts more easily. because there are some lines that make me go insane
what i would give for those 4 sentences victoria said she once wrote about victor and eli
i wake up and i think about victor haunting eli as a ghost and then as a phantom every day
One of my favorite moments from Vengeful that is not talked about enough.
(Vengeful page 494)
(This is inspired by this edit: https://www.instagram.com/reel/C1XWjrMNmdZ/?igsh=NnA3NWl4ampydzg2 )
Ran to draw them as soon as V.E.Schwab posted that story.
Bonus because Eli deserves to be a silly guy.
I think it's worth observing that Eli as a character had an established backstory and principles even before Victor while Victor's whole character and narrative predominantly revolves around Eli and going against him. Even during Lockland, he found a way to make himself the main focus of Eli's project, twist his thesis into their thesis. He forced himself onto Eli's narrative, made himself the main focus. While Eli's 'kill all EOs because they are an affront to God' was because of what he experienced with Victor and their falling out, he was still more independent a character in terms of purpose. And then there's Victor on the other hand whose whole purpose in the first book was to kill Eli. It's so fascinating and is also incredibly funny considering Victor is the main character.
Lockland evervale makes me go crazy
He's so extra
Other versions and a bit of rambling under the cut
Untoned version
Textless version
I've been finding it so damn hard to draw Victor which is mainly why I draw more Eli than Victor. I think it's because I've got this image of him in my head which is hard to translate to paper. Blonds am I right?
"You'd let me die. Wouldn't You?"
Religious trauma, am I right?
The gala scene lives rent free in my head. Kudos to anyone if they can recognize which part of the fight this is from.
“I’ll be right back.”
Stell caught his shoulder. “Where are you going?”
“To get you a gun.” Eli nodded at Marcella’s security, all dressed in trim black suits. “Haven’t you noticed? The guests may not be allowed to carry, but her men certainly are.”
Stell didn’t let go.
“At some point,” said Eli calmly, “you have to let out my leash.”
The director stared at him for a long, hard moment, and then his hand finally fell away. Eli turned and slipped through the crowd, trailing one of the security guards as they split off down a hall toward the bathroom. Eli followed him in, watched the guard vanish into a stall waited for another man at the sink to finish washing up and leave. Eli slid the bolt in the man’s wake, and approached the stall door.
It swung open, and Eli slammed his shoe into the guard’s chest, sent him reeling back into the wall. Eli caught him by the tie before he could fall, drew the guard’s holstered gun, and pressed it tight to his chest to muffle the shots.
Eli eased the body back onto the seat.
It had been a long time since he killed a human. But forgiveness would have to wait.
(Vengeful 471)
V.E Schwab writes such dynamic and complex characters that are so unforgettable. Like they have so much range and spice to them,, they're just *chef's kiss*
I often find myself thinking about the gay little family in Vicious and the nerdy little romantics in Addie Larue and the bisexual Slytherpuffs in Shades of Magic. I wish I could give Kell, Lila, Addie, Henry, Victor, Syd, Mitch, Eli and Rhy a little forehead kiss and protect them.