Hey Netizens! I'm Not Sure How Many People Are Aware, But Youtube's Been Slowly Rolling Out A New Anti-adblock

Among other things, Howl’s Moving Castle provides AMAZING representation for the girlies who take too long in the bathroom. Like, what do you mean 30 minutes is a long shower? Mr. Howl Jenkins Pendragon spends a MINIMUM of 2 hours a day in the bathroom getting ready. You can’t rush beauty fr

My controversial truth is that Robin is a top and Steve's a bottom.

people are saying do it scared, but you also gotta do it alone. you'll miss out on so much you want to do if you wait til someone will do it with you. do it scared and do it alone.

Also Michael sheen is a fucking sociopath

The desperate half-grabbing at Crowley’s shoulders. The way you can see his heart break the moment he pulls away. The absolute shock and devastation on his face as he realizes what he’s giving up. The hard touch to his lips after Crowley leaves as he’s trying to get back that feeling again. The looking back. The forced smiles. The absolute agony you can see Aziraphale going through all because he genuinely believes this is the only way to make things better and being with Crowley is not more important than that. Right? Right?

Michael Sheen owes me money

Oscar : Happy that Arthur doesn't judge him for trying to kill a priest with a hammer when he was twelve

Arthur : Ate someone once

jfksdaljfklsd noel going "he's not talkin to us" when the butcher is confused by arthur responding to john is so funny

“Do you know what it’s like to be named for the dead?” James asks his father in the middle of one of many arguments. “Do I remind you of a man we’ve never met? Am I in honor of someone you watched die? Because I don’t want it.” When James Sirius Potter looks at himself in the mirror, he sees a mess of reddish brown curls and slightly askew glasses and freckles everywhere. He sees hands that climb trees and grip tightly to broomsticks. He sees his mother’s smile and hears his father’s voice. Because James seems like the thick goofball of the family, but he reads history book after history book, wishing to never repeat the sins of their fathers. If he saw any of James Potter he wouldn’t recognize him at all, and maybe, he fears, that’s where he falls short.

“Do you know what it’s like to be named for the dead,” Albus says one day to Rose as they sit by the Great Lake. “Names of men who I think aren’t the heroes I’ve been told about. Men I’m told are brave but seem just as bad as the rest.” Albus Severus Potter loves being called Al and having his hair ruffled by his friends. He loves sitting on high ledges and looking out at the vast sky and thinking about what is on the other side of the earth. Albus Potter sticks his nose in old books and keeps to himself and has no desire for greatness in any form. He doesn’t want to lead a war or be a spy. He wants to be Al and bake with his grandmother on Sundays and give his sister piggyback rides. And, most days, that feels like admitting failure. 

“Do you know what it’s like to be named for the dead,” Lily shouts one day with tears in her eyes. “I’m not her, I’m not her, I’m not her,” she repeats over and over again. Because Lily Luna Potter is a Slytherin and brutal and fierce and full of fire and made of stone. She is not soft and kind - she is not the woman who saved her child from death. Because she can be selfish and harsh and unforgiving. She spends her mornings running through the icy, frozen woods and her nights leaning over windowsills because the rush is just right.  Lily Potter will fight to the death, but for no one but herself. And does that make her somehow distorted, she wonders as she flips through photo after photo of a young woman with pretty eyes she doesn’t have and gentle hands that she will never understand. 

“Do you know what it’s like to be named for the dead?” Fred chokes through sobs as he rushes past his mother. “Do you have any idea what it’s like to be named for someone who haunts us every day and every night? Can you imagine being named for someone you can never look like because of your skin?” Because Fred Weasley ties up his wild dark hair into a thick ponytail when it’s time to play Quidditch and sees deep brown eyes when he looks at his reflection. Because Fred is dark skinned like his mother and will never look like his namesake, and is he resented for that? Is it worse to look like the brother that his father lost or to not resemble someone he loved at all? Because, most days, Fred is already different than the rest of his cousins and friends. Fred loves to laugh and play the highest caliber of pranks, because Fred is a Weasley…but that is something that no one can physically see, and that’s what’s the most terrifying. 

“I know what it’s like to be named for the dead,” Teddy tells them all at some point, his hands on their shoulders or pulling them into a tight hug. “I know what it’s like to remind the person you love of all who they’ve lost. How much it hurts.” Because Teddy Lupin is named for a man who was killed alone and frightened in the woods over twenty years ago. He is his mother when he decides he likes the color pink and his father when his eyes morph into an almond amber. Because he is an orphan and no different from Harry…and he can understand how their father feels, because he wishes to honor those who died for him, too. Because he knows he is nothing like Ted Tonks, and yet his name carries a piece of his grandfather with him and that’s why Grandmother can only call him “Teddy,” otherwise she’d burst into tears. Because Teddy Lupin lives in between Harry and George and their children - born into war and only knowing peace. And so Teddy understands exactly what it is to be named for the dead, and knows exactly why it is so important to do so. 

And even as he tries to tell them all this, he feels hot tears running down his cheeks and wonders to his parents, who have never been there, “Do you know what it is to be named for the dead?” 

Why do we love Snape, or the character who was unkindly written

Claire Jordan in one of her Quora essays said that she’s been in fandom for decades and has never seen a character so loved as Snape. I concur. Excluding some recent trends that purposefully misinterpret Snape by projecting onto him a set of stereotypes he was never supposed to embody, Snape remains one of the most loved characters in the Harry Potter universe. Every poll on Harry Potter’s favourite characters confirm that Snape is always on the top 3, sometimes reaching first place.

This is not some “bad boy syndrome”. There are two main reasons for readers to have latched onto Snape so furiously, for Snape to have been so ardently discussed and defended after HBP – and these feelings only intensified after the 7th book. The reasons, I would posit, are:

1.      Snape is a character that the narrative portrays as ambiguous.

2.      Despite this, the narrative is often, objectively, unfair to Snape especially in favour of other characters.

Let’s address the first point. Snape is ambiguous because he has to be. There are two big plot-twists in Harry Potter: Harry is a horcrux and Snape’s loyalties. These two end up closely connected because it is through the knowledge of Snape’s loyalties that Harry discovers he must die to kill the part of Voldemort that is inside him. Snape is therefore largely written as a suspect in a murder mystery. Several commentators have argued that the structure of a Harry Potter book resembles a crime novel, and I agree. Snape has to appear guilty, but the books have to give enough clues to the reader as to his true loyalties. Independently of authorial intent, this is what makes Snape so compelling. Because:

a.      Snape is cruel to his students but he constantly protects them (Harry, Draco, Katie Bell, Luna and Hermione, Neville and Ginny).

b.      Snape is described as ugly but his use of language is the most sophisticated of the series to the point it becomes sensual. Just consider his first speech in class about the beauty of potions and how they “ensnare the senses” and “bewitch the mind”.

c.      Snape is mean and petty but these characteristics are often accompanied by sarcasm and irony which make some of his most awful comments quite funny, such as him telling Crabbe not to suffocate Neville because he would have to mention it in a reference letter if ever Crabbe applied to a job. There is also a lot of incongruent humour in play with Snape. For example, him reading about Harry’s love life is hilarious because Snape and teenage drama are two irreconcilable dimensions.

d.      Snape is cruel and bullying but the narrative offers several reasons for this. While Dumbledore’s past is revealed mostly through conversation, Snape’s past is slowly revealed in images which makes it much more vivid. Snape getting a glimpse of a werewolf at the end of a tunnel. Snape’s father yelling at his cowering mother. Snape upside down and petrified by Sirius and James. Petunia calling him “an awful boy”. More than any other character, Snape is rooted in a social context that brings with it inescapable references: poverty, domestic abuse, neglect, bullying.

e.      Snape is often ridiculed (by Neville’s Boggart and by the map) but he is also given the title of “Prince”, a character with whom Harry sympathizes. He is also one of the characters who carries a sword, and whose love is presented as “the best part” of him. These are characteristics that ennoble Snape.

f.       Snape is dismissive of people’s feelings but he is also the character who is defending children because of their mothers. Lily because of his guilt, and Narcissa whom he allows to trap him in an unbreakable vow to protect her son.  

g.      Snape is taken as evil but the character whom the narrator uses as a morality mouthpiece – Hermione – often defends him.

h.      Snape kills a man but the narrative is quick to add that his soul would likely remain intact as it would be an act of mercy, arranged between the victim and the perpetrator as Harry reinforces. Harry goes as far saying that Snape “finished him” instead of using the verb kill or murder. Furthermore, we know remorse is something that mends the soul and Snape’s whole arc is about guilt and remorse – immortalized in the scene where Snape weeps at 13 Grimmauld Palace.

i.       Snape is apparently a murderer but the narrative goes to some lengths to show that just like Harry Snape has a thing for saving people. “Lately, only those I could not save” and him risking his cover to save Lupin.

j.       Snape’s trauma is often discredited but the narrative allows part of his tragedy to come at the expense of the hero’s father whom Harry spent years admiring. A relevant part of James’s goodness is sacrificed in favour of Snape’s own character construction.

k.      Snape’s trauma in relation to having been bullied is more often discredited by the narrative, although Fudge’s comment “the man is quite unbalanced” and the comparison established between James and Sirius’s use of Levicorpus and the Death Eaters using it on a muggle woman shows that it is something to be taken serious, although never acknowledged.

This last point leads me to my second assertion that the narrative is fundamentally unfair and cruel to Snape. For two main reasons:

a.      Snape’s trauma in relation to the Mauraders is discredited by everyone that counts, namely, Lily and Dumbledore. Only Harry comes closer to understand its dimensions. We can argue as to why this is, and as to whether there was authorial intent or it is simply that JKR didn’t realise how it would sound. Lily nearly smiles when Snape is being bullied which puts in question Lily’s character as well as her friendship with Snape. Both in Snape’s Worst Memory and in the conversation about the prank, she also fails to show concern that her friend was being bullied by the boy she liked.

b.      The second instance of unfairness is more serious because it is far more insidious. A careful reading of text will tell us that Snape was set up for death by Dumbledore. That Dumbledore planted the Elder Wand on Snape while thinking its power had died with him and while knowing that Voldemort would eventually reach conclusions about the Elder Wand and wish to possess it, thus killing its current owner. Not only Dumbledore never tells Snape, but he plans it beforehand. This is why he “admits” to Harry that the intention was to let Snape have the wand. Harry understands exactly what this means, and in the Final Battle tells Voldemort that Dumbledore intended the power of the wand to die with him.

This is so insidious – and cruel – that it is never openly acknowledged. Dumbledore betrays Snape, showing an impressive disregard for his life – far more than he showed for Harry’s because he knew Harry had a good chance of survival. But Snape is never given the satisfaction of having this acknowledged in the text. Snape yearned for Dumbledore’s affection but not only Dumbledore denied him that, he also denied him the truth of what he really wanted of him. Snape is betrayed by both his masters at the end. But we are never explicitly told this. This happens because the narrative is unwilling to portray Dumbledore in a truly badly light. His apparent sorrow (“poor Severus”) and his “admission” of guilt are not enough to show him remorseful because the narrative cannot bring itself to say: “I set Snape to die by planting the wand on him so Voldemort would come to possess a useless weapon”. This would change the readers’ view of Dumbledore, especially after Prince’s Tale. Remark on how cruel it is: Snape had to agree to kill Dumbledore in “good faith” so the power of the wand died with him, but all the while Dumbledore knows that Snape would get a target on his back and die from it. Dumbledore manipulates Snape into – possibly – ripping his soul and tricks Snape into his own demise. Snape thought Dumbledore was raising Harry as a pig for slaughter, but he is wrong. It is him whom Dumbledore is raising to die. The fact that this is never openly stated, and is purposefully obfuscated by the language, is somewhat cowardly. Dumbledore barely apologises, he barely recognizes it. If he did, the readers would be horrified. As with Lily, Snape is again sacrificed in favour of apparently “better” characters whom the narrative wants the readers to like more.

However, the flaw in the plan is that…readers aren’t stupid. I caught on to this when I was a teenager, and it has only intensified as I grew older.

Even at the end, Snape understands from the moment Voldemort mentions the wand that he is going to die. JKR said in a tweet that Snape could’ve saved himself, presumably by setting Voldemort straight, and so his silence ensured Harry’s victory. It is a possible interpretation. More possible still is that Snape accepted death after giving Harry his memories. The fact that he stops trying to staunch the bleeding once Harry appears shows it. His “look at me” is the request of a man who knows he’s going to die and just wants to do so by looking at the eyes of the woman he loves. In this sense, following Dumbledore’s words that “there are things far worse than death” and that for an organized mind death is “the next big adventure”, Snape showed far more courage than both Dumbledore and Voldemort who on several occasions tried to fight the inevitability of death.

It is true the narrative offers some vindication for Snape. Harry tells Tom Riddle of Snape’s true loyalties. Riddle is not allowed to die before knowing that Snape had betrayed him and colluded with Dumbledore, all because of a power Riddle doesn’t understand – love. Harry also names the son with his – and his mother’s – green eyes Severus. Finally, Harry tells him that Snape was probably the bravest man he knew.

But still, Snape is not kindly written. There is an underlying cruelty in how Snape is treated throughout the books. Because he is so profoundly unloved, because he is barely shown kindness and because no one ever takes responsibility for what happened to him, the readers feel compelled to do so. That, I think, explains why Snape is so widely loved, and why people are so ready to defend him in unprecedented ways.mak