This Fanart Of Human Alastor From One Of The Official Illustrators Who Works On Hazbin Hotel And Helluva

The Breakfast Club - John Bender

READ ONLY IF YOU WATCHED THE MOVIE.

If you’re a fan of the movie, grab a snack, this is gonna take a while…

Can some people please take a minute to remember this movie was released in 1985, so that was 37 years ago. The attitude was different back then, literally everything was different, even people’s mindset. So when you want to judge a film, think about the time of release, and how life used to be at that time. I’m so glad this movie was released before social media. Also, some people in the comments section are talking like these characters were meant to be perfect, which is the exact opposite of the idea behind the film, remember they are just kids! It’s all about the struggles of teenagers, not adults.

The Breakfast Club’s confession scene is one of the movie’s most pivotal and revealing, and it was also surprisingly UNSCRIPTED by the film’s cast. How powerful and amazing is that. The Director John Hughes left the confession scene largely unscripted, aiming for authenticity that was less likely to occur naturally if the actors simply delivered lines. While other small parts of the film (such as Bender’s unfinished “blonde woman” joke, and the “I forgot my pencil’’ line) were also improvised, it is incredible that the actors were able to successfully ad-lib such an important scene. Even the ICONIC one where Bender puts his fist up into the air as he walks across a football field with the quintessential Simple Minds’ track “Don’t You Forget About Me” blaring offscreen, originally, Hughes wanted Judd Nelson to walk across the field while the sunset showed brilliant behind him. Without Hughes’ direction, Nelson thrusted his fist into the air, and everybody, including Hughes, marveled at this stunningly natural improvised and fitting character choice. The ending has since become a beloved and unforgettable piece of moviemaking that is often referenced in pop culture, films, and television shows. It truly gives me chills every single time. 

I wanna get real deep into my favorite of the bunch; John Bender (Played by Judd Nelson), who despite having conflicts with his own abusive father and even the school’s strict principal, is a fearless leader who’s willing to stop at nothing until things are settled just the way he imagined them. In a way they looked to him as the leader sometimes later in the film. He carries a knife because he’s scared that at any point anyone could be a threat and he has to keep up his guard. Also, The scene in the closet with Vernon shows his vulnerability.  Vernon locks bender in and threatens to hurt him physically is such a raw and emotional scene for me, because it showcases that bender clearly isn’t the person he’s trying to be, but that it’s rather a front to avoid getting hurt. in that scene, Vernon has severely misjudged bender’s character and confronts him with violence, just like bender’s father. bender doesn’t fight back, because he’s in a position of weakness. Vernon is a grown adult, towering over him and using his power to push bender down. again, just like bender’s father. His whole life he’s been at the mercy of an abusive father so he feels the need to protect himself. Judd Nelson in describing Bender’s character he said “He’s always angry and bitter for the way he was treated in school and at home his entire life, that’s why he spends most of his time trying to pull the other people down to his level, this level where he feels they’ve put him.”

Bender was in detention for pulling a false fire alarm, it feels like he wanted to get the detention. I feel like the reason Bender kept getting Saturdays was because it meant less time at home with his father. It was an escape. I don’t agree with his attitude of course, and I’m not justifying any of his actions, but I can understand his trauma and what all of his manners are coming from. After all, he’s a powerful character. 

Even if he leans towards the dark side, he’s so vulnerable, but super intelligent, witty, articulate, verbally adept, quick on his feet, extremely capable, and if you noticed when he talks, he has expensive vocabulary, with the best comebacks ever. 

I really loved the scene where he gets himself caught by Vernon in order to get the rest detainees from getting in more trouble kinda proves he’s more that an arrogant kid with a devil may care attitude. He was a selfless guy who was willing to take the proverbial bullet for others. Remember the part when Claire told Allison and Brian if they came up to her in school she would ignore them, Bender was so angry and told her “You know how shitty this is to do to someone.” Also. when he told her that “you can’t stand up to your friends and tell them that you’re gonna like who you wanna like.” That was great point, that popular kids only cares about people’s opinion. He hated that. Behind his hoody, bad boy persona, he cares about friendship, and i think there’s more to him than his exterior.

About the way he was a jerk to Claire (especially the confession scene), I hated it but it’s pretty obvious that he liked her from the start. He was mean to her, but in the film they’re showing how Bender is a vulnerable 16 years old kid who’s afraid of rejection, that’s why he’s taking this method with a girl he’s assuming he would never get. He is used to being treated as worthless, that he rejects everyone before they can reject him, that’s why through bitterness and rudeness according to him, he’s protecting himself. He’s rude especially to Claire because he cares about being rejected by her, it’s possible that to him even having then hate him is better than having then not think of him at all. He’s not justified, but maybe understood. He describes himself as “A freak” when he was talking to Claire, it’s in the deleted scenes of the movie, and that’s probably why deep down all he wanted to be accepted. Don’t forget he’s a victim of abuse, he just needed someone to believe in him, and that was obvious in the closet scene when Vernon he wanted him to become violent, even threatened him, John looked paralyzed and scared, he was reminded of his father, beating him, burning him with his cigar… the realization in his eyes that there’s no escaping from the abuse was sad. The movie wanted to show the damaged, abused, scared kid, a typical teen who just wanted to be accepted, and how he would deal with everything and everyone around him.  All I know is this movie is really deep.

I always like to analysis any characters that I like before giving my judgment. I remember as a teenager I liked Bender as the rebellious, bad boy, and sarcastic guy! But growing up, and when you get old enough, after watching the movie over and over again, my idea of this character changed to see him on a deeper level. You realize that Bender is the most important character. He’s the one that broke the conformity and he made them all see each other for who they really are.

Judd Nelson made an iconic character, despite his flaws. People still dress up as John Bender for Halloween, to this day. He might’ve invented the ‘bad boy/young criminal’ character in Hollywood. I read a comment once, and i couldn’t get it out of my head, it says “If Judd Nelson had died after making this film, he would have been regarded as a modern day James Dean.” I couldn’t agree more.

People are forgetting that this movie teaches that every generation are raised by the one before, it means they are responsible for teaching their kids what’s right and what’s wrong. They don’t realize it’s people like them that make them the way they are currently.

The Breakfast Club is a timeless masterpiece. It’s the one movie they could never remake. Great decade. Best music. Best movies. 

I think I wrote an essay, mainly about Bender, because he was the most complicated, important, and damaged character. Sorry, that was really long, but I was re-watching this iconic movie, and i wanted to share my opinion. All of this, just my personal opinion, and my own point of view.

Check this interview with Judd, you’ll be surprised of how intelligent, charismatic, witty and well-spoken he is:

—> Behind the scenes with Judd Nelson https://youtu.be/gsrGzXrmyU8

jfksdaljfklsd noel going "he's not talkin to us" when the butcher is confused by arthur responding to john is so funny

The thing I love most about the LOTR films is their ability to do storytelling without words. 

Many of my favorite moments in the trilogy are ones that have no dialogue. Wordless storytelling is the one thing the films do that the original books can’t, because books Have to use words.

I argue the vast majority of the films’ depth comes through things that AREN’T the dialogue. So much of the storytelling in LOTR is done through the music, cinematography, visual effects, character/costume designs, prop designs, environment designs, performances, and so on and so on. So some of the most powerful moments in the films are the ones that have minimal/no dialogue  – like the moments after Gandalf’s death, or  the lighting of the beacons, or Boromir dying as he defends Merry and Pippin, or the moment when Frodo wakes up after being rescued from Mount Doom and sees Sam in the doorway, the hobbits in the Green Dragon after their quest ends…..I could go on and on and on. And people joke about how Lord of the Rings is “50 percent landscape shots to pretty music”, because it IS, but I argue those landscape shots are so important and emotional and symbolic and evocative! They convey so much about the world, and the characters, and the tone!  I’ve written essays on it here and here and here –

 One of my favorite moments in the trilogy is the destruction of the Ring. I love how it captures this feeling of like…. relief beyond words. 

There’s just so much beautiful wordless storytelling! The way Sauron’s tower collapses to the musical leitmotif we first heard playing gently at the crossroads when Sam saw the fallen king statue and said “look– the King has got a crown again.” The way that, after Mount Doom explodes, the soundtrack transitions into the musical leitmotif that we last heard at Gandalf’s death.  The elvish in the soundtrack. ;_: And I love Gandalf’s reactions in this scene….the entire trilogy he’s been racked with guilt over “(sending) Frodo to his death.” The villains recognize and torment him over this: Saruman saying “Gandalf does not hesitate to sacrifice those closest to him, those he professes to love” while Gandalf has no response. And then we see that Frodo did it, he actually made it, and Gandalf breaks into tears…;_; and without a single line of dialogue you know exactly what this means for him. I’ve already written an overlong essay on how I love the general “watercolor painting” aesthetic of the films, and I want to add that I love the way the visual effects for Mordor’s collapse are designed– the way broken tower of Barad-Dur BURSTS outward, like a spirit is leaving it– and how initially it seems triumphant until you realize that Mordor is falling apart with Frodo and Sam still trapped there. And then all of the Fellowship breaks down. ;_; And so many scenes in the films are like this….Frodo crawling up the slopes of Mount Doom to a warped broken version of the Shire leitmotif. Eowyn standing on the edge of the Golden Hall as the flag of Rohan symbolically flutters away, and the Rohan theme plays on the Hardanger Fiddle. Frodo waking up in Rivendell and walking out of his room for the first time as the Rivendell leitmotif plays, autumn leaves falling all around him, then reuniting Bilbo to a mature sad verison of the Shire leitmotif. When Gandalf dies, the soundtrack in that scene is the only one in the films where the vocals aren’t in elvish/dwarvish– it’s just cries of pain, wordless grief. 

And I know that’s Basic Film Theory– the vast majority of things viewers will take away are the things that aren’t in the script– but Lord of the Rings does it so well! 

Every element has so much love and care put into it. Every artist gets to add something to the story.

And I don’t actually think it’s because “every artist on Lord of the Rings was uniquely talented in a way no artists have been before or since.”  I actually have….really mixed feelings on LOTR as a franchise, both because there’s so much in them that I think was objectively Bad and wrong (like the horrible lack of diversity/racist use of coding.)But the reason there are so many strong moments in Lord of the Rings despite its inarguable flaws was because the films had an extended pre-production time that a lot of movies don’t get. Howard Shore was given years to work on the soundtrack rather than months. The visual artists were treated like storytellers in their own right.  The difference between the Hobbit and LOTR trilogies wasn’t talent or money– it was time.  

And the problem with a film industry where everyone is trying to churn out as much Content as possible is that time is something you can’t really buy.

Has any mentioned the class a drugs Sherlock does? Because it’s so funny how many adaptions ignore his opioid habit from the original stories, meanwhile Sherlock and Co is all “yeah, he does the hardcore shit”

I love it

Among other things, Howl’s Moving Castle provides AMAZING representation for the girlies who take too long in the bathroom. Like, what do you mean 30 minutes is a long shower? Mr. Howl Jenkins Pendragon spends a MINIMUM of 2 hours a day in the bathroom getting ready. You can’t rush beauty fr

Dionysus and Apollo

My biggest Rick Riordan pet peeve (I love his books but I have many many gripes with some things…)

Uh Apollo isn’t the god of fucking rock n roll stars and ‘bad’ poetry. That’s Dionysus. Apollo is the god of ballet, of studied poetry, the kind that has rules and form while Dionysus is poetry that says ‘fuck you’ to all that and scribbles on a page. Apollo is the god of ballet, a type of dance so grueling and studied that there are schools recognized for their disipline all over the world… Dionysus is the god of breakdance and dubstep not becaus they are any less hard but because it was born on the streets and taught there still. Apollo is the god that showed Michael Angelo wisdom while Dionysus drove Van Gogh to paint a night with stars no one had ever seen before and who drove Pollock mad with drink and who showed Dali that dreams could be painted. Apollo might have inspired Mozart to learn piano and read musi but it was Dionysus who drove him mad with creation. 

Apollo and Dionysus are two sides of a coin, of art and genius, of academia and emperial learning.  Apollo is the god of rational thinking and order, appealing to prudence and purity. On the other hand, Dionysus is the god of irrationality and chaos, appealing to emotions and instincts. The Greeks did not consider the two gods to be opposites or rivals, although often the two deities were entwined by nature. In fact, Dionysus’ temples were always built next to Apollo’s as you cannot have one without the other. 

Also, it is Dionysus who is the literal god of theatre, not Apollo. 

Lillith are you INSANE?????

"I mean.... Is she blind? Suffering from some form of brain damage?" -Moxxie

Bookbinding resources masterpost!

Although I've only made one casebound so far, I've recieved multiple requests to make a tutorial. And well, I'm not that good. But I can share some of the online resources that have helped me.

• Youtube

DAS bookbinding - lots of bookmaking methods, explained in detail.

Annesi Bindings - mostly casebinding, and other useful things.

Dan Siebel's kettle stitch tutorial -short video on how to do a kettle stitch. Filmed up-close.

• Tumblr

Renegade Publishing - a group of independent fanbinders. They have a discord (though it's 18+) and answer binding related questions on the blog.

Armoredsuperheavy - founder of renegade publishing. Maintains multiple docs about the full process of making a book.

Hedgehog-moss's post about bookbinding - beginner information, links to resources

•Reddit

r/bookbinding - a large community of people. You can share your progress, ask questions. You may get criticism though. Expect brutal honesty.

•Other

Alternative bookbinding supplies - We don't all have the correct supplies lying around. It's fine.

How to: Headbands - article about sewing headbands.

Don't forget to use acid free materials! Acidic paper/glue decays with time, causing your book to turn yellow and fall apart. PVA and weath paste are commonly used adhesives.

I will update this as I find more sources! I'm still learning.

my favorite part of Crowley’s confession scene is how an immortal being with no need to have a body or breathe somehow managed to work himself into a very respectable level of hyperventilating

psssst... add that Florence + The Machine song to that playlist. Add that Hozier song. Add that Mitski song. Add that popular bop. Someone's art touched you to your core and relates to you, as it did with millions of other people

that's not cliché

that's the fucking human experience, gorgeous