Writing With Color: Description Guide - Words For Skin Tone

Writing with Color: Description Guide - Words for Skin Tone

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

So let’s get to it.

S T A N D A R D D E S C R I P T I O N

B a s i c C o l o r s

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

C o m p l e x C o l o r s

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

M o d i f i e r s

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

D a r k - D e e p - R i c h - C o o l

W a r m - M e d i u m - T a n

F a i r - L i g h t - P a l e

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

U n d e r t o n e s

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

C R E A T I V E D E S C R I P T I O N

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

N A T U R AL S E T T I N G S - S K Y

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

F L O W E R S

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

A S S O R T E D P L A N T S & N A T U R E

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

W O O D

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

M E T A L S

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

G E M S T O N E S - M I N E R A LS

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”

P H Y S I C A L D E S C R I P T I ON

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

G E N E R A L T I P S

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Things that are Brown (blog)

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics 3 2 1

Writing & Description Guides

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

Describing Characters of Color (Passage Examples)

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

More Posts from Rtbamapride98 and Others

rtbamapride98

7 years ago

lead guard: men, look upon that woman in the market.

guard: what about her?

lead guard: she is possibly the most dangerous person in all of tamriel.

lead guard: she has the power of the voice, and it’s speculated that she may be the dragonborn.

lead guard: she’s widely known as the master of the thieves guild.

lead guard: she located, killed and stole the identity of the gourmet, then poisoned the double posing as the emperor.

lead guard: later, she killed commander maro and the entire penitus oculatus in a fit of rage after the dark brotherhood was killed off. she then boarded the emperor’s ship and murdered him as well.

lead guard: she has the favour of multiple daedric lords and carries their artifacts.

lead guard: she is a danger to everyone in her path.

guard: then we should kill her, now, while she’s unaware and shopping!

lead guard: fuck no, she spent seven days in jail. she’s paid off her wrongdoings.

512 notes View Post

rtbamapride98

5 years ago

82 notes View Post

rtbamapride98

8 years ago

Happy Birthday Heath Ledger 💙 Always in our hearts…

270 notes View Post

rtbamapride98

7 years ago

yesterday I called the psychiatric clinic where I made an appointment a couple of months ago. at the time they had told me that the waiting list period was 2-4 months, and I wanted to know what it was now.

I’m not sure if they didn’t understand that I was wanting to know specifically where my appointment was on the list, or if they just weren’t going to tell me that, but either way all they would say was that their waiting period is 4-6 months.

so that was encouraging.

my dad sent me the sites for a couple of other clinics to try applying to instead and I keep looking at them but I haven’t done anything yet.

I have it good, really. I’m living with my parents right now and they’re very supportive. they’re trying to help me get better and they’ve made it clear that I can stay here as long as I need. I’m not in any danger. I don’t have any emergency medical issues. I don’t have crippling debt. I don’t have a job right now, but that’s no one’s fault but mine. I know there are people doing so much worse than me. I see their stories every day. people who are still going out and doing things and getting by under horrible circumstances and here I am, doing nothing. not even trying.

really, the only problem I have is me.

when I was in school I grew to hate the question of “what are you going to do after you graduate?” so much that I banned all mention of it from my graduation party. now I get the upgraded question, “so what are you doing now?” and I hate it even more.

every time a well-meaning family member asks me that I think, nothing. I am doing nothing. I am floating. I am drifting in space.

my brother came home to visit over the Fourth of July weekend. he had a car that he wanted to bring home so my dad and I went out in my grandfather’s truck to help tow it back.

on the ride home he asked me the question.

I mentioned that I had made a psychiatric appointment and that I was sort of waiting on that.

he gave me advice. about moving forward and getting your name out there. about how things will probably suck for a while because when you send out lots of resumes they’ll almost all get rejected but things will improve. you just gotta push forward a little bit at a time. it’s good that you have that appointment but you shouldn’t just wait for your situation to get better. you always think the next thing will be better, he says, but when it comes along there will be problems with that too. keep pushing forward but don’t place all your hope on any one thing to turn everything around.

uh huh, I said.

it was good advice.

then we got distracted by a goat and he went on to give me advice about how to survive the zombie apocalypse. he was very heavily caffeinated at the time.

I couldn’t figure out how to explain that waiting for this appointment felt like waiting for a live preserver. like I was treading water in the middle of the ocean and it was all I could do to stay afloat and someone had said, you cannot wait to be rescued. you have to swim to shore by yourself.

you’ll be alright, my brother said. you did well in school.

and so I did. I made it on the dean’s list almost every semester, my professors usually liked me, I hardly ever missed class, I could count on one hand the amount of assignments that I had botched or missed in my entire time in school. I graduated magna cum laude and immediately received a great deal of ribbing about how my family had to find out from the program because I didn’t tell them. I had to repeat several times that I also had to find out from the program because they didn’t tell me ahead of time either.

I did not say that it was nice and all but I didn’t really care about it that much. I was tired and happy that it was over and that I could take the stupid robe off and go eat some cookies now and anyway you can’t say things like that, really.

I did well in school and I hated it. I was exhausted and miserable and I stressed myself sick all the time. I wanted to be able to miss class when I felt bad, or to bullshit on lesser assignments instead of panicking over them. I couldn’t. the anxiety was always pushing me forward, threatening me with the consequences of failure.

my first semester I went to see a college counselor. I said that I had a lot of anxiety.

“I notice you don’t make eye contact,” the first one said, and suggested a tentative diagnoses of PDD-NOS. I asked to see another counselor.

I saw the next one for the rest of the semester. it was difficult to fit the sessions in around class and work and productions and convocations and everything else. the counselor was nice, but I found that I was not looking forward to seeing her. it involved talking, something I have never been much good at.

she told me early on that she didn’t believe in labels. “I don’t want to put you in a box,” she said. “Everyone is different. I want to focus on your situation, not on a diagnosis and a list of symptoms.”

I nodded and I didn’t argue because she was, after all, the counselor, and probably right, even if it made my heart sink because goddamn did I want a label. I wanted a box. I wanted to say this is what I have, this is what’s wrong with me. I was very, very tired of saying this is just the way I am.

in our last session she told me that her conclusion was that I was probably somewhere on the autism spectrum. I did not really feel like that was true, but even if it was I wondered why everyone seemed interested in giving me a very vague diagnosis of something autistic but resisted putting any labels on the anxiety I had very explicitly told them I had.

I never resumed the sessions the next semester. I kept on doing well in school. college offered lots of opportunities: clubs and honor societies and extracurricular work and field trips and conferences and social events and networking opportunities. all kinds of ways to build up your future, plan for life after graduation.

I couldn’t care about my future.I knew that I should but I couldn’t. I did the things that were right in front of me, the things that I had to do, and I didn’t have anything left. I didn’t feel enthusiastic or excited about anything.

but after all, how bad could things be, if I was doing so well?

things have never been truly dire. I have never been at risk of self-harm. I get up every morning and I do some things and I brush my teeth and shower every day. I’m not sure how much of it is driven by anxiety and guilt over not doing the things, but I do them. things were never so bad in college that anyone saw cause for alarm. things are not so bad now that I cannot wait two, four, six months in abeyance.

you can’t wait too long, my brother said. if you spend too long out of college not doing anything, people will notice. they won’t want to hire you so much.

it has been seven months now since I graduated. I think a lot about those old stories about people getting trapped in the faerie otherworld. how time seems to stand still, one moment stretching out forever like a dream, but when they finally return to the real world it has been centuries and centuries.

lately life feels like floating. like anti-gravity, drifting through endless space; like swimming against a current, moving with all my might but going nowhere. things don’t work and I don’t know why. books pile up unread, projects rot, emails go unanswered and there’s no reason for any of it. things just don’t happen.

I look at these appointment forms and I think, this isn’t going to work. they are going to tell me that there is really nothing wrong with me. that there is something wrong with me but they’re not going to say what it is because they don’t want to put me in a box. that there is something wrong with me but it’s not the thing I think is wrong, it’s not the anxiety or depression it’s something else they think is more interesting. that there is something wrong with me but there’s really not much they can do about it. that things can’t be too bad if I did so well in school, if there are no emergencies now, if I am moving from day to day.

that I will sit in someone’s office feeling like I did sitting in the car with my brother, trying to explain why I have done nothing with my life for seven months, but being unable to get the words right, and they will shake their head and send me away.

I wish I had not done well in school. I wish I had failed, because I am failing now, failing at the things I want to do, failing at doing the things I am expected to do, failing at finding any meaning in anything, failing to be happy. but it’s unbelievable, even to me. it makes no sense. the fault must be mine, somewhere, but I can’t find it.

25 notes View Post

rtbamapride98

8 years ago

Dialogue Breakdown

Dialogue is an important part of storytelling. While I’m not perfect by any means, I definitely consider this to be my strength when it comes to writing. So hopefully I can shed some light on this subject and help those that want to improve their dialogue in some capacity.

Internalized thoughts:

I consider internalized thoughts dialogue said to oneself. Which is why I’m going to talk about it here.

I like to use dialogue for characterization, mostly. Since it really won’t move the story forward (since the character is only thinking it to themselves), I find it helps to create juxtaposition between what is said and thought.

Examples of how to use what is said vs. what is thought to create drama

Character is quiet or seems that way, and thinks a LOT more than what they say

A character is a liar, so they may say one thing, but we don’t know it’s a lie until they think it

A character is trying to examine someone or something else silently

A mute character

A character that reads minds—can be challenging but fun to write

Speech:

Speech and creating personality:

Think about the way someone speaks: accents, if they use curse words, if they’re always “proper” or always using slang

Think about what they say vs. what they won’t. Are they falsely sweet? Always challenging someone?

Having one character have a saying they always use is a fun way to build personality. For instance, Ron in the Harry Potter books always saying “Bloody hell”. You can come up with your own creative “curse words” that aren’t actually curse words. That will definitely up the personality of the writing and characters.

Advice for writing dialogue

If you have trouble varying the speech between characters, I’d suggest 1. Listening to people around you and what they say and how. 2. To practice.

Think about various emotions and how that can change the tone, words chosen, etc. Speech and dialogue will really speed up scenes. So if you feel like a chapter is paced a little bit too slowly, adding some dialogue between characters will speed it up.

If you’re stronger at description and find you never add enough dialogue, look through your piece and think about various areas that could be changed to dialogue instead of description OR scenes that could have a small but interesting conversation.

On the same note, sometimes it’s easier to describe a conversation than write it all out.

For example, conversations that happened in the past that someone is describing, conversations that perhaps are important to know happened in general but not in detail, etc.

You don’t always have to write out the FULL conversation. A good example of this is phone conversations. Writing out all the pleasantries (greetings and polite “how are you”s) really aren’t necessary. Get the main “point” of the conversation. I.e. why it is important for the reader to know.

Not every line of dialogue needs a dialogue tag (i.e. “she said”). If it’s between two people, and they’re really going at it (because they’re angry or they’re playfully bantering or something), the dialogue tags become unnecessary and honestly bog down the quick flow. Just clue the readers every few lines or so.

Read your conversations out loud! Does anything sound awkward or unnatural? Hearing it will help clue you into those areas that could be changed or revised.

Happy to answer any questions. Happy Writing!

659 notes View Post

rtbamapride98

7 years ago

Seven very majestic seconds.

55K notes View Post

rtbamapride98

8 years ago

Pirates of the Caribbean spoilers!!!!

I really think that Hector Barbosa is dead (even though I don’t like it). He’s death was so sad but at the same time meaningful it just made me cry. I also loved the fact that he was a father, only for some hours though. The main reason that I think he is dead is because of Jack’s line when he says “I have a reunion beyond the horizon” or something like that. I think he’s going to look for Hector just like everyone looked for him in the third movie