Not being able to call kim what he truly is in disco elysium makes me sad.
He is a silly billy.
Silly billy illy
Little silly willy billy illy man
Daba doop doop dead
Fuck i just realised how much funnier it would be if in swap au it would STILL be harry who loses his memory. A sweet guy and a genius, but clueless, so he has to be lead around by a toal disaster of a man. Fuck. I might have to redraw the idea for the comic from the beginning. B'D
what pens do you use on procreate?
HI! here are some of the brushpacks i use
and for default brushes i use
* narinder pencil
Hi! I made a height chart of some disco elysium characters using their actual 3D models! Harry's height is stated in the game to be around 180 cm/5'11ft so I used that as a baseline to scale the chart. More talking under the cut.
also I fucked up cindy's placement she should be more like 5'2
Yeah, this post certainly doesn't have all of them. A lot of the models I have are comically tiny and would have to be tediously resized using collage mode references or something and I straight up forgot about most others, this was moreso done to see if this project idea was even possible to do. It's possible I'll make a follow-up including EVERYONE though! :) eventually
I also fumbled something while extracting files, certain files were missing and now I cannot extract files At All, this is why Garte and Klaasje are messed up and it also kept me from including some characters entirely.
Overall the results weren't as interesting as I thought they'd be but I h
I just wanted to thank you for contributing to society, an amazing few hours spent in binge reading, the feelings stirring in the chest when something in Kim wakes up after all those years. Reading it and seeing all those people, sceneries. Good soup.
Kim feels for the Satellite Officer. It’s clear what he’s been through, what Harry has subjected him to over the last few years - Kim only knows the half of it, of course, but he’s seen it before, hermit-cops pushing everyone away, their partner last man standing at the bombsite. Still, it feels cruel to punish this person for it, this wiped-clean, remade Harry, looking at Kim now like a bottle-fed animal about to be released into the wild. If Kim does go to the 41st, navigating all this will be an extra layer of complexity. He should think very carefully about it - about whether it’s worth getting mixed up in all this. The mess.
A slow-burn, Kim-POV story about going to the 41st, against his better judgement.
Chapter One, Lonesome Long Way Home
Chapter Two, The Man Without a Name
Chapter Three, The Old Cinema
Chapter Four, Where The Wild Thyme Blows
Chapter Five, Sorry Cop
Chapter Six, Triturus Marmoratus
Chapter Seven, The Needlepoint Poisoner
Chapter Eight, The Remains of Tiphaine Holly
Chapter Nine, Girl Child Revolution
Chapter Ten, Retour à nouveau
I love you Acele: the organized crime refugee, survivor of violence, always on party drugs, the teenage girl hanging out with adult men because there's no better option, who makes weird conceptual sound art even after her boyfriend sells most of her equipment, who gets screamed at by a cop and decides to give him therapy, who somehow still thinks people are sweet.
I love you Cindy: the homeless artist squatting in the coalroom, who does massive street art challenging the occupation, belongs to a famously violent gang but likes people too much to go around stabbing most of them, and terrorizes the rich lady into leaving her block.
I love you Soona: the antisocial programmer, who loses her job and her dream and dedicates herself to finding out why, worries about the unemployed writers, moves her professional-grade computer into a busted-up old church to run science experiments, who lets the homeless ravers move into the church with her so she can use their sound equipment, who makes the ravers listen to her thoughts about elves.
I love you Billie: the working-class woman with an alcoholic husband, who shrugs off intrusive questions and accepts a hug for the sake of the working class, who tells the weird intrusive cop that he isn't a fuckupatoo after all, who sewed a blue lining into her husband's ratty old jacket to keep him warm.
I love you Lilienne: the single mom who survives selling fish to rich people she'll never see, who carries a sword around, who sees a cop that reminds her of her dead alcoholic husband and takes the time to be kind to him when she doesn't have to be.
I love you Isobel: the old washerwoman who has stayed when all her children and neighbors have left, who takes in the drifters and strays who pass through the village, who won't give them up to the cops even when they find a bullet in her spare room, who calls the cop a dark omen but also lets him stay for free.
I love you Elizabeth: the local girl who went off the law school and came back a firebreathing socialist, who can stop the head of the local gang in his tracks just by saying his name, who never concedes an inch to the cops, who will try to reason with armed mercenaries and put her life on the line to protect her people. Who will run the union one day if she lives.
I love you Neha: the dicemaker who bounced back from the death of her first dream, who makes dice into art objects (the cursed die!!!), who remembers all the failed businesses and weirdos, who knows how precarious the world can be, but moved into the most cursed building in Martenaise and made a corner of it into somewhere cozy, sunlight, and safe.
I love you women of Martenaise: you live in the ruins, one of the worst neighborhoods in an occupied city, the beachhead that no one ever bothered to rebuild. You live in grinding poverty, where every government and school of thought has failed even more than they have in the rest of the city. You refuse to let Harry intimidate you, but (some of) you help him anyway—not because he's a cop, but because he's a man who has hit rock bottom, and you all know what that's like. Some of you fight for causes and some of you make art and some of you care for your families, and all of you give what little you can spare to make your community just a little bit better.
I'll just post this in case anyone wants a good ref!
IT'S DONE
94 pages containing most of my Disco Elysium Fanart alll made up and pretty for you.
You can get it here on my Ko-fi! :)
[If you are here for the Disco Sapphics - this pdf does not include any of that since it's going to be it's own thing. Follow here or on Ko-fi to get notified once it's done!]
Feel free to use the cover in every day conversation btw. I know I have
when it comes to disco elysium, one of my favourite things within the game is the usage of lungs as a motif of love and the representation of this through dolores dei. it’s an incredible way of showing it, as when you love someone or something it almost seems to sustain you, becomes the air that you breathe.
however, another thing i noticed is that an overwhelming majority of the characters smoke. smoking is famously damaging to your health, more specifically to your lungs - almost like smoking is a metaphor for the way these characters show their relationships with others.
some prime examples are:
• harry du bois, who smoked heavily before losing his memory (and after, depending on player choice), a clear instance because of dora and her effect on his life and relationships for years after she left
• the smoker on the balcony, who is never seen without a cigarette, and is in an unloving sexual relationship with someone who can never understand him or truly know him at all
• klaasje amandou, who is also never seen without a cigarette, believes that she is at fault for all of her relationships collapsing and has a skewed view on what it means to love
however, my favourite example is, of course, kim kitsuragi. yes, he smokes as he enjoys the control he has over his addiction and the “cool factor” it gives him is satisfying, but i think there’s a more specific reason there - kim is so repressed that he consistently walls himself off from relationships.
kim himself says that he smokes one a day as he goes over his notes. to me, this says that he is causing minor, daily damage to his interpersonal relationships that builds up more and more over time. the fact that he does it specifically when going over notes says a lot to me too - that his work is what he’s using to push others away.
he does break this one a day rule, however - in the ending where the player chooses not to recruit kim. harry leaves kim behind. they shake hands, and as soon as harry turns away, kim lights a cigarette, a visual representation of the damage caused by another partnership cut short.
there was a great study a few years that went into the whole "ppl online are bigger jerks than irl cuz theres a virtual wall and no repercussions" and the researchers were expecting to see that be the case but it turns out that people who were really angry or argumentative online were also found to just be assholes in person and people who were pretty patient and nice online were found to be patient and nice in real person as well
and it just debunked that whole cynical idea that people will naturally be mean if theres no punishment for it