zvažme: obrozenecká drag show s písněmi z pohádek nazvaná 'za humny je drag'
Vážení a milí obrozenští přátelé, jsem tu zas a se mnou veselá historka odehrávající se v naší české kotlině, se kterou můžete být divní na společenských akcích všemožného rázu.
Banket ve velrybě, rok 1892.
Léta páně 1885 si v jisté norské zátoce s čímsi pohrávají mořské vlny. Ukáže se, že se jedná o nebývale velkou mrtvou samici plejtváka myšoka. Lidé v té době měli jeden primární instinkt při spatření mrtvé velryby - zpracovat a zpeněžit! A tak se také stalo. Kostí se ujal badatel, zoolog, diplomat, politik a budoucí nositel Nobelovky za mír Fridtjof Nansen, pod jeho dohledem byly vypreparovány a následně se do novin mezi inzeráty koupím/prodám vetřel jeden: "hoši, kupte fakt velkou velrybu". Stála v přepočtu na dnešní korunu asi 200 000. Jednou tedy (nejspíš) do hospody U Gebauerů při posezení společnosti Jour Fixe vrazil Vojta Náprstek, praštil o stůl srolovanýma novinama a pěstí a padlo rozhodnutí, že budem ti hoši, co budou mít v muzeu fakt velkou velrybu. Pánové rozbili prasátka a hej bude velryba bude viset na stropě bude to popiči a kdo to má a co se může pokazit. A tak ji fakt dovezli. Do budoucího Národního muzea. Muzeum ještě nebylo postavený. Ubytovali ji tedy v Náprstkově Průmyslovém muzeu, kde jim díky mohutné reklamě na vstupném vrátila všechny peníze, co stála, a ještě vydělala. Protože hej, ta velryba je fakt že velká!!! Zůstala tam čtyři roky a její odchod nostalgicky oželeli asi všichni kromě nebohý paní Náprstkový, která nejspíš jako jediná musela čichat ten smrad a vytírat ten tuk, co z ní kapal. (Sajrajt z ní kapal až do 60. let, kdy byla odmaštěna profesionálními prostředky. Od té doby je, nepřekvapivě, hrozně křehká. Pokud jsou vaši rodiče ročník 67, můžete jim položit záludnou otázku: víte, co se stalo v rok vašeho narození? Myli velrybu jarem asi nebo já nevim co s ní dělali) Aby se s ní před její cestou do muzea rozloučili, Jour Fixe uspořádala u Náprstkových banket ve velrybě. Osobně si myslím, že čumblr potřebuje nějaký obskurní svátek.
Banket ve velrybě bude 26. 5. 2023 slavit své 131. narozeniny. Dělejte si s tou informací co chcete. Ale já to dětský šáňo u nahrávky velrybího houkání rozhodně otevřu. A možná si do něj dám i deštníček. Kterej tam rozhodně nebude pro symboliku toho kapajícího tuku.
bestie ❌anglicismus ❌v češtině matoucí ❌může vyznít povýšenecky
slaydružka ✔️fresh as fuck ✔️neplete se s bestií ✔️připomíná to staré dobré časy za socíku
HOMOVLAJKY A HLAVOKÁNONY V ČESKÝCH POHÁDKÁCH 2
A je zde další pokračování! Zveřejňujeme to na velmi důležitý den pro lgbt komunitu - den, kdy je Anděl Páně v televizi. Dnes je tu Trans Kategorie!!
1. Popelka (Tři oříšky pro popelku)
GENDERFLUIDNÍ IKONA!!! Popelku princ a jeho kumpáni nepoznali jako myslivce a brali, že je hoch, tomu říkáme passing. Genderová závist prorazila strop.
2. Anička (Tajemství staré bambitky)
Další obrovská ikona, loupežník Karaba a hrnčířka v jedné osobě! A píseň “holka nebo kluk” je trans awakening.
3. Princezna Helena a Princ Václav (Šíleně smutná princezna)
T4T pár a nikdo nás nepřesvědčí o opaku.
Polednice a Pták Ohnivák 🌼
SPOILERY na 3. knihu Naslouchače NASTEREA
—
Každopádně tady jsou nasterey bez kápě :))
je možné, že to není přesně podle popisu, ale takto jsem si je představila já :D
Naslouchač je ta nejlepší česká fantasy, co jsem kdy četl
Ne, nezměním svůj názor
Have a fanart
sunlit forest clearing
I have been working on this piece for a while but now I finally got around to finishing it…
Great thinking @zeikra , I am planning to draw a old style map of the boiling isles, dunno if I will get to it tho.
I appreciate the input. Thanks :)
Boiling Isles Map pt.2
First of all, thank you so much for the response to the first post of this
And special thanks to @drachenfalter and @sepublic for the help
Here is the edited map.
I marked locations from the responses I got, corrected the Bonesborough’s location and added Looking Glass Ruins in the Forearm Forest.
Snowy Ribcage was mentioned also but I would assume that’s a larger area rather than a single location, so I didn’t mark it.
However I want to make a new more detailed and accurate map so Snowy ribcage will be included there.(We’ll see tho)
I now plan to rewatch the whole show, take more screenshots and try to find the location of more places.
Use #boiling isles map if you make your own map or interact with this post if you know about the location of more places
Let’s map The Boiling Isles!
i can’t do fan art or anything artistic, but i really enjoy carving things in wood so i tried to make the Halo and here’s the result
“Raised me in the halls of her kingdom…” - Michael Salvius
I just can’t stop thinking about the wild living trains in drawtectives. What the fuck. (1 York for scale)
I’m going through an artblock rn. So here is a product from my last burst of inspiration.
Got inspired listening to phonk. This is the vision.
Oh damn… this makes so much sense. So wild to think how deep can things go.
My random unsubstantiated hypothesis of the day: the popularity of "stim" videos, fidget toys, and other things like that is a warning sign that something's Deeply Wrong with our world.
Don't freak out. I am autistic. These things are not bad. However, can we just...take a second to notice how weird it is that there are entire social media accounts full of 10-second videos of things making crunching noises, people squishing slime in their hands, and objects clacking together, and that enjoying them is mainstream and normal?
It seems that nowadays, almost everyone exhibits sensory-seeking behavior, when just a decade ago, the idea of anyone having "sensory needs" was mostly obscure. It is a mainstream Thing to "crave" certain textures or repetitive sounds.
What's even weirder, is that it's not just that "stim" content is mainstream; the way everything on the internet is filmed seems to look more like "stim" content. TikToks frequently have a sensory-detail-oriented style that is highly unusual in older online content, honing in on the tactile, visual and auditory characteristics of whatever it's showing, whether that's an eye shadow palette or a cabin in a forest.
When an "influencer" markets their makeup brand, they film videos that almost...highlight that it's a physical substance that can be smudged and smeared around. Online models don't just wear clothes they're advertising, they run their hands over them and make the fabric swish and ripple.
I think this can be seen as a symptom of something wrong with the physical world we live in. I think that almost everyone is chronically understimulated.
Spending time alone in the forest has convinced me of this. The sensory world of a forest is not only much richer than any indoor environment, it is abundant with the sorts of sensations that people seem to "crave" chronically, and the more I've noticed and specifically focused on this, the more I've noticed that the "modern" human's surroundings are incredibly flat in what they offer to the senses.
First of all, forests are constantly permeated with a very soft wash of background noise that is now often absent in the indoor world. The sound of wind through trees has a physiological effect you can FEEL. It's always been a Thing that people are relaxed by white noise, which leads to us being put at ease by the ambient hum of air conditioning units, refrigerators and fans. But now, technology has become much more silent, and it's not at all out of place to hypothesize that environments without "ambient" white noise are detrimental to us.
Furthermore, a forest's ambience is full of rhythmic and melodic elements, whereas "indoor" sounds are often harsh, flat and irregular.
Secondly: the crunch. This is actually one of the most notably missing aspects of the indoor sensory world. Humans, when given access to crunchable things, will crunch them. And in a forest, crunchy things are everywhere. Bark, twigs and dry leaves have crisp and brittle qualities that only a few man-made objects have, and they are different with every type of plant and tree.
Most humans aren't in a lot of contact with things that are "destroyable" either, things you can toy with and tear to little bits in your hands. I think virtually everyone has restlessly torn up a scrap of paper or split a blade of grass with their thumbnail; it's a cliche. And since fidget toys in classrooms are becoming a subject of debate, I think it pays to remember that the vast majority of your ancestors learned everything they knew with a thousand "fidget toys" within arm's reach.
And there is of course mud, and clay, and dirt, and wet sand. I'm 100% serious, squishing mud and clay is vital to the human brain. Why do you think Play-Doh is such a staple elementary school toy. Why do you think mud is the universal cliche thing kids play in for fun. It's such a common "stim" category for a reason.
I could go on and on. It's insane how unstimulating most environments humans spend time in are. And this definitely contributes to ecological illiteracy, because people aren't prepared to comprehend how detailed the natural world is. There are dozens of species of fireflies in the United States, and thousands of species of moths. If you don't put herbicides on your lawn, there are likely at least 20 species of plant in a single square meter of it. I've counted at least 15 species of grass alone in my yard.
Would it be overreach to suggest that some vital perceptive abilities are just not fully developing in today's human? Like. I had to TEACH myself to be able, literally able, to perceive details of living things that were below a certain size, even though my eyes could detect those details, because I just wasn't accustomed to paying attention to things that small. I think something...happens when almost all the objects you interact with daily are human-made.
The people that think ADHD is caused by kids' brains being exposed to "too much stuff" by Electronic Devices...do not go outside, because spending a few minutes in a natural environment has more stimuli in it than a few hours of That Damn Phone.
A patch of tree bark the size of my phone's screen has more going on than my phone can display. When you start photographing lots of living organisms, you run into the strange and brain-shifting reality that your electronic device literally cannot create and store images big enough to show everything you, in real life, may notice about that organism.
I'm binge watching documentaries and I am so angry.
You don't get to yell at and blame people in poverty for doing the only thing they can to make money without providing an alternative.
I don't care if they're hunting manta rays or destroying the amazon rainforest, unless you provide a sustainable and feasible alternative for those workers you have no right to put the blame on them.
You don't get to blame people just trying to feed their families, you don't get to point at them in front of thousands of people and say its their fault and then show Elon musk as some kind of environmental hero.
And you don't get to show wildlife tourism as a sustainable or suitable alternative.
Boiling Isles Map pt.2
First of all, thank you so much for the response to the first post of this
And special thanks to @drachenfalter and @sepublic for the help
Here is the edited map.
I marked locations from the responses I got, corrected the Bonesborough’s location and added Looking Glass Ruins in the Forearm Forest.
Snowy Ribcage was mentioned also but I would assume that’s a larger area rather than a single location, so I didn’t mark it.
However I want to make a new more detailed and accurate map so Snowy ribcage will be included there.(We’ll see tho)
I now plan to rewatch the whole show, take more screenshots and try to find the location of more places.
Use #boiling isles map if you make your own map or interact with this post if you know about the location of more places
Let’s map The Boiling Isles!
Need to take note of this.
I think this is the most detailed overview we've gotten of the Titan so far.
So I decided to try and make a quick map of a few points of interest.
We've got Bonesborough on the right Forearm,
Latissa roughly in the Armpit,
and The Emperor's Castle around where the Titan's Heart should be.
The Knee is a location itself,
and we know that St. Epiderm is close to the Knee.
There are a few more locations we could try to pinpoint, but I think this should be enough for now.
Boiling Isles Map
While watching The Owl House I have wondered what would the map of the Boiling Isles look like.
So I drew it…
I didn’t give to much effort into making it look nice but it serves its purpose…
Here I marked some places I could guess the location of (not sure about Bonesborough-edit: it’s wrong it is on the right hand)
But here is when I would like to ask for help…
so if you are interested or know the location of other places let me know-
Comment, reblog or even make your own map (use #boiling isles map)
Let’s map the Boiling Isles!
They provide shade, food, and effectively cool down the environment because they don’t hold heat like asphalt, pavement, bricks, traditional roofs, etc.
Trees provide habitat for birds which eat immense amounts of insects including caterpillars, mosquitos and flies, while also fertilizing the soil with their exctrements.
Some trees fix nitrogen into the ground making the soil more fertile in a natural and effortless and free way, just by standing there.
More trees also means more wood.
Trees can be used to create food forests, which in turn reduce the chances of forest fires because with well-managed living crops growing in the soil under the trees they hold more moisture and don’t catch on fire so easily.
Add a small amount of chickens per large area and you have extra fertilization and excellent pest control as they eat the insects that also like to eat vegetables.
Tree roots also hold the soil together, preventing soil erosion while providing excellent drainage so that when it rains, the water can penetrate the soil faster, preventing floods as well.
Kinda wanna draw this…
And some cottagecore lesbians are running a small cafe with cute robots as waiters.
Mossy forest🌿
When I think of solar punk, I think of my grandparents. I think there are many approaches and solutions to solar punk depending on where you live, the climate, rural or urban, land availability, budget and so on.
But for me, I remember my grandparents and I think it is crucial to gather the knowledge of our elders and let it feed into the new we create. Both were farmers and extremely resourceful. Long before my mother was born, and while our country was still under British rule, they had tried to live in the city as labourers. It was the modern thing to do in a colony, leave what was called the primitive life of huts, farming, animal herding and hunting behind and instead contributing to the colonial project. It goes without saying that this project was extremely racist that they were destined to be labourers for the rest of their lives. They both hated it.
In the city, my grandfather had done several manual jobs including working in an industrial bakery and working in a sausage factory, which lead to him never eating sausage again. My grandmother worked as a cook and housemaid for an Indian family (above Africans in the colonial construct) and found it demeaning. She had two miscarriages during this time.
It was then that they decided to turn their backs on the city and return to the village. For many this would have symbolized a step back, a step away from civilization, and it also meant a lot more hard work. But instead of living in a crowded, dirty slum (Africans were not permitted to live outside these slums), they got to build their own homes in an ancient tradition. Instead of breaking their backs for a demeaning overseer and paid pennies, they got to do whatever they wanted with the fruit of their labour. My grandfather immediately set up gardens which he cultivated with vegetables for sale back in the city. My grandmother followed suit and always made sure to make some money of her own. It was after this return that my mother was born.
The work was hard, but not any more or less than it would have been back in the city. In the village they were their own lords and weren‘t dependent on anyone else but themselves. It‘s where they were human and among those who saw them as such.
I think about this a lot and I think about how I could perhaps improve on their project. Find a way to build on what they left us. This is where I would love to continue, adding solar punk to the mix. Some people hate rural Africa, want to hide it and I get why, it‘s not nice to be reduced to it. But I love it, I see it as a chance, as something that can be cultivated and grown.
Look at me messing with lighting
This is Rune, my new OC
First time drawing with a vanishing point
+ blood version
Fear me when I don’t know what to draw!
Oh ye my first mha fanart…
https://perchance.org/random-fanart-prompt
My feline origin for our 1.18 smp
*why are big monsterous hands easier to draw than normal ones?
Drawtectives mini-comic
I-LOVE-THIS-SHOW