You Know What? I'm Crying.

okay, so i've yapped a lot about how umemiya and kaji relate to sakura's character development as a leader and now i want to yap about how his personal growth is mirrored in nirei (+suo).

at the beginning of the series, sakura and nirei were functionally polar opposites: sakura was physically strong, but was out of touch with his social and emotional skills, whereas nirei had strength in social and emotional intelligence, but was physically weak.

when sakura first met nirei, he formed a negative opinion based on what he could see that he would soon retract. it's hard to see inner strength at a glance, just like how it's hard to track the growth of one's inner strength, especially in a fighting series.

what isn't hard to track in a series like wind breaker is physical strength, which is where nirei's arc comes in.

nirei's journey in becoming physically stronger is running parallel to sakura's journey to build his emotional strength, meaning that nirei's growth in physical strength is a direct, visual representation of sakura's growth in emotional strength.

and the person who is largely shepherding these two in their respective journeys? suo.

suo not only helps translate emotional/social situations to sakura (and also sakura's emotions to others) thus helping him navigate those conflicts, but he is also nirei's literal fighting instructor.

he also sometimes has to guide nirei on how to interact with sakura since they're so opposite from each other, which does suggest a personal familiarity with both sakura and nirei's mindsets. (we don't know much about suo yet, but if i had to wager a guess, i would say that he started out both physically and emotionally weak, which would be why he has such a deep understanding of sakura and nirei.)

from what i can see, these three are a really well-crafted trio and i'm excited to see where the series takes them.

I agree with your points about how Suo and Sakura fool each other super well! I also love how differently they approach problems when a plan is needed. Like how Sakura tends to jump in headfirst, but when a plan is really needed he turns to Suo and trusts him to handle it. And Suo’s plans for protecting the bridge were legitimately brilliant, showing how correct Sakura was to trust him with it. (Seriously, Suo’s talent for strategy that goes beyond even their normal one on one fights and into planning out giant group fights is insanely impressive and I somehow never really see anyone mention that) But I just love that while being foils of each other they also support each other where they can and become much stronger for it

Going off on a tangent here, but Suo’s intelligence has to be one of my favorite parts of his character.

A little detail I like is how he references Japanese mediums of storytelling:

But the best example of Suo’s sheer intellect is during the Tsubaki chapters.

When Suo talks about the significance of Yui planting the dogwood tree, he first explains it’s Hanakotoba (Japanese flower language).

However, the “Am I indifferent to you” definition is not part of the dogwood tree’s flower language. In fact, Suo actually refers to this custom from the 19th century:

As Yui was the one who planted the tree (rather than Ito, the male), she (the woman) conveys that her feelings towards her husband are not of indifference despite his prior belief. Since this was a tradition from the Victorian Era (which predominantly took place in the United Kingdom and its colonies), Suo explains the meaning in English rather than Japanese.

And as you’ve mentioned here, Furin would’ve been cooked by Noroshi’s massive numbers if Suo didn’t come up with their main strategy. Additionally, Sakura would’ve never worked with Sugishita or realize that he can’t fight alongside other people properly if it wasn’t Suo who had guided him.

Because of Suo’s guidance, Sakura was able to take down enemies with Sugishita and fight well during the first half of Noroshi. In a way, Suo is the brains to Sakura’s brawn (and Nirei would be the heart).

zoro unlocking conquerors/supreme king haki while having a flashback about luffy, explaining him as the reason he did so, was insane narratively.

zoro’s devotion is as unquestioned as humans’ need for oxygen, his loyalty is as sure as the need for ground beneath our feet. but to place luffy at the center of even his willpower and ambition, that’s something.

supreme king haki is an unteachable, one in a million power that’s tied with having ‘kingly’ qualities. but zoro doesn’t want to be a leader, he relishes in following. he states, with a picture of luffy in his mind, luffy commenting that he needs no less than the world’s greatest swordsman, that he made a promise. his promise to kuina and luffy is at foundation of his drive.

zoro’s supreme king haki does not stem from the ambition of a king, it comes from wanting to be his king’s very best soldier. he wants to be the greatest, and he wants to be no less than that for luffy. a king, sure, but in the way that a king would answer to a god.

when asked “so you intend to be a king, then?” zoro’s initial instinct was simple, “what?” because that had never even crossed his mind. but he agrees shortly after, with the image of luffy in his mind, “that’s right.” and he became the king of hell, serving a god of the sun.

zoro doesn’t have ambition to conquer, not in the same way luffy does, but he wants to conquer whatever stands in luffy’s way. his ‘kingly’ attributes are accelerated by devotion, like a king would devote his life to his country, his everything. while becoming the world’s greatest swordsman is a convoluted example of a king, sitting atop a throne of symbolic power, i think it’s more accurate to call what zoro unlocked ‘supreme soldier’ haki. ‘conquerors’ haki in the way a marshal would lead an army for his king, and not the king himself. conquering the battlefield as a victory for not only himself, his ambition interconnected with others (those he loves).

i don’t mean to diminish zoro’s ambition, to be the world’s greatest swordsman is a king in itself and that should be recognised. but nothing can detract from the fact that as he unlocked this power, the power of ultimate will, his mind was full of luffy and his smiling face. luffy has always and will always be at the base of zoro’s goal, since the day he met him. becoming the world’s greatest swordsman was no longer solely tied to kuina but now equally his captain, who could have no less than the world’s greatest swordsman.

and what an interesting development we saw happen in front of us. comparatively, the reason for every strawhat’s dream is born from their past, but we witnessed the reason behind zoro’s dream evolve in present time. he no longer strives for kuina alone. he will be a king, because it is what luffy needs as well. he will be the world’s greatest swordsman because he’s got a promise to keep to his captain and his best friend.

a one in a million power, unlocked as a result of a promise. zoro’s devotion is indescribable, his loyalty and his love is quite literally one in a million. if not even rarer as we have never seen an instance of supreme king be activated for someone else. i cannot articulate the beauty of it

zoro spending most of his waking hours in the company of the moon (himself). his vigilance when in solitude, his natural inclination to the night being a reflection of himself.

zoro sleeping with the sun (luffy). the hours he allows himself to relax and let go of his alertness. always on the deck, bathing in sunlight. his sleeping hours being a reflection of the vulnerability he allows himself with luffy, with the crew.

sun and moon zolu you have my heart

nice: futility in the pursuit of perfection

(spoilers for EP 1 under the cut)

note: i'll refer to the original nice in this analysis, not lin ling. (we'll talk about him later LOL)

this is purely based off of the official trailers, pv, character concept, and episode one, so my thoughts are subject to change as more episodes are released <3

in nice’s character concept, he’s is shown to be nothing short of a perfectionist. everything has to be perfect: stationary, plates, silverware (or goldware, i suppose) have to be in their rightful positions. all of his belongings are gold, white or fall in a shade of brown, black. even his pillowcase is set in a neat geometric pattern. his hero costume’s color scheme- gold, white, and blue- screams sophistication and poise.

nothing can be out of place- so why choose to die the way he did? it's messy, undignified- and most importantly, public.

what type of fan wants to see their shining hero's brains splattered out on the street? in his hero suit, no less.

nice wanted to permanently tarnish his image of being “perfection incarnate.” he decided to damn himself even further by pointing finger guns at lin before falling- a bittersweet farewell.

despite his endless pursuit of perfection- and having seemingly obtained it (with the title of no.10 hero, his face plastered across every other billboard in the city, and a beautiful girlfriend fitting of his clean, polished image)- i think nice hated himself.

his floor in hero tower is devoid of any personality or sentimentality. the only decor is a piano off to the side, two treadmills (the other presumably meant for moon)- and most importantly, a statue of himself- of nice- in the middle of it all.

offering a palm out to whomever stands before it, the statue almost seems welcoming, friendly. almost. it looks like it belongs in a city hall or museum, not someone's personal residence.

so why keep a statue of himself in his personal living space?

you could theorize he's narcissistic. i mean, people would kill for the prestige tied to the name "nice." (we even get a glimpse of this jealousy in his character promo- hello mysterious stranger.) maybe it inspires him as he steps into another day of being “nice.”

but to me, it’s a reminder fueled by self-loathing.

nice has nothing- is nothing- without being perfect, adored, and envied. he's a former ballet dancer- an art form known for its severe dedication to the craft. we don’t even know his real name. If he can’t be the perfect hero, what is he? And when that image is threatened, what will he do to maintain it?

according to the official trailer 3, nice says he will “use whatever dirty tactics it takes to prevail.” the “villain” we see in his PV calls him out on his hypocrisy, implying that he was involved- or at least knows of some of nice’s misdeeds in the pursuit of perfection.

hell, even his own hero name calls him out. To be nice is to be agreeable, pleasing. niceness is a surface level trait: a veneer meant to cover imperfection and rot. he's not supposed to be kind, much less good.

“Nice” has to be perfect, and whoever held the mantle before lin was unable to afford the cost.

How do you feel about suo character? Do you feel his arc will start after kiryuu?!

Suo! my little shit! my favorite instigator!

jokes aside i love Suo! he's an incredibly interesting character and not just because we know jack and shit about him

he's a good foil to both Sakura and Nirei and i would love to study him under a microscope and all three of them play off each other So Well

Suo was really the one to break the ice when Sakura first arrived at Furin, which considering how Furin is probably wasn't really something that Sakura would've needed in the long run but it made things easier especially for Nirei's nerves

he does a lot of small things in the beginning (showing off how he can get people to accept his requests like he says himself side note love how both of these examples involve Sugi)

it's kind of funny in the way that Nirei's usually the first one to reach for Sakura (i talk about it more in my ramble here), Suo acts as the kind of bridge to allow Sakura to reach others or vice versa (others reaching to Sakura i mean)

during the grade captain vote, no one was speaking up to volunteer themselves or others and only when Suo volunteered Sakura did the others speak up to agree but also spoke highly about Sakura in the same vein or again going back to him breaking the ice with Sakura meeting the rest of 1-1

i love his relationship with both Sakura and Nirei (do not fucking separate this trio /hj) and how they both affect him

Suo's true emotions, hell possibly even his "real" self under all the masks he puts up, are brought out because of Sakura (his proclamation of taking the top spot and his clear, honest passion) and Nirei (running away from where Suo was protecting him so he could properly focus on the fight)

(anther side note i think this panel is one of the few times we've seen him lose his composure)

which actually kinda brings me to another point and it's a very small one but interesting nonetheless to me but it's the panel of Suo and Kaji training together

the matchup always intrigued me and im dying to know what the thought process was here (there's a fic that explores it here please im begging yall to check it out) esp going the route of both of them having smth that they want to hide (Kaji's berserker beast v Suo's merciless brutality) because they hate that particular version of themselves (though in Suo's case i dont think it's... hate but more like a general distain of it, not how one should properly act kind of thing) granted this is all hc'd territory so take it with a grain of salt

im certain that he envies / admires how Sakura and Nirei can be so open about who they are so authentically (and even push past their perceived limits) which im sure is what drew him to them to begin with (this goes into that beautifully) because whatever he went through has made it so he feels as though he cant be his authentic self

as for whether or not i think well get his arc after kiryuu... honestly i feel like his past might involve the Next Big Arc in a way? i know ive seen people speculate hes got connections with the yakuza and i could see that tbh

through my VERY CURSORY LOOK into leaving the yakuza, it doesnt... seem to be as a big a deal as i was expecting? if youve got a good relationship with the person you work under then its pretty easy for you to leave, though reintegrating with society is the hard part from there. i read that it is possible to just... kinda vanish too, though that wouldnt stop another member from tracking you down (and no fingers are being cut off)

if not a full blown yakuza, i could see Suo being part of a different gang and for one reason or another he left it so his former gang members track him down to either a. drag him back or b. punish him for leaving. not sure if his master would be part of said yakuza / generic gang or if his master is the one who got him out of there (which. hilarious if thats the case boy just went and joined another gang instead)

i dont know if his arc will start immediately after Kiryuu (i could see Nii-sensei throwing in a mini arc that leads into Suo's (like with Ito into Gravel)

whether or not it will though i love this silly lil guy! my craptastic gentleman son

Every Nightwing writer of the last fifteen years: I've taken the guy famous for being regarded as one of the most competent and capable nonsuperhuman heroes of his generation, literally legendary for being one of the only ones every single other hero would not only drop everything to go help but that also pretty much every hero would love to have on speed dial to get HIS help in most any situation ever, and I've either completely isolated him and estranged him from every single member of his family and community, or I've enmeshed him so thoroughly with his family and community to the extent that literally none of the stories in his solo title would be capable of existing without their presences, they're that fundamental to the arcs and more integral to the solutions than he is himself. But why stop there?

I've ALSO taken the guy famous for personally crafting his two most iconic superhero identities, Robin and Nightwing, with the first being made so fundamental and integral to the superhero landscape by him, it became one of the most iconic legacy mantles in the DC Universe. And the second being so larger than life and associated with safety and security and meaning so much to so many people that even complete strangers can not fathom a world without Nightwing anymore and rush to fill the void any time he's not around, the figure of Nightwing is considered that ESSENTIAL. And I've stripped him of his basic sense of identity and autonomy either as a literally faceless and nameless spy or a literally masked and nameless Talon or else taken away his memories or blah blah blah in myriad other ways made it impossible for him to BE the figure who famously turned his sense of identity into not one but two separate icons forever stamped onto the superhero landscape and leaving their marks in untold ways, because what is the guy famous for his sense of identity without....his sense of identity? Just a guy!

Haha! I've done it! I've deconstructed Dick Grayson!

Me: You literally the fuck have not. That is not how deconstruction works. NONE of this is how any of that works. You sound so dumb right now. What did you accomplish, what was any of it for. What insights did it deliver, what did it reveal that was previously unknown about Dick Grayson when he was in the costume or possessed of his usual skillsets that couldn't be known until all of that was stripped away from him? How was he changed by any of these experiences or was he just reset to his default mode at the end of each one and then shoehorned into the next contortion before any actual reflection upon or development from all the preceding events was made possible? What do we know about Dick Grayson, what is new about him, what essential Dick Grayson-isms have been woven into the character due to your work, or did you simply change the set dressings over and over while repeating the same beats and intoning, Huzzah, A Dramatic Transformation Happens Before Your Very Eyes!

Every Nightwing writer of the last fifteen years: No, see, I don't think you get it. My work was transformative. I proved that if you take away Dick Grayson's friends, his superhero speed dial, his memories, his acrobatics, his name, his agency, his literal everything that makes him who he is.....he's just some guy. All those things are what define him! That's who Dick Grayson is!

Me: Right. The friends and colleagues who would all drop everything to help him or pick him as their first choice to Phone A Friend when in crisis because....he's Dick Grayson. His memories of....being Dick Grayson. The acrobatics that are synonymous with....Dick Grayson. The agency that famously lets him rebuild a sense of self and formidable will no matter how many times he's been brainwashed or mentally fucked with because at his core, below the surface of all those manipulations he remains....Dick Grayson. His literal everything that made Robin and Nightwing who and what they came to be known for....because of what he, Dick Grayson, imbued those mantles with to make them iconic in the first place. Yup. You really nailed it. At the end of the day he really is....just some guy. Your insights are just stunning. Incomparable. The stuff of legends. Gosh we'll miss your work but it'll definitely forever be remembered in the Writing Hall Of Fame for being absolutely fundamental to the characterization of.....Just Some Guy, I guess?

today i am thinking about zoro and luffy both having two constantly depicted scars. one on their eye each and one on their chest each. so intrinsically intertwined they have matching mortal wounds.

and i know it’s silly, and coincidental, but i like to think it symbolises them understanding each other more and more as time passes.

zoro got his chest scar clambering and falling on the way to his dream, being defeated by mihawk so easily then swearing to never lose again. and luffy who got his chest scar clambering and falling in a different way. they understood ultimate defeat respectively, loss and something that hit, quite literally, over the heart. their chest scars are their most important reminders of strength, the need for it. and loss, the need to avoid it.

and then luffy, who’s eye scar is a self-inflicted wound as he tried to convince shanks he could be a pirate too- he was strong enough. and zoro who got his eye scar during the timeskip, in a way we still don’t completely know, in the height of his self loathing for not being strong enough. they both got the scars around their eyes for the future ahead of them, and in trying desperately to get there. luffy asking shanks to take him onboard, and zoro asking mihawk to train him. the scars around their eyes are ground zeroes, an ask, a plea, complete determination.

one piece started and zoro quickly learned to understand loss, knew loss, while luffy would learn loss so deeply in marineford. one piece started and luffy understood the need helpless desperation, growing up with shanks refusing him. and zoro learned that later, so horribly, after thriller bark turned into the sabaody incident turned into marineford where he couldn’t do anything.

zoro and luffy understand each other so completely, they’re soulmates. but there are still parts of themselves which are obscured, different, simply because they are two different people with two different histories. and those things that are missing come with age, experience or being together. they understand one another more each day, somehow that’s possible, and i think their scars are a good example of it. them learning things which they may not have understood before, connecting to parts of each other they may not have connected to before.

i saw someone say that every time gojo lets himself be human, he ends up getting punished

... hello???? i was having a good day??

Trying something new, would love feedback/comments?

Nightwing belonged to the Graysons and to Haly’s and to the NTT and to Clark! Nightwing is a Kryptonian mantle that Clark gave Dick - to the person Dick Grayson; to a man he’d know since he was a kid, who Clark trusted with his life, with his son’s life. To Clark’s ‘multiverse constant’, who said Clark taught him ‘the meaning of selflessness and heroism’. Who would always love Clark, Clark who grieved Dick’s death even after JokerSuperman  in jest killed his soul, Clark who was overjoyed to discover Dick’s death fakedundone, who hugged Dick after his Ultra-ego hurtkilled him, Clark, who gave love that didn’t hurt to receive. Nightwing belongs to Donna, to Kid Flash, to Roy and Garth, to Lilith and Raven and Victor and Gar and Joey, to a top heavy tower and life amidst budding gods. Nightwing belongs to Kori, to open skies, and freedom heavily sought and fiercely guarded. To Dick Grayson.

Nightwing, God of Rebirth, belonged to the kid who built a life from broken bodies and a strange, cold city, who picked himself up after countless arguments and a door afist slammed in his face, who re-opened the door and blamed himself for noticing the dent. Who smiled when he heard whispered, half awed, half bitter, ‘he will not bend; his will exceeds his reason’ because if his death meant his team would be safe, how could that be anything but good? Nightwing belong to the boy who loved his teamfriendsfamily with everything in him, who scrounged together the last vestiges of himself to hold off the grim reaper while they lay captive in its path. It belonged to the boy who was replaced, who got back to his feet after losing the love of his life to duty and misfortune, who shouldered the blame as easily as he flew.

Nightwing was the man whose other half died for him; who broke, whose friendsfamily scattered to the winds, whose brotherinarms loved him enough to creating a new teamnotfamily. The man who, when the Gods disappeared, lead the Titans to bring them back. Who rose to his feet each time: when his past burned down, and his present exploded for having known him; who fell on a sword meant for another, and tarnished, brought together a corrupt, thankless city only for it to be snatchedexploded at the very last second by a man he considered foereluctantallyfrie-FOE. Who considered giving in, only to be saved by care finally returned. Who found the love in harshness, and saw the love in duty and under a stiffquiveringatthestateofhisgrandsonsoncharge upper lip. Who rose just as the ground disappeared from under him. Who pulled on a cowl hateddreaded, stepping into the hole in the cave; who smiled under a barage of hissed insults from a childbrother? and avoided the friendsbrotherssisters he yearned so dearly for. Who tried not to cry when the hole in his life refilled only to tear wider with brother gone.  Who looked into the mirror, face creased by loved ones lost and lost love, lined with guilt and grief, and saw a straight back, unbowed shoulders and bright eyes.

Nightwing IS Dick Grayson. No one else.