Want To Be Clear That If I Ever Talk About A Headcanon And Then Later Discuss A Headcanon That Is Directly

Cassian <3 part of an ongoing project w/ @itsargyle

oc guy moodboard

i wrote a twin cinema poem about two gay soldiers in wwi

context: the two sides, read separately, are the two soldiers thinking about their futures with each other. when read together, it's a reflection of their final thoughts when they die together struck by bullets <3

the dynamic i think

begging small indie musicians to post lyrics to their songs because with all the love in my heart 🫶i dont know what ur saying🫶 and no one else can tell me 🫶

another thing that's deeply fucking annoying is the way schizophrenia is treated as an all-or-nothing thing, where if you don't have the most severe presentation of it that cannot be masked under any circumstances ever, you can't have it at all. and also if you're self aware of your symptoms in any form, you can't have it at all, especially (in our experience) if you have any awareness about your delusions, even if your awareness extends only as far as "other people think these are delusions and i know this because i've been told as such, so it isn't safe for me to talk about them because i risk getting hurt if i do"

Morrigan! he’s from the same universe as Cassian. same timeline too…. he just dresses like that. (meme by @itsargyle )

WE WERE LITERALLY TOGETHER THE OTHER DAY AND UR BOOTS MADE U BARELY TALLER THAN ME UR FIVE FOOT NINE

if you’re lgbt reblog this and tag your identity, height, and whether you walk slow or fast

You should be able to say “don’t touch me” to anyone ever in any context and not have it be considered in the realm of surprising or insulting imho if we ever needed to normalize something it’s this

The thing re Weird Al that I think is worth recognizing is illustrated by the Spike Jones Jr quote “One of the things that people don’t realize about Dad’s kind of music is, when you replace a C-sharp with a gunshot, it has to be a C-sharp gunshot or it sounds awful.“ It’s like really good parody has to do it all backwards and in heels, and Weird Al gets in there and counts the syllables and pours over the phrasing and word choices so that it all sounds precisely like the original, and then re-records the song, acknowledging the tiniest details of the recording, and also makes it a highly detailed spoof of an adjacent and absurdly unrelated piece of popular culture. I think really good parody has a love for the source materiel that’s impossible to fake. It takes real musicianship (or craft) to do and it usually gets tossed aside as “novelty” recording.