People might bring up Vincent van Gogh as an example of a painter who did great work in spite of, or because of, his suffering. I like to think that van Gogh would have been even more prolific and even greater if he wasn't so restricted by the things tormenting him. I don't think it was pain that made him so great, I think painting brought him whatever happiness he had.
—David Lynch
[said very pleasantly] i see you have mischaracterised my blorbo. that's okay. that's fine. everyone interprets things differently. i'm exploding you in my mind with the power of 9754685 suns btw
Something that I've been thinking about lately: the difference in how Theo talks about Pippa compared to how he talks about Boris in his adult years.
Theo talks about Pippa like she's perfect, or at least the perfect one for him. He's convinced that she is the one he is meant to be with, the only one who could understand him. But the way he talks about her doesn't come off as love, but as an obsession instead. I'm not saying that he doesn't have any genuine love/affection towards her, I'm sure he does, but he has definitely romanticized her existence to the point that the person he thinks he's in love with is completely different than the real one. He barely knows the real Pippa because getting to know her would mean that his fantasy would dissappear. So he ignores all those things that don't match his ideal version of Pippa and talks about her like she's perfect. Her imperfections, if he mentions any, are endearing. But, still; somehow most of the times where he tries to compliment her end up sounding weird (Unexpected glimpse of her white armpits). He can't say anything about her that isn't superficial because he doesn't see her as real person but as his walking fantasy.
Meanwhile, Theo seems to want to reminds us (and himself) everything bad about Boris. He is quick to point out his faults, even when he says something nice about him or expresses his feelings about him. And surely, Boris does have a lot of faults, but it's weird how often Theo talks about them unprovoked. Like he wants to make sure everything else he says about him doesn't sound too gay. He focuses on the negatives because he is afraid of his feelings. He isn't ready to admit that despite his faults (which were numerous and spectacular), he still loves him. He likes to point out all the ways that Boris is different than him, almost like he's trying to convince himself that they belong in different worlds, like they could never work out, despite it being quite obvious that the two of them aren't very different where it counts. Regardless of these habits of his, Boris is real to him. Perhaps the problem is that Boris presence is his life forces him to acknowledge his real self too. (A self one does not want, a heart one cannot help.)
In conclusion, despite Theo's best efforts to convince himself that he's totally straight and in love with Pippa, I think it's quite obvious to everyone with enough reading compensation skills that the one he loves is Boris. He can talk shit about him and put Pippa on a pedestal all he wants; but the truth can't be hidden. Donna Tarrt told me this personally btw, don't doubt me.
The life hack is that if you keep consistently doing healthy things even when you feel like shit you’ll eventually feel less like shit on principle alone
there has to be subtext behind boris singing the song about two kittens to theo after being horrifically beaten at the hands of his father and then proceeding to call his girlfriend a nickname that means kitty cat
calvin and hobbes, bill watterson / clear night, charles wright
STOP saying boris's scandinavian wife and three children are fake!!!! let adultery and absent fatherhood into your hearts!!!!!
It's crazy how you have to choose to be different and then once you do it's not even over - you have to choose it again and again forever and yes one day it will feel so natural you don't even notice it anymore but there is no short cut to there, just willpower and repetition
i want a penis but also i would get a boner from a stiff breeze. i would get hard from biting a particularly crisp apple
NEVER be vulnerable. FLUSH your medication down the toilet. LIE when people ask how you’re doing. SUPPRESS your feelings. ALWAYS be irritable and abrasive. MAKE SURE you push away anyone who’s close to you. CANCEL your therapy appointment.
— Donna Tartt, The Goldfinch