Captain Flint - Blog Posts
the actor of flint is really putting his entire cunt into reflecting the tense duality of total emotional unavailability and “looks gutted everytime someone talks to him sincerely”
so i went from black sails brainrot to further watching house md bc i found out where i stopped last time and. and there it is again. you sound exactly like him? more like you're sleeping with me
James is an English language given name that is a derivative of the name Jacob, most commonly used for males. Source: James (given name)
I WAS CORRECT ALL ALONG???? HE IS ACTUALLY JACOB FLINT???? Or Jacob McGraw.
Staci Silver and Jacob Flint
What do you mean Jacob and Staci are not a canon ship?
I have seen them (a little hot shit in his 20s and a grumpy ginger man in his 40s) in a ship, on a ship, sailing the said ship for 2 seasons straight and 2 seasons gay.
They are very much cannon.
ba dum tss
Staci Silver and Jacob Flint
What do you mean Jacob and Staci are not a canon ship?
I have seen them (a little hot shit in his 20s and a grumpy ginger man in his 40s) in a ship, on a ship, sailing the said ship for 2 seasons straight and 2 seasons gay.
They are very much cannon.
ba dum tss
“they paint the world full of shadows”
black sails, 2014-2017
“dylan thomas,” better oblivion community center
“this is not what i wanted”
black sails, 2014-2017
“seeing a dog in the rain,” laura gilpin
“For that would be the place that no man had ever been troubled by the sea. And that’s where he’d find peace.”
“Black Sails,” 2014-2017
“The Heaven,” Franz Wright
In ep.IV they show us this embrace, this beautiful, beautiful and painful scene. Those few seconds hold such a deep meaning…and yet in that moment we do not know ANYTHING about it. So what? Is one supposed to see it and then go on with the show and forget about it, putting it in a corner of their mind with all those “you will understand later” things? Because that’s what happened, the first time I watched this season I completely forgot about it. And that’s such a WASTE! Pretty much all of the Flint/Miranda’s scenes in the first season are a waste, in a way. Please do not misunderstand me, I think those scenes are really amazing and I also think that the timing of the “great revelation” was perfect, I wouldn’t have liked it so much had it come before, and exactly for these reasons I’m saying that those wonderful scenes are “wasted”. Because a lot of those get lost in the first watch, since one can’t understand the importance of them still and so doesn’t even give them the right amount of attention they would deserve. Of course the mystery was intriguing, and something sounded pretty strange since the beginning, but still…STILL. Almost all of the scenes about the two of them or about Miranda kill me on rewatch, knowing their whole story. But that’s the thing, you have to rewatch it to get the complete beauty of them. And I think that’s a shame, because people who like the show but are not obsessed with it as I am would probably never rewatch it, but maybe, if they had remembered or rewatched at least those scenes, there would be one more chance for them to be as obsessed as I am with it.
Really, how beautiful this hug was? An “It’s over” kind of hug, but with a double meaning. It’s over like we put an end to part of our misery, venting our anger on the responsible for it, but also, it’s over like our old existences are over, and we will never be the same persons we used to be ever again. Which is pretty much what happens with every revenge (I’m not judging though). I just love it so much, I wish I had been able to see all of that since the first time I saw it.
They'll speak of me in whispered tones and say my name like it shakes their bones - a Captain Flint/James McGraw playlist
~[...] 'Cause when I'll stand these folks will run and tell the tales of what I've become ~
My humble tribute to this incredible character and his equally incredible story.
Hope this makes him justice.
Listen on YT:
https://youtu.be/mbedUGAoxr8?si=OSKzJtvjhiDVRt2M
You'll find timestamps, a translation of the italian song and some notes in the comments section on YT.
When Miranda gives back Meditation to Flint in episode XIII, they somehow make you think that he hadn't seen nor read that book in a while. Of course it was related to Thomas and he remembered that very clearly, but Miranda was the one to keep it and she is the one to say it was a precious thing she shared with her husband and all, over the general tendency of Flint to distance himself from the past, if not ideologically at least emotionally. But in truth, in ep. III he got what Miranda was reading from a single sentence overheard through the door...I mean, he had to know that book pretty well to do that. In fact, I've always liked to think about that book as some sort of comfort through the darkest hours for him as well as it was for Miranda, for what it means as an object at least if not for its philosophy which, as much as in line with Thomas' mind , I believe was pretty far from James' point of view.
I'm honestly relieved by the fact that they somehow confirmed this headcanon of mine. Like...yeah, some parts of his mind try to obscure the past in order to survive, but since he cannot separate himself from something which has defined him deeply he may as well find comfort in what is left of it.
That's so heartbreaking, but I love the way they orchestrated since ep.I his whole story.
I was on pinterest and this detail (first image) of a bigger painting (second image) named 'The Jolly Boat' by Albert Lynch caught my eyes, 'cause it reminded me so much of that scene (third and fourth images) with Flint and Miranda on the run from London.
Now seeing the whole painting I can see the man is not looking behind but to the ship they are going towards (in the detail it wasn't so clear since there is also some land visible in the background), but still there's something in the facial expression of the two which definitely make me think about them. Something in the way the man looks haunted and the woman looks emptied, and they still are so close to one another...
It's so beautiful. Just like Flint and Miranda's relationship is to me.
It's the way they and the people who know them refere to those years in New Providence as a dream.
Some say it was a nightmare, and yes, it probably was, especially for James.
But you can't find in a nightmare someone who is so similar to you that you end up so often being unable to face for the fear of facing your same insecurities. You can't find someone who choses to walk by your side for the whole, dark and unsteady road toward a blurred, almost impossible future, just to make it possible for the two of you. You can't find someone who choses to love you without restrain, and to trust you, in the name of that love, giving their own life away in the hope that you will save yours.
This, you may find only in a dream. This is what they both did, in their own way, for one another. Miranda understood it. James almost did.
It's the way you go from bright colors but cold lights in 1705 to dark colors but warmer, secret, intimate lights in 1715.
Really, that's all.
It’s like she’s some sort of clock that’s finally struck its chime and woken me from this dream we’ve been living, reminded me how many years separate me from a world I still think of as home. How unrecognizable the woman I am now would be to the woman I was then.
Black Sails x Oceans Brawl by Cœur de Pirate
Part 1/3 (follows part 2 and 3)
Lately I found myself thinking about James/Miranda relationship as a reversed version of Orpheus and Eurydice’s story, especially towards the end of it. Not because these two stories match well (they do not) but just because I like making this kind of classical comparisons and I'm stuck from a bit on the fact that, right before her death, for the first time Miranda was the one to refuse the progress to look back at the past.
After the loss of Thomas, James let himself slip into a darkness comparable to the underworld, a darkness which so often threatened to swallow him whole. He walked on a thin line between a reign of death and an island of life, and if that darkness was that reign, Miranda was his island.
During their whole journey of processing their grief and climbing their way back to a life that could be called such, she was the one always trying to drag him towards the light. To her, the life that might have been waiting for them in the future was that light, while the past was the darkness, and not because she deemed it forgettable or unimportant, quite the contrary indeed, but because while she knew how to keep and remember the beauty of that past and the light of it, along with the sorrow, she knew perfectly well how different it was for James. How he could remember the beauty of it, of course, but also knew how to put it aside in favor of the rage and the guilt, his gaze clouded by the pain and the unacceptable shame.
She said it herself: she didn't want to forget that past, not the bright side of it and neither the inescapable sadness of it, its tragedy being the spring of that very beauty, the ruins existing only because there was something precious to be ruined in the first place; and at the same time, what could the dark of it matter, the injustice, the grudge, when it condemned the both of them to never be able to see the light again?
First time I heard their discussion in ep.VII after knowing the whole story, I wondered how could she ask something like that of him, to forget and pass over what they had done to him just to gain a liveable life, but recently I've actually been wondering : how could she not?
I'm not taking any side in this, as I recognize Miranda's thoughts to be the most reasonable ones as they often are but at the same time I can't say I wouldn't act as stubbornly and desperately as James did in that situation, they're just really different ways to conceive one’s own existence, influenced by their own problems and conditions and mind. All I'm saying is that Miranda was able to see the light even if just from a distance, she was able to hope that one day they would have been able to truly see it. James was never.
He just lied to himself about the possibility of it. He had plans and tactics and strategies, but for how I see it, those were all desperate attempts to convince himself of the contrary. He couldn't, maybe because of his personality, maybe because he knew that his situation wasn't one that could ever allow him to found real light in that world, maybe just because he loved her less than how much he had loved Thomas, less than how much she loved him, but whichever was the reason, he couldn't afford to see the light after that abyss, and I think Miranda was the first to know that. The one who knew him like no other, the one who loved him like no other. She knew that without help he would have never really been able to reach the end of that dark state of being. And she tried. She tried to help him in so many ways, because she loved him, she really did, and because she had the damn right to claim at least a decent life for herself.
And here we come to the end, to Charles town.
Charles town could have been her success. Charles town was James’ surrender. For the first time she glimpsed one real chance of having him back, she saw in him the real intention to leave all of that darkness behind, to follow her, not leaving the past behind, never, but learning to move forward, finally allowing her a chance for a new life together.
He was actually ready to accept even that miserable condition Peter Ashe imposed on him in order to get rid of the darkness, to climb to the light -as short lived as that might have been, at this point- to give Miranda a better alternative than the ones he had been able to grant her up until that moment (as I think his whole Charles town plan was led by the purpose of doing something to save her): as useless as we all know that would have been, accepting that bargain has probably been the most selfless thing James has ever done, even if he did it also for himself in a tired, desperate and contorted way.
But Charles town wasn't only this to Miranda.
Charles town was the discovery of the betrayal, because I believe she understood it all the moment she first saw that clock, I'm sure of it. Charles town was her umptheen attempt and her umptheen sacrifice.
I think that must have been to her a similar quest to the Maria Aleyne's one: respecting James by telling him the truth, something he deserves to know, even knowing how he will react to it, knowing how impossible it would become for him, then, to go on with his plan, granting him a one way ticket to that darkness, or keeping him in the dark, bearing alone the weight of that knowledge, accepting to live with the helplessness to remedy that fatal injustice, only in the hope to finally make him reach that light?
Would Orpheus reveal Eurydike a truth which risked pushing her back into the underworld just because it might be right for her to know it?
Still, things had been different, more desperate, back to the Maria Aleyne. Now the chance to succeed was real.
And at first she made that difficult choice, which was selfish in a way, but definitely selfless in another, all at the same time.
And she did it because she loved him.
She loved him so much that when she glimpsed, in that light, the prospect of losing him, she had to recognize that that light was -as James would have put it in the future- only their light, the light of a world the two of them couldn’t be part of anymore.
She loved him so much that she had to look back. To the past, to him, because her James was still behind her, still in the dark, the only place where he was allowed to stay, and only that version of him was the one she truly loved. She loved the real James, with all his broken parts, not the one that could be seen under the lights of their lies.
So she couldn't help giving up that false light, because she had wished for tranquility, a normal life -as probably anyone in her conditions would have done- but she was not disposed to give up the man she loved in order to gain that, as she hadn't been in the past, when the prospect of the future had been only dark and still she had not deserted the ones she loved.
And when she turned back, this time trying to shield him from that light, the darkness at the pit ended up swallowing them both.
Miranda died, and James was dragged back full force and imprisoned into the worst version of himself, the ruthless, autodestructive one.
There are two versions of the story of Orpheus and Eurydice, and I think that the two of them taken together perfectly represent James’ reaction to her death and its circumstances.
In Virgilius’ one, Eurydice slightly resents Orpheus for his action, for his “folly” -as it is called- and (if we may call it that) for his selfish gesture of looking back, that she paid with her second chance to be alive.
After Miranda's death, James dreams of her reminding him how he had resented her “because they were so close” and of course since that's a dream is what he knew he had felt. But that was…collateral to the condition he had been left stuck in. That was the childish resentment of having explicitly denied something he knew deep down he couldn't have.
In Ovidius’ one instead Eurydice doesn't blame him because she can't resent being loved, and I think this is what James really felt. After all, looking straight at the truth of the situation and looking back at their shared history, I think there were no ways for him to actually, rationally resent her. (And in fact in his last dream about her she uses a past tense, “you resented me”, hinting that was something he had felt only in the moments when he was at his worst as when, always in the dream, he heard her apology).
Moreover, I think he perfectly understood the meaning of those last moments of hers, how important it was to her to make her voice be heard in that moment. In fact, despite the clear and growing doubt and rage (and worry) on his face while Peter and Miranda spoke, he didn't say a word, he let her speak, despite knowing the risks and I think this is amazing and just proves how beautiful and respectful their relationship was, and that there were no way he could actually deem her responsible of their failure in that mission (doomed to failure since the beginning ‘cause of the truth).
What hurts even more about her death is the fact that it looks like they got closer to each other once again during that trip, as they hadn't probably been in years, and then…everything got lost forever.
"These violent delights have violent ends,
And in their triumph die like fire and powder,
Which as they kiss consume."
Romeo and Juliet
FlintHamiltons paintings aesthetic.
Two different worlds entwined by the strings of fate. I thought this ship deserved such kind of artistic tribute.
This scene always makes me laugh. Like...Rogers had it all prepared to discuss the bargain with Flint as "civilized" men and then he just begin saying the last thing he should have if he wanted to have any hope of succeding. Of course he couldn't know, but still that's so funny lol
Poor Flint.
THIS BITCH WOODES ROGERS REALLY KNOWS HOW TO PLAY THE GAME. Wow. You can't just SAY the words Lord. Thomas. Hamilton. like that they're nothing to James McGraw/Flint! And just look at the phrasing of this - "I understand that you knew him."
I'll never ger over Toby Stephens' incredible acting. Like...expressing friendship and joy and grief and hopelessness all in a shot of a few seconds barely?
Like...so often Flint's face speaks way louder than his words, which is so IC, and they absolutely picked the perfect actor to do that.
Black Sails 4x03 ✤ XXXI
"But I hear other voices. A chorus of voices. Multitudes. They reach back centuries. Men and women and children who lost their lives to men like you. Man and women and children forced to wear your chains. I must answer to them.
And this war, Flint’s war, my war, it will not be bargained away to avoid a fight. To save John Silver’s life, or his men’s, or mine.”
I’d like to start from this beautiful speech from Madi to explain why I think Madi is the war itself. Why she was exactly what Flint needed to start fighting it and why she couldn’t be further away from Silver as a person.
Just because I rewatched the final ep. today and I feel the need to honor the one who lost part of herself in this and to reason about the dynamics among the two persons who might have changed the world and the one who kicked that hope back into the dark corner of the untold.
As always, Flint and Silver’s conversation at the end of ep.XXXVIII made me think A LOT. First time I guess I was overwhelmed by emotions, but this time, between the bitterness of the betrayal and the desperation of Flint's loss, I think I started to see exactly what Silver couldn’t get about the war. Which basically is its meaning.
But let me begin with Flint, because is the character I think I know better by now and because I need to start from a warrior who is not the war itself.
Flint started by fighting a war, another one, an easier one, alongside Thomas. He found himself in that period of time, but he lost that war and the one he loved the most with it. Then he started to fight another kind of war, twisted himself in order to fit into its lines. That war was never about liberation, even if that was what he had been telling himself all along and maybe what he hoped he could eventually accomplish by fighting it: it was just about revenge and something to grab in order to stay afloat. It took him to lost every hope of happiness he had left (Miranda), the last possible meaning of his life and of the person he felt he really was deep inside to see the chance for yet another kind of war. A wider one, a harder one, a most fundamental one. It took him to meet Madi. Knowing her, someone completely different from anyone he had known and fought along in the past, someone who was somehow closer to him as a person than anyone he had ever known (except maybe Eleonor, I’m talking mainly about the pirates. Thomas and Miranda were close to him but not very similar in character I’d say and maybe this is why they got along together so well), he finally had the chance to understand that he was not alone in his misery. She had the courage to be what Flint didn’t even know he could become, the fight not for the fight’s sake but for the outcome, as much as he reputed himself already excluded from it, because however he couldn’t ever be part of anything again, not in the way he had been with Thomas and Miranda. But there’s a difference between fighting just to kill and fighting to save who the one you are killing would have been willing to kill, and Madi represented that change for him.
And the war represented the only meaning he was still able to give to his life.
He is defined by his past, absolutely and mainly, and this makes him both someone with valid reasons to fight and someone with reasons to stop fighting.
In the previous episode we see how Silver instead refuses to be defined by his past, which could be a good or a bad thing, depending on how one let that past influence themselves, but that in this specific situation is basically what makes him unable (just my point of view of course) to get the general meaning of that war.
He chooses to erase his experience in favor of the moment, of the future maybe, and this makes him unable (as much as he likes to affirm the contrary, which I had never agreed upon) to understand the minds of the ones who let that experience shape them. And even more, it makes him unable to understand the minds of the ones who don’t need to have cruel experiences behind them in order to feel the fight. That is, Madi.
To link with my previous post ( https://www.tumblr.com/dragonsinthedarkness/758840316125216768/from-the-moment-he-started-speaking-i-couldnt?source=share ), in that infamous conversation in the last ep. Silver confesses he felt the war only (or especially, but I’d say only) when he lost Madi, because he felt the need to honor her sacrifice, avenge her lost and everything Flint had been doing for years, and the point is that that war was EXACTLY that. It was answering to the multitudes of voices who had undergone all that suffering and that demanded justice for it. It was trying to accomplish that as few others as possible could undergo that same fate.
And the point I want to make is that Madi was not only a warrior but the war itself because she felt those voices and the need to answer to them EVEN IF she had never personally experienced such tragedies. She was raised with the Guthries, then in the camp, she had probably even had the chance to be happy in her childhood, but this didn’t prevent her from developing the knowledge of that evil or the responsibility to fight it as leader of her community and as sisters of all the ones who had suffered before and may suffer again.
She wasn’t defined by her own past, but she brought on her shoulders the most painful and important legacy and decided to honor it.
And one may ask for justice for what happened in their own lifetime with a single chance of succeeding, that can make a great warrior of them, but those voices REACHED BACK CENTURIES, as she said. Her justice, their justice, would have been hopeless as long as something bigger as that war started to change things, and this is exactly what Silver couldn’t understand.
Now of course I know changes don’t happen overnight because “the world is too strong for that”, but I’m talking about their reality in that age right now and I think that as much as a war couldn’t have probably changed things, it would have been a beginning at least. A scream echoing in the night of their existences who would have maybe be heard, and as long as even a single person was able to gain goodness from it, it wouldn’t have been in vain.
As I believe all their efforts had not been in vain, despite the outcome.
For one hour, a month or a year (to improperly quote Silver) of freedom.
For one single moment of victory, of light in the dark.
I've been wondering about Urca de Lima's true story for a bit, and after reading some pirate history I thought it was the Hampton Court.
I'm greatful for this explanation, it's very interesting to me to know all these details about those magnificent ships they used to have (also, I'm not very skilled in history, so...if someone else offers their researches it's way better lol).
thank you!
The Man O'War
One of the mysteries of Black Sails is where the Spanish man o’war captured in season 1 vanishes to after Captain Flint and his crew return to Walrus…but another mystery is exactly WHAT is this ship. I’ve seen her referred to as a frigate, but now that I’ve captured a good screenshot (season 2, episode 4), that this is definitely no frigate.
The man o’war has three full gun decks. Counting gun ports, it looks like each has approximately fifteen guns, plus a short gun deck back aft near the main deck. This averages to 45-49 guns per broadside, which makes this grand bitch not just a ship of the line, but a first rate ship of the line. That's the age of sail equivalent of a battleship! Take a look at the gif below of the man o’war savaging Walrus and Ranger.
(Frankly, if she was a frigate, I don't think Flint would've worried much; Walrus has the throw weight of a sixth rate frigate and would've stood a good chance; with Ranger along, they would've been just fine and no one should've panicked.)
So, what ship is this? The Urca de Lima was a real ship, though Urca was only a nickname for Santissima Trinidad, and she was part of a combination of two flotillas that made up the 1715 Treasure Fleet. This fleet consisted of eleven ships, of which at least two were ships of the line.
The first was ex-Hampton Court, a British built third rate ship of the line of 70 guns that was captured by the French then sold to the Spanish. Sources say that she was renamed Nuestra Señora del Carmen, but contemporary sources such as the governor of Jamacia, Archibald Hamilton indicate that this was a separate ship and the flagship of the second part of the fleet. (More on that in a moment.)
The second confirmed ship of the line was the French Griffon, which was the one and only survivor. (Cool fact: the captain of this ship was also likely the informant who gave Hamilton his information).
The third ship is the mystery ship that brought up the rear of the formation. This ship is harder to place, and was either a different "massive war galleon" or Nuestra Señora del Rosario, a third ship of the line. This may have been a third rate or fourth rate ship of the line, but sources make it very hard to tell. Given that the wrecks that have been found have never been positively identified, it's even harder to determine which ship was which.
Back to Black Sails. Historical evidence says that there wasn't a first rate ship of the line in the 1715 Treasure Fleet, but the show does also indicate that the Urca was traveling alone, so a bit of dramatic license says that we've got a first rater along for the ride. It's far from outside the realm of possibility, given the contemporary evidence that the Spanish definitely did use ships of the line as escorts for treasure ships.
I think it's safe to say that the ship isn't Hampton Court, however. An ex-British officer like James Flint would 100% recognize Hampton Court, who would've been captured (1707) after he left England but was a distinctly British design. Additionally, the characters continuously refer to her as a Spanish man o'war, which indicates she's Spanish-built.
Spanish-built ships of the line with three decks have 94 guns or greater. Until 1700ish, they frequently were referred to as galleons, a term that faded out of use and was replaced by navíos. If I'm going to be a real history nerd, Spain didn't really have a three deck ship of the line in this era; they'd scrapped the only one they had in 1705, Nuestra Señora de la Concepción y las Animas. But prior to scrapping, this ship was sent to the colonies to harass settlers around Panama, so she was on the right side of the world in the early 18th century.
Historically speaking, Nuestra Señora de la Concepción y las Animas (Our Lady of the Conception and of Souls) is the best candidate for the Man O'War in Black Sails.
In-universe speaking, that big bitch is a three deck, first rate ship of the line of somewhere between 94-100 guns, just based on the number of gun ports and the mincemeat she makes of two ships at the same time. Why did she vanish? Probably because it'd be hard as hell for anyone to beat Flint if you let him keep that ship, and Woodes Rodgers would've had a much harder time taking Nassau when she was protected by a ship of the line.
Have you seen this post before? Probably a close cousin of it. Dimwit me deleted my tumblr and had to remake it.
Additional sources:
1715 Treasure Fleet Information
Ship resting places, armament, and educated guesswork
Archibald Hamilton's information
~ Who's afraid of little old me?
They should be.
This is a great analysis, and one I'm very glad to read too. I've always been on his side and have always supported -or understood at least- his decisions (except Gates), though with time I've started to understand also how most of his people could not trust him completely or doubt his choices.
It's undenyable that he would be ready to give up A LOT (including members of his crew. I mean, if he killed Gates for it, we shouldn't really be surprised about any "lack of interest" towards the others) in order to get what he wants, and it is also true that he keeps most of his plans for himself, partially because he has often reasons he can't voice, partially because he know he can't really trust anyone (and I mean, can we really blame him, considering the environment?), so I can understand why someone would not put his own life in his hands without seconds thoughts.
Still, as long as it's not strictly necessary, he does his best to save as many as possible, or better, to save the situation as much as he can.
It's the reason why he can be captain when no one else of his crew can (in my opinion at least): he knows how to look at the bigger picture, and this of course means making the most difficult decisions and taking the responsability for them (which I was so glad was underlined in this post).
I think that what his crew thinks about him depends not so much on his direct actions, often infallible (in fact every time he regains his power over them it's thanks to his smart moves, of someone who /knows/ how to rule a ship), as much as on his reputation (things they have only /heard/ about him) and on his character (which we know is not of the most sociable kind).
And always through his actions he shows how he actually cares to keep them alive at least.
I wouldn't say he cares about them personally, not at the beginning at least ("who is Billy?" says enough XD), but I think that with time, as the crew becomes more central in his war plan, and as the war becomes (at least for him) not just...plundering searching for gold but fighting for a cause, his attention towards them grows too. I felt this especially in 4x6, when he says he isn't going to leave anyone behind (that statement actually surpirsed me, honestly, and he wasn't even talking about the men of his crew alone, but about whoever had joined their fight).
Probably it is a selfish kind of attention, probably they are just soldiers to feed his lines or the last humans he still have left on his side, but still, as long as it is not inevitable he would reduce the losses as much as he can.
Anyway, I'll keep saying that people should have listened to him more, even if probably we wouldn't have had the show at all if they hadXD.
The thing is, I rarely deem his actions foolish (or reckless at least) but also when I do, it's easy to forget about it when I listen to his speeches, which is basically what his men often experience and probably the whole foundation of his character. I'm just saying that they built him /so well/! It's amazing.
I am also of the opinion that he didn't push Billy, btw. That would have been a silly move. Flint doesn't make silly move. Change my mind.
I have a take that might be lukewarm at best and boiling at most, but:
Captain Flint has ALWAYS cared about the Walrus crew.
Hear me out.
Many of the characters in Black Sails have this perception of Flint as kinda aloof, distant and reserved, and he DOES prove time and time again the lengths he's willing to go to accomplish his goals regardless of the welfare of his crew. I mean, by the time the show is done, only three original members of the Walrus make it out alive (RIP to our girl, she put up such a fight until the very end). Everyone else is very much dead.
But like, remember the episode when they beach the ship to scrape the barnacles off the hull and make her faster and more nimble before the Urca job and some crew guys tie off the ropes on the wrong fucking trees before going off to the fuck tent for Gods know how long? And then the trees get uprooted under the weight of the Walrus while Randall and Morley are under there and Randall gets stuck UNDER AN ENTIRE SHIP AND IS ABOUT TO GET CRUSHED TO DEATH??
Who was the first among them to run under that ship while everyone else, including Billy Bones, the Eternal Defender of His Men™ (until season 4 that is lmao) scramble to get away and save themselves?
Flint did. FLINT.
He rushed in there without thinking in the hopes of saving at least one of the men under there, despite the danger to his own life. And if it hadn't been for him and Silver, both those men would have died. He saves Randall's life by cutting off his leg, which takes a looooong time, and hauling him away just in time before the rest of the ropes give up. Poor Morley though, he died trying to save Randall too.
And like, throughout the show he's always making decisions that he knows will save the most lives, as difficult as they might be for everyone else to accept later. He's the captain after all, it's his job to make the hard decisions. He'll always sacrifice the few to save the many, but that doesn't mean he doesn't give a shit about them. There are exceptions of course, like Mr. Singleton and Mr. Gates, whom I will never forgive him for bc Flint deprived us of the joy that is Mr. Gates for the remaining three seasons and he was the GOAT, but back to topic - note that both those men severely threatened his position as captain and therefore his suicidal revenge mission against England before he murdered them. It's like Silver himself says later: he only wants things done so long as they are done HIS way. But that's a conversation for another post.
Which brings me to the whole "did he or did he not push Billy overboard that night during the storm" question.
Personally, I don't think he did. He had every reason to do it, of course: Billy found out about Miranda and how she was pushing for a pardon to be given to Flint so the two of them could go to Boston and live the rest of their lives in peace, and if the crew found out about it, Bad Things would follow. Then Billy slips and Flint reaches out for his hand just in time to stop him going overboard (on an aside, I love that the writers didn't let the audience see what happened next, leaving all this doubt about what actually happened). Even Billy himself recounts later that he's not sure whether his hand slipped from Flint's or if Flint simply let go.
In my opinion, and this is just MY opinion, I believe he did try and haul Billy up and save him because up until that point, Billy was going along with Flint's plan. I mean, he lied to the crew about the blank page taken from Singleton's body and he knew about Miranda's pardon plot and the Maria Aleyne story for at least one episode. If he was going to tell the crew, he would have done so already. Saving Billy's life would have been a risk, sure: Flint would have to trust that Gates would convince him to keep his mouth shut and that he would obey. In fact, I'd argue that saving Billy's life would be much more advantageous in the long run than letting him drown at sea. Flint is a master strategist and would have taken all these things into consideration before making a decision.
Maybe that's why he ended up failing in saving Billy: he was so preoccupied trying to decide the more desirable outcome that Billy just... slipped and fell. And as we see as the season continues, Billy's "death" brought more problems than it solved. It wore out the crew's trust in him as captain, it destroyed his relationship with Gates and put in jeopardy the entire Urca mission and his plans for a war against the British Empire.
I guess, it doesn't really matter whether he intended to save Billy or not. Everyone thought he had let him fall or even pushed him. Given his past actions, who could blame them? The lies, the falsehoods, the secrets... They all had a cost, and this was the straw that broke the camel's back.
What do y'all think? Sound off in the replies/reblogs/tags.
Still, TL:DR - Flint always cared about his crew no matter his decisions and worst impulses, and that's the hill I will die on!
Flint and Eleonor’s “reunion” in ep.4x4 honestly got me so emotional since the moment when they look at each other through the fort's doors.
Despite being on opposite sides, despite having both lost and conquered it all multiple times, that connection between them, that trust, that understanding is still there.
I loved their relationship in season one and two so much. I think what they shared and actually kept sharing until the end was some really special bond.
They've been working together to reach a shared goal, of course, a goal that just the two of them seemed to see and believe in, or to care about, but I think there was more to it than just that.
Nassau itself, and the freedom that it would have allowed them, had a different meaning for each one of them and the chains that kept them from truly gaining that freedom were of different nature, but I think that above all they were two persons able to recognize one another.
They were very different, but also very similar under some aspects, and I think that what they had most in common was their loneliness.
They were often surrounded by people, and had also a few ones strictly related to them or that sincerely loved them (just, very few), but over that, they both had a dimension of their own when they were fated to be forever lonely. Those special parts of themselves (good and bad, just parts of their personality) that no one had been or would ever be able to truly see or understand. They both had this and even if they themselves couldn't reach that dimension of each other they could just feel that they both had that. This is what I mean when I talk about recognizing one another. Just looking at the other person and knowing that, despite all the differences, they will always be able to understand you, even without necessarily approving your choices, just because they are just the same as you, because they know that feeling of having to make that choice -dealing with the world and with your own self- all alone.
And this, joined with their incredible ability to survive and to (almost) always end up “ruling things” somehow, definitely generated also a great deal of respect towards each other, and is what I think bound them the most for so long.
I found very endearing that Flint was in the end the last one she saw before dying: the tenderness with which he lays her head on the ground, the sadness of the moment (both for her death and for him losing yet another one of his loved ones), the meaningful burning house on the background…it really felt terrible, even if it's a great scene. It has such an emotional impact on me. 😢😢😢
This is exactly the spirit of the show. This is what Thomas would say about their war (well, his own war too). This is what makes this show so dear and personal to me. The key to all historical changes.
As Woodes Rogers once said:
"You expect the world to become what you want it to be despite all avaliable evidence and experience to the contrary."
Yes, this is what they all have been doing through the whole show. WR included.
Long live Black Sails.
The thing is. The thing is about black sails is. What did they get in the end for all their pain and suffering and blood? Well, nothing. Absolutely nothing. In the end it all came down to nothing and it meant nothing and they were remembered in history as monsters and died as monsters. But yet it meant everything. They failed, every single one of them, but the fact that they failed meant they tried and that meant everything. They failed in the end, so what was the point of it all? Wouldn't it be better off if none of them had tried, if none of them had bled and struggled and fought or even met? But THAT is the point! The point was in the living, not in the dying, not in the failing! It was in the trying! The way they tried because of each other and for each other! The way they tried to beat against something that could not and would not ever move in their lifetimes! Flint tried for Thomas and Miranda tried for Flint and Miranda tried for Thomas and Silver tried for Flint and Mr. Gates tried for Flint and Max tried for Eleanor and Eleanor tried for Max and Charles Vane tried for Elaenor and Mr. Scott tried for Eleanor and Mr. Scott tried for Madi and Silver tried for his men and Billy tried tried tried and the Maroon Queen tried and Madi tried for freedom and Jack tried and Anne tried And Jack tried for Anne and Anne tried for Jack and Anne tried for Max and Max tried for Anne, and Eleanor's grandmother tried for her and Eleanor tried for Woodes Rogers and Woodes Rogers tried for her, and Woodes Rogers tried and Edward Teach tried for Charles Vane and Jack tried for Charles Vane and on Skull island, Silver may or may not have tried one last time and they all tried and it meant nothing and yet everything. Everything. Because the point was not the losing, but that they fought at all to win.
"She loved the sea for its storms alone, and the green only when it grew scattered among ruins."
G. Flaubert
Miranda Barlow's aesthetic.
I love so much this character and her story and I think she would have liked very much Madame Bovary if she had the chance to read it.
(We all know what was written in that burning letter, don't we? I think it was important to include that too about her)