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Popped down to Edinburgh for the MOVE Summit, a series of talks on the UK Animation industry. The Thursday portion began with a talk from Christopher McDonald from Framestore, showcasing the technological pre-production (or "Previs") done for movies, with Wicked Part 1 as the example.
They start by using overhead "Blocking Maps" to figure out the space of a scene, where each character is going to stand, position of objects, camera locations, field of view, etc. Then they make CG mockups of characters and locations, using concept art as a base, then animate based on the director's vision. It's sort of like the next step up from storyboards.
This helps them gauge the spacing and stage setup required to pull off practical effects ("Techvis"). For example, the scene where Glinda is sailing to the university, the camera is underwater, showing her hand beneath the water's surface. This means that for the camera to be below her, the actual prop boat needed to be several feet off the ground, something they might not have caught if they just started shooting.
"Postvis" is of course the post-production of adding all the effects together for the final shot. This was also the first time I'd heard the term "Plate", for the base shot that all the effects are later layered onto. Like a sandwich, I guess. Big thanks to Chris for that talk.
love them for that
apparently someone in Edinburgh has been updating the street signs for pride
The voices are telling me to go back to the land of sheep, cobblestone houses, beautiful gothic buildings and ginger beer. I do not understand why I am so fixed on England, I just am. I am currently thinking about running there, where-ever in that beautiful country, and leaving the future I have in my state. Maybe for a year but hopefully forever. I can’t think of anything I would like better than being there.
Speed sheep, come back please
A big, big stone fall and break my crown.
University of Edinburgh 2025, Jan