Happy Mclennon Monday idk what this is
This shooting gives vibes of behind the scenes of a 90's sitcom
The Beatles disguised for a scene during the shooting of Help! in 1965.
John Lennon, Paul McCartney and George Harrison with Bernie Andrews for a recording of ‘Saturday Club’ at the Playhouse Theatre, 17th December 1963
In Beatles '64 the part with Cyntia was cut, all the parts with Cynthia were cut or not explained
John Lennon and Paul McCartney humorously hiding Cynthia Lennon from photographers, February, 1964. — From the documentary "What's Happening! The Beatles in the U.S.A."
phone works two ways yk
This is the take of (Just Like) Starting Over that includes the line
"the time has come the walrus said for you and me to stay bed again"
I have read about this take before, but the links to it are always dead. So I was super excited to find it.
I've decided not to credit my source for the sake of their privacy, but I hope they know I'm very grateful.
Full lyrics (my transcription):
Take 3
Our life together Is so precious together We have grown We have grown
Although our love is still special Let's take a chance and go away Somewhere alone
It's been too long since we took the time No one's to blame I know time flies So quickly
But when I see you darling It's like we both are falling in love again It'll be just like starting over Starting over
Everyday we used to make it, loveSo why can't we be making love It's easy
The time has come the walrus said For you and me to stay in bed again It'll be just like starting over Starting over
Why don't we fly off alone Spend a weekend at some old motel A little place without a phone A second honeymoon would do us well
Well well well well well
It's been so long to take the time No one's to blame I know time flies So quickly
But when I see you darling It's like we both are falling in love again It'll be just like starting over Starting over
Our life together Is so precious together We have grown We have grown
Although our love is still special Let's take a chance and go away Somewhere alone
Why don't we fly off alone A dirty weekend in some low motel A little place little place without a phone A second honeymoon would suit us well
Well well well darling
Ever think we used to make it love Why can't we be making love It's easy
The time has come the walrus said For you and me to stay in bed again It'll be just like starting over Starting over
Let's take a chance and go away Somewhere alone
Paul McCartney selecting John Lennon’s “Beautiful Boy” as one of his Desert Island Discs for the programme, broadcasted on January 30, 1982.
(Why did I only just realize he’s singing along to the “it’s getting better and better” lyric. Reminiscent of a Beatles song with that title perhaps..? I chose pain today.)
Paul has some beautiful eyelashes <3 🌷
Paul McCartney: "He (John Lennon) was such a big part of my life (...)" (Staff warning him to redo because a "weird blue flame" appeared.) Paul McCartney: "That was John! Haha! It's him. That's alright, it's ok, leave it in, it was John, he is around, can you see?"
2003: The Quarrymen talk about Paul and the immediate influence he had on the group.
LEN: I think he was, uh, he was quite a clever lad actually. Quite good, you know, at languages and maths and stuff, he was quite bright. I think he was under an obligation if you’d like to his father Jim in a lot of ways to do well at school, because his mum passed away fairly quickly. So Jim wanted him to do well and I think he felt obligated to progress in school.
COLIN: Paul would have allowed John to feel that he was the boss anyway. Paul wouldn’t have gotten head to head with John, but Paul would have got his own way if you’d like, carefully, by maneuvering and perhaps letting John think it was his idea. I think that’s the way Paul was.
LEN: I think it was part of his characteristic, really. Part of his characteristic. You know, when we started off as The Quarrymen, we were a gang of scruffs, we could dress whatwe’d like, checked shirts, anything we would like. But I’m pretty sure it was Paul’s idea that one night at Clubmoor we dressed a bit smarter – you know, the white coats and the black ties. I think – it wouldn’t be John’s idea. John was more interested in the music and the entertainment. “We can dress what we like as long as we’re enjoying ourselves.” But I think Paul was more… I don’t know. Image-minded, you know. Worried more about the image.
COLIN: Paul was very much the diplomat. He would never get a quick answer off Paul. He would always think about what was the right answer; not what the answer should’ve been, but perhaps what you wanted to hear.
mad day out!! 🎶☀️
reference image :°D
This is, by no means, original thought. However, after the release of Beatles ‘64, I just want someone to make a Beatles film that is for us. Forget the mainstream and do what Cynthia said had never happened - people getting the emotion right instead of just the facts. The Beatles story isn’t a success story, it isn’t a rags to riches story, it isn’t an even a story about genius, it’s a story that has the power to change the world and one that will be told for ever. We are living in an era where we get to witness a myth being made and so in tribute to the oral tradition, we need to be the myth-makers. Someone needs to tell the story. I hope it will be Paul. I fear it won’t. Perhaps he can’t or shouldn’t, perhaps he won’t be believed. He definitely won’t be if everyone, including him, keeps recycling the same tropes. We know there’s no new stuff to be created, but there is a new light to be shed on what we know is there. This is beginning to sound a bit like the discovery of the Book of Mormon. No one needs another religion, but we do need is for someone to actually attempt to approach this seismic cultural event with an honest and open perspective.
Yoko allowed John to believe he was the genius. John’s canonisation (his manufactured image does him no favours) means that we can forget that Paul was the revered one in the 60s. He was the chosen one - in every way. John clocked it at their very first meeting.
“I half thought to myself, He’s as good as me, I’d been kingpin up to then. Now, I thought, if I take him on, what will happen?”- John
He took a risk, he made his choice and then never again believed in his own ultimate superiority. The story he’d told himself growing up, was that nobody was capable of spotting his genius because they were all below him. Surely a trauma response to being abandoned by his parents. Never could stand to be ignored, forever desperate to be seen and yet incapable of taking off the armour of cruelty. Look at me! Paul was the same, not armour but a wall of charm. Underneath John was soft and Paul is that almost impenetrable wall. They let each other in, and each betrayed the other. Those instincts of self-preservation that John spoke about.
Anyway, he took the chance on Paul, because he wanted to be somebody and Paul and him together made that a real possibility. Also, Paul was fucking hot and clever and talented. He was also a non-conforming weirdo who made everything look effortless and wouldn’t join John’s gang and wouldn’t let him lead. I wonder if this was Paul knowing, from the first moment of seeing John as was then confirmed by subsequent sightings and (I suspect) recces, strategically carried out to observe John (oh that bus worship carries some significance beyond an appreciation for public transport), that he knew how to handle John. Handle and manage John, in order to make him his very own.
(Is it him? Does it matter, because Paul has told us he “noticed” John many times, even before the chocolate bar.)
But, all the Paul adulation, especially John’s own uncontrollable, unconditional veneration, got to be too much. He couldn’t keep his jealousy in check. No quantity of material objects, women, money, food, fame soothed the ache for long enough. He thought Yoko, and because I am sure this is what Yoko promised him, was the only person who would always be in awe of him. She wasn’t, and the really tragic part is that Paul was from the jump, he still is and his faith never waivered.
If only they’d been able to maintain the connection and never lose the ability to read each other’s minds.
They burned too brightly. They loved too hard.
John and Paul in Midas Man part 3
Honestly is such a good song and her voice is so gentle and warm
The McLennon song that ruined my day, now here to ruin yours
Grief is a crazy crazy beast
Just what is with the tension between John and Paul at the Plaza?
Paul not making eye contact with John as he walks past
John whistling in response because he, as we all know, doesn't care
George and Ringo's smiles immediately dropping when they see John come over
John barely able to raise a smile at Ringo's joke
What is going on?!
Weird behaviour between John Lennon and Paul McCartney at the Plaza Hotel, New York, February 1964 - part two (part one)
The Beatles leaving their suite at the New York Plaza, February 1964
I love the chaos of this scene. Ringo listening to their song on the radio. John calling Neil ‘Nell’. Paul and George being silly boys until John walks out and Paul’s brain grinds to a halt. Paul trying to finish his bit when his brain eventually comes back to life. Ringo strolling out half an hour after everyone else.
Good times.
Slow-mo gif to appreciate the emotional journey that Paul goes on…
More weird behaviour here
fun doodles tonight of mmt wizards and some modern au musings........
"Sing us a song, you're the piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright"
this took so long to restore oh my god.. finally,,, total time was 8 hours and 46 mins
Different photographers different wiews
The father, the fellow artist, the lover, the beatle, the brother, the friend, the loved one, the young man, the troubled soul
John Lennon • October 9, 1940
Photographs by:
Cynthia Lennon / Yoko Ono / May Pang Kishin Shinoyama / George Harrison / Ringo Starr Paul McCartney / Astrid Kirchherr / Linda McCartney
“I dream about him.”
I found this photo of john n paul holding hands from august 65’
John and Paul in Midas Man part 2
mclennon monday (80s)
Never forget Neil, Mal and Derek going to war for the boys
The Beatles’ tv appearance in the Netherlands, 5th June 1964
Why does no one talk about this 😭
₊˚ෆ #mclennon: just thinking about you.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
a John and Paul edit made by me,
including audio from John's last interview.
i made this specifically for tumblr, so enjoy.