Martha Kent - Blog Posts

Martha and Jon Kent are trans t4t and that's why they knew how to get new documentation for a space toddler.

There's something falling from the sky, and Clark, Kon, and Kara are all off planet. Martha prepares as best as she can.

Because it looks like it's making a beeline for her fields.

She has no idea what makes her fields such a magnet for this, but she's certain it's not an asteroid. She couldn't say how she knows, just that she does.

It looks like a ship of some sort, with blinking lights and reflective surfaces.

She's debating on whether or not to sound the alarm and call one of Clark's friends, since she doesn't know if this alien will be friendly or not, when she notices something.

That ship isn't coming in smooth.

It is, in fact, tearing itself apart the lower it gets.

Then, with a final, ear piercing boom, it completely shatters.

Martha's eye is drawn to a rather round piece that broke off and shot towards the very edge of her property.

She doesn't call one of Clark's friends.

She gets the first aid kit and gets in the truck.

~~~~~~

Dan is flying the Specter Speeder through the Infinite Realms, an unconscious Danny on the floor of it behind him.

The twerp's injured.

He can't treat him.

He has to outrun the GIW and their own Speeders.

In desperation, he does a hard turn right into a temporary portal. The kind that blinks out of existence almost as soon as they get made.

He appears in the exosphere of another Earth.

No GIW Speeder follows him, but he's got a new problem; this thing isn't meant for the force re-entering Earth's atmosphere will put on it.

He puts it on autopilot, ordering it to find an empty area with good Ley Lines, and turns to start arranging both himself and Danny into the escape pod.

He can't activate it, or it'll also be subjected to the forces currently tearing the Speeder apart.

He'll have to stay in the pod, shielding his clone/twin as best as he can, while they hurtle towards Earth.

The last thing he remembers is the pod breaking away from the Speeder and hitting the ground.

The next thing he knows, he's waking up on the floor of a farmhouse, covered in bandages.

Review: Batman v Superman: Dawn of Justice (2016)

Rating: 4.0 of 10.0

I have to be honest, and I’m going to drop the bomb this early in the article: Batman V Superman: Dawn of Justice is the single most boring movie I’ve ever watched in the theater in a long time–and I’ve endured A Good Day To Die Hard. Even that movie still wins favors from me for being a quick 90-minute movie with an earnest desire to be as simple and as loud as possible. BvS, on the other hand, is 2 and a half hours long and the studio themselves proudly stated that (I paraphrase, but I kid you not it’s true) “there will be no jokes in this movie”. They lied, by the way. There were a couple of jokes, maybe 3, but none of them were remotely funny. Maybe that’s what they meant. Of course not every movie should be witty–but when a movie is bad and you can’t even laugh, that’s when a movie-going experience becomes a torture.

BvS, actually, had a promising beginning. It still insisted to have a scene of the Wayne’s parents death and of little Bruce’s fall into the cave, which I am so tired of. Okay, I get it. Bruce’s parents were murdered in front of him as a child and that’s his origin story, but that’s how it’s been in every iteration of Batman. We don’t need to be retold the same story all over again, particularly because this version of Batman had been around the streets for 20 years. But if you must have the scene for the simple fact that your movie has Batman in it, I made peace with it. The next scene though, was quite excellent and actually gave me hope that this would be a great movie (I was wrong). It was of Bruce Wayne (Ben Affleck), in the exact moment of Man of Steel’s final battle when Superman (Henry Cavill) and General Zod (Michael Shannon) destroyed half the city–and apparently, a Wayne building. To see the effects of the battle from a pedestrian perspective was genuinely terrifying, and that created an understandable motive for Bruce Wayne to hate on Superman.

In fact, Batman is the only decent thing to come out of this movie. Ben Affleck actually makes a pretty good Batman, at least as good as the movie lets him be. Admittedly his motive on hating Superman might not be the most logical (after all Superman is the person who saved them all, city-wide destruction notwithstanding), but experiencing that much destruction in front of your eyes might do something to you. Honestly though, Batman is kind of insane in this movie. He has repeating nonsensical nightmares, is fixated on killing Superman on an unhealthy level, and brands criminals with his logo for no apparent reason. But, his solo fighting sequence is the only interesting one compared to the rest, and the simple fact that Ben Affleck is a better actor than Henry Cavill makes him the better half of the bunch.

Superman is where it all falters. First, I’d like to point out that I actually kinda liked Man of Steel, which is the prequel to BvS. Zack Snyder, who directed both movies, takes the idea of Superman, an all-American hero, and turned it on its head with MoS. What if, he asks, Superman is not regarded as a hero but as an alien threat instead? It was a compelling question, and one he began to answer in MoS. But in order for MoS to work (which is an origin story), it has to be followed by a rather traditional Superman movie, otherwise MoS would be pointless. Instead with BvS, Snyder continues to try to subvert the idea of Superman, but he hasn’t earned any of it. BvS tries to discuss the dichotomy between “Superman as a savior” vs “Superman as a monster”, without first establishing the savior part of Superman at all (neither in MoS or BvS). The result is a gritty Superman movie that both rings hollow and violates the very idea of Superman itself.

The messages telegraphed about Superman in this movie is all over the place. Alfred (Jeremy Irons) spouts two opposing opinions on Superman at two different times. Also, at one time Clark Kent/Superman talks about how he wants to do good and save people to honor his father, while in my recollection Pa Kent basically told him in MoS (I exaggerate, but still), “Don’t save the humans, they don’t deserve it.” It’s clear that the movie itself isn’t sure on how to handle Superman. Also, Henry Cavill’s acting that only ranges from brooding to grimacing (coupled with Snyder’s obsession of having Superman suspended mid air to hammer-in the idea that he is a god), just worsens it all.

How about other characters? Jessie Eisenberg’s Lex Luthor, that one I can’t understand. The less I can say about him the better, so I’m actually gonna chalk it out to taste. Perhaps, his Lex Luthor just isn’t my taste. One thing I know for sure though, his character is as annoying and as perplexing as he appeared in the trailers, so if you hate him there you’ll want to burn him in the actual movie.

I don’t have any special thing to say about Wonder Woman (Gal Gadot). She doesn’t have much to do in BvS (yet. She’s having her own movie and she’ll also appear in upcoming Justice League movie) and doesn’t have much time to build her character, so I can’t say anything worthwhile yet. I’m not fond of her costume from practical perspective, but that’s hardly the worst thing in BvS.

Alright, maybe you’re thinking, what if I only want to watch the movie only for the action? I’d just warn you that any kind of action only begins halfway into the movie (probably maybe even way into the third act), and the ride leading to it was excruciating. Even the titular fight between Batman and Superman is wildly lackluster, purely because of the fact that you just know how stupid it is. When you want to avoid a fight, definitely the first thing you do won’t be throwing your supposed opponent 10-feet into a building. When you don’t have time to talk, then you shouldn’t have time to keep saying you don’t have time to talk. The conclusion of the fight is also pretty stupid ("Martha," anyone?). To tell you the truth, the titular fight really is boring. The final fight, featuring Wonder Woman, is slightly better, but only if you like those kinds of heavily CGI’d fight.

The story itself is incomprehensible. Fortunately there’s something resembling a plot, but it has no apparent arc aside from the obvious question the writers ask themselves: HOW DO WE GET BATMAN TO FIGHT SUPERMAN. And that, ladies and gentlemen, is not what a good writer should do. Obviously, there’s a certain kind of art about a movie that builds quite and slow suspense that leads to a satisfying climax. Some movies though, just draaaaags, and BvS is the latter. I’m not a person with the shortest attention span and I certainly don’t need an explosion every 5 minutes to keep me engaged, but I just couldn’t care for BvS and I was bored. out. of. my. mind. With clunky pacing, disjointed edits, and worthless dream sequences, BvS is basically an incoherent rambling of Zack Snyder.

While we’re here, let’s talk about the title. “Batman v Superman” doesn’t really mean anything outside the court of law, which certainly has nothing to do with the movie. Even “Dawn of Justice” is kinda meaningless unless if you think it’s a clever enough pun for Justice League. And since the movie does not talk about the actual justice itself, and certainly doesn’t end in any way that implies justice is served, it simply is a misnomer. Basically the title was just a collection of things that Snyder thinks would sound cool, which ironically is a fitting description of the entire movie.

Honestly, the only thing I liked about this movie is the fact that practically anybody could figure out who Superman is; because when your disguise is a pair of glasses, then you’re not really trying to fool anyone.

My TL;DR is this: Do yourself a favor and skip this movie. Just watch literally anything else; Kung Fu Panda 3, Nolan’s Batman Trilogy, Supergirl, your high school graduation video, anything. Treat yourself with a decent lunch. Just don’t pay for this movie, unless you’re prepared to be disappointed.

Dark Kents

I need more of Martha and Jonathan being willing fight with nails and teeth for their son. They adore him, he is their miracle child that fell from the sky, their little star.

Being willing to do anything to protect their child, to guard his identity and heart.

I want them getting angry at seeing Clark cry over being perceived as a monster.

They own a farm, that's a great opportunity for getting creative with their protectiveness.

I want this as a fic (preferably with a dash of superbat, because they are my north star)

Meanwhile Clark is oblivious to it all, because his parents are the sweetest people ever.

The Kents in Death of Superman Stories

One of the most, if not the most heartbreaking thing I can think of throughout the different Death of Superman stories out there is that 90% of them are being broadcasted through television nationwide.

Which means the Kents are watching their son get bludgeoned to death by a monster, and they can't do anything to stop it.

Imagine watching your child get beaten to death and being able to do nothing but watch.

It is the Kents watching this miracle that fell into their lives get violently ripped away from them.

It is the agony of watching their child grow steadily weaker, of hearing him scream out in pain (they've never heard him scream due to physical agony like this before, they are frozen, the instinct that drives a parent to protect their child rendered useless by the situation), of seeing him covered in his own blood when they've never seen him bleed and knowing they can't do a thing.

It is seeing his body and knowing they have no real way of retrieving him, of giving him a proper burial, knowing people more powerful than them could steal his body and desecrate it, with them being able to do nothing about it.

MOS Pa Kent and MAWS Pa Kent

I find the polar opposite depictions of Jonathan in these stories incredibly fascinating.

MOS Jonathan shields and separates Clark from anything related his heritage, including things like his ship and powers. Encouraging suppresion and caution in Clark.

Actively telling Clark to hide his powers and never use them, scolding him whenever he used them. He is a man terrified of the world taking his son away from him, specially knowing he has no real way of protecting Clark from anything that may seek to harm him. So he encourages him to hide himself and avoid drawing any attention.

He is a more jaded and cynical man, immediately assuming the world would attack and try to kill his son (he ended up being right, which is its own can of worms), would try to rip his miracle child, his star baby away from him.

He only sees a world that would harm the child he so desperately seeks to protect, that child he loves more than anything.

MAWS Jonathan is the complete opposite of his MOS counterpart. He is the one that encouraged Clark to discover himself, to make contact with the ship, to practice his use and control of his powers, even turning that into a game a young Clark could enjoy.

He is aware of the shock Clark´s existence will create but in the end he has faith in humanity seeing Clark for what he truly is, someone who just wants to help others.

He is more optimistic and cheerful, thinking of the best and encouraging other people to do so too.

In MAWS, Martha is the one who is the one who wants to keep Clark away from anything alien, the one that clings to him and wants to keep him hidden.

While Jonathan is cheerful over Clark deciding to go public and help people, Martha is the one that is slightly reluctant (though not to MOS Jonathan´s level, like letting yourself get killed by a tornado because you don´t want your son to expose himself is extreme though somewhat understandable) to let him go, though she eventually gets on board and creates his trunks.

This dicotomy is reflected on Clark´s abilities.

Flight is one of his most characteristic abilities and it often serves as a metaphor for Clark feeling free and accepted, it comes in moments where Clark learns to love and accept himself.

So it is interesting to see how in MAWS it is one of the first he obtains while in MOS it is one of the last ones. Showing the difference in how their settings and enviroments reacted to them.

MAWS is honestly amazing and I am incredibly glad we got this adaptation of the Superman mythos. It is so unique and refreshing. I can´t wait for season 3.

Regardless of its flaws I genuinely love MOS and its depiction of the Kent family. Its different from what we are used to in comics and tv shows, but it offers a unique take on the Kents dealing with Clark´s powers. At the end the day Jonathan is just a father terrified someone will hurt his child and he won´t be able to protect him.

Anyways this ramble has lasted enough, love both pieces of media to bits.

I was reading Superman #174 where Clark has Lois read him Martha's diary and it hit me in the feels

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