the darling Glaze “anti-ai” watermarking system is a grift that stole code/violated GPL license (that the creator admits to). It uses the same exact technology as Stable Diffusion. It’s not going to protect you from LORAs (smaller models that imitate a certain style, character, or concept)
An invisible watermark is never going to work. “De-glazing” training images is as easy as running it through a denoising upscaler. If someone really wanted to make a LORA of your art, Glaze and Nightshade are not going to stop them.
If you really want to protect your art from being used as positive training data, use a proper, obnoxious watermark, with your username/website, with “do not use” plastered everywhere. Then, at the very least, it’ll be used as a negative training image instead (telling the model “don’t imitate this”).
There is never a guarantee your art hasn’t been scraped and used to train a model. Training sets aren’t commonly public. Once you share your art online, you don’t know every person who has seen it, saved it, or drawn inspiration from it. Similarly, you can’t name every influence and inspiration that has affected your art.
I suggest that anti-AI art people get used to the fact that sharing art means letting go of the fear of being copied. Nothing is truly original. Artists have always copied each other, and now programmers copy artists.
Capitalists, meanwhile, are excited that they can pay less for “less labor”. Automation and technology is an excuse to undermine and cheapen human labor—if you work in the entertainment industry, it’s adapt AI, quicken your workflow, or lose your job because you’re less productive. This is not a new phenomenon.
You should be mad at management. You should unionize and demand that your labor is compensated fairly.
Oh yes WTNV actually went into the horror territory.
Wasn’t one of the valid interpretations that satan is stuck frozen because he keeps trying to free himself by flapping his wings? Speaking of, wouldn’t it take advantage of expectations by revealing that there is no antagonist? The hellpup being a red herring? I mean, it in itself is a thing - could it be that if it were exposed to that fact (which didn’t happen before because KILL IT WITH FIRE), it would disappear in a puff of logic?
Wasn’t there an episode way back with the main story being a race through a cavern? The one that was almost back-to-back to The Strangers?
We went there. We sent messages in Morse code to the people we once had been, asking for help, but they could not help us. They were outside of the Narrow Place. (...) The Distant Prince wore a golden coat, and had always existed.
(With gratitude for @cecilspeaks)
Of course there was An Epilogue between, because why not ask the hellpup for coffee.
@Last Note Nightmare: in the last episode we had Cecil listening to ??? through a phone’s speaker. This episode we have us listening to ???... through our speakers/headphones. Make of it what you will.
There’s one at the door
At the gate to Damnation
And there’s room for one more
‘Til the end of Creation
While we don’t have the whole story yet, there’s much here to gnaw on. In particular, Night Vale’s interpretation of Hell warrants some special attention. And I, like a dog with a bone, am forced to give this attention.
In my previous write-up, I paid extra attention to Maureen’s mention of Hell. We don’t get references like this in WTNV very often, and so we should sit up and take notice when we do.
As it turns out, Maureen was not being hyperbolic: Hell has come to Night Vale.
Keep reading
Read More Now!
Read More Now!
By the way, I've heard talks of death threats and/or someone camping out at project moon's office, can someone please share a source on that? I'm genuinely not sure where to look, is all.
carmen as nyarla with boobs: their function is roughly the same, tho in early Personas nyarlathotep targets specific people as part of their game with philemon, who would be… ayin? uh.
does that mean qliphoth deterrence works on personas
manifesting personas as weapons/suits
peccatulums ranking as cannon fodder oppositions in palaces distortion-spaces, does that mean that they can also manifest from thin air?
re: reloads; they don't really match to the 'embodiment of self/desires' so probably not. That said: then Head cracks down hard on them for unpatented/untaxed ammo production
negotiations, but steamlined into MD event setups. and to add to that - REMOVING SMT FROM PERSONA
shadow-possession (P1?/P2/P4) as a full-blown distortion
finally handling jungs "overpowered by their own persona" - with a distortion, naturally
pls elaborate about the sufficent velocity thing
because we need more persona project moon crossover stuff hot dang
the well and the sea of souls are like. if they aren't the same thing, they're right next to each other. joker has a fusion accident and ends up with mountain of smiling bodies instead of legion.
give me a plucky teenager who summons One Sin and Hundreds of Good Deeds as their starter persona.
NETZACH QUEST IN PERSONA 3 IT FITS SO MUCH DAMN (if you're a Sufficient Velocity person you know what i'm talking about)
Post Persona 5 bad ending AU where after getting absolutely wiped from existence, the PT wake up in The City. It's just the logical conclusion to that bad end, where no one is free and only thinks about surviving to the next day. No one hopes, no one dreams, no one believes in anything. The strong crush the weak, the weak gang up on the weaker, and the cycle goes on and on and on. Literally their worst case scenario nightmare.
On that note, Carmen and crew really saw the Fall of Humanity and went "I can fix them!" (they could not)
Considering The Library is made of Light, which is like, concentrated enlightenment and hope, I think Morgana would be drawn to it (and then they all get booked lmao)
Carmen's Palace. Just in general. If she even has one; it's not that her desires aren't distorted, it's that SHE IS THE DISTORTED/ING DESIRE INCARNATE-
Joker manages to capture an Abnormality as a Persona somehow. Shenanigans ensue.
Speaking of shenanigans, considering the way the mind manifests in The City, I wonder if the PT's guns would do that thing they do in Royal where they automatically reload after a fight. On that note, I feel like that trick would fail against higher level humans since their augments likely let them see past the fakeness
JOKER 👏 AND 👏 AKECHI 👏 GONE 👏ANGELS 👏 ANI 👏MATIC👏 YOU 👏 COWARDS 👏👏👏/lh
add more if you like, i would love to discuss further
no hiding The Good Stuff in the tags ;<
*clutching head* rodya and meursault would have such a good dynamic actually
I wonder if rodya would initially see meursault's indifference as like. a simpler version of her own feigned carefreeness and as a deliberate attempt to place himself as an outsider... only to realise that No, he really Is just Like That. and then she gets annoyed because it turns out that people who don't care about anything don't seem to be any fun.
(ofc he does actually care about a lot of things, just not necessarily his grander place in the world lol)
idk. nihilism vs absurdism. fun duo 👍 rodya would find meursault's genuine comfort with being a speck of dust in the universe baffling, while he would probably find her desire to assert her own importance pointless, but they could probably bond over little things like their shared desire to live in the present and appreciation of/indulgence in earthly joys. and meursault would probably listen if rodya wants to rant about anything without asking any uncomfortable questions. I think they could appreciate each other's presence.
The Nine of Swords is a Minor Arcana tarot card, also known as the Lord of Cruelty. (…) If this card is shown in an upright position, it can mean deception, premonitions and bad dreams, suffering and depression, cruelty, disappointment, violence, loss and scandal. However, all of these may be overcome through faith and calculated inaction. This is the card of the martyr and with it comes new life out of suffering (…) If the card is shown in an ill-dignified or reversed manner then it has a different meaning. When turned this way it means distrust, suspicion, despair, misery or malice. Total isolation away from comfort and help: institutionalization, suicide, imprisonment and isolation. However, in a generally positive spread, the reversed meaning of this card can also indicate that the nightmare may be ending. The Nine of Swords reversed can actually be a hopeful card, counselling faith in the future and the promise of better days ahead.
- sure, on wikipedia it's unsourced but seems to cross-ref well
wouldn't say this limits teambuilding, tho; 3rd option: ignore uptie 4 (just like i keep ignoring uptie 3 on EGO b/c it's just bigger numbers*), then once you clean out shop start with U4 on units you have figured out why they're bad, and U4 fixes exactly that. This gives longevity to fresh toys, gaining design insight is good, builds hype for to prevent burnout from grinding. Example: if mariachi sinclair doesn't get gloom on block and/or jubilo hedonista requirement 3 gloom res -> 2 gloom res i'm just. not uptying him.
Brain fried like egg trying to math this so late at night. Despite my knee-jerk reaction when I first saw these prices, it doesn't actually seem too horrid. As long as you're not also trying to spark every new thing that comes out in an effort to avoid the gacha in the gacha game or trying to be a completionist and uptie everything to max without grinding or spending.
(Before we get into the rest of it, this isn't going to cover the grind that leads up to Uptie 4. Everything in the game currently is beatable with Uptie 3 units and whatever you can scrounge up for EGO, so Uptie 4 is optional as of time of writing. This is just going to cover getting from 3 to 4.)
Not accounting for resources you get from the gacha (random amounts of Egoshards from dupes and an amount of Thread when your Ideality expires), an endgame F2P can get:
18 - 27 Thread per day from Luxcavation with bonuses (18 is more sustainable for module usage, so we'll say 126 Thread per week)
1 Egoshard crate from daily missions, making it 7 per week
2 Egoshard crates from weekly missions
22.5 Egoshard crates from MD2 Hard with full bonuses (13.5 crates if it's three boosted Normal runs instead, then another 3 crates per extra run afterwards)
A crate can be 1-3 shards, so it comes out to 31-93 Egoshards out of 31 crates weekly, averaging at around 62 Egoshards per week. Excess shards can be made into Thread, if needed.
Assuming you're not trying to spark any units (and, again, not accounting for stuff from the gacha), an endgame F2P player can get about one 3-star unit that was T3 up to T4 per week, with a chance to have resources left over to uptie an extra unit every other week without too much extra grind. Similar situation for TETH EGOs at ~1/week but less so for HEs, which will need another day or three unless you grind more. If you're short on Thread as a F2P, Luxcavation is better than MD2 in terms of module cost.
If you bought the pass, multiply the number of crates you get by 3. So about 93 crates per week (with an extra 3 every other week), ranging from 93-279 Egoshards and averaging at 186. A player with a paid battle pass can get at least one 3-star up to T4 from T3 in a week comfortably, with potential range to extend to two in one week without extra grind. The EGO situation doesn't change much though. A bit over one TETH a week, but only about one HE a week due to the extra costs. If you need more Thread and have the time, your modules are more efficient at MD2 than Luxcavation. If you don't have the time, Luxcavation is still good as long as you have the bonus.
The only issue I can see with the costs for Uptie 4 is that it makes it harder to experiment outside of a team you're used to, at least right now anyway. If you have meta units, you're less likely to want to grind materials to upgrade your non-meta units when it takes about a week to grind resources for your existing team and more units are still coming out that will need even more resources to get up from T1. Then again, you do still get some upgrade materials from excess items from the gacha, so your resources aren't coming exclusively from grinding unless you want them to be.
Overall, this feels like a "Project Moon saw people at the end waiting for more content and remembered they're making a gacha game" type of move. I wouldn't be shocked if they dropped the prices due to complaints, but they may be better off giving us a Luxcavation with better rewards.
two in one theory... i am listening very intently if you ever feel up to share it!!
Alright, so this is gonna be... as close to an Abridged explanation of the theory as I can make, because if I went off on everything about it I would end up writing a whole dissertation or five hour video essay script on this shit.
There are gonna be three main sections to this post - Hong Lu's Daiyuisms, Hong Lu's Themes of Identity and how that connects to the concept of Two in One, and the Daiyu-Baoyu theory itself.
Strap in folks.
If you know anything about my theories in the earlier days of Limbus, you might know that I'm one of the very few people who was convinced Hong Lu is actually Daiyu, due to some evidence I found personally compelling. This has not changed, as we've only gotten just as much extra evidence to this as we have to him being Baoyu. So let me just speedrun through some of these points.
The Fucking Jade Eye
Ok hear me out. This is maybe the least important piece of evidence but I can never stop thinking about it. Hong Lu's jade eye? Not actually fully blue! If you look closely on most of his sprites, you can see that he actually has sectoral heterochromia, meaning his jade eye is both blue and black.
Daiyu's name, quite literally, translates to blue-black jade.
Now, you could claim that this is merely meant to be an easter egg reference to her, but... is that really Project Moon's style? After all, when people speculated on Don Quixote being Sancho or a Bloodfiend partially based on her appearance all the way back since near launch, they turned out to be right.
Hong Lu's Father
As of now, there is only one instance of Hong Lu referencing his Father in Limbus, and it's a voiceline from his Base Identity:
Now, if you know anything about DOTRC, this should already be raising some flags, because if Hong Lu was just Baoyu, he would not fucking talk like that about his Father.
In the book, Baoyu is consistently shown to be afraid of his Father, for a good reason mind you, as he's his main abuser. Baoyu would not be looking forward to introducing his friends to that man.
Even if Hong Lu was trying to downplay the abuse he's recieved, this would still not fit his pattern of behavior. When topics that genuinely bother Hong Lu come up, such as what could make him distort or how rich people would enjoy gifts made of humans, he immediately pivots and tries to avoid the topic at all cost. He would not bring up his main abuser in such a lighthearted manner, he would avoid bringing him up at all cost.
However, there is a character in DOTRC which does in fact have a more positive relationship to her Father, and would likely be the one with an opinion such as that - Daiyu. Daiyu loves her Father, and when he dies she completely disappears from the story for a bit to attend his funeral. If there was anyone who would be excited to introduce their friends to their Father, it'd be Daiyu.
Lasso Hong Lu's Corrosion
I made a whole seperate post about this, but I might as well mention it here as well for the sake of completion. The design choices made for Hong Lu which are missing for Faust are very, very Daiyu-coded.
For one, not only does Hong Lu completely turn into a flower, unlike Faust, his horse also gains a flower in its mouth. For those whose knowledge of DOTRC is zero to none, Daiyu is a reincarnation of a Flower given sentience due to being watered by the Jade. I don't think I have to be the one to connect the dots between those two pieces of info for you.
The second is how the halters become a noose for Hong Lu. This, too, is a very Daiyu thing - Rose Hunter as an Abnormality represents the inability to escape one's fate, and Daiyu's fate is to die - the Jia Family arranging a marriage between Baoyu and Baochai leads to Daiyu falling deathly ill, which in itself could be considered a part of her repaying her Debt of Tears - the debt she swore to repay to the Jade/Baoyu when she was still a Flower.
The hilarity of the fact that this E.G.O came out in the same update as Hong Lu being called Baoyu in-story is not lost on me.
Rose Sign Abnormality Log
The third Log for Rose Sign ends in a very peculiar way.
There's multiple ways one can tie Hong Lu's odd reluctance to talk about flowers and the petals. One is the obvious "he's being reminded of Daiyu because she was a Flower" connection, but there's another one.
One of the most commonly potrayed images of Daiyu relates to a scene in DOTRC where she buries fallen flower petals, weeping for and lamenting the mortality of the flowers and herself. Hong Lu's reaction here to his fellow Sinners being reduced to nothing but petals upon Rose Sign's death feels like a notable parallel to Daiyu's flower burial scene.
Like literally everything about Kurokumo Hong Lu
The title for this is a bit of an exaggeration, but at the same time. I'm serious. Kurokumo Hong Lu is perhaps the most Daiyu Identity out of all the Hong Lu Identities we have, and the way he is designed to stand out among them further makes me go insane.
Kurokumo Hong Lu's most defining trait is his attitude - he often complains about his position and how authority treats him, though he doesn't really act out against them in any major way outside of making snarky or sarcastic remarks.
This is, frankly, an extremely Daiyu thing to do. Daiyu is one of the few characters who audibly complains about her treatment in the household. For example she complains about not being given as many opportunities to show off her poetry skills as her male peers are, and she recognises how, when all the girls in the family are given flowers, she's the last one to recieve them and thus is stripped of the ability to pick, being only given the leftovers.
Then there's the whole. Everything about Kurokumo Hong Lu's visual design. Because once you realize just how Daiyu-like the Identity is, you realize just how weird he is compared to other Hong Lu Identities. I mean just look how he compares to his other Identities.
He's the only Hong Lu Identity with a blue tint to his hair in the combat sprite rather than the usual purple.
He's the only Hong Lu Identity whose hairtie is a ribbon rather than a jade ring (Liu Hong Lu technically has the ribbon in his post-uptie art, but he doesn't have it in his combat sprite so I'm not counting him).
He's the only Hong Lu Identity to not be smiling in his combat sprites.
And he's the only Hong Lu Identity (and one of only four Identities in the game) whose Idle sprite has its body facing away from the opponent rather than facing towards them.
All of those combine to make him stand out like a sore thumb in a Hong Lu Identity lineup in a way that makes it feel intentional, especially since he's also the only Hong Lu Identity with that kind of notable attitude towards authority. Other Hong Lu Identities are either obedient, don't express any opinion, or just straight up are the authority.
The Baoyu reveal is framed in a very weird way
This is, admittedly, less of a Daiyuism and more of a not-Baoyuism, but I thought it'd be important to mention nonetheless.
There are a lot of things about Canto 7's reveal of Hong Lu's name being Baoyu that are very strange, especially compared to how the Canto frames Don Quixote's own reveal of actually being Sancho.
For one, the timing itself - why is such an important piece of info being revealed so early? Again, compare to Donqui - she was revealed to be a Bloodfiend in the Intervallo right before Canto 7, and the Sancho reveal only came in the second half of the Canto.
For two, the framing - Donqui's reveals are treated as what they are, Major Reveals. The Baoyu reveal on the other hand happens in a single off-handed line, with nobody reacting to it in any way. Neither Hong Lu nor the other Sinners seem to hear it after all.
And mind you, it's not like Limbus is opposed to giving us important information in off-handed lines - far from it in fact. Project Moon loves shoving little bits of foreshadowing and reveals you don't realize are reveals until way later in these kinds of off-handed lines. But the way those lines are treated is still very different to how the Baoyu reveal is treated.
Usually, when there's foreshadowing in off-handed lines, it's usually either vague enough to be something a character could say regardless of context (see Yi Sang getting hung up on the Sedatives bit in Canto 2 or Ishmael's comment about Syndicates pretending to be Families foreshadowing her own history with the Middle via Queequeg) or something that is in the middle of a scene that distracts from what is actually being said (like Hong Lu's distortion foreshadowing being in the middle of an important infodump or most of everything in Canto 2 being surrounded by a comedic tone).
None of this is present for the Baoyu reveal. There's nothing to distract you from this information, as the scene is already focused on discussing Hong Lu, meaning you're already likely to be paying attention to what is being said about him. There's also no vagueness about it, there's no way you can brush it off since not only are Wei and Xichun newly introduced characters, but it's a whole ass clearcut namedrop.
The only way I can justify that reveal being there in the form it takes is that it in itself is the distraction. Think about it. Didn't I point it out earlier that this reveal came in the same update as the E.G.O with an extremely Daiyu-coded corrosion design? Wouldn't it make sense for that reveal to be there to lower your guard, make you think you resolved that mystery, only to later on reveal it wasn't the whole story after all?
So this section is a bit more vague than the Daiyuism section, because Hong Lu is the type of guy to just Say Shit all the time. It's basically just. Anything that I find relevant to the idea of Hong Lu's Identity being more complex than him just being a random guy using a pseudonym, with some (but maybe not all) of them directly tying to the idea of Two in One.
"Which one is the real you?"
There are currently two seperate scenes where Hong Lu muses on the idea of someone's identity being in some way vague or obscured.
Is Dante the person or the clock? Is the dreamer the one in the dream or the one who wakes from it? Which you is the real you? Does it even matter if that you will flutter away in the end?
This idea of there being one true self. That even if there are two, there is only one of them that is actually you. Curious, right?
Face-changing dance
During the Canto 2 scene where everyone gives their reasons for whether or not they'd be a good pick for being the one to dance, Hong Lu says this.
Bian lian is a kind of dance literally translated as "face-changing". It involves rapid changes between various masks and make-up to represent different emotions or characters.
Now, it's no secret that Hong Lu is a great actor, as we see in Canto 4, and Canto 7 shows how the comparison to theatre and actors can be used to symbolize one's performance of identity, as it does for Sancho and her Don Quixote persona.
Mind you, this reveal comes in the same scene as Sinclair's dance invoking the image of a bonfire burning all through the night according to the Mariachis, a clear foreshadowing to Canto 3 and the Literal burning down of Sinclair's home.
Hong Lu knowing bian lian could be further foreshadowing to his own skills in deception, and how he too is a sort of actor, not unlike Don Quixote. On the other hand however, it could also be a more literal foreshadowing, that he (Baoyu) Quite Literally changed his face. We won't know until Canto 8, but it is an option you know.
The HamHamPangPang dish(es)
For those who don't know, here is a list of the Sinner-themed dishes that were available at HamHamPangPang.
Now, chances are, not all of them have deep meanings. I don't think there's much of a deep meaning to Heathcliff and Ishmael's dishes, I think PJM just legit don't know much about British/American cuisine so they just picked something recogniseable.
However, not all of them are meaningless picks either. Ryoshu, likely a mother, has a meal literally called "parent-and-child donburi". Don Quixote, a Bloodfiend, has a garlic-based dish. These were clearly done on purpose.
So, what does it say that Hong Lu's dish is actually two different dishes? That he's the only one whose dish is two different dishes? And it's not like the two are in some way inherently connected, since they're of completely different cuisines. Japchae is a Korean dish, not Chinese like the Mandarin rolls.
And just in case you weren't convinced that Hong Lu's choice of dishes is purposeful - another name for Mandarin rolls is flower buns, and one of the special occasions japchae is commonly served for is weddings. If you had read through the Daiyuisms section and somehow have no idea what the significance of that is, I don't know what to tell you.
So. I gave some evidence for why I think Hong Lu could still be Daiyu despite being revealed as Baoyu. I gave some evidence for why I think Hong Lu could be a Two in One deal, or that at the very least there's something more complex going on with his identity. But let's discuss the theory itself, how it would recontextualize certain things, and why I think it's an extremely fitting an thematically resonant direction for Hong Lu's Canto to go in.
The Theory
Here's what I speculate is going on.
Daiyu, just like in DOTRC, is someone who was taken in into the Jia Household rather than born in it, and who strongly connected with Baoyu upon meeting him. The two would end up forming a bond strong enough that they would be willing to die for one another (or, if they're in particularly argumentative moods, to kill themselves just to force the other to have to live a long life grieving over them - this is an actual argument they have in DOTRC and I pray to god this is adapted into Limbus because it's too fucking funny).
At some point, Baoyu either dies or is brought to near death, likely through the same circumstances as in DOTRC - being beaten by his Father. To save him, his memories and consciousness would be transferred to his eye, a process not dissimilar to the one Xichun brings up in Canto 7, and implanted into Daiyu's body, causing them to become a vessel for Baoyu. This would be how Hong Lu as he is now is created.
All of the above is the main basis for this theory. Everything else that I might speculate about, such as the exact nature of the two's relationship, Daiyu's more exact background and personality, how their pre-reincarnation lives could be adapted - all of those are things that are purely speculative and ones that I don't really expect to be actually fulfilled. The only bits that I am sure are likely to be true is what I laid out above.
So... what does it all mean for the future? I'm glad you asked!
The Recontextualization
Here's a collection of just a couple of things that Hong Lu has said or is depicted as that would be heavily recontextualized if this theory ends up being true.
Hong Lu surviving despite claiming he didn't fight back when his siblings first tried to kill him: With the context that he used to be two seperate people, the answer to how he survived is made very simple. Baoyu is the one who wasn't fighting back. Daiyu, however, could have still protected him in turn.
The red ribbon on Hong Lu's weapon: There is only one other Sinner who has a similar decoration on their weapon - Ryoshu, who also has a red ribbon on her sword, which could be easily connected to Yuzuki and her death. With the context of Hong Lu being Baoyu occupying Daiyu's body and thus effectively rendering their self non-existent, the red ribbon could be a parallel symbol - a symbol of Daiyu and their 'death'.
How Hong Lu treats his weapon in his base E.G.O: The way Hong Lu holds his weapon in the illustration is more like he's cradling another person. This could be a representation of how he feels about Daiyu's situation. Likewise, in the attack animation, he's not really attacking with the weapon itself, is he? He's simply using it to direct a ribbon (which in itself is missing in the illustration), the part that is actually the attack. If the weapon in the base E.G.O represents Daiyu, this could be a parallel to how Baoyu feels like he's merely directing Daiyu's body to attack, rather than being the one actually attacking.
The duality of Hong Lu IDs: There is a notable pattern among Hong Lu IDs, and that is the focus on his attitude to violence. When he's in a situation where he's obedient towards his Family, he's either uninterested in violence, bored of it, or otherwise given no other choice but to use it as a reprieve from boredom. However, when he's in a situation where he's disconnected from his Family or otherwise questioning the status quo, he's shown to not only be much more aggressive and violent, but to outright enjoy it. With the context of Hong Lu being composed of two people, this duality could represent each of his components - the obedient and violence-averse being more Baoyu-like, while the questioning and violence-favoring being more Daiyu-like.
So, there's a bunch of stuff that would be given new meaning under the premise of this theory being true. But now, what about the future? What would this theory mean for the themes and ending of Canto 8?
The Resolution
I believe this is how the Daiyu-Baoyu theory will affect Canto 8.
At some point, whether before or during the Canto, it will be revealed that Hong Lu is both Daiyu and Baoyu. There will be an attempt to seperate the two, perhaps to implant Baoyu into a more fitting, more Jia Family-approved Vessel. Perhaps because the 'arranged marriage' from DOTRC could be adapted into something more... let's say Fear and Hunger kind of marriage rather than traditional marriage.
This will leave Hong Lu to be returned to their state as Daiyu, who will be revealed to be a very different person to what the Sinners knew Hong Lu as. There is a non-zero chance that Daiyu will be unable to hear Dante or be revived by them due to the one who signed the contract being Baoyu, and so they could end up acting as an uncontrollable ally unit not unlike Xichun in Canto 7.
The climax would then be Daiyu and Baoyu reuniting and being unwilling to part with each other again, even for the sake of returning to being the fake persona that is Hong Lu, leading to a potential duo boss fight/distortion boss fight/duo distortion boss fight.
The ending would be the two of them deciding to embrace their new identity as Hong Lu and truly becoming one, discarding their pasts and the selves that had been forced on them by the Jia Family. This ending would have a twofold meaning regarding how it connects to the DOTRC adaptation.
One - it would be a direct parallel to the ending of DOTRC where Baoyu leaves to become a monk. By becoming Hong Lu and discaring his previous identities, he'd be leaving behind the earthly attachments inherent to being Baoyu and Daiyu and become spiritually whole.
Two - it would be a reflection of the major theme of DOTRC, that being "Truth becomes fiction when the fiction's true. Real becomes not-real when the unreal's real." Hong Lu, as a person, is a 'fake' persona used by the 'real' Baoyu and Daiyu. However, by discarding those two identities and deciding to just be Hong Lu, the fiction of his existence becomes the truth, while his former real selves become not real.
I could honestly just keep going with this post, but I think I'm going to stop myself here before I'm forced to find out what tumblr's character limit on posts is. Believe me, I was trying to be brief, and still this post is. This fucking long.
I hope this explains why this theory has been the subject of my brainrot for the past however long, and why I feel like it's surprisingly plausible despite being as deranged as it is.
Godspeed and godbless, I have classes tomorrow and I'm spending my time on this.
@raytyger thank you! real insight into cardgames = gained!
ahaha assumed magic, too has "increase" != "becomes". But it turns out it doesn't have truly wild rulings on lingering statchanges xD
mmm we could still be like "Dostoy had a shot perfectly lined up, and instead of offing Dazai right there merely uses it to force cannibalism arc to go brr", and then course-correct with 'because Reasons Dazai is crucial to whatever plan to erase ability users is being cooked', and THEN course-correct with 'not that easy to abduct', and then course-correct with...
the point is: you are reading a manga. The authorial intent is to keep Dazai alive and to showcase that normies can do stuff too. (the latter was mentioned in interviews, but you can work it out asking 'why is this the author-approved outcome, what themes/ideas does it reinforce'). How exactly this happens is razzle dazzle and willing suspension of disbelief, most likely induced by the plot being engaging in the moment.
Wouldn't be surprised is that for all our whining we're sticking around due to logic underpinning these two decisions.
also notice Fukuchi didn't Amenogozen Aya to pieces either and use the 10s window to cover to cutting down Bram. Because otherwise a) Aya would have no agency in the plot, see above b) we wouldn't get zonked by Tachihara vs Fukuchi (which happened to enable more character building and to slowly raise threat level. Without the slowdown the readerbase would go "this is OP bullshit" even harder. As is, the bootstrap paradox is framed more as a logical extension of what was already known - we just didn't sit down and try to break it Jojo-style)
You know who would've been a perfect person to be in prison with Fyodor? Ranpo.
Give Ranpo an earpiece, use Ango's influence, and Ranpo can easily communicated in Morse code or something. It doesn't need to be that secret because Ranpo can figure out Fyodor's plans just by looking at him.
Because that puts Dazai on the outside. Everyone's still using Ranpo's genius, but now they have No Longer Human, and that changes everything.
Time-traveling sword? Nullified, Fukichi loses. Vampires? All Dazai needs to do is touch the sword in Bram. One Order? Dazai destroys it. Dazai just needs to touch the Page and it's gone. Seriously, Dazai's ability was so perfect for all of the problems in the series and he just wasted away in prison playing mind games with Fyodor. I love Ranpo, but he doesn't have a fighting ability, and he literally stayed in one room the whole time anyways.
#piracy efforts will keep media alive for far longer than corporations will even bother attempting
What makes us human is the Nintendo 3DS