Itsmymochichim - Untitled

THIS S Q U I S H Y BABY😍😍😍

Free Palestinian women. Free Kurdish women. Free Afghan women. Free Syrian women. Free Sudanese women. Free Congolese women. Free Somali women. Free Yemeni women. Free Indigenous women. Free Rohingya women. Free Uyghur women. Free Haitian women.

None of us are free until all of us are.

saturn nakshatras and the classical arts

@venussaidso recently shared a post about a group of saturn nakshatra actors who were called "untalented and only famous because of pretty privilege" as saturn is perceived as limiting, stiff and restrictive through its natives

actors are generally expected to he highly expressive, dynamic and fluid — spirited, emotionally charged performances are often celebrated and given acclaim

saturn nakshatras natives often thrive in the classical arts, such as ballet and the classical music sphere, as here a certain element of saturnian control, austerity, reduction & adhereing to strict guidelines is needed to be successful. here, uninhibited, uncontrolled expression (such as the improvisational nature of jazz or the fiery dramatics of theatre) is not the norm

grammy winning violinist, hillary hahn, uttara bhadrapada moon

she was even given the moniker 'ice-queen' which ties into the frigid nature of saturn - an energy when applied in other genres or art forms where fluidity and brazen expression is the norm may be deemed 'boring' 'cold" 'non expressive' - but in the sphere of classical music a certain element of controlled 'perfection' is highly revered and respected

classical musicians are notoriously known to struggle with improvisation, as their main emphasis lies in performing works exactly as they were written hundreds of years ago, with high pressure on the performer and meticulous repetition necessary to perfect the art — conducive to saturnian energies

as with classical ballet, improvisation can even result in injury and there is an emphasis on control, structure, order and seamlessly becoming one part of a whole

despite constantly repeating steps that are incredibly difficult, require inordinate amounts of strength and flexibility while constantly pushing the limits of what the human body is capable of & comfortable with executing, it is imperative for ballerinas to display an aura of grace and effortlessness

in other sports, it is acceptable for an athlete to show signs of stress, fatigue or strain on their faces but a ballerina must always display a façade of serenity, grace and delicacy - traits associated with the cold, airy, meticulous saturn

ballerina and social media influencer, lori hernandez, uttara bhadrapada moon

from a list of 'the 10 most influential ballerinas of all time'

anna pavlova - pushya moon

yuanyuan tan - pushya moon & saturn

diana vishneva - pushya venus & saturn

margot fonteyn - anuradha rahu

virginia johnson - uttara bhadrapada rahu

pushya moon, anna pavlova in the garden of her home “ivy house” outside london with her pet swan jack

saturn nakshatras are prominent among acclaimed classical concert pianists

glenn gould - pushya moon & mars

dinu lipatti - pushya moon, u. bhadrapada venus & mars

carl maria von weber (composer, conductor, virtuoso pianist, critic) - anuradha sun

anton rubinstein (founder of st. petersburg conservatory) - anuradha sun & jupiter

arthur rubinstein - uttara bhadrapada moon

martha argerich - uttara bhadrapada ketu

vladimir horowitz - uttara bhadrapada ketu

glenn gould, pushya moon, was a canadian classical pianist. he was among the most famous and celebrated pianists of the 20th century

Just heard that India attacked Pakistan and Kashmir? And that they attacked a civilian area, including a mosque which so far has resulted in the death of 3 civilians including a CHILD!?

As if the world hasn't already seen so much civilian death and destruction!?

I see

A lot of people talking about mars nakshatra but one thing about them is they care too much. LIKE TOO MUCH about everything and anything they human or humanly possible, which gets made fun of or dogged at but it’s truly a wonderful and good thing. Shows we are alive. They will literally cry with, for you and because of you. They are not as conniving naturally but are smart thru self preservation. Underneath all the battle warrior is a very soft sensitive being. They don't know how to but would benefit from emotional contention, from others. They really look for connection but don’t really know how, its kind of rowdy messy or all over. They are more (probably) emotional than moon nakshtaras

swear to God that i get accused and harassed just for caring and being passionate about people places and things. Like if you are about the truth your enemy #1.

They deal with alot mental health issues, well i notice alot of other nakshtaras do. But they want to be loved and notice/taken into account because they really do feel and experience life lowly until they rise. They get very immersed in Maya and their senses. They can’t be detached like Saturn, Sun or Ketu or attached for benefit like Venus, Moon, Mercury or Rahu. They kind of just attached because they can or feel the need to. They may not be as ”giving” but thats why they benefit from relationships with Jupiter or Venus (if Venus wants to) where they kind of learn from, Sun too maybe.

Literally me:

The girl in the cage is just what I call the Late Bloomer. The girl who struggles growing into a woman because she’s being oppressed and restricted into roles she “must” fulfill as a woman in society. I’ve said how these women must be brought into fruition because they’re fully grown, wish-fulfilling trees. That’s why we see Nicki Minaj nd Doja Cat saying “pick my fruit.” It’s why I love UPH & Hasta as a pair because Hasta is literally the hand that brings Uttara Phalguni into fruition by fulfilling its shakti through Uttara Phalguni. Someone needs to “pick their fruit” and literally help awaken their sexuality + sexual power (which is why I constantly talk about the Late Bloomer, sexual awakenings, and Kundalini awakenings under this nakshatra).

I’m so happy & so so proud of myself

If you’ve been following me since my twitter days you know I’ve been talking about this for a long timeee I loved

I feel like not enough people know that you can just go do witchcraft. Like yeah, all the pretty and aesthetic things you see online can be really expensive, and if you live in a place where witchcraft is frowned upon it can be hard to hide things, but your practice can literally be anything you want.

Part of my practice is making friendship bracelets with colors of what I want to manifest. I learned morse code and tie my goals into the bracelet. It look like a normal bracelet, no one would know the difference unless I told them. Your manifestations and spells can be verbal and whispered to the wind, your sigils can look like doodled stars or stick figures, your altar doesn't need to be anything more than the tools you use (if you even need an altar). You can put spells together based on what you have and what the things around you mean to you.

You do not need to buy things for witchcraft or have a very visible practice, just do what feels right for you. Your practice is what you make it.

When I shifted for the first time, I wasn't doing anything special.

I didn't embody my Dr self, I didn't affirm throughout the day, I didn't pretend to be somewhere I was not. I didn't visualize, I didn't script, I didn't even set an intention.

I put on a subliminal, took a nap, and woke up in a different reality.

I'm not saying this to tell you to stop everything you're doing, I'm not saying your methods are wrong or your reality checks are an overkill... I'm only saying this because I too have tried literally everything under the sun for years before I shifted and all it took was a nap.

Shifting is a simple or as complicated as you want it to be. If you assume that you don't have to do anything to shift, and you hold that assumption near and dear to your heart, you will shift without doing anything. The funny thing is that at the time I didn't even have that assumption, but every time I shifted after that I wasn't doing anything special. Yes my shifts have not lasted as long as the first one yet, but the point is:

I shifted.

And so will you.

And lastly, I would like to share with you this beautiful success story that I got under my subliminal yesterday:

Happy shifting ❤️

punarvasu । पुनर्वासु

𑁍 meaning — “return to the light”

𑁍 shakti [divine power] — "vasutva prapana shakti" the ability to gain wealth or substance

𑁍 presiding deity — ADITI

the sanskrit word aditi (अदिति) means "boundless," "limitless," "freedom," or "innocence"

𑁍 punarvasu is of the deva (godly) clan and belongs to the the merchant caste; its primary motivation is artha — the pursuit of wealth, material well-being and prosperity; artha (अर्थ) in sanskrit means meaning or purpose

𑁍 the vimshottari lord is jupiter, brihaspati - guru of the gods; the realm of ether - beyond space

Jacob's Dream, William Blake, Punarvasu moon

For further insights into the cosmic function of punarvasu and Aditi

I will be quoting an excerpt from 'DIVINE HORSEMEN: THE LIVING GODS OF HAITI' — MAYA DEREN

Here, I liken the haitian goddess Erzulie to the vedic Aditi as they represent the same archetype and symbolism

"Myth is the facts of the mind made manifest in a fiction of matter." — maya deren, punarvasu ketu (below)

Erzulie: Goddess — The Tragic Mistress

Voudoun has given woman, in the figure of Erzulie, exclusive title to that which distinguishes humans from all other forms: their capacity to conceive beyond reality, to desire beyond adequacy, to create beyond need. In Erzulie, Voudoun salutes woman as Divinity of the dream, the Goddess of Love, the muse of beauty.

It has denied her emphasis as mother of life and of men in order to regard her (like Mary, with whom Erzulie is identified) as mother of man's myth of life — its meaning. In a sense, she is that very principle by which man conceives and creates divinity.

Thus, to man himself, she is as mistress.

𑁍

Erzulie moves in an atmosphere of infinite luxury, a perfume of refinement, which, from the first moment of her arrival, pervades the very air of the peristyle, and becomes a general expansiveness in which all anxieties, all urgencies vanish.

The tempo of movements becomes more leisurely, tensions dissolve and the voices soften, losing whatever aggressive or strident tones they may have had. One has the impression that a fresh, cooling breeze has sprung up somewhere and that the heat has become less intense, less oppressive.

𑁍

She is provided with a fresh white or rose silk handkerchief which she arranges carefully around her hair.

Perfume is imperative, and there may be powder as well. A white or rose dress of delicate cloth, with lace or embroidery, has been keps in readiness for her. And, finally, she is brought not one necklace, but several, of gold and pearls, along with earrings and bracelets and her three wedding bands.

The careful, unhurried accumulation of costume is an act which, step by step, rejects the primitive, the "natural condition", and, step by careful step, instructs the fortunate attendants in the idea of beauty, the sense of form, and, above all, the cumulative painstaking process by which a work of man — be it art or myth — is created.

The Goddess examines each article minutely; where alternative choice exists, her considered selection, her indecision are very pointed; each effect is critically scrutinized, often rejected and rearranged. The very process of this creative transformation becomes so significant that whether it is a large audience or a small family who await her, or how long they may have to wait, ceases to be of any consequence.

What is of consequence is the act itself, and the demonstration of the fact that such an act can transfigure the female into the feminine.

Her voice is a delicate soprano; her every gesture, movement of eyes, and smile, is a masterpiece of beguiling coquetry; with her, human relationship becomes itself significant rather than merely a means to an end.

She may visit her altar chamber and be pleased that the flowers are fresh, for flowers are her passion.

kalu uchis, punarvasu ☉

𑁍

She may ask for a favorite song, for she loves to dance and is the most graceful of all loa; or she may simply give audience to her admirers, and by her postures and attitudes transform the crude chair in which she sits into a throne.

Above all, she favors desserts, decorated cakes and confections of all kinds. Or, if she has arrived on an impromptu visit, she may be content with a sip of the crême de menthe or the champagne which, theoretically, should always be ready for her appearance.

𑁍

As Lady of Luxury, she gives gifts constantly;

her own perfume, the handkerchief she wears, the food and money which she distributes generously.

She particularly rewards those who are handsome, or who dance well, or whose personality pleases her. She never neglects one who is devoted to her.

𑁍

an altar to maîtresse erzulie, mistress erzulie, metres elizi freda

As Lady of Luxury she is, above all, Goddess of Love, that human luxury of the heart which is not essential to the purely physical generation of the body. She is as lavish with that love as she is generous with her gifts. She treats men with such demonstrative affection that it might seem, at times, embarrassing. She will embrace them, and kiss them, caress them, sit with an arm around those to both sides of her.

Nothing is meted out or budgeted, there is more than enough; this is her way of loving, this is the divine fecundity of the heart. A heart is, indeed, her symbol, most often the pierced heart identified with Mary.

She, who is the wealthiest of the loa, the most frequently gifted with luxurious accoutrement, suffers for not being "served" enough.

She, who is the most complimented, most beloved, most often wedded in the sacred marriage of devotee and divinity — she who is Goddess of Love — protests that she is not loved enough."

Inevitably then – she begins to weep. Tenderly they would comfort her, bringing forward still another cake, another jewel, pledging still another promise. But it would seem that nothing in this world would ever, could ever, answer those tears. It is because of these tears that the women, who might otherwise resent her, are so gentle. In their real, reasonable world there is no grief like this.

this weeping is so inaccessible to reason that one thinks, inevitably, of a child's innocence of reason. It is this sense of innocence which emanates from her that makes her identification with the Virgin Mary somehow seem truer than her promiscuity, than even the fact that the devotion of prostitutes makes of her almost their patron saint.

lana del rey, punarvasu mercury

She is the divinity of the dream, and it is in the very nature of dream to begin where reality ends and to spin it and to send it forward in space, as the spider spins and sends forward its own thread.

The labor of Erzulie is as endless as the capacity of man to dream and, in the very act of accomplishing that dream, to have already dreamed again. It is upon this diminutive feminine figure that man has placed the burden of the most divine paradox — He has conceived her without satisfactions, without balance, to insure an overwhelming balance against his own satisfactions. This is the meaning of the merciless muse, the most unhappy Medusa.

Erzulie is the loa of the impossible perfection which must remain unattainable. Man demands that she demand of him beyond his capacity. The condition of her divinity is his failure; he crowns her with his own betrayals. Hence she must weep; it could not be otherwise.

The wound of Erzulie is perpetual: she is the dream impaled eternally upon the cosmic cross/roads where the world of men and the world of divinity meet, and it is through her pierced heart that "man ascends and the gods descend".

Rose & dahlia by Salvador Daví, Punarvasu Rising

𑁍

Joy and woe are woven fine,

A clothing for the soul divine;

Under every grief and pine

Runs a joy with silken twine.

It is right it should be so;

Man was made for joy and woe;

And when this we rightly know,

Safely through the world we go.

— William Blake, punarvasu moon, "Auguries of Innocence" (1863)

"If the doors of perception were cleansed every thing would appear to man as it is, infinite."

— William Blake, "The Marriage of Heaven and Hell" (1790)

Lana del rey has mercury in punarvasu, and her music had a very fantastic, ethereal feel that almost lulls you into a dream-like state.

Her lyrics often reflect punarvasu themes of dreams, fantasy, sorrow, heart-ache, luxury, excess, affection

lyrics to lana's 'video games'

I say, "You the bestest" / Lean in for a big kiss / Put his favourite perfume on

It's you, it's you, it's all for you / Everything I do / I tell you all the time / Heaven is a place on earth with you

They say that the world was built for two / Only worth living if somebody is loving you

lyrics to 'honeymoon'

There are violets in your eyes / There are guns that blaze around you / There are roses in between my thighs / And fire that surrounds you

It's no wonder every man in town / Had neither fought nor found you / Everything you do is elusive / To even your honey dew

our honeymoon / Dreaming away your life

stop fighting with the 3d

why constantly burden yourself with endless thoughts and emotions towards the external world that don’t suit your standards when you know it shouldn’t serve you?

a reflective slate of glass doesn’t prove to you completely and permanently that your manifestations aren’t yours, the character you define yourself with in that moment is what depicts your ending awareness.

in simple terms, if you choose to be the person who sees it as it is, and goes on thriving in the energy of your desires, then that’s what will show. though, when you set focus on the 3d (which, the 3d is not separate from you, your dominant assumptions derive from your internal awareness) and see something that doesn’t suit you and yet you define with it and panic, that’s what hinders your manifestations.

if you’re someone who’s taken lots of time, or feel like you don’t “manifest” instantly or when you want to, remove the factor of time. time is a construct that keeps things set in place, yes? but who cares about how long it takes for you to “manifest” something certain. the external world won’t sit here and show you something you want when you’re affirming against your own assumptions. be the person who decides “why does the 3d matter? i have what i want” and it’s done.

in my sense, you’re not “manifesting.” i solely don’t like using terminology’s sometimes because on a personal level i like viewing everything in a natural state. you’re not manifesting since it’s already done. nothing really needs to be manifested because you being the prime creator, the reality of you having quite literally everything already exists. it’s your time to shine and input your awareness into that state. sure you can affirm and persist and do all that yes, if it suits you for sure keep going! saturate your mind with it if you know it’s what helps you, but all is set and done the second you told yourself you had it. the law has no choice but to abide by its own principles. don’t fear the prey like it’s the predator. you are in control and always will be. the attention you give towards the 3d should be reversed towards saturating your mind in what’s right for you.

love you