The Solution To All My Problems Was Realizing That I Am The Solution. It Was Also Accepting That Problems,

Why Tara Bala is Especially Powerful in one’s own Chart on the Angles

As I have discussed in my previous posts, planets in cardinal houses 1, 4, 7 and 10 have the most visibility in one’s chart, especially if we judge a person not by their internal world, but just on the premise of their actions and external appearance.

I have also discussed Tara Bala, and how planets in the “enemy” or “friend/best friend” Tara Bala position can be detrimental or helpful to one’s life. That effect becomes particularly prominent, if the planet involved resides on the angles.

Case in Point: A singer, whose very significant chart planet is Venus in Vishakha in the 1st house. Any planet in the 1st house becomes an integral part of one’s personality, so that planet in Vishakha Nakshatra will be in the front and center of the person’s identity, even though it’s not a luminary. However, the person has Moon in Shravana in the 4th house, also on the angle. Shravana is Vishakha’s worst enemy, and thus detrimental to one’s expression, if one shares both of these Nakshatras in their own chart. So the person here is going to have trouble expressing the nature of their 1st house planet because of the nature of their basic consciousness, that the Moon represents, and it’s going to be visible to others.

The external reflection was visible in this singer’s public appearances, where she fluctuates very strongly between a more tame “girl next door”, even neglected, public persona (which some of her viewers have criticized heavily), and her alternative artistic personality, when she puts in more effort during photo shoots. On the same note, there have been fans who have criticized her behavior and appearance even during performances. Charisma and performance is a Vishakha theme, but Shravana is more domestic and feminine, and some people have made derogatory comments about her behaving and looking like a “grandmother” on stage. That’s because the wise crone of Shravana doesn’t mesh well with the more Jupiterian creative display of Vishakha.

What to do if you have the same issue in your chart? Make sure you satisfy both of those parts of your personality, but don’t mix them. Compartmentalize these sides of yourself with full love and awareness, and realize mixing some things is just a bad idea, like putting a bathroom in the kitchen, but that doesn’t mean both elements aren’t necessary in your life. That will come more naturally to people, who even with this Tara Bala have the enemy Tara Bala planet in more hidden houses (like 8th or 12th), as they will be more public with one planet over the other, and that compartmentalization will be natural.

To use the singer in question as an example, I would advise her to separate her public and private life, wear and do whatever she wants during her spare time, which shouldn’t be that hard because she’s a minor European celebrity, but make sure she always shows up strictly in her Vishakha energy when she does anything remotely public or posts it on social media. It will have to be a very strong, creative public act and take hard work, but otherwise something will always be awkward in self presentation of such a person.

Remember, time does not actually exist, so

"I will have a burger." and "I already have a burger." are the same.

Why is time not real? In what sense is it not real? And why does that make a difference in our affirmation?

Here's why:

Time, as we understand it, is only a perception. It's a framework that enables us to place events in a way that makes sense in this existence, but it's not an absolute, universal force.

1. Time is Relative

Science already tells us that time isn't absolute. It distorts with gravity, speed, and perspective (think time dilation in relativity). If time can stretch and condense, then it's not an objective reality—it's something that changes depending on where and how you are.

2. Time is a Mental Framework

We split time into seconds, minutes, and years, but that's only a human construct. In reality, all moments exist at once—what we consider past, present, and future are just different angles of the same infinite Now.

3. Shifting Proves Time's Flexibility

When we shift, we can be in a DR for a year, while only a few minutes pass here. Some shifters have even returned before they originally left. That alone proves that time is not absolute—it is relative to the nature of the reality you're in.

How Does This Affect Our Affirmations?

Since time isn't real, any affirmation based on time is merely a way to frame your own perception of reality. That means:

"I am always in my DR."

"I shift immediately."

These both convey the same message because your awareness isn't restricted by linear time—it simply goes to the perspective that aligns with your intention.

So don't think: ❌ "How long will it take?"

Think instead: ✅ "Where do I want my awareness to be?"

Because in an infinite reality, you're already there. 🚀

THIS S Q U I S H Y BABY😍😍😍

Rahu in our chart creates an intense feeling of desire relevant to its position, but how it manifests depends also largely on the dispositor planet and its qualities.

Rahu can generate that desire twofold - through self development or through others. Of course, dispositor aspects will also matter.

To understand that in your own chart, realize that houses closest to the 1st house relate to your own sense of self, and houses close to the 7th house relate to the external projection of the other. That spreads around both ways, if you look at the chart wheel. So for self-involvement, we have houses 11 - 12 - 1 - 2 - 3, and for external projection houses 5 - 6 - 7 - 8 - 9.

Houses 4 and 10 are the most emotionally and publicly objective, and so a dispositor in these houses is the most likely to join some sort of cause or capitalize on a creative endeavor. So the Rahu dispositor here can seem almost selfless, or more impersonal, but at the same time it’s a very practical energy.

Self involved Rahu is simply someone, who will seek that fulfillment through self development. It doesn’t mean they won’t give to others or their other planets can’t make them experience external appreciation, but they will ultimately desire self growth in some way. Learning from others will of course occur on that path as means to self development.

The “externally” focused Rahu is extremely susceptible to projection. They look at others and the traits they admire and desire in them, so they focus on those people or even idolize them, but other people are ultimately a reflection of qualities they want to develop within themselves one way or another, but may be afraid to. So at the end of the day, they simply need a reflection to mirror their growth path, and depending on their maturity, may or may not find the courage to become the qualities they admire in others.

𝓣𝓱𝓮 𝓨𝓸𝓷𝓲 𝓐𝓷𝓲𝓶𝓪𝓵𝓼 & 𝓣𝓱𝓮𝓲𝓻 𝓘𝓷𝓼𝓽𝓲𝓷𝓬𝓽𝓼

𝓐𝓼𝓱𝔀𝓲𝓷𝓲, 𝓢𝓱𝓪𝓽𝓪𝓫𝓱𝓲𝓼𝓱𝓪 🐎

ɪɴᴅᴇᴘᴇɴᴅᴇɴᴄᴇ ᴀɴᴅ ꜰʀᴇᴇᴅᴏᴍ ɪꜱ ʜɪɢʜʟʏ ᴠᴀʟᴜᴇᴅ ᴡɪᴛʜɪɴ ᴛʜᴇɪʀ ʟɪꜰᴇ, ᴛʜᴇʏ ᴅᴏɴ'ᴛ ʟɪᴋᴇ ᴛᴏ ʙᴇ ᴛɪᴇᴅ ᴅᴏᴡɴ ᴛᴏ ᴀɴʏᴛʜɪɴɢ ᴀɴᴅ ᴄᴀɴ ʙᴇ ᴄᴏᴍᴍɪᴛᴍᴇɴᴛ-ᴘʜᴏʙᴇꜱ. ᴍɪꜱᴄᴏᴍᴍᴜɴɪᴄᴀᴛɪᴏɴ ᴀɴᴅ ꜱʟᴏᴡ ᴀᴛ ᴘʀᴏᴄᴇꜱꜱɪɴɢ ɪɴꜰᴏʀᴍᴀᴛɪᴏɴ. ᴠᴇʀʏ ʟᴇᴀɴ ᴀɴᴅ ᴛᴀʟʟ ʙᴜɪʟᴅꜱ ᴡɪᴛʜ ʟᴏɴɢ ᴛʜɪᴄᴋ ʜᴀɪʀ. ᴍᴀᴊᴇꜱᴛɪᴄ ʙᴇᴀᴜᴛʏ. ᴡʜᴇɴ ᴛʜᴇʏ ᴡᴀʟᴋ, ᴛʜᴇɪʀ ꜰᴏᴏᴛꜱᴛᴇᴘꜱ ᴀʀᴇ ʜᴇᴀᴠʏ ᴀɴᴅ ᴘᴇᴏᴘʟᴇ ᴜꜱᴜᴀʟʟʏ ʜᴇᴀʀᴅ ᴛʜᴇᴍ ʙᴇꜰᴏʀᴇ ᴛʜᴇʏ ꜱᴇᴇ ᴛʜᴇᴍ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ Qᴜɪᴛᴇ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ʟᴏᴠᴇ ʀɪᴅɪɴɢ ᴘᴏꜱɪᴛɪᴏɴꜱ (ᴍᴀʏ ᴋɴᴏᴡ ʜᴏᴡ ᴛᴏ ᴍᴏᴠᴇ ᴛʜᴇɪʀ ʜɪᴘꜱ ɪꜰʏᴡɪᴍ). ꜱᴇx ɪꜱ ʀᴏᴜɢʜ ᴀɴᴅ ɪɴᴛᴇɴꜱᴇ ʙᴜᴛ ꜰᴀꜱᴛ ᴀɴᴅ ɪꜱ ᴜꜱᴜᴀʟʟʏ ᴏᴠᴇʀ ᴘʀᴇᴛᴛʏ Qᴜɪᴄᴋʟʏ, ɴᴏᴛ ᴛʜᴇ ᴛʏᴘᴇ ᴛᴏ ʜᴀᴠᴇ ᴀ ʟᴏᴛ ᴏꜰ ꜱᴛᴀᴍɪɴᴀ.

𝓑𝓱𝓪𝓻𝓪𝓷𝓲, 𝓡𝓮𝓿𝓪𝓽𝓲 🐘

ᴠᴇʀʏ ꜱᴘɪʀɪᴛᴜᴀʟ ᴀɴᴅ ᴅɪꜱᴘʟᴀʏꜱ ᴀ Qᴜɪᴇᴛ ꜱᴛʀᴇɴɢᴛʜ. ᴛʜᴇʏ ᴅᴏɴ'ᴛ ʟɪᴋᴇ ʟᴏᴜᴅ ᴘᴇᴏᴘʟᴇ ᴏʀ ᴀɴʏᴛʜɪɴɢ ᴛʜᴀᴛ ᴄᴀɴ ᴅɪꜱᴛᴜʀʙ ᴛʜᴇɪʀ ᴘᴇᴀᴄᴇ ꜰᴏʀ ᴛʜᴀᴛ ᴀꜱ ᴛʜᴇʏ ʀᴇꜱᴘᴇᴄᴛ ʜᴜᴍɪʟɪᴛʏ ᴀɴᴅ ʜᴏɴᴇꜱᴛʏ. ᴀᴍᴀᴢɪɴɢ ᴍᴇᴍᴏʀʏ, ɪᴛ'ꜱ ᴀᴄᴛᴜᴀʟʟʏ ᴄʀᴀᴢʏ. ᴘʀᴏᴍɪɴᴇɴᴛ ᴇᴀʀꜱ ᴀɴᴅ ᴀ ꜱᴛᴜʀᴅʏ ʙᴏᴅʏ ᴡɪᴛʜ ᴀ ɢᴇɴᴛʟᴇ, ꜰᴏᴄᴜꜱᴇᴅ ɢᴀᴢᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ꜱᴇɴꜱᴜᴀʟ ᴀɴᴅ ᴘᴀᴛɪᴇɴᴛ ʙᴜᴛ ᴛʜᴇ ꜰᴇᴍᴀʟᴇ ᴇʟᴇᴘʜᴀɴᴛ ᴄᴀɴ ᴀᴄᴛ ᴀ ʙɪᴛ ᴄᴏʏ ʙᴇꜰᴏʀᴇ ᴅᴇᴄɪᴅɪɴɢ ᴛᴏ ꜰᴜʟʟʏ ᴇɴɢᴀɢᴇ ɪɴ ꜱᴇxᴜᴀʟ ᴀᴄᴛꜱ. ᴛʜᴇʏ ʜᴀᴠᴇ ᴀ ᴠᴇʀʏ ʜɪɢʜ ꜱᴇxᴜᴀʟ ᴀᴘᴘᴇᴛɪᴛᴇ ʙᴜᴛ ᴛʜᴇʏ ᴅᴇꜱɪʀᴇ ᴛᴏ ᴄᴏɴɴᴇᴄᴛ ᴛᴏ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴏɴ ᴀ ꜱᴏᴜʟ ʟᴇᴠᴇʟ. ᴛᴀɴᴛʀɪᴄ ꜱᴇx ᴡᴏᴜʟᴅ ʙᴇ ᴛʜᴇ ʙᴇꜱᴛ ᴡᴀʏ ᴛᴏ ᴇxᴘʟᴀɪɴ ɪᴛ.

𝓚𝓻𝓲𝓽𝓽𝓲𝓴𝓪, 𝓟𝓾𝓼𝓱𝔂𝓪 🐑

ᴠᴇʀʏ ꜱᴛᴏɪᴄ ᴀɴᴅ ʀᴇꜱᴇʀᴠᴇᴅ ᴜᴘᴏɴ ꜰɪʀꜱᴛ ɪᴍᴘʀᴇꜱꜱɪᴏɴ, ᴄᴀɴ ᴇᴠᴇɴ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀꜱ ᴄᴏʟᴅ ᴇᴠᴇɴ ᴛʜᴏᴜɢʜ ᴛʜᴇʏ'ʀᴇ ᴇxᴛʀᴇᴍᴇʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ᴄᴀʀɪɴɢ. ᴛʜᴇʏ ᴠᴀʟᴜᴇ ᴛʀᴀᴅɪᴛɪᴏɴꜱ ᴀɴᴅ ʀᴜʟᴇꜱ, ʙᴇʟɪᴇᴠɪɴɢ ᴛʜᴀᴛ ᴇᴠᴇʀʏᴏɴᴇ ʜᴀꜱ ᴀ ʀᴏʟᴇ ᴛᴏ ᴘʟᴀʏ. ꜱᴇʟꜰ-ᴄᴏɴꜱᴄɪᴏᴜꜱ ʙᴜᴛ ɴᴏᴛ ɪɴꜱᴇᴄᴜʀᴇ, ᴛʜᴇʏ'ʀᴇ ᴊᴜꜱᴛ ᴇxᴛʀᴇᴍᴇʟʏ ᴀᴡᴀʀᴇ ᴏꜰ ᴛʜᴇɪʀ ꜱᴇɴꜱᴇ ᴏꜰ ꜱᴇʟꜰ. ᴀɴᴅʀᴏɢʏɴᴏᴜꜱ ꜰᴇᴀᴛᴜʀᴇꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴋʀɪᴛᴛɪᴋᴀ ɪꜱ ʟɪᴋᴇʟʏ ᴛᴏ ʙᴇ ᴀɢɢʀᴇꜱꜱɪᴠᴇʟʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴀɴᴅ ᴘᴜꜱʜʏᴀ ɪꜱ ᴍᴏʀᴇ ɢᴇɴᴛʟʏ ᴅᴏᴍɪɴᴀɴᴛ. ᴛʜᴇʏ ᴘʀᴇꜰᴇʀ ꜱᴇx ᴛᴏ ʙᴇ ᴀɴ ᴇᴠᴇɴ ᴍɪx ʙᴇᴛᴡᴇᴇɴ ʀᴏᴜɢʜ ᴀɴᴅ ꜱᴇɴꜱᴜᴀʟ. ɪɴᴛᴏ ʟᴇᴀᴠɪɴɢ ᴍᴀʀᴋꜱ ᴏɴ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴏʀ ʙᴇɪɴɢ ᴍᴀʀᴋᴇᴅ, ꜱᴄʀᴀᴛᴄʜɪɴɢ, ᴅɪɢɢɪɴɢ ᴛʜᴇɪʀ ɴᴀɪʟꜱ ɪɴᴛᴏ ʏᴏᴜʀ ꜱᴋɪɴ, ᴇᴛᴄ.

𝓡𝓸𝓱𝓲𝓷𝓲, 𝓜𝓻𝓲𝓰𝓪𝓼𝓱𝓲𝓻𝓼𝓱𝓪 🐍

ᴇxᴛʀᴇᴍᴇʟʏ ᴘʀɪᴠᴀᴛᴇ ᴀɴᴅ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴛᴏ ᴛʜᴇ ᴇɴᴇʀɢɪᴇꜱ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ. ᴛʜᴇʏ ᴇɴᴊᴏʏ ʟɪᴠɪɴɢ ᴄᴏᴍꜰᴏʀᴛᴀʙʟʏ ᴀɴᴅ ᴍᴀʏ ᴠᴀʟᴜᴇ ᴍᴀᴛᴇʀɪᴀʟ ᴛʜɪɴɢꜱ ᴛʜᴀᴛ ᴡᴏᴜʟᴅ ʙᴇ ꜱᴇᴇɴ ᴀꜱ ᴀᴇꜱᴛʜᴇᴛɪᴄᴀʟʟʏ ᴘʟᴇᴀꜱɪɴɢ. ʜᴀꜱ ᴀ ᴡᴀʏ ᴡɪᴛʜ ᴡᴏʀᴅꜱ ᴀɴᴅ ᴋɴᴏᴡꜱ ʜᴏᴡ ᴛᴏ ɢᴇᴛ ᴏᴜᴛ ᴏꜰ ꜱᴛɪᴄᴋʏ ꜱɪᴛᴜᴀᴛɪᴏɴꜱ ʙᴜᴛ ᴛʜᴇɪʀ ᴡᴏʀᴅꜱ ᴄᴀɴ ᴀʟꜱᴏ ɢᴇᴛ ᴛʜᴇᴍ ɪɴ ᴛʀᴏᴜʙʟᴇ. ᴠᴇʀʏ ꜰʟɪʀᴛᴀᴛɪᴏᴜꜱ ᴀɴᴅ ɪɴᴛᴏxɪᴄᴀᴛɪɴɢ. ʙᴇᴀᴜᴛɪꜰᴜʟ ᴇʏᴇꜱ ᴀɴᴅ ᴅᴇʟɪᴄᴀᴛᴇ ꜰɪɢᴜʀᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴘʜʏꜱɪᴄᴀʟʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ʜᴀᴛᴇꜱ ᴡʜᴇɴ ᴛʜɪɴɢꜱ ꜰᴇᴇʟ ʀᴜꜱʜᴇᴅ. ᴛʜᴇʏ ᴀʀᴇ ʜᴇᴀᴠɪʟʏ ɪɴᴛᴏ ꜰᴏʀᴇᴘʟᴀʏ ᴡʜᴇʀᴇ ᴛʜᴇʏ ᴄᴀɴ ᴇɴɢᴀɢᴇ ᴛʜᴇɪʀ ꜱᴇɴꜱᴇꜱ ᴀꜱ ᴛʜᴇʏ ᴡᴀɴᴛ ᴛᴏ ꜰᴇᴇʟ ᴇᴠᴇʀʏ ɪɴᴄʜ ᴏꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴀɢᴀɪɴꜱᴛ ᴛʜᴇᴍ. ʀᴏᴘᴇ ʙᴜɴɴʏ ᴋɪɴᴋ. ᴡᴏᴜʟᴅ ᴘʀᴏʙᴀʙʟʏ ᴡʀᴀᴘ ᴛʜᴇɪʀ ᴀʀᴍꜱ ᴀɴᴅ ʟᴇɢꜱ ᴛɪɢʜᴛʟʏ ᴀʀᴏᴜɴᴅ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ. ᴏɴᴇ ᴏꜰ ᴛʜᴇ ɴᴀᴋꜱʜᴀᴛʀᴀꜱ ᴛᴏ ᴇɴɢᴀɢᴇ ɪɴ ʙᴅꜱᴍ (ʀᴏʜɪɴɪ ɪꜱ ᴍᴏʀᴇ ʟɪᴋᴇʟʏ) ᴏʀ ᴀɴʏ ᴏᴛʜᴇʀ ꜱᴇxᴜᴀʟ ᴀᴄᴛɪᴠɪᴛʏ ᴛʜᴀᴛ ᴅᴏᴇꜱɴ'ᴛ ɪɴᴠᴏʟᴠᴇ ᴘʜʏꜱɪᴄᴀʟ ᴄᴏɴᴛᴀᴄᴛ ᴀᴛ ᴀʟʟ.

𝓐𝓻𝓭𝓻𝓪, 𝓜𝓾𝓵𝓪 🐕

ʟᴏʏᴀʟ ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴᴀʟ ɪɴᴅɪᴠɪᴅᴜᴀʟꜱ, ᴄᴀɴ ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀ ʙɪᴛ ᴛᴏᴏ ɪɴᴛᴇɴꜱᴇ. ᴛʜᴇʏ ᴄᴀɴ ʙᴇ Qᴜɪᴛᴇ ᴄᴀɴᴅɪᴅ ᴀɴᴅ ᴡᴏɴ'ᴛ ꜱᴜɢᴇʀᴄᴏᴀᴛ ᴀɴʏᴛʜɪɴɢ ᴛᴏ ᴍᴀᴋᴇ ʏᴏᴜ ꜰᴇᴇʟ ʙᴇᴛᴛᴇʀ, ᴛʜᴇʏ ᴛᴇʟʟ ɪᴛ ʟɪᴋᴇ ɪᴛ ɪꜱ. ᴘʀᴏᴛᴇᴄᴛɪᴠᴇ ᴛᴏᴡᴀʀᴅꜱ ᴛʜᴏꜱᴇ ᴛʜᴇʏ ʟᴏᴠᴇ ᴀɴᴅ ᴡᴏɴ'ᴛ ʜᴇꜱɪᴛᴀᴛᴇ ᴛᴏ ᴛᴀᴋᴇ ᴀ ʙᴜʟʟᴇᴛ ꜰᴏʀ ᴛʜᴇ ᴏɴᴇꜱ ᴛʜᴇʏ ᴄᴀʀᴇ ꜰᴏʀ. ᴛʜᴇʏ ᴄᴀɴ ʙᴇᴄᴏᴍᴇ ʀᴜᴛʜʟᴇꜱꜱ ᴀɴᴅ ᴄᴏʟᴅ ɪꜰ ʙᴇᴛʀᴀʏᴇᴅ ɪɴ ᴀɴʏ ᴡᴀʏ. ᴡɪʟᴅ ʜᴀɪʀ ᴀɴᴅ ꜱᴛʀɪᴋɪɴɢ ᴇʏᴇꜱ. ʙᴇɪɴɢ ɪɴ ᴀ ꜰᴏʀᴇꜱᴛ ᴏʀ ꜱᴜʀʀᴏᴜɴᴅᴇᴅ ʙʏ ɴᴀᴛᴜʀᴇ ᴍᴀᴋᴇꜱ ᴛʜᴇᴍ ꜰᴇᴇʟ ᴀᴛ ᴇᴀꜱᴇ. ʟɪᴋᴇʟʏ ᴛᴏ ʟɪᴠᴇ ɪɴ ʀᴜʀᴀʟ ᴄᴏᴍᴍᴜɴɪᴛɪᴇꜱ ᴏʀ ʜᴏᴜꜱᴇꜱ ɴᴇᴀʀ ᴡᴏᴏᴅꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴀʙᴏᴜᴛ ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ʙᴏɴᴅɪɴɢ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴀɴᴅ ᴡɪʟʟ ʙᴇᴄᴏᴍᴇ Qᴜɪᴛᴇ ᴄʟɪɴɢʏ ᴀꜰᴛᴇʀ ꜱᴇx, ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴄᴜᴅᴅʟᴇ ᴀꜰᴛᴇʀᴡᴀʀᴅꜱ. ɪꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ɪꜱɴ'ᴛ ᴏɴ ᴘᴀʀ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴇɴᴇʀɢʏ, ᴛʜᴇʏ ᴄᴀɴ ʙᴇᴄᴏᴍᴇ ᴀɢɪᴛᴀᴛᴇᴅ. ᴠᴇʀʏ ʟᴏᴠɪɴɢ ᴀɴᴅ ᴘᴀꜱꜱɪᴏɴᴀᴛᴇ ɪɴ ʙᴇᴅ.

𝓟𝓾𝓷𝓪𝓻𝓿𝓪𝓼𝓾, 𝓐𝓼𝓱𝓵𝓮𝓼𝓱𝓪 🐈‍⬛

ʟᴀɴɢᴜɪᴅ ᴀɴᴅ ꜰɪɴɴɪᴄᴋʏ, ᴛʜᴇʏ ᴀʀᴇ ᴠᴇʀʏ ᴘᴀʀᴛɪᴄᴜʟᴀʀ ᴀʙᴏᴜᴛ ᴡʜᴏ ʟᴇᴛ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ ꜱɪɴᴄᴇ ᴛʜᴇʏ ᴄᴀɴ ᴇᴀꜱɪʟʏ ꜰᴇᴇʟ ᴅɪꜱᴛᴜʀʙᴇᴅ. ᴘʀᴇᴛᴛʏ ᴍᴏᴏᴅʏ ꜱᴏ ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ᴠᴇʀʏ ᴄʟɪɴɢʏ ᴀɴᴅ ᴀꜰꜰᴇᴄᴛɪᴏɴᴀᴛᴇ ᴏɴᴇ ᴍɪɴᴜᴛᴇ ᴏʀ ꜱᴀꜱꜱʏ ᴀɴᴅ ᴀɴɴᴏʏᴇᴅ ᴛʜᴇ ɴᴇxᴛ ᴍɪɴᴜᴛᴇ. ᴄᴀɴ ᴀᴘᴘᴇᴀʀ ɪɴɴᴏᴄᴇɴᴛ ʏᴇᴛ ᴋɴᴏᴡꜱ ᴍᴏʀᴇ ᴛʜᴀɴ ʏᴏᴜ ᴛʜɪɴᴋ ᴀɴᴅ ꜱᴜʙᴛʟʏ ᴍᴀɴɪᴘᴜʟᴀᴛɪᴠᴇ. ᴀʟᴍᴏɴᴅ-ꜱʜᴀᴘᴇᴅ ᴇʏᴇꜱ, ꜱʟɪᴍ ɴᴏꜱᴇ, ᴀɴᴅ ꜱᴍᴀʟʟ ʟɪᴘꜱ ᴛʜᴀᴛ'ꜱ ꜰᴇʟɪɴᴇ ᴀɴᴅ ᴅᴀɪɴᴛʏ ɪɴ ᴀᴘᴘᴇᴀʀᴀɴᴄᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴡᴀɴᴛ ᴀ ᴘᴀʀᴛɴᴇʀ ᴡʜᴏ'ꜱ ᴠᴇʀʏ ᴄᴀʀᴇꜰᴜʟ ᴡɪᴛʜ ᴛʜᴇᴍ ꜱɪɴᴄᴇ ᴀɴʏ ʟɪᴛᴛʟᴇ ᴛʜɪɴɢ ᴄᴀɴ ꜱᴇᴛ ᴛʜᴇᴍ ᴏꜰꜰ. ᴀꜱʜʟᴇꜱʜᴀ ᴍᴀʏ ʜᴀᴠᴇ ᴀ ᴍᴏʀᴇ ʜᴀʀᴅᴇʀ ᴛɪᴍᴇ ꜱɪɴᴄᴇ ᴛʜᴇʏ ᴍᴀʏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ʀᴇɢᴀʀᴅɪɴɢ ᴛʜᴇɪʀ ꜱᴇxᴜᴀʟɪᴛʏ (ᴛʜᴇ ᴍᴀʟᴇ ᴄᴀᴛ ʜᴀᴠɪɴɢ ᴀ ʙᴀʀʙᴇᴅ ᴘ*ɴɪꜱ). ᴛʜᴇʏ ᴍᴀʏ ᴀʟꜱᴏ ᴅᴇꜱɪʀᴇ ꜰᴏʀᴇᴘʟᴀʏ ᴀɴᴅ ʟɪᴋᴇᴅ ᴛᴏ ʙᴇ ᴄʜᴏᴋᴇᴅ. ᴘᴜɴᴀʀᴠᴀꜱᴜ ɪꜱ ᴛʜᴇ ʙʀᴀᴛᴛʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴡʜɪʟᴇ ᴀꜱʜʟᴇꜱʜᴀ ɪꜱ ᴛʜᴇ ꜱᴛᴀɴᴅᴀʀᴅ ᴅᴏᴍɪɴᴀɴᴛ.

𝓜𝓪𝓰𝓱𝓪, 𝓟𝓾𝓻𝓿𝓪 𝓟𝓱𝓪𝓵𝓰𝓾𝓷𝓲 🐀

ꜱᴇxᴜᴀʟʟʏ ᴠᴏʀᴀᴄɪᴏᴜꜱ ᴀɴᴅ ꜱᴏᴄɪᴀʙʟᴇ ɪɴᴅɪᴠɪᴅᴜᴀʟꜱ. ᴠᴇʀʏ ꜱᴇʟꜰ-ᴄᴇɴᴛᴇʀᴇᴅ ʙᴜᴛ ɴᴇᴠᴇʀ ᴜɴᴄᴀʀɪɴɢ, ᴛʜᴇʏ ᴊᴜꜱᴛ ʜᴀᴠᴇ ꜱᴛʀᴏɴɢ ᴇɢᴏꜱ ᴀɴᴅ ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ᴘʀɪᴅᴇ. ʜᴀꜱ ᴘʀᴏʙᴀʙʟʏ ꜱᴛᴏʟᴇɴ ꜱᴏᴍᴇᴛʜɪɴɢ ʙᴇꜰᴏʀᴇ ᴀɴᴅ ɢᴏᴛᴛᴇɴ ᴀᴡᴀʏ ᴡɪᴛʜ ɪᴛ. ᴛʜᴇʏ ᴛᴀᴋᴇ ᴄᴀʀᴇ ɪɴ ᴛᴇɴᴅɪɴɢ ᴛᴏ ᴛʜᴇɪʀ ᴀᴘᴘᴇᴀʀᴀɴᴄᴇ ᴀɴᴅ ᴀʟᴡᴀʏꜱ ʀᴇᴍᴀɪɴɪɴɢ ᴘʀᴇꜱᴇɴᴛᴀʙʟᴇ. ᴀᴘᴘᴇᴀʀꜱ ᴇᴍᴏᴛɪᴏɴʟᴇꜱꜱ ᴏɴ ᴛʜᴇ ᴏᴜᴛꜱɪᴅᴇ. ʙɪɢ ʜᴀɪʀ ᴀɴᴅ ᴀ ʜᴀᴜɢʜᴛʏ ɪᴍᴘʀᴇꜱꜱɪᴏɴ, ᴇꜰꜰᴏʀᴛʟᴇꜱꜱʟʏ ᴀᴛᴛʀᴀᴄᴛꜱ ᴀᴛᴛᴇɴᴛɪᴏɴ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ɴᴀᴛᴜʀᴀʟʟʏ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ᴀʀᴇɴ'ᴛ ᴀꜰʀᴀɪᴅ ᴛᴏ ᴛʀʏ ᴀɴʏᴛʜɪɴɢ ꜱᴇxᴜᴀʟʟʏ ᴛᴀʙᴏᴏ. ᴛʜᴇʏ ʜᴀᴠᴇ ᴛʜᴇ ᴄʀᴀᴢɪᴇꜱᴛ ꜱᴇxᴜᴀʟ ᴋɪɴᴋꜱ, ɪᴛ'ꜱ ʟᴏᴡ-ᴋᴇʏ ᴄᴏɴᴄᴇʀɴɪɴɢ. ᴇɴᴅʟᴇꜱꜱ ꜱᴛᴀᴍɪɴᴀ ᴀɴᴅ ꜱʜᴀᴍᴇʟᴇꜱꜱ ɪɴ ʙᴇʜᴀᴠɪᴏʀ. ᴍᴀʏ ʜᴀᴠᴇ ᴀ ᴘʀᴀɪꜱᴇ ᴋɪɴᴋ ꜱɪɴᴄᴇ ᴀᴛᴛᴇɴᴛɪᴏɴ ᴛɪᴄᴋʟᴇꜱ ᴛʜᴇɪʀ ꜱᴏᴜʟ.

𝓤𝓽𝓽𝓪𝓻𝓪 𝓟𝓱𝓪𝓵𝓰𝓾𝓷𝓲, 𝓤𝓽𝓽𝓪𝓻𝓪 𝓑𝓱𝓪𝓭𝓻𝓪𝓹𝓪𝓭𝓪 🐄

ᴇxᴛʀᴇᴍᴇʟʏ ᴘᴀᴛɪᴇɴᴛ ᴀɴᴅ ᴄᴏɴꜱɪꜱᴛᴇɴᴛ, ɴᴏᴛ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ʀᴜꜱʜ ɪɴᴛᴏ ᴀɴʏᴛʜɪɴɢ ᴀɴᴅ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴡᴀɪᴛ ᴜɴᴛɪʟ ᴛʜᴀᴛ ᴍᴏᴍᴇɴᴛ ᴀʀɪꜱᴇꜱ ᴀᴛ ᴛʜᴇ ʀɪɢʜᴛ ᴍᴏᴍᴇɴᴛ. ᴘʀᴏʙᴀʙʟʏ ʟᴏᴠᴇꜱ ᴛᴏ ᴅʀɪɴᴋ ᴍɪʟᴋ ᴀɴᴅ ᴀʀᴇ ᴠᴇʀʏ ꜰᴇʀᴛɪʟᴇ. ꜱᴇᴇɴ ᴀꜱ ʀᴇʟɪᴀʙʟᴇ ᴀɴᴅ ᴘᴇʀꜰᴇᴄᴛ ꜱɪɴᴄᴇ ᴀʟʟ ᴛʜᴇɪʀ ᴇᴍᴏᴛɪᴏɴꜱ ᴀʀᴇ ᴍᴏʀᴇ ɪɴᴛᴇʀɴᴀʟ, ᴄᴀɴ ʜᴀᴠᴇ ᴀ ʀᴇꜱᴛɪɴɢ ʙʟᴀɴᴋ ꜰᴀᴄᴇ. ᴅɪꜰꜰɪᴄᴜʟᴛ ᴛᴏ ʀᴇᴀᴅ ɪɴ ɢᴇɴᴇʀᴀʟ. ꜱQᴜᴀʀɪꜱʜ ꜰᴀᴄᴇ ᴀɴᴅ ꜱᴛᴇᴀᴅʏ ɢᴀᴢᴇ, ᴡᴇʟʟ-ꜰᴏʀᴍᴇᴅ ʙᴏᴅɪᴇꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴄᴀɴ ᴇᴀꜱɪʟʏ ɢᴇᴛ ᴘʀᴇɢɴᴀɴᴛ (ꜰᴏʀ ᴍᴇɴ, ᴛʜᴇɪʀ ʟᴏᴀᴅꜱ ᴀʀᴇ ʜᴇᴀᴠʏ) ᴀɴᴅ ᴀʀᴇ ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴛᴏ ʜᴀᴠᴇ ᴍᴜʟᴛɪᴘʟᴇ ᴋɪᴅꜱ. ᴛʜᴇʏ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴛᴀᴋᴇ ᴛʜᴇɪʀ ᴛɪᴍᴇ ʙᴜᴛ ᴡᴏɴ'ᴛ ɢᴇᴛ ᴍᴀᴅ ɪꜰ ᴛʜᴇʏ ᴡᴇʀᴇ ᴘᴜꜱʜᴇᴅ ɪɴᴛᴏ ꜱᴘᴇᴇᴅɪɴɢ ᴛʜɪɴɢꜱ ᴜᴘ. ᴍᴀʏ ʟᴏᴠᴇ ᴛᴏ ᴘʟᴀʏ ᴡɪᴛʜ ᴛʜᴇ ᴄʜᴇꜱᴛ ᴀʀᴇᴀ. ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴀʀᴇ ᴠᴇʀʏ ᴠᴀɴɪʟʟᴀ ᴀɴᴅ ꜱɪᴍᴘʟᴇ-ᴍɪɴᴅᴇᴅ.

𝓗𝓪𝓼𝓽𝓪, 𝓢𝔀𝓪𝓽𝓲 🐂

ᴛʜᴇ ꜰɪʀꜱᴛ ᴛʜɪɴɢ ɪꜱ ᴛʜᴀᴛ ᴛʜᴇʏ ᴀʀᴇ ᴠᴇʀʏ ꜱᴛᴜʙʙᴏʀɴ ʙᴜᴛ, ɪꜰ ʏᴏᴜ ᴘᴜꜱʜ ᴛʜᴇɪʀ ʙᴜᴛᴛᴏɴꜱ ᴇɴᴏᴜɢʜ, ᴛʜᴇʏ ᴄᴀɴ ɢᴇᴛ ᴇxᴛʀᴇᴍᴇʟʏ ʀᴏᴡᴅʏ ᴀɴᴅ ᴠɪᴏʟᴇɴᴛ. ᴛʜᴇɪʀ ᴀɴɢᴇʀ ɪꜱ ɴᴏ ᴊᴏᴋᴇ. ᴏɴ ᴛʜᴇ ᴏᴛʜᴇʀ ʜᴀɴᴅ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ʀᴇꜱɪʟɪᴇɴᴛ ᴀɴᴅ ᴠᴀʟᴜᴇ ᴘᴇʀꜱᴇᴠᴇʀᴀɴᴄᴇ ꜱɪɴᴄᴇ ᴛʜᴇʏ ʟᴏᴠᴇ ᴛᴏ ᴘᴜꜱʜ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴛᴏ ᴅᴏ ʙᴇᴛᴛᴇʀ. ᴡᴀᴛᴇʀ ʀᴇᴘʟᴇɴɪꜱʜᴇꜱ ᴛʜᴇᴍ, ᴛʜᴇʏ ᴅᴏɴ'ᴛ ᴄᴀʀᴇ ꜰᴏʀ ꜱᴡᴇᴇᴛꜱ. ꜱᴛʀᴏɴɢ ᴀɴᴅ ʙᴏʟᴅ ꜰᴇᴀᴛᴜʀᴇꜱ ᴡɪᴛʜ ᴏᴘᴇɴ ᴇʏᴇꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ᴀɢɢʀᴇꜱꜱɪᴠᴇ ᴀɴᴅ ᴡɪʟʟ ᴄᴏɴꜱɪꜱᴛᴇɴᴛʟʏ ᴘᴜꜱʜ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴜɴᴛɪʟ ᴛʜᴇʏ ꜰɪɴᴀʟʟʏ ɢɪᴠᴇ ɪɴ ᴛᴏ ᴛʜᴇɪʀ ꜱᴇxᴜᴀʟ ᴀᴅᴠᴀɴᴄᴇꜱ ʙᴜᴛ ᴛʜᴇʏ ʜᴀᴠᴇ ᴛʜᴇ ᴀʙɪʟɪᴛʏ ᴛᴏ ʙᴇ ᴘᴀᴛɪᴇɴᴛ. ᴛʜᴇʏ ᴍᴀʏ ɴᴏᴛ ʟɪᴋᴇ ᴘᴇᴏᴘʟᴇ ᴡʜᴏ ᴅᴏɴ'ᴛ ᴋɴᴏᴡ ᴡʜᴀᴛ ᴛʜᴇʏ ᴡᴀɴᴛ, ɪᴛ ɪʀʀɪᴛᴀᴛᴇꜱ ᴛʜᴇᴍ. ꜱᴀᴅɪꜱᴛɪᴄ ᴅᴏᴍꜱ.

𝓒𝓱𝓲𝓽𝓻𝓪, 𝓥𝓲𝓼𝓱𝓪𝓴𝓪 🐅

ᴏᴜᴛᴡᴀʀᴅʟʏ ᴄᴏɴꜰɪᴅᴇɴᴛ, ɪɴᴡᴀʀᴅʟʏ ɪɴꜱᴇᴄᴜʀᴇ. ꜱᴛʀᴏɴɢ ᴘʀᴇꜱᴇɴᴄᴇ. ᴛʜᴇʏ ʟɪᴋᴇ ᴛᴏ ᴍᴀɪɴᴛᴀɪɴ ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ᴄᴏɴᴛʀᴏʟ ᴀʀᴏᴜɴᴅ ᴛʜᴇɪʀ ᴇɴᴠɪʀᴏɴᴍᴇɴᴛ, ɪᴛ ᴋᴇᴇᴘꜱ ᴛʜᴇᴍ ꜱᴀɴᴇ. ᴠᴇʀʏ ꜰᴀꜱʜɪᴏɴᴀʙʟᴇ ᴀɴᴅ ʟᴏᴠᴇꜱ ᴊᴇᴡᴇʟʀʏ ᴏʀ ᴏᴛʜᴇʀ ᴀᴄᴄᴇꜱꜱᴏʀɪᴇꜱ. ᴛʜᴇʏ ᴄᴀʀᴇ ᴀ ʟᴏᴛ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴏᴘɪɴɪᴏɴꜱ ᴏꜰ ᴏᴛʜᴇʀꜱ ᴀɴᴅ ᴄᴀɴ ʜᴀᴠᴇ ꜰᴏᴏᴛ-ɪɴ-ᴍᴏᴜᴛʜ ᴅɪꜱᴇᴀꜱᴇ. ꜱʟɪɢʜᴛʟʏ ᴡɪʟᴅ ʜᴀɪʀ ᴀɴᴅ ꜰɪᴇʀᴄᴇ ɢᴀᴢᴇ, ᴘʀᴇᴛᴛʏ ꜱᴍɪʟᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ʀᴇᴀʟʟʏ ʀᴏᴄᴋ ʏᴏᴜʀ ᴡᴏʀʟᴅ (ɪꜰ ʏᴋ ʏᴋ). ᴡᴏᴜʟᴅ ʙᴇ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴡʀᴇꜱᴛʟᴇ ʏᴏᴜ ɪɴᴛᴏ ꜱᴜʙᴍɪꜱꜱɪᴏɴ ɪꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴇᴠᴇʀ ꜱᴛᴇᴘꜱ ᴏᴜᴛ ᴏꜰ ʟɪɴᴇ (ꜰᴏʀ ᴛʜᴇ ᴡᴏᴍᴇɴ, ɪᴛ'ꜱ ᴛʜᴇ ᴏᴘᴘᴏꜱɪᴛᴇ). ᴘʀᴏʙᴀʙʟʏ ᴀʀᴇ ᴛʜᴇ ᴏɴᴇꜱ ɪɴᴛᴏ ʙᴇɪɴɢ ᴄᴀʟʟᴇᴅ ᴅᴀᴅᴅʏ/ᴍᴏᴍᴍʏ, ɪᴛ ʀᴇᴀʟʟʏ ꜰᴇᴇᴅꜱ ɪɴᴛᴏ ᴛʜᴇ ᴄᴏɴᴛʀᴏʟʟɪɴɢ, ᴅᴏᴍɪɴᴀɴᴛ ᴀꜱᴘᴇᴄᴛ ᴏꜰ ᴛʜᴇᴍ. ᴘʀᴏɴᴇ ᴛᴏ ʙᴇᴄᴏᴍᴇ ᴄʜᴇᴀᴛᴇʀꜱ, ꜱᴇxᴜᴀʟʟʏ ɪɴᴛᴇɴꜱᴇ.

𝓐𝓷𝓾𝓻𝓪𝓭𝓱𝓪, 𝓙𝔂𝓮𝓼𝓽𝓱𝓪 🦌

ᴇɴᴠɪʀᴏɴᴍᴇɴᴛᴀʟʟʏ ᴀᴡᴀʀᴇ, ꜱᴏᴄɪᴀʟʟʏ ᴜɴᴀᴡᴀʀᴇ. ᴄᴀɴ ꜰɪɴᴅ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ɪɴ ꜱɪᴛᴜᴀᴛɪᴏɴꜱ ᴡʜᴇʀᴇ ᴛʜᴇʏ ᴀʀᴇ ᴏꜰᴛᴇɴ ᴜꜱᴇᴅ ɪɴ ꜱᴏᴍᴇ ᴡᴀʏ ʙᴇᴄᴀᴜꜱᴇ ᴛʜᴇʏ'ʀᴇ ꜱᴏ ɢɪᴠɪɴɢ. ɴᴀᴛᴜʀᴀʟʟʏ ɢᴇɴᴛʟᴇ, ɴᴏ ᴍᴀᴛᴛᴇʀ ʜᴏᴡ ɪɴᴛɪᴍɪᴅᴀᴛɪɴɢ ᴛʜᴇʏ ᴍᴀʏ ᴀᴘᴘᴇᴀʀ. ᴀʟᴡᴀʏꜱ ꜰᴇᴇʟꜱ ᴛʜᴇ ɴᴇᴇᴅ ᴛᴏ ʙᴇ ᴏɴ ɢᴜᴀʀᴅ ᴀʟʟ ᴛʜᴇ ᴛɪᴍᴇ. ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ᴘᴜᴛꜱ ᴍᴜʟᴛɪᴘʟᴇ ᴡᴀʟʟꜱ ᴜᴘ, ᴍᴀᴋɪɴɢ ᴛʜᴇᴍ ᴅɪꜰꜰɪᴄᴜʟᴛ ᴛᴏ ɢᴇᴛ ᴛᴏ ᴋɴᴏᴡ ꜱɪɴᴄᴇ ᴛʜᴇʏ'ʀᴇ ᴘʀᴇᴛᴛʏ ᴠᴀɢᴜᴇ. ꜱʟᴇɴᴅᴇʀ ꜰᴀᴄᴇꜱ ᴀɴᴅ ᴅᴏᴇ ᴇʏᴇꜱ. ꜱᴏᴍᴇᴛʜɪɴɢ ᴀʙᴏᴜᴛ ᴛʜᴇᴍ ᴍᴀᴋᴇꜱ ʏᴏᴜ ᴡᴀɴᴛ ᴛᴏ ᴄʜᴀꜱᴇ ᴀꜰᴛᴇʀ ᴛʜᴇᴍ, ɪᴛ'ꜱ ᴋɪɴᴅ ᴏꜰ ꜱᴄᴀʀʏ ʜᴏᴡ ᴍᴜᴄʜ ᴘᴏᴡᴇʀ ᴛʜᴇʏ ʜᴀᴠᴇ. ᴘʀᴇᴛᴛʏ Qᴜɪᴇᴛ ᴀɴᴅ ᴏʙꜱᴇʀᴠᴀɴᴛ.

ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ ᴘᴜᴛ ᴀʟʟ ᴛʜᴇɪʀ ᴇᴍᴏᴛɪᴏɴꜱ ꜰᴏʀᴡᴀʀᴅ ᴡʜɪᴄʜ ᴄᴀɴ ʙᴇ Qᴜɪᴛᴇ ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ. ᴍᴏʀᴇ ᴀɢɢʀᴇꜱꜱɪᴠᴇ ᴘᴇʀꜱᴏɴᴀʟɪᴛɪᴇꜱ ᴄᴀɴ ᴏᴠᴇʀᴡʜᴇʟᴍ ᴛʜᴇᴍ ᴛʜᴏᴜɢʜ ʙᴜᴛ ᴛʜᴇʏ ᴡᴏɴ'ᴛ ʙᴇ ꜱᴏ Qᴜɪᴄᴋ ᴛᴏ ʀᴜɴ ᴀᴡᴀʏ ɪꜰ ɪᴛ'ꜱ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ. ꜱᴇxᴜᴀʟʟʏ ᴇxᴘʟᴏʀᴀᴛɪᴠᴇ. ʙᴇɪɴɢ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴛᴏ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ꜱᴏᴍᴇʜᴏᴡ ꜰᴇᴇʟꜱ ᴠɪᴏʟᴀᴛɪɴɢ ɪɴ ꜱᴏᴍᴇ ᴡᴀʏ ꜱᴏ ᴛʜᴇʏ ᴄᴀɴ ꜰᴏʀᴄᴇ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴛᴏ ʙᴇ ᴍᴏʀᴇ ᴅᴏᴍɪɴᴀɴᴛ. ᴇɴɢᴀɢᴇꜱ ɪɴ ꜱᴇxᴜᴀʟ ᴀᴄᴛɪᴠɪᴛʏ ᴏɴʟʏ ᴡʜᴇɴ ɪɴ ᴀ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ, ʟᴇꜱꜱ ʟɪᴋᴇʟʏ ᴛᴏ ᴄʜᴇᴀᴛ (ᴅᴇᴘᴇɴᴅꜱ).

𝓟𝓾𝓻𝓿𝓪 𝓐𝓼𝓱𝓪𝓭𝓱𝓪, 𝓢𝓱𝓻𝓪𝓿𝓪𝓷𝓪 🐒

ᴠᴇʀʏ ʟᴏᴜᴅ ᴀɴᴅ ᴇxᴛʀᴇᴍᴇʟʏ ᴏᴘɪɴɪᴏɴᴀᴛᴇᴅ, ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴇᴠᴇɴ ʙᴏᴀꜱᴛꜰᴜʟ. ᴛʜᴇʏ ʟᴏᴠᴇ ᴛᴏ ʜᴀᴠᴇ ꜰᴜɴ ᴀɴᴅ ᴛʀᴀᴠᴇʟ ᴛᴏ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴘᴀʀᴛꜱ ᴏꜰ ᴛʜᴇ ᴡᴏʀʟᴅ, ɪᴛ ɢɪᴠᴇꜱ ᴛʜᴇᴍ ᴀ ᴄᴇʀᴛᴀɪɴ ʀᴜꜱʜ ᴏꜰ ᴇɴᴇʀɢʏ. ᴘʀᴏʙᴀʙʟʏ ʟɪᴋᴇꜱ ᴛᴏ ᴍᴏᴠᴇ ᴀʀᴏᴜɴᴅ ɪɴ ɢʀᴏᴜᴘꜱ ᴏʀ ᴏɴᴇ ᴀɴᴏᴛʜᴇʀ ᴘᴇʀꜱᴏɴ (ꜰʀɪᴇɴᴅ, ꜰᴀᴍɪʟʏ, ᴇᴛᴄ). ᴄᴀɴ ʙᴇ ᴀ ʙɪᴛ ᴍɪꜱᴄʜɪᴇᴠᴏᴜꜱ ᴀɴᴅ ᴛʀɪᴄᴋʏ ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴛʜᴏᴜɢʜ, ᴛʜᴇʏ ᴄᴀɴ ꜱᴡɪᴛᴄʜ ᴜᴘ ᴏɴ ꜱᴏᴍᴇᴏɴᴇ ɪɴꜱᴛᴀɴᴛʟʏ. ʟᴏɴɢ ꜰᴀᴄᴇꜱ ᴀɴᴅ ʟᴏɴɢ ʟɪᴍʙꜱ.

ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ꜰʟᴇxɪʙʟᴇ ᴀɴᴅ ᴠᴇʀꜱᴀᴛɪʟᴇ (ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴛʀʏ ᴍᴀɴʏ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴘᴏꜱɪᴛɪᴏɴꜱ ᴋɴᴏᴡɴ ᴛᴏ ᴍᴀɴ). ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ᴇxʜɪʙɪᴛɪᴏɴɪꜱᴛꜱ ᴀꜱ ᴡᴇʟʟ, ʙᴏᴛʜ ꜱᴇxᴜᴀʟʟʏ ᴀɴᴅ ɢᴇɴᴇʀᴀʟʟʏ. ᴠᴇʀʏ ʟɪɢʜᴛ-ʜᴇᴀʀᴛᴇᴅ ᴀɴᴅ ᴘʟᴀʏꜰᴜʟ, ᴍᴀʏ ᴄʀᴀᴄᴋ ᴊᴏᴋᴇꜱ ᴅᴜʀɪɴɢ ᴛʜᴇ ᴀᴄᴛ ᴛᴏ ᴋᴇᴇᴘ ᴛʜɪɴɢꜱ ᴍᴏʀᴇ ɪɴᴛᴇʀᴇꜱᴛɪɴɢ ɪɴ ᴛʜᴇ ʙᴇᴅʀᴏᴏᴍ.

𝓤𝓽𝓽𝓪𝓻𝓪 𝓐𝓼𝓱𝓪𝓭𝓱𝓪

ꜰᴀɪʀʟʏ ɪɴᴅᴇᴘᴇɴᴅᴇɴᴛ, ᴛʜɪɴᴋꜱ ᴀʙᴏᴜᴛ ᴛʜᴇ ꜰᴜᴛᴜʀᴇ ᴏꜰᴛᴇɴ. ʙᴀᴛᴛʟᴇꜱ ʙᴇᴛᴡᴇᴇɴ ꜰᴇᴇʟɪɴɢꜱ ᴏꜰ ꜰᴇᴇʟɪɴɢ ʟᴏɴᴇʟʏ ᴀɴᴅ ꜰᴇᴇʟɪɴɢ ᴀʟᴏɴᴇ. ʜᴀꜱ ᴀ ʀᴇᴠᴏʟᴜᴛɪᴏɴᴀʀʏ ᴍɪɴᴅꜱᴇᴛ ᴀɴᴅ ꜱᴇᴇᴋꜱ ᴛᴏ ᴅᴏ ɢᴏᴏᴅ ꜰᴏʀ ᴛʜᴇ ᴡᴏʀʟᴅ. ꜰʀɪᴇɴᴅꜱʜɪᴘꜱ ᴄᴏᴍᴇꜱ ᴀɴᴅ ɢᴏᴇꜱ ᴘʀᴇᴛᴛʏ ᴏꜰᴛᴇɴ ʙᴜᴛ ᴛʜᴇʏ'ʀᴇ ᴀᴡᴀʀᴇ ᴛʜᴀᴛ ɴᴏᴛʜɪɴɢ ʟᴀꜱᴛ ꜰᴏʀᴇᴠᴇʀ. ꜱᴍᴀʟʟ ꜰᴇᴀᴛᴜʀᴇꜱ ᴀɴᴅ ᴀ ᴘʀᴏᴍɪɴᴇɴᴛ ᴊᴀᴡ. ᴛʜᴇ ᴜɴᴅᴇʀᴄᴏᴠᴇʀ ᴛʀᴇɴᴅꜱᴇᴛᴛᴇʀꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ ᴘʀᴇᴛᴛʏ ꜱɪᴍᴘʟᴇ ᴀɴᴅ ꜱᴛʀᴀɪɢʜᴛ-ꜰᴏʀᴡᴀʀᴅ ᴡɪᴛʜ ᴡʜᴀᴛ ᴛʜᴇʏ ᴡᴀɴᴛ ᴀɴᴅ ʜᴏᴡ ᴛʜᴇʏ'ʟʟ ɢᴏ ᴀʙᴏᴜᴛ ɪᴛ. ᴛʜᴇʏ ᴡᴏɴ'ᴛ ᴅᴏ ᴛʜɪɴɢꜱ ᴛᴏᴏ ᴇxᴛʀᴇᴍᴇ ʙᴜᴛ ᴛʜᴇʏ'ʀᴇ ɴᴏᴛ ᴠᴀɴɪʟʟᴀ ɪɴ ʙᴇᴅ ᴇɪᴛʜᴇʀ, ᴛʜᴇʏ'ʀᴇ ꜱᴛʀɪᴄᴛʟʏ ᴍɪᴅᴅʟᴇ ɢʀᴏᴜɴᴅ ᴡɪᴛʜ ᴇᴠᴇʀʏᴛʜɪɴɢ. ᴛʜᴇʏ ꜱᴛʀɪᴠᴇ ᴛᴏ ᴘʟᴇᴀꜱᴇ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴇɴᴏᴜɢʜ ᴀɴᴅ ᴡᴏɴ'ᴛ ɢᴏ ᴏᴠᴇʀʙᴏᴀʀᴅ. ᴜᴛᴛᴀʀᴀ ᴀꜱʜᴀᴅʜᴀꜱ (ᴅᴇᴘᴇɴᴅɪɴɢ ᴏɴ ᴛʜᴇ ɢᴇɴᴅᴇʀ) ᴀʀᴇ ᴇɪᴛʜᴇʀ ꜱᴛʀɪᴄᴛʟʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴏʀ ꜱᴛʀɪᴄᴛʟʏ ᴅᴏᴍɪɴᴀɴᴛ.

𝓓𝓱𝓪𝓷𝓲𝓼𝓱𝓽𝓪, 𝓟𝓾𝓻𝓿𝓪 𝓑𝓱𝓪𝓭𝓻𝓪𝓹𝓪𝓭𝓪 🦁

ʜᴜɢᴇ ᴘᴇʀꜱᴏɴᴀʟɪᴛɪᴇꜱ, ᴘᴇᴏᴘʟᴇ ᴀʟᴡᴀʏꜱ ɴᴏᴛɪᴄᴇ ᴛʜᴇᴍ ᴛʜᴇ ᴍɪɴᴜᴛᴇ ᴛʜᴇʏ ᴡᴀʟᴋ ɪɴᴛᴏ ᴀ ʀᴏᴏᴍ. ᴄᴀʀʀɪᴇꜱ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴀꜱ ɪꜰ ᴛʜᴇʏ'ʀᴇ ɴᴀᴛᴜʀᴀʟʟʏ ʙᴏʀɴ ʀᴏʏᴀʟᴛʏ ᴀɴᴅ ɪꜱ ᴏꜰᴛᴇɴ ᴛʀᴇᴀᴛᴇᴅ ᴀꜱ ꜱᴜᴄʜ. ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴛʜᴇʏ'ʀᴇ ᴀ ʟɪᴛᴛʟᴇ ᴘᴏᴡᴇʀ-ʜᴜɴɢʀʏ ᴀɴᴅ ᴄᴀɴ ʟᴇᴛ ᴛʜɪꜱ ɢᴇᴛ ᴛᴏ ᴛʜᴇɪʀ ʜᴇᴀᴅꜱ ᴀᴛ ᴛɪᴍᴇꜱ. ᴡʜᴇɴ ᴛʜᴇʏ ɢᴇᴛ ᴍᴀᴅ, ʏᴏᴜ'ʟʟ ᴡɪꜱʜ ʏᴏᴜ ɴᴇᴠᴇʀ ꜱᴀɪᴅ ᴀɴʏᴛʜɪɴɢ ɪɴ ᴛʜᴇ ꜰɪʀꜱᴛ ᴘʟᴀᴄᴇ. ʟᴏɴɢ ᴀʙᴜɴᴅᴀɴᴛ ᴀᴍᴏᴜɴᴛꜱ ᴏꜰ ʜᴀɪʀ ᴀɴᴅ ᴍᴏꜱᴛʟʏ ᴛᴀʟʟ ɪɴ ʜᴇɪɢʜᴛ ᴡɪᴛʜ ʜᴜɢᴇ ꜰʀᴀᴍᴇꜱ.

ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ'ʀᴇ ᴀʟꜱᴏ ɪɴᴛᴇɴꜱᴇ ʙᴜᴛ ɪɴ ᴀ ᴏᴠᴇʀʟʏ ᴄᴏɴꜱᴜᴍɪɴɢ ᴡᴀʏ. ᴛʜᴇʏ ᴡᴀɴᴛ ʏᴏᴜ ᴛᴏ ᴍᴀᴛᴄʜ ᴛʜᴇɪʀ ᴇɴᴇʀɢʏ, ᴛʜᴇʏ'ʀᴇ ɴᴏᴛ ɪɴᴛᴏ ᴛʜᴇ ᴏᴠᴇʀʟʏ ɢᴇɴᴛʟᴇ ᴏʀ ᴠᴜʟɴᴇʀᴀʙʟᴇ ᴛʏᴘᴇꜱ ᴏꜰ ᴘᴀʀᴛɴᴇʀꜱ (ᴛʜᴇʏ ɴᴇᴇᴅ ꜱᴏᴍᴇᴏɴᴇ ᴡʜᴏ ᴄᴀɴ ᴍᴀᴛᴄʜ ᴛʜᴇɪʀ ꜰʀᴇᴀᴋ). ᴅᴇꜰɪɴɪᴛᴇʟʏ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ᴡᴏɴ'ᴛ ᴇᴠᴇʀ ᴛᴇᴇᴛᴇʀ ᴏꜰꜰ ᴛʜᴀᴛ ʀᴏʟᴇ. ᴛʜᴇʏ ᴄᴀɴ ᴍᴀᴋᴇ ʏᴏᴜ ꜰᴇᴇʟ ꜱᴘᴇᴄɪᴀʟ ᴛʜᴏᴜɢʜ.

(I know y'all were waiting for this post for a bit but here it is :) I hope you enjoyed reading it and comment down below if anything resonates.)

when you feel as if nothing is working for you

ROBOTIC AFFIRMATIONS ALL THE WAY

no just do it. mindlessly. like a robot. AFFIRM AFFIRM AFFIRM. in your head. say it out loud. whatever.

JUST DO IT I SWEAR TO GOD.

i promise you just do it

MY FAV QUOTES. — 𝐹rom loablr

❝ the moment you accept something as true in your reality it’s true. the moment you change your mind and accept the unfavourable version, that’s your reality. no matter what the 3d is showing it’s true, if you say so — you are the operant in power, the creator. ❞ — @doemanifests

❝ if you want proof before belief, you’ll wait forever. if you believe first, proof will chase you. ❞

❝ the only thing standing between you and everything you want is the way you react to its absence. the hand-wringing, the despair, the creeping doubt, it’s a full-time job, and it pays in absolutely nothing. ❞

❝ do you check every morning to make sure you still exist? do you investigate gravity before stepping out the door? no. you assume. and in assuming, you make it real. ❞ — @hrrtshape

❝ y’all need to start being nonchalant and calm when manifesting. just decide something and move on. it’s done. not "on its way" it's done. you have it. you came, decided, and it's done. your mind and the world is not separate from you. "but the 3D-" no, "but why isn-" no. it’s done, relax. ❞

❝ you’ve spent enough time wishing, hoping, and consuming. it’s time to take responsibility for your life. stop sabotaging your own greatness with distractions. you have everything you need to succeed: your imagination, your awareness, and your decisions. that’s it. that’s the law. ❞ — @whiteobsidian

❝ can't believe you guys still listen to people who say you are lazy when it comes to manifesting. how tf can you put in work towards something that's already done? ughh in 2025 really???? ❞ — @itsrlymine

❝ your logical mind? it’s a product of conditioning, fear, and societal programming that taught you to “be realistic” and “follow the rules”. but guess what? the rules don’t apply to you anymore. you’re in a whole different league now. ❞ — @nymphaura777

❝ „what’s your shifting motivation?” nothing, i don’t have any motivation because i don’t see it as something i need motivation for. i don’t have motivation to wake up in the morning, i just do. i don’t have motivation to breathe, i just do. i don’t have motivation to shift - i just do. ❞ — @nikashifts

Click method (100% method to change mindset for anything)

I need to get something off.

Guys, do one thing, please, oh my god If you're reading this? Do this NOW.

Sit somewhere, like sit, just sit, and simply let your mind wander PLEASE TRUST ME AND DO IT, don't push it aside saying it's just a silly little other shit hell no I'm serious.

Let your thoughts take over, look at your past, reflect it, and let that one small realization snap in your mind hardcore.

You.

Literally.

Know.

The.

Secret.

To.

Your.

Life.

Oh my god isn't this what people think of? CAN'T YOU SEE? you got it, it's in Your hands so much, you're one minute away from it, one second, REALIZE you're actually getting whatever you want.

Just. Be. Goddamn. Persistent.

I swear this random ass method came up to me back in March where everything changed me for the best, I wanna call it the Click method, I don't know if there's anything similar, but god knows how it can help you.

Summary:

Sit somewhere

Let your mind wander

Look at yourself, your life, reflect your past your present, your future, every small detail on yourself, just everything

Now just sit there and wait for that realization to click and sit in being FULLY emerged deep and engraved in your mind, that after everything, "you are chosen."

Feel that? That bliss, that shock? That feeling that "what the fuck have I been doing so far? What the hell did I waste so much time for?"

This guys? This helped me snap my mindset, you don't need days to change the mindset, it's just the click of the realization, try it, seriously try it, and to actually trick your mind you've done it, I suggest tricking yourself (not necessary, but some people like to be logical and back it up with actions), simply tap a part of your body when you realize it, when that thought flows in your mind just as moments ago the thought of "I like the color xyz" had gone by.

It clicks.

Use it as any method, void, manifesting, revising, whatever the fuck you want, this just conjured up in my dream and I already feel how it can help people.

If you aren’t doing it authentically + from your heart, why do it at all?

stop fighting with the 3d

why constantly burden yourself with endless thoughts and emotions towards the external world that don’t suit your standards when you know it shouldn’t serve you?

a reflective slate of glass doesn’t prove to you completely and permanently that your manifestations aren’t yours, the character you define yourself with in that moment is what depicts your ending awareness.

in simple terms, if you choose to be the person who sees it as it is, and goes on thriving in the energy of your desires, then that’s what will show. though, when you set focus on the 3d (which, the 3d is not separate from you, your dominant assumptions derive from your internal awareness) and see something that doesn’t suit you and yet you define with it and panic, that’s what hinders your manifestations.

if you’re someone who’s taken lots of time, or feel like you don’t “manifest” instantly or when you want to, remove the factor of time. time is a construct that keeps things set in place, yes? but who cares about how long it takes for you to “manifest” something certain. the external world won’t sit here and show you something you want when you’re affirming against your own assumptions. be the person who decides “why does the 3d matter? i have what i want” and it’s done.

in my sense, you’re not “manifesting.” i solely don’t like using terminology’s sometimes because on a personal level i like viewing everything in a natural state. you’re not manifesting since it’s already done. nothing really needs to be manifested because you being the prime creator, the reality of you having quite literally everything already exists. it’s your time to shine and input your awareness into that state. sure you can affirm and persist and do all that yes, if it suits you for sure keep going! saturate your mind with it if you know it’s what helps you, but all is set and done the second you told yourself you had it. the law has no choice but to abide by its own principles. don’t fear the prey like it’s the predator. you are in control and always will be. the attention you give towards the 3d should be reversed towards saturating your mind in what’s right for you.

love you