Firstprince Hands Have Their Own Chemistry:

it’s 2024, and no one knows they’re engaged 💍 ✨💕

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Happy Valentine's Day!

rwrb fic: words, any words, your laughter

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Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor

Summary: AU. Alex is a somewhat disillusioned actor who finally lands the project of his dreams: a story that matters, directed by one of his idols, Rafael Luna. The only problem is that the screenwriter is Henry Fox, who can’t seem to stand Alex, and who Alex would love to shove into a cake—neither of them expect the way working together will change both of their lives forever. Or, five times Henry Fox, screenwriter with the hottest script in town, talked about Alexander Claremont-Diaz, up-and-coming actor, and one time Alex talked about him right back.

Read on Ao3 HERE

“Up to the challenge?” Alex says, and then says it again, just in case Zahra missed it. “Up to the challenge?” “It’s a perfectly normal quote, Alex, especially since you haven’t really met Henry Fox before,” Zahra says. “Uh, we’ve met, Z,” Alex shoots back. “Or, I tried to meet him and congratulate him on his script like two years ago at that amfAR benefit and he looked at me like I was some sort of unwanted sentient mud and walked away, remember?”

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

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1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

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2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

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3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

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4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

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Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

"And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am"

don't worry, Alex is coming to the rescue, my patrons can confirm

When you hold me, it holds me together.

--

😢🥹

I desperately wish people would start actually reading the AO3's TOS before confidently making 'user guides' to the AO3 that are just blatantly, flatly wrong.

Yes the AO3 has banned content. They do not allow anything that's illegal under US law - though US law, importantly, does not ban fictional depictions of things - and they do not allow any commercial content. That includes your ko-fi link, or mentions that you do fic commissions. If you do post fic commissions to AO3 and want to mention the commissioner, the fic is a 'request' from the commissioner. This protects the AO3 and you from copyright law.

No the AO3 is not 'a creative fanfiction archive'. It is a fandom archive. Your meta, insights, and theories are absolutely welcome and encouraged there. AO3 also encourages you to post other types of fanworks, like fan videos, podfics, and art, but unfortunately isn't able to natively host those like it does text, so fic has kind of become what it's known for. That absolutely does not mean that other types of fanwork aren't allowed, or are discouraged by the site culture! Anybody who tells you otherwise is just plain wrong!

Firstprince hands have their own chemistry:

A guide to Hyp’s Writing

Okay so I have enough fics now that I feel like I can make a little guide here. So here we go:

“Hyp, I want something sweet”

something good and right and real - After the election, Henry explores Alex’s childhood room. He finds trinkets of a young Alex that intrigue him, including a crown that gives him some ideas.

and that’s the way i loved you - Alex accidentally fell hopelessly in love with his roommate and fuck buddy Henry. He tries to plan the perfect confession, but when have any of Alex’s plots worked perfectly?

heartbeats under coats - Alex, a DC lawyer on his way back from a work trip, is stranded in New York after a freak blizzard grounds all flights. He gets the last available hotel room on the island, but a freak error means the room is double booked. Unwilling to leave the other stranded, both men agree to share the room and wait out the blizzard together.

“I want something with action and intrigue”

trouble’s gonna follow where i go - Henry thought it was silly to hire an American to be his personal guard. He didn’t care that the man had an excellent service record, the highest level of security clearance in the American government short of the president, or a black belt in six forms of martial arts. A foiled assassination attempt changes that opinion, but Henry’s gratitude is not a passive thing – Alex’s going to have to work for it.

wanting me dead has really brought you two together - Rebel smuggler Alex is caught by his nemesis, Alderaan Senator Jeffery Richards. His prompt assassination is put on hold when Richard’s bounty hunter reels in a bigger fish; Senator Henry Fox of Naboo. Turns out, Alex has more than one rival on board the ship, but he’s going to need to work with Henry if they don’t want to get killed.

move fast (and keep quiet) - Alex is a spy tasked with securing a case of diamonds being auctioned off by black market smugglers. Henry is a rival spy who happens to be tasked with receiving the same case of stones. When Henry wins the auction, Alex has to retrieve his target, no matter the cost.

“I just want something really smutty!”

you handle it beautifully - Alex, discovering Henry is having a hard time getting out of his head enough to enjoy sex, has a clear solution: recreational drug use! While on the road to self-discovery and self-actualization, Henry surprises Alex more than once.

the only thing on my mind series - Piercer!Alex teaches Henry about the inner workings of BDSM in mid-90s New York.

secret moments in a crowded room - After getting a concerned call from the man's PPO, Henry makes an effort to ensure his body double Angus is getting properly socialized. Alex is hesitant to spend time with the Henry-shaped clone, but he quickly finds himself getting charmed by the man. Angus gracefully slides from strange phenomenon to friend.

“I just want a quick one shot”

like it’s patrón - Henry meets Alexander at a gun range, but it’s not the first time they’ve met. Alex calls in a raincheck.

where every wish comes true - Alex gets locked out his apartment on Christmas Eve. He's forced to take refuge in his neighbor and occasional fuck buddy Henry's apartment, and together the two get into the Christmas spirit with the help of a festive costume and a silk ribbon.

here the whole time - Married and bonded, Henry and Alex decide it's about time to get off suppressants and start enjoying their bond fully.

“I’m here for the angst”

you were more than just a short time - David the Beagle passes. Alex is there for Henry through his grief, and through the start of moving on.

look at this godforsaken mess that you made me - Rafael Luna gets through the election by the skin of his teeth. The other two Bastardos notice.

where others gave you scars series - Henry, after living in America, realizes some of the things he’s been living with aren’t normal. Alex teaches him that his pain isn’t in his head, despite what his family thinks.

rwrb fic: i offer you explanations of yourself

Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor

Summary: AU. Fresh off a frustrating Grindr interaction, Alex heads to Texas to do legal work at the border for three months. While he’s gone, June and Nora meet Henry and Pez and become friends, making Alex feel a little replaced. Things get worse before they get better, because when he finally meets Henry, Alex realizes it’s not the first time they’ve crossed paths. Told through texts, lists, emails sent and unsent and even a GrubHub order, this is the story of how Alex and Henry get from a bad second impression to maybe the rest of their lives.

Read on Ao3 HERE

hey next time i tell you i want to try exploring my newfound bisexuality remind me to go to a bar or a party or a midnight showing of the mummy at the sunshine but NOT GRINDR irl chaos demon i did warn you that grindr might be going into the deep end real fast, alejandro, but like spirit the stallion of the cimarron, your desire to figure out if liam’s drunk rambling was right could not be tamed irl chaos demon what happened?? i sent a picture of my face to this guy i’d been talking to for like a week, who i thought i was hitting it off with and he fucking ghosted me