more me verbally processing my feelings on this game and it's story that i sent in discord but i know reading these things can be helpful to others processing so im sharing them here <3
even though i think i personally am able to find coherent meaning in solas's ending, specifically the status of the veil, and i do think its good and i like it, i really have to work to do it. the way its written is kind of confusing because the message is like ok. let go of your regrets. but you also have to atone for your mistakes. but solas believes he is atoning by taking the veil back down and bringing immortality back and making sure more spirits are not turned into demons? but the story tells us that version of atonement is Wrong, but why is it wrong? because people will die? but people also die because of the veil? mages are mass incarcerated and lobotimized bc of the veil, elves have been enslaved for millenia, PEOPLE AGE AND DIE, BECAUSE OF THE VEIL? so he isnt supposed to atone for that mistake by fixing it he's just supposed to accept it and let go? so are we supposed to atone for our mistakes or not? what determines whether or not we need to atone? he has to atone for what he did to the titans but not what he did by accident to his own people i guess? and he is going to atone by maintaining the status quo that he created because people have gotten used to it?
i think the answer based on the regret prison scene with rook escaping with varric's help and that banger line of varric's is to take accountability and own up to your choices, they are yours and no one can take them from you. rook says something to one of the regret statues (for me it was harding) thats like "i made a choice and so did you and you knew the risks" or something so i think that is the key. solas cannot accept his choices and so he is desperate to undo them no matter what kind of harm it may do. he is trapped in regret and the past to the point that he cant accept them and move forward, and varric is the perfect contrast of this with how readily he accepts his death as a consequence of his love and hope for his friend. even mythal accepts her own choices when she tells solas that she turned him from his purpose. and she doesnt apologize or even express regret at all, partly because shes a crazy bitch (affectionate) but partly because i think her quiet, cold acceptance is part of the lesson solas needs to learn in that moment. solas is constantly saying, "im sorry, but", "ir abelas, vhenan, but i cannot". mythal just states her actions plainly; i forced you to take a body, i brought you into war, these burdens are ours to bear together, i release you. no apology, no rumination, she is at peace with her decision even though it is wrong. i think this works wonderfully on a personal individual level of personal regrets. it is a good lesson; regret does not serve any purpose other than to hurt you. it brings no one back, it helps nothing, it does not make the world a better place. solas has to let go of his regrets so that he can become the hero that varric sees deep down in him. it is an essential part of his personal journey as a character... but it gets stickier when we are talking about systemic change. obvi a lot of dragon age's modern, young audience is very much in favor of "tear it all down!!" and i am too but i think with solas they are trying to tell a very personal and individual story of a man and his regrets rather than make a social commentary on radical change, but they also dont make that clear enough, so the two get muddied together when it comes to the question of the veil in a way that feels like they are advocating for maintaining the status quo, which i dont think was their intention.
i think this is so muddied because inquisition very much makes clear commentary on systems and institutions with the chantry, the orlesian empire, ferelden monarchy, mages and templars, and the inquisition itself being all vulnerable to corruption, and solas has a lot to say about all of this and he is very much presented as being right (like when he tells you about the corruption in your own ranks in trespasser and how hes spying on you lol) and then veilguard does not do this AT ALL, all of the issues are very personal ones of people and their identity, people and their family, people and their regrets etc. so i think a lot of us are in this mindset from inquisition of like.... yeah disrupt the status quo install a puppetmaster elf to rule an imperialist empire, make leliana pope and radicalize the chantry even if its bloody, dissolve the inquisition, abolish the circles etc. etc. and the question of the veil is very much an extension of these philosophical questions about systems and organizations. and for those of us who leaned towards dissolution of all of those corrupt structures, dissolution of the veil is the logical conclusion to a story thats sending us that message. but then veilguard just. does not even engage with these topics at all. like its not even a question. it takes the question of the veil and translates it into a personal issue of solas's psyche (which is super interesting, just different) and connects it to his past actions, his relationship with mythal, and his perception of himself, rather than a macro-level question of what is best for the world when pursuing change, and the answer for solas on a personal level ends up being different from the answer that inquisition was asking us, but it feels disjointed as a result.
so the veil staying up was the right decision because it forced solas to let go of his regrets and the game is about him. so it was an exercise in his therapy session with his two ex-gfs and some annoying kid who wont leave him alone. but the problem is it doesn't answer or engage with the greater questions and themes about systemic change that the series has been building up to.
veilguard is interesting because it wants to be dragon age 2 so bad while simultaneously being terrified of dragon age 2. solas bringing down the veil would have been the answer to the question that anders blowing up the chantry asked, but veilguard decided to ask a completely different question instead. and i think it did a good job in that specific goal, but it doesnt satisfy 15 years of build up and instead just throws it out the window in favor of something else.
Early Minrathous
I liked the idea of being able to see the colossal bones of the previous magical elven empire. By Matt Rhodes
elves fleeing the ruined city of arlathan and being welcomed with open arms into cad'halash thaig. the very spirits that stole the lyrium from their gods and used their newfound bodies to tranquilize them, and yet the dwarves said "come to us, we will shelter you". dwarves and elves alike being destroyed by kal-sharok so as to not jeopardize their alliance with the tevinter imperium. somewhere in cad'halash thaig a dwarf and an elf were holding one another when they died. ir sa tel'nal. isatunoll.
something something Felassan telling Solas they have to keep up the Dread Wolf act to give people a reason to believe someone is strong enough to fight for them and something something the Inquisition advisors telling Inky they need to believe they were sent by Andraste to give people hope. the Solavellan parallels continue to slay
People seemed to enjoy the psychic bitchfight post so I figured I’d do one for Ghilan’nain’s lines in the ‘Siege of Weisshaupt’, too. Once again, I'm no expert, all glory goes to to [ FenXshiral ], and remember this is a vibe-based language so results vary with context, inflection, speaker and so on.
In the lead-up to the boss battle, First Warden Jowin will show up to take Davrin’s place as final sacrifice, only to be snatched up by Ghilan’nain before he can deliver the blow. After remarking on the quality of his blood, Ghil rips out his heart, turns it into an archdemon strength buff, then drops the used-up Warden like hot garbage. A moment later Wyrm!Razikale emerges from the moat to start the fight.
Ghilan’nain has two lines in this cutscene:
“Lasa hedallin ghellara”
(Spoken either to or about the First Warden as she manipulates his blood/heart).
Lasa = grant/allow/give
hedallin = blood of a noble kill/sacrifice; blood of [your] defeat
1. hel/hell (adj. noble, moral, just) + dala (v. kill, destroy) + lin (n. blood, person m.)
or 2. [hela (v. contest, oppose, fight) + dala (v. kill, destroy)] + lin (n. blood, person m.)
The use of ‘noble kill’/‘blood of your defeat’/‘sacrificial blood’ feels very deliberate here. Just before Ghilan’nain grabs him, Jowin recites the Grey Warden motto, “In war, victory! In peace, vigilance! In death, sacrifice!” . She’s throwing his words back at him, saying his ‘sacrifice’ would’ve been a waste... she'll put it to better use. She even taunts Rook with this later in the fight: “Witness! A Warden’s blood to birth your own destruction.”
ghellara = [my] beast more strong
ghe (n. monster, beast, creature) + elvara (v. to make difficult, hardy, sturdy, complex; from adj. elvar) + el (more, much, many. Used as a superlative) + ara (pron. sb. poss. my)
"fenathra mellas”
(Spoken as Razikale’s transformation completes)
The natural assumption is fen = wolf, which would result in: fen (wolf) + ath (embodiment of) + ra (prn. it) or ara (my, possessive), making it, ‘the wolf’ in a kinda roundabout way. More like, “that wolf guy” or even, "my wolf guy" instead of a name or title. But I don’t think Ghilan’nain is invoking Solas or "the wolf” here. He isn’t an opponent at this point in the game, and neither her nor Elgar’nan see him as a real threat anyway. Additionally, the way she says the word ‘fenathra’ is quite soft — almost wistful — especially by comparison to the deep, guttural, delivery of, “mellas”. I think the root word she’s using here is actually ‘fenor’.
She calls Razikale her greatest creation. She mourns her death; pitifully telling Elgar’nan that Rook took her away. Razikale is more than just important to her — she is the very embodiment of the word 'precious'.
fenathra = My Precious One
fenor (precious) + athe (used to change the meaning of an existing word into, ‘physical manifestation of’, or ‘embodiment of’, eg. “the dead” from death) + ara (my)
Mellas = Allow now / Go!
melana (adv. now, in relation to ‘time’ or ‘when’) + lasa (v. grant, allow, give, let - imperative verb form)
I've been working on her remaining lines for several days now and am currently tearing my hair out about it, but I will add them to this post as a reblog once I finish!
As a bonus I'll throw in Solas' dialogue to Davrin when he briefly joins your party at the end of the game.
Dialogue source: Solas Interaction with All Companions [ x ]
"Mala shivanas ar athim"
mala (your) shivana (to do one’s duty, conjugated) ar (I) athim (humble, humility)
The Elvish scans in Solas’ Hallelujah cadence, so I preserved it for the translation.
May The Dreadwolf Take You
An attempt at the fresco style paintings from DA:I
"Mais ma meilleure ennemie, c'est toi Fuis-moi, le pire, c'est toi et moi
Mais si tu cherches encore ma voix Oublie-moi, le pire, c'est toi et moi"
Sometimes it seems to me that after the game they wanted to show villain stand-ups. I don't know how else to explain these.
Elgar'nan?
That did not go as planned. I had such high hopes. I would lay the blame at Fen'Harel's feet. As usual. His plans never work out, so he insists on no one else's plans working out. He wouldn't even leave my designs for my temple alone. Structurally unsound, he said. "What's holding up the top fifty floors?" Magic. Obviously. "What if someone falls off?" (Groans) I don't care, Solas. Elves can fly. "What do you mean, elves can't fly?" The Venatori were also disappointing, I have to say. Ten percent dogma, ninety percent chanting, zero percent execution. Excellent footwear, though. I swiped this fur-lined slouchy boot for slumping around the kitchen. So cozy. No. Ghilan'nain's not to blame. She's still torn up about Andruil. I know it's been a thousand years, but that's eternal love for you. Touching, really. I'd shed a tear, but the plumbing's been blight-clogged for centuries.
in my dreams, we are always together and there are no odds stacked against us. there are no wars, no fights, and tragedy doesn’t stand between us. there is only you, knuckles in my cheeks. there is only me, palms on your neck. just us and we are at peace and that is all that needs to be said. - in my dreams, we’re together by wt
[solavellan commission by @yelenhol]
I don't care if you're neuron divergent and also 3 days old I need you to go to fucking War
He just wants to sleep...maybe a few years