Reminder that I have this monstrosity: a document of significant c!Dream clips & sources (+ some DreamXD stuff, + Word of God), a lot of them with transcriptions attached. It isn't complete, but I do still continue to fill it from time to time, and if you think a clip ought to be in there and it isn't, feel free to send me an ask about it!
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
Cast bronze (Living, 1980–82) & cast aluminium (Survival, 1983–85) from the Plaques series by Jenny Holzer
The gala scene lives rent free in my head. Kudos to anyone if they can recognize which part of the fight this is from.
“I’ll be right back.”
Stell caught his shoulder. “Where are you going?”
“To get you a gun.” Eli nodded at Marcella’s security, all dressed in trim black suits. “Haven’t you noticed? The guests may not be allowed to carry, but her men certainly are.”
Stell didn’t let go.
“At some point,” said Eli calmly, “you have to let out my leash.”
The director stared at him for a long, hard moment, and then his hand finally fell away. Eli turned and slipped through the crowd, trailing one of the security guards as they split off down a hall toward the bathroom. Eli followed him in, watched the guard vanish into a stall waited for another man at the sink to finish washing up and leave. Eli slid the bolt in the man’s wake, and approached the stall door.
It swung open, and Eli slammed his shoe into the guard’s chest, sent him reeling back into the wall. Eli caught him by the tie before he could fall, drew the guard’s holstered gun, and pressed it tight to his chest to muffle the shots.
Eli eased the body back onto the seat.
It had been a long time since he killed a human. But forgiveness would have to wait.
(Vengeful 471)
Summary: When Tony Stark cut Steve Rogers’ morning jog short to join him on a reconnaissance mission off the East Coast, Tony sure wasn’t expecting to end up stuck on a life raft in the middle of the ocean, Steve’s hand knuckle-deep in his chest.
13k+ words, arc reactor problem, steve & tony on an adventure together, all these cuteness..
Summary: While fighting with Loki, Steve Rogers from 2012 hears the two simple words: “Bucky’s alive.”
And the whole universe ripples with the aftershocks.
20,5k words, endgame fix-it, stony in alternate reality
Summary: “Why do I always find my way back to you?”
Maybe Tony didn’t necessarily return to Steve, but fate is a funny little thing, and after living a life of loss, Steve wants something that’s his to keep.
After the universe is restored, Steve is lost without any direction. Retiring from the Avengers, he moves across the country and ends up building a house by a misty blue lake. Across the bridge is Tony Stark’s new workshop.
79k words, post endgame, stony mending their relationship while living in countryside (so fights and anger are there) featuring morgan and peter!
Summary:
Steve and Tony share a moment during a wedding. Things escalate from there.
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Alternatively: Four weddings, a funeral, and one very emotionally stunted idiot.
16,5k words. post end-game but everybody lives (and getting married). steve being frustrating with his feelings lol, tony flirts
Summary: Tony’s gonna die of palladium poisoning anyway, why not join a pointless expedition to recover Captain America’s body? And after, well, why not dedicate his last few months to making sure an American hero settles into his new life? What else is he going to do, get drunk at parties?
44k words, Iron Man 2 but stony, Tony found Steve on ice and took him in,
Summary: With Captain America seriously injured and a bomb attached to the Quinjet, set to go off at any change in speed or altitude, this is not the best flight the Avengers have ever had.
7,5k words, avengers on mission, injured steve and self-sacrificing tony, SPOILER: gnidne yppah
Summary: Steve goes on a mission. Steve dies on the mission. Or at least, SHIELD make everyone think he’s died on the mission. In reality, he’s alive and well, and still kicking ass.
If only someone had let his husband know that.
15,5k words, fake death so… angst for tony
Summary: It’s really a split of a second, but for a moment there both of them remain in silence staring at each other, and it’s a throwback to that moment in Siberia when a truce seemed more likely than shit hitting the fan.
Steve picks up the pieces from their relationship and tries to make them better. As the official tinker of things, Tony isn’t happy with Steve’s shoddy work. At first.
127k words in 19 chapters, civil war fix it continuing to IW and endgame, SPOILER: tony get shot, gnidne yppah
Summary: Looking over an old prototype helicarrier for its future viability as a base for the Avengers should have just been a routine day full of bickering and non-adventure for Steve Rogers and Tony Stark.
But when they’re catapulted into an alternate universe – where their alternate selves are married and battling with a mysterious threat – the two are forced to get over their differences in order to figure out what’s going on, before it’s too late.
Because there’s more going on than meets the eye, and Steve and Tony falling in love might just be the most dangerous thing that can happen. Not just for one universe, but for all of them… [Iron Man 3-compliant.]
43k words in 3 chapters, stony journeyed to alternate reality where they are VERY MUCH in love and married, angst but SPOILER gnidne yppah
Summary: In a world recently turned upside down by the discovery of genetic markers for soulmates, Steve and Tony struggle to come to grips with their unexpected, unasked-for match.
25k words, story spanning from steve in ww2 to civil war so.. a bit of civil war fix-it?, heartbroken tony
Summary: Unable to find a replacement for the toxic palladium core of his arc reactor, Sir has gone into cryostasis to wait for a day when science has advanced enough to provide a solution. While he is indisposed, it is my all-important task to decide when that time has arrived, and to select the person who shall bring him back to life.
9,4k words, Jarvis POV, Jarvis being super loyal, steve is not captain america when stony met.
Summary: Tony thinks piloting the armor remotely while letting the others believe he’s wearing it is a good plan, until he realizes he’s not hung over, but actually quite ill.
Steve thinks something’s off with Tony today, but he has no clue what that might be, and since Tony says he’s good to go, they’ll proceed with the mission anyway.
(Basically, that trope where Tony is sick but is too stubborn to admit it, with a slight twist. Fill for my Stony bingo prompt “armor”.)
9,5k words in 2 chapters, it’s all in the summary.
"I don't want to read this" is totally valid.
"This is disgusting to me" is totally valid.
"I don't want to read this because it is disgusting to me" is totally valid.
"I don't think anyone should be allowed to read or write this because it is disgusting to me" is authoritarian.
Eli is a fucking icon tbh. Imagine if you’re sitting in a uni lecture and have to announce your research topic and the number one popular know-it-all of the class says he’s going to research the existence of Naruto-like Ninjas. Absolute Madlad
The girls are gossiping
*waves hands around in nonsensical gestures* kim dokja is the pocketwatch of yoo joonghyuk's life in a way. his constant, unchanging, measure of time.
every regression the clock goes back to midnight. once more it is august, and to all who matter to you you are either a stranger or a familiar 28 year old figure. nevermind that you almost had a family. nevermind that this time, you even got a day to call your birthday. or that the time before that, you survived long enough to need to adjust your little sister's clothes.
in another world unknown to you, the clock doesn't stop. it just runs ever so quickly. someone asks when your birthday is. every year they buy a small convenience store cake (the kind you probably would hate), some cheap candles (with no idea what number to even put down), and sit down in a tiny apartment. they clap their hands and wish you a happy birthday. the 1st year, you had 40 regressions. the next, 50. 10 years pass nonlinearly, so they don't really try to give you an age. but they do think, "happy birthday".
a webnovel platform with a "published on" date. a singular comment, every year, "congratulations on another year, author-nim!". a young boy who grows into a young man with your life. when you meet, you are once again 28. and he, freshly 28 now, greets you like an old friend.