Under the cut are #501·small/medium HQ gifs of the actor Alexander Ludwig, who’s best known for his role in·Vikings and The Hunger Games. None of the following gifs are mine and complete credit goes to the owners. If you’d like your gifs taken down, shoot me a message. There really shouldn’t be any repeats but I might have missed a few.·Also, please like and/or reblog if you found this helpful. Some were made by rejectsofrph and roleplay-stuff-and-things. Some contain blood, gore and death.
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Under the cut are 59 Alexander Ludwig RP icons. Please do not claim as your own or use is other icons. Please like/reblog if using.
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I have no idea how many times I’ve watched this… The back, the arms, that voice!!!
I love my mom.
I am risking nothing
I AM SORRY FOLLOWERS, I LOVE MY MOMMY
Will not risk.
sorry followers :(
Vampires when they sip on your blood and catch extra strength Tylenol, at least two psychiatric meds, two cups of coffee, weed, and microplastics
I don’t know if any of you did watch these two Halloween movies called “Scary Godmother” in your childhood. If you haven’t, I recommend watching it. It’s really good and I still enjoyed watching these two Halloween Movies. Both of them are on YouTube if you want to watch it.
The writing is fun and goofy, the music is catchy and it’s just awesome to me! I’m watching Scary Godmother movies right now for Halloween to revisit my childhood. And I hope you all had a Spooktacular Halloween! 🎃👻🐈⬛🦇🕸️🍬💜🧡
All credits go to Timtomtann on YouTube.
If you have the chance, watch directly on YouTube and leave a comment guys!
I personally am an utter emotional mess, and I WAS NOT READY FOR THIS!
Warning: Feels overload. No, really. This is hauntingly beautiful and heartbreakingly gorgeous and I feel like a complete masochist for having watched it over and over again, but JFC! It just speaks directly to my soul, okay!
Dialogue is an important part of storytelling. While I’m not perfect by any means, I definitely consider this to be my strength when it comes to writing. So hopefully I can shed some light on this subject and help those that want to improve their dialogue in some capacity.
Internalized thoughts:
I consider internalized thoughts dialogue said to oneself. Which is why I’m going to talk about it here.
I like to use dialogue for characterization, mostly. Since it really won’t move the story forward (since the character is only thinking it to themselves), I find it helps to create juxtaposition between what is said and thought.
Examples of how to use what is said vs. what is thought to create drama
Character is quiet or seems that way, and thinks a LOT more than what they say
A character is a liar, so they may say one thing, but we don’t know it’s a lie until they think it
A character is trying to examine someone or something else silently
A mute character
A character that reads minds—can be challenging but fun to write
Speech:
Speech and creating personality:
Think about the way someone speaks: accents, if they use curse words, if they’re always “proper” or always using slang
Think about what they say vs. what they won’t. Are they falsely sweet? Always challenging someone?
Having one character have a saying they always use is a fun way to build personality. For instance, Ron in the Harry Potter books always saying “Bloody hell”. You can come up with your own creative “curse words” that aren’t actually curse words. That will definitely up the personality of the writing and characters.
Advice for writing dialogue
If you have trouble varying the speech between characters, I’d suggest 1. Listening to people around you and what they say and how. 2. To practice.
Think about various emotions and how that can change the tone, words chosen, etc. Speech and dialogue will really speed up scenes. So if you feel like a chapter is paced a little bit too slowly, adding some dialogue between characters will speed it up.
If you’re stronger at description and find you never add enough dialogue, look through your piece and think about various areas that could be changed to dialogue instead of description OR scenes that could have a small but interesting conversation.
On the same note, sometimes it’s easier to describe a conversation than write it all out.
For example, conversations that happened in the past that someone is describing, conversations that perhaps are important to know happened in general but not in detail, etc.
You don’t always have to write out the FULL conversation. A good example of this is phone conversations. Writing out all the pleasantries (greetings and polite “how are you”s) really aren’t necessary. Get the main “point” of the conversation. I.e. why it is important for the reader to know.
Not every line of dialogue needs a dialogue tag (i.e. “she said”). If it’s between two people, and they’re really going at it (because they’re angry or they’re playfully bantering or something), the dialogue tags become unnecessary and honestly bog down the quick flow. Just clue the readers every few lines or so.
Read your conversations out loud! Does anything sound awkward or unnatural? Hearing it will help clue you into those areas that could be changed or revised.
Happy to answer any questions. Happy Writing!
Alexander Ludwig gif hunt. Under the read more: 30 gifs of 120*120 from an interview. All done by me.
Dropbox Link: ( X )
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