When Mike Packs Up His Room To Move Out Of Hawkins With Will At The End Of ST, I Want The One Way Sign

i am really holding on to that 'it will get better' part otherwise i will officially lose it

"The Goldfinch reference!" I scream as they drag me to the asylum

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

thinking about how theo used boris’ home phone number as the passcode to the locker where he (thought he) kept the goldfinch painting aka the physical manifestation of his heart... so every time he went to see the painting he would have to think about boris... donna you really crossed a line with that one... !

I never thought I'd make it to 18 what do you mean I'm gonna be 25 this year

“Please stop destroying what is left of your heart by constantly thinking about things that have broken you.”

— Unknown

The angst in this scene dammit

(just saying I'll support him if he becomes a villain)

yes all my favorite characters are desperate to be loved. no i don’t think that says anything about me

it's your lucky day. nothing you had that left is coming back

Having a really long-term hyperfixation that has since faded is terrifying yes but it's also so embarrassing. Hi I used to think about Scrimblo Splungus 25/7. Yeah, for 2 years straight. Nah, I don't think about them anymore except for with a vague sense of melancholy as I recall how they used to make me feel. Anyways this new one, Blimpkins McGee? I'm gonna think about them forever and the cycle will NOT repeat in 2 years. Trust me guys.