Folk Magic - Blog Posts
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⋆⭒˚.⋆For The Folk⋆.˚⭒⋆
For the Folk is a server (18+, sfw) focused on creating a space for folk practitioners.
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As a note, while we are a sfw server, we do have channels focused on talking about anything relating to bones or blood as long as it doesn't break our rules.
Mara is a powerful Slavic goddess who personifies winter, cycles of life and death. She is also considered the patroness of witchcraft and symbolizes justice.
Happy Easter to all my family and friends! I’m back home and finally got to wash my altar surface with holy water and chrism oil, and decorate it again! I’ve placed the Host back in the tabernacle lantern with a red votive electric candle, He has returned! 🕊️✝️🌷
the inside of my altar cabinet when the sun is shining through! Kinda wish I could fit in the cabinet and walk around like in a church!
The lantern with the dish inside is what I use as a Tabernacle.
Holy Week – La Semaine Sainte
Holy Week (April 13-April 19th 2025) – movable festivities
My favourite week when it comes to spirituality and activities to do!
I started observing Holy Week in earnest in 2020, during our lockdowns. I remember my first observance as being one of anxiety, and a need to feel comfort. My practice helped me get through it, and I’m happy to share this special week with all of you this year.
“Alleluia, Alleluia, L’carême s’en va, Il reviendra, À Mardi gras.”
-cantique acadienne du Samedi Saint. (Halleluiah, Halleluiah, Lent is leaving, only coming back on Shrove Tuesday)
Palm Sunday (picture above: my front door's palm frond set up)
The week begins with Palm Sunday! I have memories of visiting my grandmother in Saguenay and she’d bring back palm fronds for us to weave. We usually wove them up in little beehive shapes and pinned them to our front doors for protection all year long, since they were blessed with Holy Water at the church service. Most churches have a basket where you can deposit the palm fronds of last year. These are burned and provide the ashes for the next Ash Wednesday. The fresh palm fronds can be used to weave little baskets, little beehives, or they can be cut to the proper length for a bookmark for your devotional books or Bibles. You can paint on them too!
(features Acadian dialect terms for plants) Historically, Acadian communities like Chéticamp didn’t receive palms, it being troublesome to export to this isolated community in the Cape Breton Highlands. So, the faithful would bring cedar branches (thuya), club-moss (sévigny), juniper (chenave) or pine twigs (pruce) from the Highland mountains nearby. After being blessed at church, these tokens would be placed at the entrances of all buildings or assets on the property (fishing boats, cars, barns, and all rooms within the family home, even the cellar) for protection all year-round (1). If you want, feel free to find those plants responsibly and use them in your practice instead of palm fronds!
Holy Monday, Holy Tuesday and Holy Wednesday: usually has church services relating specific stories from the Gospel. I don’t tend to do much on those days. Honestly, I usually use those days to do some spring cleaning, prepare myself for the coming day’s rituals and festivities, and take some quiet time for myself to read passages, or bake for the coming holiday.
Maundy Thursday (picture above, my own Holy Oils)
The beginning of the Paschal Triduum (begins on this evening, into Holy Saturday’s Vigil). This day commemorates the Last Supper. The Chrism Mass is celebrated on this day, where the Holy Oils are blessed for the surrounding parishes. While this Mass is celebrated privately by the clergy in the Catholic Church, I like to celebrate in my own way. In the way that this celebration brings together all twelve apostles, as a Christian witch, I spend time with my meal that day, pondering on the apostles’ gifts they each possess, I contemplate what that Last Supper must have been like, and I bless my own oils for my folk magic purposes. Holy Oils: the Oil of the Sick, the Oil of the Catechumens, and the Holy Chrism Oil. The Oil of the Sick is pure olive oil and is used to anoint a sick or elderly person on the forehead and hands with a cross, paired with special prayers. They can be administered in any time and place. This can have a powerful impact on the placebo effect of faith on healing and bring courage and strength to the ailing person. The Oil of the Catechumens, also olive oil, is used for many things. It is used to anoint those about to undergo the Sacrament of Baptism, both infant and adults. This is to allow to receiver to be prepared to receive the wisdom and strength to learn Christian lessons during their religious quest. It is also used as a protection oil to ward off evil spirits on a baptism initiate. The Holy Chrism Oil is olive oil mixed with balsam. This oil represents strength, and the balsam is known as ‘the aroma of Christ’ (2 Corinthians 2:15). This oil is meant to give the receiver the gift of the Holy Spirit, and to devote something to God’s service. This oil is also used to anoint the altar and vessels used during Mass, as well as during the ordination of a priest. Already, these oils can have many uses within an individual folk practitioner’s spiritual habits, such as dedicating oneself to a path, blessing the altar, the working tools for rituals, and yourself when you need to reset your faith. During Holy Week on Holy Thursday, otherwise known as ‘The Chrism Mass’, the local bishop blesses enough new oils for every parish for later distribution. To bless these oils, the bishop does them in order as listed above, says a prayer to bless them individually. To bless the Chrism Oil, the bishop mixes oil from the balsam plant with the olive oil, breathes on the mixed oil to signify the presence of the Holy Spirit, and then says a prayer to consecrate it. For the individual practitioner, if you want officially blessed oils from the church, many Christian shops sell amounts of them, but if you want to individualize your practice, feel free to bless them yourself for a day where you’re feeling sick, need extra protection, or need to bless your space once more.
Good Friday
On this day, we commemorate Jesus’s crucifixion and death on the cross. It’s a day of sorrow and reflection. For my part, I like attending Good Friday services in my area, and I wear all black on that day.
It is tradition to remain silent from noon till 3pm, to commemorate Jesus’s last moments of life, as he is noted to have died at 3 o’clock in the afternoon. Families with young children would encourage the kids to pray or to go to bed for a nap, to ensure they remained quiet. My great-grandmother has memories of going through that silent vigil with impatience! For myself, I like to take time to light a candle at 3pm, while doing my best to remain quiet without distractions from noon until that time. In church, the priest would ensure the Sanctuary where the Tabernacle resides is empty of the Host, and the candle extinguished. The altar is laid bare of décor. I do the same. I empty my Tabernacle lantern of the Host and make sure I don’t light candles near it. I take off my altar cloth and décor, and lay a black pall over the entire cabinet.
In some Acadian communities, if bad weather prevented the family from traveling to church, the family would set up a white cloth on the kitchen table, place the crucifix on it, and each family member needs to kiss it. Afterwards, the head of the family would recite from the Roman Missal. They also read their Way of the Cross (chemin de la croix) at home or in church. (2) It was also imperative to avoid butchering farm animals or go out hunting wild game on this day. Fishermen out at sea would do their Passiontide readings and note the direction from which the wind came from, for they knew that if they did so, the wind’s direction would remain faithful for the remaining year.
Holy Saturday
My all-time favourite spiritual and religious experience of the calendar year! I love it because I don’t think there’s any other day in the liturgical calendar where parishioners are expected to participate in as much as this day. It is meant to take the believer from the times of Genesis with the creation of all that exists in this world, to the first fire and the first waters, and translate that into the renewal of baptisms, the lighting of a new Easter fire, and the gradual lighting of all candles in the chapel to symbolise the growing victory of light in the face of so much darkness and death. All lights and church candles were extinguished since Thursday, and the only candle that will be lit is the Paschal candle, inscribed with this year’s date. I like to attend the University of King’s College Chapel services in Halifax, Nova Scotia, for this ritual, given the intimate chapel venue, the vibes of the clergy, and how lively it gets. We bring the Paschal candle outside and bless it with the fire from the Holy Spirit. We bless the baptismal font and the Holy Water inside, and a series of litanies and chants are done, as everyone holds a little candle in their hands, lit from that Paschal pillar. Once it hits midnight, the entire chapel lights up again, and all the bells chime loudly, announcing Christ’s resurrection. The choir bursts into joyful song, and it really is the most lively and impactful service. Partying ensues until dawn for us, with a feast of lamb and an array of dishes brought in from a multicultural scene.
In Acadian communities, Holy Saturday celebrate their first midnight mass of the year (the other one being Christmas eve). From a small fire at the church entrance, parishioners light their own candles. Hymns of Halleluiah and joyful rhythms take the choir and congregation in song. I definitely want to see how these services are done in French, and one day, if I’m lucky, I’ll attend.
Easter Sunday (photo above: the Saguenay River)
On Easter morning, before the sun comes up, many faithful in communities in Québec and some in Acadie would wake up and head over to the nearest brook to collect “l’eau de Pâques” (Easter Water). This coveted water would be known to heal certain ailments and protect against lightning. Often, it was noted as having the same virtues as Holy Water provided by a priest. It needed to be collected against the current of the brook, before sunrise. To do this journey was known to “voir danser le soleil de Pâques et aller au ruisseau quérir de l’eau de Pâques.” (to go see the Easter sun dance, and go seek out the Easter Water.) It was told that on Easter morning, the sun performs a dance as it rises, and that everyone should witness it at least once in their lifetime. (3) The sun is reputed to be brightest on that sunrise than any other time of year. In the south-west of Nova-Scotia, a formula needed to be recited while collecting this special water, “Bénie soit cette eau, qui guérit tous les maux.” (Made holy may this water be, to heal all ails.). This tradition still is practiced in the north-west of New Brunswick today. In regions of Québec and Acadie, it is paramount that parishioners and believers take at least one Eucharist mass between Ash Wednesday and la Quasimodo (the 2nd Sunday of Eastertide). It is known in those regions as “Faire ses Pâques” (Attend your Easters). Otherwise, you’d run the risk of becoming a loup-garou or have a damned soul if you skip seven years in a row.
Feasts for Easter in Acadian communities ranged from a breakfast of as many eggs as one could eat if they were available, right down to home-grown chicken, wild game or salt meat. After a long March of dwindling cellar stores and not much meat left, families often made due with the remains of their provisions. (4)
Sources:
Père Anselme Chiasson. Chéticamp, Histoire et Traditions Acadiennes. Éditions les Aboiteaux. 1972. p.214
Jean-Claude Dupont. Héritage d’Acadie. Éditions Leméac. 1977. p.77
Ibid.,308
Jude Avery. Joie de Vivre – Love of Life: Isolated Acadians celebrate their culture through traditions and folklore. New World Publishing, 2021. P.28
Cultural Centres for French Heritage in Canada
Below are the links for French cultural centres and archives around Canada. Whether you're looking into maritime Acadian culture, Quebecois traditions, Franco-Ontarian culture, Franco-Manitoban history and heritage, there's so much out there for you! Many of these centres host events, music concerts, cultural festivals, art galleries, and research centres to help you learn your roots.
Franco-Ontarian Folklore Centre
Centre for Research on French Canadian Culture at University of Ottawa
The Acadian Centre of the Université Sainte-Anne
Historical Society of Saint-Boniface, Winnipeg, Manitoba
Franco-Manitoban Cultural Centre
Marius Barbeau Centre, Montréal, Québec
Saint Isidore Museum and Cultural Centre, Alberta
https://ccfm.mb.ca/en/
La Mi-Carême (Mid-Lent)
Mid-Lent, or, La Mi-Carême, falls on the fourth Thursday in the Lenten season. This holiday has its roots in 7th and 8th century Europe, where believers were allowed this day of respite from the fasting and reservations of Lent. It was around the same time as Laetere Sunday, the fourth Sunday of Advent (exactly 21 days before Easter Sunday) where a spirit of joy is celebrated as we get closer to Easter. Having migrated with the French settlers of the 17th century, the Acadians and some Quebec communities, Mi-Carême became a day of carnivalesque mischief and trickery. Participants, mostly men until the twentieth century, disguised themselves with a dizzying array of masks and frocks, and do a tour of their village, challenging interlopers to guess who they were. In exchange, they would receive treats and opportunities to play pranks, sometimes a boozy recompense. In some communities, like in Grand-Étang, Nova Scotia, there is a Mi-Carême Interpretive Centre, where runners of the Mi-Carême gather on this day to do their designated tomfoolery. Lively fiddle music and sweet treats await visitors! Today, the most extensive celebration of this holiday remains in Chéticamp, Cape Breton, where it lasts a whole week. These two communities have celebrated Mi-Carême since 1785!
Today in Québec, you can see Mi-Carême celebrations notably where Acadians migrated, namely Fatima, the Magdalen Islands, Natashquan, and L’Isle-aux-Grues. In parts of Newfoundland, Acadians would pair Mi-Carême traditions with the mummers tradition of anglophone communities, however, it occurred between Christmas and the Feast of Kings.
Costumes would prioritize the grotesque, bizarre, and outlandish. The more ludicrous and hideous the masquerade, the better! Most costumes were improvised and very cost-effective. The point was to have no one recognize you! Old rags, hand-me-downs from distant cousins living in the United States (and unknown to the community, so no one would know whose family the clothes belonged to), and especially, clothing yourself in the clothes of your opposite gender, were sure-fire ways to be incognito on this festival day. Changing your body shape was also a notable technique, using hay to bulk out your limbs, or cushions to give yourself a hunched back. Some folks would go as industrious as using animal skins, like the hide of a bull, preserving the horns for a truly otherworldly effect!
Disguised parties, led by a chief, would enter homes, and entertain the family with brief songs and improvised plays. Unlike the eve of All Saint’s Day (October 31), the aim was not to pull tricks. The chief of the party-goers had to see that his troupe would behave in others’ homes. However, that can change if the house they wanted to enter would not let them enter!
La Mi-Carême, Mère Mi-Carême (Mother Mid-Lent)
Folklore traveled from Normandy and Brittany to Acadie, and transplanted itself into the maritime spirit of the people. In parts of Brittany, La Mi-Carême (Lady Mid-Lent) would be a beautiful woman who would traverse the skies on horseback, distributing sweets and treats from a magical golden cornucopia to the village cross, where children were led to for holy prayer. The treats would appear to fall from Heaven, and the children would leave behind offerings of hay for her horse at the foot of the cross as a thank you. In Quebec, this kind of figure appears in Pierre-Joseph-Olivier Chauveau’s novel Charles Guerin (published in 1852), featuring a Mère Mi-Carême (Mother Mid-Lent). She is a woman, bent forward by old age, who would hobble from home to home with a big bag on her back, and supporting herself with a thick cane. Peering through her small glasses, she was draped in old, tattered rags, adorned with fish bones and tails. Sometimes, she just appears as a hunched over figure covered by a white sheet, evoking a sense of mystery and apprehension for children. This figure also appears in Acadian communities, and almost in the habit of a traditional Santa Claus, would leave behind treats for obedient children, while chastising the mischievous ones. This figure would feature in the mythos of this holiday from the 19th century into the mid-twentieth century. When she would visit a house, children were told to not look at her leaving the house, for fear of knowing where she was headed to next. This could prevent her from coming next year. This tradition expanded to Irish immigrant communities, particularly in Tignish, PEI, where she was known as ‘mickram’ (anglicized verbiage of Mi-Carême). In some Acadian communities, especially in north-eastern New Brunswick, in Gaspésie, in the Magdalen Islands, and on the Côte-Nord of Quebec, it was known that La Mi-Carême would bring newborns to their families. When mothers would be in labour, children were told that La Mi-Carême was coming to see their mom. Given that this character gave a fright to children, they would instinctively go seek refuge at a neighbour’s house for the entire duration of their mother’s labour. She was also known to bring baby animals to the farms as well. What a busy woman!
Celebrating Mi-Carême in a Folk Practice
-if you're in the area and wish to experience the culture and the wondrous display of colours and lively music, visit the Centre de la Mi-Carême in Grand-Étang, Nova Scotia, just off the Cabot Trail.
-it’s a time of masquerades and journeys! If you can make yourself an outfit to be completely unrecognizable, even a mask, just to take your spirit out of yourself, it can lead to some exciting astral journeys!
-leaving an offering to La Mi-Carême, such as hay, or little quarters, might be wise, especially if you want to avoid getting a good scare from her.
-exploring the archives for songs attached to this festival, and listening to some examples would be fun!
-host a masquerade party and have people try to guess each other’s identities! Bringing back these celebrations means having fun in the ways we used to, so put your phones down!
Sources
Georges Arsenault. La Mi-Carême en Acadie. Editions La Grande Marée. 2007.
Le Centre de la Mi-Carême. https://www.micareme.com
Encyclopedia of French Cultural Heritage in North America. Mid-Lent Traditions in Acadia. http://www.ameriquefrancaise.org/en/article-310/Mid-Lent%20Traditions%20in%20Acadia
Photos
Mid-Lent Revellers, NS, circa 1953. Collection Centre Acadien, Université Sainte-Anne.
Mi-Careme distributing cookies to children, charcoal drawing by Denise Paquette, Collection Georges Arseneault.
First big hike in Point Pleasant Park since top surgery three months ago. It feels really good to be in the woods again and see the ocean. I used to spend all day in the woods but I don't think my stamina is quite there yet.
Celebrations in Acadian Culture - Mardi-Gras, Ash Wednesday and Lent
For Christians the world over, Lent has begun! It is a movable time of the year, not always landing on the same day. It begins however, with Ash Wednesday. It falls 47 days before Easter. Ash Wednesday begins the Lenten season, where its objective is to practice moderation, repentance, fasting, and reflections on our spiritual lives. In the Scriptures, it reflects the period of time where Jesus, after being baptized by John the Baptist, wandered in the desert for 40 days to meditate and be at one with God to prepare himself for his mission on Earth.
The eve before Ash Wednesday (known as Shrove Tuesday in the English-speaking world, and Mardi-Gras to the Francophones) families make pancake suppers to indulge in one last sweet treat before the 40 days of sweet privation. In Acadian communities, on that Tuesday, sometimes the Monday prior, classes would be let off early so that the children could prepare themselves for a masquerade in town. It was tradition to go door to door, with masks and costumes and request treats and candy. Some festive seekers would ask for potatoes and lard to make poutines râpées (a potato dumpling) to enjoy later. They would sing: "C'est monsieur Marier, qui n'a pas encore dîné. Va dans tons baril de lard, Nous chercher du lard." and the hosts would sing back: "Mardi Gras, va-t-en pas, On fera des crêpes, Et p'is t'en auras." (It's Mr. Marier that hasn't supped yet. Go to your lard barrel, and give us some lard!" "Shrove Tuesday, don't go away, we'll make crêpes, and you shall have some!") These dumplings would be prepared in two big cauldrons or pots, one for the girls, one for the boys. Some would hide names of each person in the dumplings, and upon discovering the name, the person has to give a kiss on the cheek to the lucky recipient. Another tradition was to hide a black and white buttons in the dumplings. Whoever discovers a black button would be single for the year, and a white button would foretell a happy wedding on the way. It was also known that folks would pull molasses into golden strands to lay in the snow, and roll onto a stick to enjoy! It was also superstition to not go into the woods for firewood on Shrove Tuesday, for fear of being maimed by your own axe. (Dupont 287-290)
Ash Wednesday, a solemn day of fasting among traditional Christians, is meant to remind practitioners that they are made of dust, and to dust one day they will return. "Souviens-toi que tu es poussière et que retourneras en poussière." the priest would say as he would draw a cross from the cinders of last years' palm fronds or cedar twigs. It is a ceremony in which to reflect on our own mortality, and that we are not above anything in this world, but a part of it.
For the Lenten period of 40 days many Acadian families of the past would fast according to the Church's rules of the time, quite severe. It would include 2 ounces of bread for breakfast, a full meal at lunch time and a little snack for supper. Since the 1940s, the Church relaxed its restrictions a smidge, allowing most families who still practice to just avoid eating meat and fast on Ash Wednesday and Good Friday. Many people nowadays also take the time to avoid sweets, or defeat a particular vice, such as smoking. Some pious families would even do a family rosary prayer every morning, attend mass more often, and participate in the Way of the Cross on Fridays and sing hymns and songs for this time. It was encouraged by the local churches that parishioners take the Way of the Cross to and from Mass on every Wednesday and Friday night during Lent.
One of them, a classic of oral tradition of French Canada, would be "La Passion de Jésus-Christ" (The Passion of Jesus Christ). One edition was picked up by Carmen Roy, from a resident of Port-Daniel, Mme. Zéphirin Dorion (born Philomène Roy) in the 1950s. This edition can be found online, or on the album "Songs of French Canada, Folkways", or on the vinyl Acadie et Québec, produced by the Folklore Archives of the University of Laval in 1959. Answering to St. John, Christ predicts his own death on the cross in this song.
(Lyrics taken from Le Parnasse des coeurs d'amour épris, released October 10th 2013). The French grammar in this song shows the French Canadian accent in its speaking, with emphasis on the 'Z' sound accompanying plural words, and a rolling of the Rs. This song, constantly evolving with time, has its roots in medieval France, from the regions where Acadian and Québecois settlers came from. An example of the song track can be listened to below:
This link provides different versions from varying regions in France, Acadie and Québec:
https://books.openedition.org/editionsbnf/471?lang=en
The Lenten Season for Acadian communities was a time of quiet. No weddings could be celebrated and no kitchen parties and dance nights. Young men could not visit their beloved girlfriends and many folks stopped playing card games.
The Mi-Carême is on the horizon though, so hold fast! Another post will come for this day of revelry and feasting! Just so you can also hold your breath while you wait!
Ways to participate in Lent
listen to the song in this post, and savour its melody. If you can understand French and appreciate the words, all the more to you!
take last year's Palm Sunday cedar twigs or palm fronds hung on your doorway and burn them to ash. Mark your forehead with the ashes, repeating the words used in the rites to remind ourselves that we are dust and to dust we will return. It is tradition to wear this mark for the entire day. Yes, even if you have errands to run or have to go to work.
take up a religious or spiritual activity you would like to get better at. For example, I'm sitting with myself every day for Lent to read the New Testament, taking time to understand and contextualize the words I'm reading. I'm reading the First Nations Version this year.
what do you feel like you could abandon for 40 days? Do you have a shopping addiction that needs curtailing? A vice you'd rather not have? Time to reflect on it and try to do better. The point is not to be amazing at it from the start. If you slip up, forgive yourself and start again.
pray a morning rosary if you feel so inclined! Being mindful in the mornings instead of scrolling through your social feed can do wonders for your mental health.
Almsgiving is also an encouraged practice this time of year. I like to use Lent to promise myself I will serve all my customers at my job the way that any human being deserves to be served, and take time to get outside of myself and empathize with their needs (I work in banking, St. Matthew help me)
References
Georges Arsenault. La Mi-Carême en Acadie. Editions La Grande Marée. 2007.
Jean-Claude Dupont. Héritage d'Acadie. Editions Leméac. 1977.
https://books.openedition.org/editionsbnf/471?lang=en
a little photo update of the witch behind the blog! My first photo was before transitioning, so it needed an update! My great-grandma Angèle Molaison presiding over my kitchen tools.
La Chandeleur
Candlemas, or La Chandeleur as it is known in French-speaking Catholic communities, starts on the evening of February 1st into February 2nd. It commemorates Jesus's presentation at the Temple (Luke 2:22-40) as the Light of the World.
The Blessed Candle
This time of year is full of light festivals all over the world. For Acadians, la Chandeleur is celebrated with the blessing of a candle at church at 8am, and bringing it home to in turn bless the home.
The blessed candle is kept at the parents' bedside, or on a tiny shelf in the kitchen. It would be lit during big storms, as a foil to lightning, during periods of illness, a hard childbirth, and when a death occurs in the house. When a priest would visit the house to provide communion to a sick parishioner, the candle would be lit and carried to guide the priest to the ailing person's bedside, and the same rite would apply to the final rites of a dying person. The flame remains lit during the wake. The candle is also lit during Marial devotions during the month of May. If healing is prayed for during a novena, it also doesn't hurt to light this candle.
Once those candles are blessed, the master of the home is to bring the lit candle to every corner of the house to bless it with its light. They would also bring this light to the barn and the fields for blessings. Many families boast of a special candle holder just for this candle.
On Prince Edward Island, pieces of this candle's wax were also brought aboard on fishing boats along with woven palm fronds, and were meant to keep the fisherman safe during storms at sea.
Acadian Candle Blessing
"Daignez bénir et sanctifier ces cierges pour notre usage, pour la santé des corps et des âmes, sur terre comme sur mer."
"May these candles be blessed and sanctified for our use, for the health of our bodies and souls, on land as on the sea."
Chandeleur Crêpes
It's also a crêpe-making day!!! On the eve of this holiday (Feb.1), families would make crêpes for dinner, often using the last of last year's flour. This stems from medieval France, when peasants would use the previous year's flour (most likely their only flour left) to ensure the next year's harvest would be bountiful. It is tradition in Acadie to have every member of the household flip their own crêpe, to determine if a successful flip would grant them luck for the year. Some families even kept a piece of the crêpe in their cupboard all year long to ward off bad luck.
Crêpe recipe
One cup white flour
1 1/4 cup of milk
1/2 tsp of salt
1 cup of freshly fallen snow, compacted (nowadays, I wouldn't recommend it. Snow falls on the ground polluted. It used to be a common ingredient in Acadian and Quebecois cooking. You can skip it and the recipe would still turn out fine.)
Frying grease or vegetable shortening, or butter for the pan.
Serve with molasses or grated maple sugar.
A Season of Giving
It is also a time in Acadian villages where folks would go around and ask for donations to their local food banks or church soup kitchen service. They would parade with a tall staff with a rooster figure on top (called a chief's cane) and with each donation, a ribbon is added to the stick. In the evening, when the village would gather for a community potluck, people could reclaim their ribbons from the rooster staff. Festivities of fiddle playing, dancing and merriment were in order in most homes and community centres.
Acadian communities like Chéticamp and other small Acadian hamlets still celebrate to this day!
Ideas for Anyone Far from a Community
Seeing as I don't live in an Acadian community sadly, here are some ideas of things I can do, and maybe you can do too, to celebrate today!
Make crêpes and perform the best flip! Your luck depends on it!
Bless your own candle with holy water, parade it to every corner of your home.
Create a chief's cane, and plant it in your front yard. With every donation you accept for a food bank or other charitable effort, add a ribbon, heck, ask your neighbours and friends to participate!
Organize a potluck!
Use the wax from the candle to bless the lintel post of your doors, or other objects you wish to bless.
Bonus photo: Moonshadow blocking my holiday book's Chandeleur page and refusing to move.
Source
Georges Arsenault. La Chandeleur en Acadie. Editions la Grande Marée. 2011.
Painting
La Chandeleur. Painting by Camille Cormier, painted in 1984. Oil on canvas. Coll. Musée Acadien, Moncton University. Acq. 1986-17.
thank you for this! It really explains traditional ways and contextualizes it for today!
12 Things You Need to Know About Traditional Spells
Why are traditional spells so goddamn weird?
There is no black or white magic.
Elements That Make a Spell Truly Powerful
5 Signs that a Spell Book is Authentic
The Power in Witches’ Hair
Spell Ingredients in Traditional Witchcraft
We do not cast spells against haunted places.
Do not mistake grimoires for journals and scrapbooks.
We call it the Ritual of Wandering.
Shielding is entirely pointless.
Gold and Silver in Witchcraft
Why Blood Magic is Powerful
thank you owl-eyed--witch for your amazing contribution!
Another movie I highly recommend for Québec history and ancestor commemoration is: Hochelaga: Land of Souls (2017): a Canadian historical drama film directed and written by François Girard and starring Gilles Renaud, Samian and Tanaya Beatty. Dramatizing several centuries of Quebec history and the local history of Montreal in particular, the story depicts Quebec archaeology revealing the past of indigenous peoples, explorers and 1837 rebels. I won't give away the many emotional gut punches this movie delivers, but I watch it every All Souls' Day.
French Canadian and Acadian culture resources, music, retailers and media
I want to share where I usually find resources regarding my culture, what I tend to trust, and what music, movies and literature informs my spiritual practice! Many of them are in French, with options to switch to English within the website parameters.
Cultural, historical societies and archive centres
Centre Marius Barbeau: The Center specializes in the area of immaterial culture. Its mission is to preserve, promote and encourage recognition, conservation, passing on and spreading of Quebec folk arts and traditions including those of the First Nations and the ethnic communities. The centre owns more than 10,000 documentary pieces of which a very large part is already catalogued and indexed! Costumes, songs, recordings, visual art, and so so much more! https://www.cdmb.ca
Centre de recherche Père Clarence d'Entremont, Musée des Acadiens des Pubnicos, Société Historique Acadienne de Pubnico-Ouest: The Archives « Centre de recherche Père Clarence-J. d’Entremont» is located on the second floor of the Museum and Centre de recherche annex. The archives house many collections including the private collection of historian Father Clarence-J. d’Entremont. Amongst the collections found in the research center are over 5000 library books and periodicals (historical and genealogical), genealogies, land grants, deeds, microfilms, photos, maps, photographs, church records, etc. https://www.museeacadien.ca/research-center
Acadian Research Center of Prince Edward Island: Part of the Acadian Museum in PEI. They have more than 4,000 Acadian family records, including information on birth, marriage and death dates, as well as various censuses. This is in addition to the 30,000 genealogical records that their volunteers have transcribed over the years, as well as the 160 Acadian family files, binders and booklets given to them by independent researchers. They also have 340 thematic files covering various topics related to Acadian history and a library of more than 1,500 books on Acadian history as well as rare books. The Acadian Research Center of Prince Edward Island has more than 230 fonds in its collection, belonging to individuals or organizations.To view some archival fonds and photos, please visit: http://acadieipe.ca The Acadian Research Center follows the same opening hours as the Acadian Museum. To view the documents mentioned above or for more information, please contact the Acadian Museum at (902) 432-2880.
Centre d'études acadiennes Anselme-Chiasson, University of Moncton, New Brunswick: The Centre d'études acadiennes Anselme-Chiasson, established in 1968, collects and preserves all relevant documentary material concerning the Acadians and Acadian Society in various fields (history, genealogy, ethnology, sociology, archeology, folklore, demography, geography, economics, language) and offers inventories and tools to facilitate access to this material to interested researchers and members of the public. It has the largest collection of private and institutional records on Acadia in the world. It is located next to the Acadian Museum, which features a permanent exhibition and temporary exhibits, as well as guided tours and screenings of historical films and documentaries. https://www.umoncton.ca/umcm-ceaac/
Scholars and authors
Georges Arsenault (1952- still alive): historian and folklorist, born in Abram's Village, Prince Edward Island. He has published extensively on the folklore and history of the Acadians of his home island, many of these books I have in my collection for the traditions and holiday celebrations of my culture. Favorite book: Contes, légendes et chansons de l'Île-du-Prince-Édouard. Grande Marée. 2018.
Père Anselme Chiasson (1911-2004): a Catholic priest, educator and writer, born in Chéticamp, Nova Scotia. He has made significant contributions to the recording of Acadian history and folklore and folktales. He also published several volumes of Chansons d'Acadie, collections of Acadian songs. Favorite book: Chéticamp : Histoire et Traditions acadiennes. Préface de Luc Lacourcière. 3e édition. Moncton : Éditions des Aboiteaux, 1972.
Marius Barbeau (1883-1969): A monumental figure in folklore studies in Canada, he was born in Ste-Marie-de-Beauce, Quebec. Ethnographer, folklorist, a founder of Canadian anthropology. He is known for his early championing of Quebecois folk culture and his exhaustive cataloguing of the social organization, narrative and musical traditions and plastic arts of Quebecois and many First Nations oral traditions for a mass audience. He worked from 1916 to 1950 as editor on the Journal of American Folklore, in that time focusing a lot on Canadian folklore. TW: this researcher may present biases towards First Nations people and their cultures, using terms that are not considered okay today. So please, support more recent scholars and preferably First Nations authors to know more. Favorite book: Ceinture Flechée. Montréal: Paysana. 1945.
Pierre DesRuisseaux (1945-2016): Born in Sherbrooke, Quebec, he was a novelist, essayist, poet, and journalist. He wrote many works on the expressions, proverbs, sayings, and folkloric tales of Quebec. Favorite book: Croyances et pratiques populaires au Canada français, Montréal, Éditions du Jour, 1973.
Jean-Claude Dupont (1934-2016): Born in Saint-Antonin, Quebec, he was an ethnographer and researcher at University of Laval. His ethnological thesis, Héritage d'Acadie, documented the spiritual traditions of Acadians, and I use it heavily in my practice. He was a pioneer of material cultures research, using this in his ethnological research. Favorite book: Heritage d’Acadie. Collection Connaissance, éditions Lemeac. 1977.
Carolyn Podruchny (still active in academia!): PhD, is a Professor of History at York University. Her research focuses on the relationships forged between Indigenous peoples and French colonists in northern North America. Her first monograph, Making the Voyageur World: Travelers and Traders in the North American Fur Trade (2006), examines French Canadian voyageurs who worked in the North American fur trade based out of Montreal, and ranging to the Great Lakes, the Great Plains, northern woodlands, and the subarctic. She focuses a lot on Indigenous Peoples , History, The meeting of Europeans and Indigenous peoples in the North American fur trade. The cultural, social, gender, labour, and environmental questions, Early Canadian history, Metis history, fur trade history, colonialism. She is an amazing resource! Favorite book: Making the Voyageur World: Travelers and Traders in the North American Fur Trade. Lincoln, Neb.: University of Nebraska Press. 2006.
Benoît Lacroix (1915-2016): Born in Saint-Michel-de-Bellechasse, Quebec. A Quebec theologian, philosopher, Dominican priest, professor of medieval studies and historian of the Medieval period, and author of almost 50 works and a great number of articles. His collection is extensive in terms of religious life in Quebec, and a high recommendation for spiritual inspiration! Even just the list of publications on Wikipedia is a wealth of possibility, I recommend it! Favorite book: Folklore de la mer et religion. Editions Lemeac, 1980.
Antonine Maillet (1929- still alive): This lesbian queen of the letters in Acadie! She is an Acadian novelist, playwright and scholar. She was born in Bouctouche, New Brunswick. It's impossible to note down which of her books are the best, they're all such authentic works! For my favorite book, it's for my research into the folklore of course! I first read her for her novel, Pélagie-la-Charette, published in 1974. It's about an Acadian woman who guides her fellow Acadians out of Georgia back to their homeland, enmeshing folklore and history together in her narrative. Favorite book: Rabelais et les traditions populaires en Acadie. Les Archives de Folklore, 13. Les Presses de l’Université Laval, Québec, 1971.
Fred Pellerin (1976- still alive): a legend of traditional Quebec storytelling, Fred is from Saint-Élie-de-Caxton. He is a storyteller, author, and screenwriter. He's especially known for his double-entendre turns of phrases, clever verbal acrobatics, rhythm of speaking, and his amazing imagination of the Quebecois landscape and villages of the 19th century into the 20th. He has many books with accompanying CDs with his many stories of his village and the colourful characters inhabiting it. He also collaborated on the film adaptations of his folktales Babine (2008), Ésimésac (2012), and L'arracheuse de temps (2021). Favorite book: Dans mon village, il y a belle Lurette…, livre et CD, Planète rebelle, collection « Paroles », 2001, 142 p. (ISBN 2-9225-2855-3)
Musical heritage and modern bands
Le Vent du Nord: Favorite album: Territoires (2019) a mainstay in the Canadian folk landscape, Le Vent du Nord specializes in traditional French-Canadian folk music. Fiddle, mandolin, accordion, guitar, bouzouki, hurdy-gurdy, and rich vocal harmonies and podorythmie beats. Their Shrewsbury music festival shows on Youtube are absolutely riveting to watch! One of my all-time favorite bands for my magical musical needs! "La Turlutte a bassinette" is one of my main grounding songs.
Luc Arbogast: Favorite album: Oreflam (2014). This man. Where to begin with this amazing individual!? He's from Larochelle, France, and was a contestant on season 2 of the Voice. He is a troubadour who plays traditional instruments like the Irish bouzouki, lute, bells. He is known for his unique countertenor voice and medieval songs inspired by artists like Hildegard of Bingen, Walther von der Vogelweide, and Guillaume de Machaut. He sings in old dialects, French and English. If I ever cross his path on the streets of Strasbourg one day, I will fanboy scream.
Vishtèn: Favorite album: Terre Rouge (2015). They are a folk music group from Prince Edward Island and the Magdalen Islands, whose style is rooted in Acadian music. They performed for the Library of Congress, available on Youtube "Vishtèn: Acadian music from Prince Edward Island". They fuse French, Acadian and Irish tunes. Quite beautiful harmonies too!
Les Tireux d'Roches: Favorite album: Tapiskwan sipi (2021). They're from St-Élie-de-Caxton, Mauricie, Quebec. They are considered storytellers-musicians-troubadours of Quebecois folklore and music. Using the cello, bouzouki, guitar, banjo, saxophone, clarinet, accordion, flute, harmonica. Folklorist and storyteller Fred Pellerin used to play with them!
La Bottine Souriante: favorite album: La mistrine (1994). From the Lanaudière region of Québec, La Bottine Souriante formed in 1976 during the Québec renaissance of traditional music. They use accordion, fiddle, guitar, piano, double-bass, which gives them a jazzier sound. They are known far and wide in Québec for their New Year's Eve anthems resounding in our homes, and they really go deep into the old tunes of the logging camps and voyageur trails, with some new compositions guaranteed for foot-tapping.
Les Charbonniers de L'enfer: Favorite album: La traverse miraculeuse (2008). Hailing from Quebec, they concentrate especially on vocal harmonies and acapellas, the jaw harp, and foot rhythm. They focus especially on traditional songs from the archival repertoire of French music imported with the settlers into New France, and voyageur call and response songs.
La Croisée d'Antan: Favorite album: L'antre Des Loups (2017). A trio of multi-talented musicians, La Croisée d'Antan features the violin, banjo, podorythmie, harmonica, accordion, guitar, and beautiful vocal harmonies. They have lots of traditional tunes, and new compositions with inspirations from yesteryear.
Le Diable a Cinq: favorite album: Sorti de l'enfer (2017). Five instrumentalists from the Ripon region of Outaouais, they aim to bring back the kitchen parties so fondly remembered in French Canadian households with their music. They're all from the same family: three brothers, one cousin and a friend. They use guitar, piano, vocal harmonies, accordion, podorythmie, violin, mandolin.
Movies (this list is always in progress as I discover more!)
Babine (2008): Adapted from Fred Pellerin's book Il faut prendre le taureau par les contes, the film stars Vincent-Guillaume Otis as Babine, the village idiot of Saint-Élie-de-Caxton, Quebec. A lifelong outcast because his mother (Isabel Richer) was believed to be the town witch, he becomes the immediate suspect when the town's church catches fire, killing the parish priest (Julien Poulin). However, he will receive the support of the village's merchant, Toussaint Brodeur (Luc Picard), as he attempts to prove his innocence.
Ésimésac (2012): Although an unofficial sequel to the 2008 film Babine, unlike the earlier film Ésimésac was not directly based on Fred Pellerin's previously published stories; instead, the film's screenplay placed some of Pellerin's established characters in a new original story. The film stars Nicola-Frank Vachon as Ésimésac Gélinas, a young but physically strong man whose distinguishing trait is that he does not cast a shadow. He convinces the village of Saint-Élie-de-Caxton to plant and maintain a community garden after an economic crisis has left many of the townspeople hungry, but finds himself in conflict with village blacksmith Riopel's (Gildor Roy) plan to focus on building tracks for a railroad.
L'arracheuse de Temps (2021): Based on the 2009 story by Fred Pellerin of the same name. It stars Jade Charbonneau, Marc Messier, Céline Bonnier, Guillaume Cyr, Émile Proulx-Cloutier, Marie-Ève Beauregard, Pier-Luc Funk, Sonia Cordeau, and Geneviève Schmidt. An illness-worn grandmother tries to convince her 11-year-old grandson that death does not exist. She tells him about the adventures of her youth in Saint-Élie-de-Caxton, in 1927, when she had tried to eliminate death in the village.
Visual Artists
Clarence Alphonse Gagnon (1881-1942): One of my all-time favourite artists, and a really distant relative of mine! He was born in Montréal, Quebec. a painter, draughtsman, engraver and illustrator. He is known for his landscape paintings of the Laurentians and the Charlevoix region of eastern Quebec, where my family lived. It enchants me to no end, seeing my familiar landscapes with his brushstrokes! Favorite painting: Dans la clairière, Charlevoix. Huile sur panneau de bois, 1915. 15.7 x 22.8cm. no. 1988.113.
Claude Langevin (1942-2024): A quick painter of landscapes, self-taught! His use of the brush is reminiscent of the Impressionists. He wished to express his affection for his people and his land. His depiction of the Laurentian landscape allows the viewer to feel a strong unfailing connection between the artist and the region he calls home. His use of light in his works reminds me so much of how the sun illuminates the Saguenay region, much to my fond memories. Favorite painting: Au but de champs.
Tom Roberts (1909-1998): Born in Toronto Ontario. He drew inspiration from the Group of Seven and French Impressionism. His paintings, characterized by vivid colours and dynamic compositions, captured the diverse landscapes of Canada, from Northern Ontario to the Maritime provinces. His use of both watercolours and oils brings versatility and an array of variety! Favorite Painting: Quebec Landscape, 1950. Oil on masonite 24 x 30” in.
Books and Witchy Tools and Where to Get Them
Most mainstream anglophone shops like Chapters Indigo don’t have much. There are other options within Québec and in local regions for our books, and some of them ship elsewhere!
Archambault: this retailer has a lot of Quebec authors, music. Many books in their collections have folklore, regional histories, folk tales and more! Simply type the region you want, for example, Charlevoix or Saguenay, with any key words like “contes” and “folklore” and you’re bound to find a few good reads. https://www.archambault.ca
Septentrion: a bookstore specializing in historical monographs and scholarly works, especially those of France, Québec and any other region where we settled. https://www.septentrion.qc.ca
Bookmark Halifax: https://halifax.bookmarkreads.ca/. A local independent bookshop in our maritime province specializing in local interest authors and titles. Many features books include local history, graveyards, notable people, local plants, and so much more!
Carrefour Atlantic Emporium and Puffin Gallery: https://www.carrefouratlanticemporium.com. An eclectic paradise of local handicrafts, books, art from all over the maritimes! There’s a location on 1869 Upper Water Street, Halifax. I go there for most of my witchy tools like hand-carved spoons, woven tapestries, jewelry, statuettes, and lots of books on Acadian and Scots plants, folklore, history and culture books, as well and Indigenous titles. Sadly I don't think they ship, but always worth asking!
Honorable mention to Jennifer's of Nova Scotia! They're a local shop in Downtown Halifax where a multitude of local craftspeople and artisans sell their works! I get my pottery, tea, candles, art, jewelry, and trinkets from them! They only deliver within 20km of the store.
For those who garden or who are interested in Quebec-grown plants and seeds to incorporate into your spiritual path, here's a website to have a list of all available growers and seed providers! https://notreheritage.ca/semences/semenciers/#:~:text=Situé%20sur%20la%20Rive%2DSud,plein%20potentiel%20de%20chaque%20cultivar.
There's also the Pépinière Ancestrale, based in Saint-Julien, QC. a regional nursery for fruit trees, shrubs and plants! They ship to Quebec, Ontario and the Maritimes! https://www.pepiniereancestrale.com
That's all I can think of for now! There's certainly more, but here is plenty to get any of you started! Feel free to reach out and ask any questions!
My Current Inventory of Magic Tools
Here's a list of tools I use in my spiritual practice that can inspire others that are on this path! While some are heritage pieces that cost a lot of money up-front due to craftsmanship, the every-day tools are pretty inexpensive. For example, most candles can be found at the dollar store, and incense can be personalized to your taste. For my practice, I use cedar incense, since it is known as a cleansing plant in the Christian tradition, and many Acadian and Québécois households used cedar on Palm Sunday before palms became widely available.
Most of the heritage pieces, for anyone wanting to participate, I strongly encourage investing a few extra dollars to get good quality items! It will last you years of magical practice, and you can use them with pride.
La ceinture fléchée - the woven sash
A symbol of identity to the Métis living on the Canadian plains, the historical Huron-Wendat people, and historically worn by French voyageurs and fur traders and their indigenous partners in trade, these sashes were strapped around the waist. These were mostly useful in keeping the woollen coats closed, store belted tools, help with the strain of carrying heavy pelts, and prevent hernias and back strain on long canoe expeditions. The long strands on the end could also be used as impromptu sewing thread. These sashes would reach about 15cm to 25cm and its length easily passes 2 metres. These sashes were traded among indigenous groups for furs, and later, by the Hudson's Bay Company in the 19th century. It became a part of the traditional Québecois peasant clothing at least since 1776. As the sash travelled upriver to the plains and beyond, Métis groups adopted the sashes, elaborated on its craftsmanship, and truly made it one of their most recognized symbols. Depending on where the sash is woven, the colours can change. For example, for Québec, they preferred a blue colour scheme, for Montréal, red, and for those woven in between Ottawa and the Red River, black was more prominent. Hand-woven sashes can take up to 500 hours to complete. (1)
The one pictured above I bought from Etchiboy, a Métis artisan. The sash I bought was inspired from the Assomption sash motif, one of the oldest known woven patterns from the 18th century. I wear it on my woodland wanderings, for rituals, and cultural days. I especially wear it in winter to keep my coat closed. I chose to adopt the sash into my practice after lots of research. It is an item of rich history between the French and their indigenous allies, and a consequence of the fur trade in our country. I encourage anyone who's interested to buy from artisans who hand-weave them! There are machine-woven ones nowadays that might be less expensive, but nothing beats the quality of good wool and good weaving. With the richness of variety in the weaving patterns depending on the region they're from, why not have a sash that harkens back to the history of your region?
The walking stick or 'le gourdin'
In Québécois folktales, the stick, known as 'the gourdin', was most seen as a gift from a woodland fairy (like a guardian of all trees, or a mistress of the birds) to the intrepid hero Ti-Jean. This magical stick could thwack all his adversaries with the simple command of "tappe, gourdin!" (slap, stick!), among other fabulous deeds (2) This stick was a tool of protection on long journeys fraught with peril. So, what better companion to the Canadien witch than a walking stick? I use mine for every excursion, and have added to it some talismans of a wolf, owl and skull to keep evil spirits at bay. There's also a portable rosary around the stick, and the Ste. Anne of Beaupré religious medal. Historically, she was often a saint prayed to by voyageurs before they undertook the long and perilous journey to the fur trading posts, usually near present-day Montreal. (3)
The pocket knife
The pocket knife is a multi-talented tool of our trade! It can carve folksy figurines, cut wooden branches for weaving, harvest plants, cut curses, and keep les feux-follets (willow-the-wisps) at bay. Folklore has it that if you're out camping in the woods, fold you knife so that it creates a 90-degree angle, and stick it into the bark of a tree bordering your campsite. In the morning, if the blade is bloody, chances are it was the feux follet being intrigued by the space between the blade and the tree, and cutting its throat, thereby being free from its doomed roaming. (4) It is also a well-known tool in case you need to free a loup-garou (werewolf) from its curse by cutting it on its white spot on the forehead where he previously received communion as a kid. (5) By extension, it is a vital tool to break curses. Of course, don't make anyone bleed with the knife. That goes without saying. Treat the knife well, keep it sharp.
The rosary
Yes, my path has Catholic tools in it. Of course! Quebecois and Acadians of my ancestry were Catholic people primarily. It is a versatile tool in my practice, used for spellwork as well as meditative prayer. For those who are interested in praying the Rosary traditionally, I'll create a separate post. For spellwork purposes, I usually say a round of "Hail Mary" ten times before starting a spell for the ultimate protective shield. There is also known folk uses for the rosary in Acadian and Québécois communities. For example, to fidget with the rosary without intent or purpose brings about the Devil. (6) The rosary can also be used as a tool to find lost items. Simply toss the rosary over your shoulder, and the crucifix will point in the direction of the lost item. If you want good weather on your wedding day, hang up your rosary on your laundry cord the day before. (7). Rosaries nowadays even come in decade forms as portable rings for your pocket, and some are actual rings you can wear on your finger. I got a few rosaries myself. One for special rituals (I never toss that one over my shoulder!), and cheaper, more portable options for the tossing spell.
Holy medals
I amassed quite a collection of holy medals for individual saints. Other notable ones are those for the souls in Purgatory (worn on All Souls Day), the Holy Spirit at (worn on Pentecost or when I do divination), Jesus the Shepherd (it's comforting), Stella Maris (patron saint of Acadians). I have a few of the same for more frequented purposes, for example, I keep a Saint Luke medal on my artist's pencil case, since he is the patron saint of artists. Traditionally in Acadian communities, it was known that when your day was going awfully, and your bread dough just wouldn't rise, you just needed to boil some holy medals in water to turn your luck around (8). They are quite inexpensive, so it's fast and easy to grow a collection in a short period of time. Many catholic retailers sell them.
Divination tools : the playing cards, dice and coin
My divination tools can be found in anyone's cupboard and drawers. The trusty playing cards deck nowadays comes in such amazing variety of art, the one I picked for myself was the Bicycle Aviary Playing Cards. It has such a lovely folk art vibe to them! The way to divine them comes from sources of card-playing and superstitions from history and folktales from folklorist Marius Barbeau, and people over centuries carrying around the cards for entertainment and perhaps a glimpse into their futures. One guide on reading the cards: Fifty-Four Devils: The Art & Folklore of Fortune-Telling with Playing Cards by Cory Thomas Hutcheson. Dice can also be used in the same manner if you're doing a numerology-based divination. The coin can be used as a simple yes or no divination by playing 'heads or tails'. The coin can be a beautiful commemorative coin like mine, or a simple 'cenne noire' (blackened penny), or whatever currency you have on hand.
The sewing kit and fibre arts
I wanted to add this iconic cookie tin into the folk witch's repertoire, because we all had grandmothers who had this tin lying around with their tools to mend and sew anything. In my practice, and in my hobbies, I make clothing and I embroider. I can use this tin to house my relevant supplies to have some sacred time darning old socks, creating spiritual garments by hand, or embroidering pretty things. You can also draw sigils on the rim's inner side for blessing your items inside! There's also other uses for some of these tools in your home! For example, my great-great grandmother used to use her thimble to create the holes in her croxignoles, these woven doughnut style rings from the Magdalen Islands.
Musical spoons
Musical spoons, sometimes made of wood to be used for musical purposes, as shown here, or made from every-day metal spoons held together for the same effect, are an iconic instrument in French-Canadian folk music. I would recommend learning how to play them rhythmically and to use that as a grounding tool. I just find these way more authentic than a drum. Not to mention rhythmic foot tapping and step dances are frequently used in our folk music to set up a beat.
Woven Cloths
These beautiful cloths or 'serviettes' were woven by my mother on a giant hand-loom, often employed by local farmer's guilds in Québec. Les Cercles des Fermières du Québec sometimes has craft fairs where they sell these among other hand-crafted items. In folklore, the cloth was present when Ti-Jean needed to create a magical feast on the fly, create a magical tent for shelter, or carry around all his tools for his journey. These cloths however were almost always given by a fay creature, so best be cautious in eating food from it. Nowadays, it can be used as altar cloths, protective shields for your tools, or to apply healing energy to an ailment you carry. (9) I use mine to do my card readings, wrap special items. If you are lucky enough to find a 'catalogne', which is a heavy blanket woven on those big looms from scraps of old t-shirts, cottons and the like, that's like, a massive cloth you can have over your bed and its folkloric properties can be used for protection and good dreams. It is also the best weighted blanket for anxiety, tried and tested by me! Mine was woven by my grandmother.
Cited sources
Wikipedia "Ceinture Fléchée" consulted on Jan 21 2025/ 2. Barbeau 1st series/ 3. Podruchny / 4. Butler/ 5. Maillet / 6. Dupont 83. / 7. Dupont 122. / 8. Dupont 83. / 9. Barbeau 2nd series
Bibliography
Barbeau, Marius, « Contes populaires canadiens », The Journal of American Folkore, vol. 29, no 111, janvier-mars 1916, 154 p.
Barbeau, C.-Marius. “Contes Populaire Canadiens. Seconde Série.” The journal of American Folklore 30, no. 115 (Jan-Mar., 1917): 27-36. http://www.jstor.org/stable/534454.
Butler, Gary R. Histoire et traditions orales des Franco-Acadiens de Terre-Neuve. Québec 1995. p. 156
Dupont, Jean-Claude. Heritage d’Acadie. Collection Connaissance, éditions Lemeac. 1977.
Maillet, Antonine. Rabelais et les traditions populaires en Acadie. Les presses de l’université Laval, Quebec. 1980.
Podruchny, Carolyn. Making the Voyageur World: Traveler’s and Traders in the North American Fur Trade. University of Toronto Press. 2006.
I bought the book Héritage d'Acadie by Jean-Claude Dupont, one of my favorite books on Acadian folk ways, and Luc Dupont sent me so many other books for free ❤️❤️❤️ my heart is so happy! Moonshadow is enjoying my scholarly spoils. I'm especially thrilled to receive the book on traditional Acadian medicine. That book is almost impossible to find still in print, and has been on my wishlist a very long time.
Lesson of the day: talk to your favorite authors and publishing houses. Especially in Acadian and French Canadian small print houses. They show so much generosity and openness in providing resources if you reach out.
Intention Announcement from lesorciercanadien - writing a book for Acadian and Quebecois folk practitioners
Hello to all!
With increased interest in this subject matter, and with more people finding my blog and the blog Courir le Loup Garou by Erik Lacharity and Morrigane Feu, I wanted to announce my intentions to the community at large.
I am working tirelessly through my research to write and someday publish a book about my practice for everyone to enjoy! It's coming, but a book of this magnitude requires time and adequate, responsible research to achieve. As I keep posting my knowledge here, know that something more official is coming in the future.
Crossing my fingers we keep getting good resources for us, and one day, see our spiritual heritage on the New Age shelves.
A cover page to motivate me to keep going!
French Canadian and Acadian culture resources, music, retailers and media
I want to share where I usually find resources regarding my culture, what I tend to trust, and what music, movies and literature informs my spiritual practice! Many of them are in French, with options to switch to English within the website parameters.
Cultural, historical societies and archive centres
Centre Marius Barbeau: The Center specializes in the area of immaterial culture. Its mission is to preserve, promote and encourage recognition, conservation, passing on and spreading of Quebec folk arts and traditions including those of the First Nations and other ethnic communities. The centre owns more than 10,000 documentary pieces of which a very large part is already catalogued and indexed! Costumes, songs, recordings, visual art, and so so much more! https://www.cdmb.ca
Centre de recherche Père Clarence d'Entremont, Musée des Acadiens des Pubnicos, Société Historique Acadienne de Pubnico-Ouest: The Archives « Centre de recherche Père Clarence-J. d’Entremont» is located on the second floor of the Museum and Centre de recherche annex. The archives house many collections including the private collection of historian Father Clarence-J. d’Entremont. Amongst the collections found in the research center are over 5000 library books and periodicals (historical and genealogical), genealogies, land grants, deeds, microfilms, photos, maps, photographs, church records, etc. https://www.museeacadien.ca/research-center
Acadian Research Center of Prince Edward Island: Part of the Acadian Museum in PEI. They have more than 4,000 Acadian family records, including information on birth, marriage and death dates, as well as various censuses. This is in addition to the 30,000 genealogical records that their volunteers have transcribed over the years, as well as the 160 Acadian family files, binders and booklets given to them by independent researchers. They also have 340 thematic files covering various topics related to Acadian history and a library of more than 1,500 books on Acadian history as well as rare books. The Acadian Research Center of Prince Edward Island has more than 230 fonds in its collection, belonging to individuals or organizations.To view some archival fonds and photos, please visit: http://acadieipe.ca The Acadian Research Center follows the same opening hours as the Acadian Museum. To view the documents mentioned above or for more information, please contact the Acadian Museum at (902) 432-2880.
Centre d'études acadiennes Anselme-Chiasson, University of Moncton, New Brunswick: The Centre d'études acadiennes Anselme-Chiasson, established in 1968, collects and preserves all relevant documentary material concerning the Acadians and Acadian Society in various fields (history, genealogy, ethnology, sociology, archeology, folklore, demography, geography, economics, language) and offers inventories and tools to facilitate access to this material to interested researchers and members of the public. It has the largest collection of private and institutional records on Acadia in the world. It is located next to the Acadian Museum, which features a permanent exhibition and temporary exhibits, as well as guided tours and screenings of historical films and documentaries. https://www.umoncton.ca/umcm-ceaac/
Scholars and authors
Georges Arsenault (1952- still alive): historian and folklorist, born in Abram's Village, Prince Edward Island. He has published extensively on the folklore and history of the Acadians of his home island, many of these books I have in my collection for the traditions and holiday celebrations of my culture. Favorite book: Contes, légendes et chansons de l'Île-du-Prince-Édouard. Grande Marée. 2018.
Père Anselme Chiasson (1911-2004): a Catholic priest, educator and writer, born in Chéticamp, Nova Scotia. He has made significant contributions to the recording of Acadian history and folklore and folktales. He also published several volumes of Chansons d'Acadie, collections of Acadian songs. Favorite book: Chéticamp : Histoire et Traditions acadiennes. Préface de Luc Lacourcière. 3e édition. Moncton : Éditions des Aboiteaux, 1972.
Marius Barbeau (1883-1969): A monumental figure in folklore studies in Canada, he was born in Ste-Marie-de-Beauce, Quebec. Ethnographer, folklorist, a founder of Canadian anthropology. He is known for his early championing of Quebecois folk culture and his exhaustive cataloguing of the social organization, narrative and musical traditions and plastic arts of Quebecois and many First Nations oral traditions for a mass audience. He worked from 1916 to 1950 as editor on the Journal of American Folklore, in that time focusing a lot on Canadian folklore. TW: this researcher may present biases towards First Nations people and their cultures, using terms that are not considered okay today. So please, support more recent scholars and preferably First Nations authors to know more. Favorite book: Ceinture Flechée. Montréal: Paysana. 1945.
Pierre DesRuisseaux (1945-2016): Born in Sherbrooke, Quebec, he was a novelist, essayist, poet, and journalist. He wrote many works on the expressions, proverbs, sayings, and folkloric tales of Quebec. Favorite book: Croyances et pratiques populaires au Canada français, Montréal, Éditions du Jour, 1973.
Jean-Claude Dupont (1934-2016): Born in Saint-Antonin, Quebec, he was an ethnographer and researcher at University of Laval. His ethnological thesis, Héritage d'Acadie, documented the spiritual traditions of Acadians, and I use it heavily in my practice. He was a pioneer of material cultures research, using this in his ethnological research. Favorite book: Heritage d’Acadie. Collection Connaissance, éditions Lemeac. 1977.
Carolyn Podruchny (still active in academia!): PhD, is a Professor of History at York University. Her research focuses on the relationships forged between Indigenous peoples and French colonists in northern North America. Her first monograph, Making the Voyageur World: Travelers and Traders in the North American Fur Trade (2006), examines French Canadian voyageurs who worked in the North American fur trade based out of Montreal, and ranging to the Great Lakes, the Great Plains, northern woodlands, and the subarctic. She focuses a lot on Indigenous Peoples , History, The meeting of Europeans and Indigenous peoples in the North American fur trade. The cultural, social, gender, labour, and environmental questions, Early Canadian history, Metis history, fur trade history, colonialism. She is an amazing resource! Favorite book: Making the Voyageur World: Travelers and Traders in the North American Fur Trade. Lincoln, Neb.: University of Nebraska Press. 2006.
Benoît Lacroix (1915-2016): Born in Saint-Michel-de-Bellechasse, Quebec. A Quebec theologian, philosopher, Dominican priest, professor of medieval studies and historian of the Medieval period, and author of almost 50 works and a great number of articles. His collection is extensive in terms of religious life in Quebec, and a high recommendation for spiritual inspiration! Even just the list of publications on Wikipedia is a wealth of possibility, I recommend it! Favorite book: Folklore de la mer et religion. Editions Lemeac, 1980.
Antonine Maillet (1929- 2025): This lesbian queen of the letters in Acadie! She is an Acadian novelist, playwright and scholar. She was born in Bouctouche, New Brunswick. It's impossible to note down which of her books are the best, they're all such authentic works! For my favorite book, it's for my research into the folklore of course! I first read her for her novel, Pélagie-la-Charette, published in 1974. It's about an Acadian woman who guides her fellow Acadians out of Georgia back to their homeland, enmeshing folklore and history together in her narrative. Favorite book: Rabelais et les traditions populaires en Acadie. Les Archives de Folklore, 13. Les Presses de l’Université Laval, Québec, 1971.
Fred Pellerin (1976- still alive): a legend of traditional Quebec storytelling, Fred is from Saint-Élie-de-Caxton. He is a storyteller, author, and screenwriter. He's especially known for his double-entendre turns of phrases, clever verbal acrobatics, rhythm of speaking, and his amazing imagination of the Quebecois landscape and villages of the 19th century into the 20th. He has many books with accompanying CDs with his many stories of his village and the colourful characters inhabiting it. He also collaborated on the film adaptations of his folktales Babine (2008), Ésimésac (2012), and L'arracheuse de temps (2021). Favorite book: Dans mon village, il y a belle Lurette…, livre et CD, Planète rebelle, collection « Paroles », 2001, 142 p. (ISBN 2-9225-2855-3)
Musical heritage and modern bands
Le Vent du Nord: Favorite album: Territoires (2019) a mainstay in the Canadian folk landscape, Le Vent du Nord specializes in traditional French-Canadian folk music. Fiddle, mandolin, accordion, guitar, bouzouki, hurdy-gurdy, and rich vocal harmonies and podorythmie beats. Their Shrewsbury music festival shows on Youtube are absolutely riveting to watch! One of my all-time favorite bands for my magical musical needs! "La Turlutte a bassinette" is one of my main grounding songs.
Luc Arbogast: Favorite album: Oreflam (2014). This man. Where to begin with this amazing individual!? He's from Larochelle, France, and was a contestant on season 2 of the Voice. He is a troubadour who plays traditional instruments like the Irish bouzouki, lute, bells. He is known for his unique countertenor voice and medieval songs inspired by artists like Hildegard of Bingen, Walther von der Vogelweide, and Guillaume de Machaut. He sings in old dialects, French and English. If I ever cross his path on the streets of Strasbourg one day, I will fanboy scream.
Vishtèn: Favorite album: Terre Rouge (2015). They are a folk music group from Prince Edward Island and the Magdalen Islands, whose style is rooted in Acadian music. They performed for the Library of Congress, available on Youtube "Vishtèn: Acadian music from Prince Edward Island". They fuse French, Acadian and Irish tunes. Quite beautiful harmonies too!
Les Tireux d'Roches: Favorite album: Tapiskwan sipi (2021). They're from St-Élie-de-Caxton, Mauricie, Quebec. They are considered storytellers-musicians-troubadours of Quebecois folklore and music. Using the cello, bouzouki, guitar, banjo, saxophone, clarinet, accordion, flute, harmonica. Folklorist and storyteller Fred Pellerin used to play with them!
La Bottine Souriante: favorite album: La mistrine (1994). From the Lanaudière region of Québec, La Bottine Souriante formed in 1976 during the Québec renaissance of traditional music. They use accordion, fiddle, guitar, piano, double-bass, which gives them a jazzier sound. They are known far and wide in Québec for their New Year's Eve anthems resounding in our homes, and they really go deep into the old tunes of the logging camps and voyageur trails, with some new compositions guaranteed for foot-tapping.
Les Charbonniers de L'enfer: Favorite album: La traverse miraculeuse (2008). Hailing from Quebec, they concentrate especially on vocal harmonies and acapellas, the jaw harp, and foot rhythm. They focus especially on traditional songs from the archival repertoire of French music imported with the settlers into New France, and voyageur call and response songs.
La Croisée d'Antan: Favorite album: L'antre Des Loups (2017). A trio of multi-talented musicians, La Croisée d'Antan features the violin, banjo, podorythmie, harmonica, accordion, guitar, and beautiful vocal harmonies. They have lots of traditional tunes, and new compositions with inspirations from yesteryear.
Le Diable a Cinq: favorite album: Sorti de l'enfer (2017). Five instrumentalists from the Ripon region of Outaouais, they aim to bring back the kitchen parties so fondly remembered in French Canadian households with their music. They're all from the same family: three brothers, one cousin and a friend. They use guitar, piano, vocal harmonies, accordion, podorythmie, violin, mandolin.
Movies (this list is always in progress as I discover more!)
Hochelaga: Land of Souls (2017): I watch this one every year on All Souls' Day. A Canadian historical drama film directed and written by François Girard and starring Gilles Renaud, Samian and Tanaya Beatty. Dramatizing several centuries of Quebec history and the local history of Montreal in particular, the story depicts Quebec archaeology revealing the past of indigenous peoples, explorers and 1837 rebels. I won't give away the many emotional gut punches this movie delivers. I adored seeing artifacts and then the flashback scenes of what this artifact went through in the hands of the various peoples that create today's Québec.
Babine (2008): Adapted from Fred Pellerin's book Il faut prendre le taureau par les contes, the film stars Vincent-Guillaume Otis as Babine, the village idiot of Saint-Élie-de-Caxton, Quebec. A lifelong outcast because his mother (Isabel Richer) was believed to be the town witch, he becomes the immediate suspect when the town's church catches fire, killing the parish priest (Julien Poulin). However, he will receive the support of the village's merchant, Toussaint Brodeur (Luc Picard), as he attempts to prove his innocence.
Ésimésac (2012): Although an unofficial sequel to the 2008 film Babine, unlike the earlier film Ésimésac was not directly based on Fred Pellerin's previously published stories; instead, the film's screenplay placed some of Pellerin's established characters in a new original story. The film stars Nicola-Frank Vachon as Ésimésac Gélinas, a young but physically strong man whose distinguishing trait is that he does not cast a shadow. He convinces the village of Saint-Élie-de-Caxton to plant and maintain a community garden after an economic crisis has left many of the townspeople hungry, but finds himself in conflict with village blacksmith Riopel's (Gildor Roy) plan to focus on building tracks for a railroad.
L'arracheuse de Temps (2021): Based on the 2009 story by Fred Pellerin of the same name. It stars Jade Charbonneau, Marc Messier, Céline Bonnier, Guillaume Cyr, Émile Proulx-Cloutier, Marie-Ève Beauregard, Pier-Luc Funk, Sonia Cordeau, and Geneviève Schmidt. An illness-worn grandmother tries to convince her 11-year-old grandson that death does not exist. She tells him about the adventures of her youth in Saint-Élie-de-Caxton, in 1927, when she had tried to eliminate death in the village.
Visual Artists
Clarence Alphonse Gagnon (1881-1942): One of my all-time favourite artists, and a really distant relative of mine! He was born in Montréal, Quebec. a painter, draughtsman, engraver and illustrator. He is known for his landscape paintings of the Laurentians and the Charlevoix region of eastern Quebec, where my family lived. It enchants me to no end, seeing my familiar landscapes with his brushstrokes! Favorite painting: Dans la clairière, Charlevoix. Huile sur panneau de bois, 1915. 15.7 x 22.8cm. no. 1988.113.
Claude Langevin (1942-2024): A quick painter of landscapes, self-taught! His use of the brush is reminiscent of the Impressionists. He wished to express his affection for his people and his land. His depiction of the Laurentian landscape allows the viewer to feel a strong unfailing connection between the artist and the region he calls home. His use of light in his works reminds me so much of how the sun illuminates the Saguenay region, much to my fond memories. Favorite painting: Au but de champs.
Tom Roberts (1909-1998): Born in Toronto Ontario. He drew inspiration from the Group of Seven and French Impressionism. His paintings, characterized by vivid colours and dynamic compositions, captured the diverse landscapes of Canada, from Northern Ontario to the Maritime provinces. His use of both watercolours and oils brings versatility and an array of variety! Favorite Painting: Quebec Landscape, 1950. Oil on masonite 24 x 30” in.
Books and Witchy Tools and Where to Get Them
Most mainstream anglophone shops like Chapters Indigo don’t have much. There are other options within Québec and in local regions for our books, and some of them ship elsewhere!
Archambault: this retailer has a lot of Quebec authors, music. Many books in their collections have folklore, regional histories, folk tales and more! Simply type the region you want, for example, Charlevoix or Saguenay, with any key words like “contes” and “folklore” and you’re bound to find a few good reads. https://www.archambault.ca
Septentrion: a bookstore specializing in historical monographs and scholarly works, especially those of France, Québec and any other region where we settled. https://www.septentrion.qc.ca
Bookmark Halifax: https://halifax.bookmarkreads.ca/. A local independent bookshop in our maritime province specializing in local interest authors and titles. Many features books include local history, graveyards, notable people, local plants, and so much more!
Carrefour Atlantic Emporium and Puffin Gallery: https://www.carrefouratlanticemporium.com. An eclectic paradise of local handicrafts, books, art from all over the maritimes! There’s a location on 1869 Upper Water Street, Halifax. I go there for most of my witchy tools like hand-carved spoons, woven tapestries, jewelry, statuettes, and lots of books on Acadian and Scots plants, folklore, history and culture books, as well and Indigenous titles. Sadly I don't think they ship, but always worth asking!
Honorable mention to Jennifer's of Nova Scotia! They're a local shop in Downtown Halifax where a multitude of local craftspeople and artisans sell their works! I get my pottery, tea, candles, art, jewelry, and trinkets from them! They only deliver within 20km of the store.
For those who garden or who are interested in Quebec-grown plants and seeds to incorporate into your spiritual path, here's a website to have a list of all available growers and seed providers! https://notreheritage.ca/semences/semenciers/#:~:text=Situé%20sur%20la%20Rive%2DSud,plein%20potentiel%20de%20chaque%20cultivar.
There's also the Pépinière Ancestrale, based in Saint-Julien, QC. a regional nursery for fruit trees, shrubs and plants! They ship to Quebec, Ontario and the Maritimes! https://www.pepiniereancestrale.com
That's all I can think of for now! There's certainly more, but here is plenty to get any of you started! Feel free to reach out and ask any questions!
Nativity Scene
I'm finally ready for Advent season tomorrow with my new Nativity scene. My grandfather built his own Nativity scene for under the Christmas tree, as is most common in Quebecois and Acadian Christian homes. The baby Jesus of course doesn't make it to this set until Christmas Day, but I wanted to show off my hard work at transforming these figures and box from Dollarama into something unique and spectacular. On the cover of the box, I painted a landscape from the Magdalen Islands, where my Acadian ancestors lived. A happy Advent to all my fellow Christians, witches and believers of all denominations celebrating this holy time.
Book of Seasons and Festivities
I wanted to share some images of my work so far in a book of holidays, seasonal religious and cultural celebrations for my own personal path. :)
Moonshadow and Altar Time
this cat is clingy and adores spending time at the altar with me
Folk Ways for an Acadian or French Canadian folk practitioner - Folk Spells
While Acadian and Quebecois societies didn't call these practices witchcraft by any means, these little prayers and moments of hope and action in situations where one lacks control over the outcome can be used in folk spells today. For safety disclaimers, do NOT consume plants you don't know, or water that hasn't been treated. And trust your doctor.
To ensure the bread rises well, do the Sign of the Cross over the proofed dough.
When you have bronchitis (apart from nowadays going to your doctor!), wear a red flannel shirt.
Keep a piece of the Host in your wallet to ensure you never go broke.
Keeping a rabbit's foot or a piece of snakeskin on you brings you luck and money.
Water gathered from a stream before the sunrise of Easter Sunday can be used to heal eye issues and other ailments.
May Water, which is gathered from the melted snow on the first of May, is blessed all year round, and can be used to bless or cure pretty much anything.
To avoid misfortune, a new bride must carry with her to her new home a fresh new broom and a box of salt. (In this day and age, anyone can do it!)
To avoid lightning strikes on your home during the year, preserve a piece of burnt wood or charred remains from the Christmas fire in your abode. It is also useful to send a prayer to Saint Barbara for this protection (which can be composed by you, or you can use the following traditional French prayer here): "Sainte Barbe et Sainte Fleur, protégées du Seigneur/ sur la croix de mon Sauveur, Où ce que le tonnerre ira, Sainte Barbe le conduira."
In folk medicine, when someone had a weakness about them, they were suggested to drink sea water. Do NOT do this! Instead, you can use sea water in a symbolic way, in any way you see fit that won't endanger your health.
Cultivating twigs of a spruce, fir, or cedar tree and arranging them in the shape of a cross, then blessed with Holy Water, is to be arranged on Palm Sunday and hung in every room of your house to protect against storms, shipwreck, disease and misfortune.
Sources
Dupont, Jean-Claude. Heritage d'Acadie. Collection Connaissance, editions Lemeac, 1977.
DesRuisseaux, Pierre. Dictionnaire des croyances et superstitions. Editions tryptique. 1990.
Folk Ways for an Acadian or French Canadian folk practitioner
I want to start an ongoing list of Acadian and French Canadian religious and popular folk ways that I've been learning about for the last two years. My references will be at the end for further reading!
Blessing a candle on Candlemas (Feb. 2) with holy water will allow you to have a light whenever there is sickness and storms hitting your home. Traditionally on Candlemas, the light is lit and guided through every room in the house to bless all its corners for the year. It was even paraded in the farmer's fields. (Dupont)
The 25th April, on St. Mark's Day, is the ideal day to bless your fields or garden before putting in the first seeds. This ensures the growing food to be blessed by this saint. (Maillet)
Animals have been known to speak in human tongues on Christmas Eve. (Maillet)
If you feel that nothing is going right in your day, your homemade bread sours, or general bad luck assails you, simply boil some holy medals. (Dupont)
The first three days of the month of August, the ocean waters are known to have healing properties, and it wouldn't hurt to dip your feet in it. (Chiasson)
It was customary to trace crosses on windows using holy water when a storm would hit. (Lacroix)
To find a lost object, simply toss a rosary or a pocket metal rosary over your shoulder. The foot of the cross will point in the direction where your lost object might be located. (Dupont)
To have good weather on your wedding day, be sure to hang your rosary on your clothes line the day before. (Dupont)
Maillet, Antonine. Rabelais et les traditions populaires en Acadie. Les presses de l'université laval, quebec. 1980.
Lacroix, Benoit. Folklore de la mer et religion. Editions Leméac, 1980.
Dupont, Jean-Claude. Héritage d'Acadie. Collection Connaissance, editions Leméac, 1977.
Chiasson, Père Anselme. Chéticamp: histoire et traditions acadiennes. Editions des Aboiteaux, 1972.
Let there be light!
Folk Altar Stained Glass Painted Windows
I finished my stained glass painted windows today, and I'm so proud of them! The window's scene selections were to highlight important parts of my path as a catholic folk practitioner in my Quebec and Acadian culture. The scene on the right is a painting originally by Clarence Gagnon (Harvesting, c.1928-33) portraying some farmers in the fields of Charlevoix. The center window showcases the Star of the Sea, patron saint of the Acadians, keeping a ship safe in an ocean storm. (My own design). And the last window shows a scene from the folk tale "la chasse-galerie" from Honoré Beaugrand, when a group of woodsmen make a deal with the Devil to fly in an airborne magic canoe to visit their families on New Year's Eve. My practice entails researching my family's agricultural lifestyles and crafts, their religious life, and their folk tales.
My next project will be to paint the medallions on the doors of the altar cabinet.
New apartment, new altar!!!! I found a handmade kitchen hutch beautifully made by a carpenter in the 1970s. It reminded me of my grandpa's wood skills. My old one is still loved and cherished but at my girlfriend's place for us both. This one has a lot more space than my old one, storage and surface wise. I just finished painting Cap Éternité in Saguenay (bottom reference photo) on the altar backsplash area. The next project is designing stained glass windows for the doors on the cabinet hutch and installing lights at the top to illuminate the art. The one after that would be mythological creatures of French Canadian and Acadian folklore on the door medallions. I also plan to put in two sconces to hold vases of flowers on either end of the hutch, and paint more folk art designs on the hutch sides and drawers. The beginning of many a cherished moment painting this piece to make it come alive within my practice.
A lovely Quinzou to everyone! I got dressed in my best ritual clothes, packed up my Stella Maris rosary (that Moonshadow loves to munch on..), enjoyed some live Acadian music and had an intimate little ritual for Mary.
Getting ready to celebrate La Quinzou in Halifax 🌟 And I'll be acquiring a bigger altar by September, so I'm quite excited to paint folk art all over it and show the results. It will be so lovely to have more space for my practice. St. Anne's Day was relaxing and mindful, Saint Brigid also got her own altar cabinet recently, and I found an Acadian cookbook from which to reconnect with my family's dishes on special days.
St. Anne's Feast Day - July 26
St. Anne is the mother of the Virgin Mary, and the grandmother of Jesus. She gave birth to Mary very late in her life, and taught her all about the Christian way of life. She is often linked with books, and is the patron saint of grandparents.
Patron saint of Brittany and Canada, St. Anne has been venerated by Catholics in Canada since the first settlers' arrival and before. Voyageurs in the fur trade would pray and offer tokens to St. Anne for a safe passage through the wilderness to the trading posts, and for safe passage across the Great Lakes. She has also been adopted by some Indigenous cultures, notably the Innu of Labrador and Quebec (Nitassinan). She serves as a grandmother figure, and is known for her healing powers. As such, she is placed highly in Indigenous culture for those that practice elements of Christianity.
In 1650, Breton sailors experienced a nasty storm near Quebec. They vowed that if they made it to shore safe and sound, they'd honor St. Anne with a sanctuary. Landing safely, they build the shrine of Beaupré. This expanded into a basilica later.
In Brittany, St. Anne's Feast Day is celebrated with torch-lit processions. She is the patron saint of sailors and Canadians at sea, fishermen, seamstresses, miners and the subterranean world, crafters of brooms, cabinetmakers, carpenters, pregnant women, childless people, lace makers, equestrians, vintage and second-hand clothes dealers.
Ways to celebrate her feast day include:
-offerings of chamomile tea, wine, flowers, and white candles
-dedicate a journal to her
-do something that heals you. Have you taken time to slow down and take care of yourself recently?
-take time to meditate on the subterranean level. Ground yourself and learn about the earth around you.
-learn about the ocean history around you (living in Nova Scotia, it's a bit easier to do, and she was well-loved by my Acadian ancestors)
-reach out to your grandmother if you haven't yet. She misses you. Or offer a candle for all your matrilineal female ancestors who passed away.
-sew something in her honor that day, perhaps an apron with red, green and white embroidery. Really make it for her.
-Offer roses, Queen Anne's lace, chamomile as flowers on your altar.
-Pray to St. Anne's Chaplet. This has a Saint Anne medal, and three groups of five beads, with each grouping separated by one larger, or distinct bead for a total of eighteen beads. The single larger beads may be in the shape of a rose.
-Tend to your garden lovingly.
St. Mary Magdalene's Day - July 22
I fell ill that day, but I still want to post something regarding this wonderful saint.
Known as 'The Apostle of the Apostles', Mary Magdalene was one of Jesus's most beloved disciples. She is steeped in controversy and mystery through the many legends surrounding her origins and her connection to Jesus. She has been known as Jesus's companion and partner as early as 1500 years ago through the Gospel of Philip in the Gnostic faith, and she is seen often in Gnostic texts (way before Dan Brown entertained the thought she was Jesus's wife).
The Easter egg is rumored to be connected to her, as she is the first to see Christ's Tomb empty, and shows the disciples this news by showing them an egg turned red by God.
In folk traditions, Mary Magdalene is invoked in magic spells, especially love magic. The eve of her feast is believed to be a great time for prophetic dreams. She is the patron saint of beauticians, hairdressers, aromatherapists, perfumers, pharmacists, lovers, prostitutes, prisoners, and any who pine after someone else.
France is where she is most commonly celebrated. There are about 125 shrines in her name. Legend has it that she fled the Holy Land and isolated in a cave in France, where she communed with angels, and became a mystic in Christian thought.
So, for her feast day, it can be a good time for:
-Divination by chalice (for her connection with the Holy Grail)
-Dream spells
-Love spells
-Meditations for connecting to your power
-Women's health campaigns
-Studying any metaphysical texts with active learning
-gifts of myrrh, a perfume bottle, and wine on the altar
Would ye be interested in a digital grimoire about trees? Irish folklore, actual properties, how I use them in magic?