Lgbt Characters - Blog Posts

For real these people have to put some respect on my favourite girls Hen and Karen Wilson

while 911 is blowing up rn here is hen shes a lesbian paramedic also she has a rocket scientist wife

All Kwamis are aroace.

I'm probably late to figure it out, I just recently rejoined the fandom but I still think it's cool.

Tikki said Kwamis don't fall in love. Miraculous holders might, but Kwamis don't.

That's confirmed Aro.

Also they're probably asexual as well. Like, how would they do the *you know what* anyway??? It's not like they have organs for that anyway.

They're probably not sexually attracted as well. Because I don't see how they would.

So anyway yeah aall Kwamis are aroace.

Happy ace week!

So now that Gwen Poole is out as aroace people are asking if it's still okay to ship Gwen and Quentin Quire since they already root for them because of west coast avengers.

For those of you who doesn't know, yes Gwenpool is now canonically aroace, We discovered it in Marvel Voices: Pride 2023 and in Love unlimited Gwenpool part 5 where she talks more about her identity.

Gwenpool wearing the aroace flag in marvel voices pride^

Gwen in her love unlimited series ^

And I just want to address one thing-

It's okay to ship Gwen with Quentin, as long you understand Gwen was never really interested in him.

From the beginning Gwen Said she picked him as her love interest because she thought she has a better chances of survival if she had a love interest.

If you ship them you need to understand - while Quentin may have actually loved her, it was more of an one sided love.

It's okay to ship them if you understand that Gwen didn't have real feelings for him and just used him.

It's not so crazy, I'm aroace myself and when I was young I faked crushes on boys because I thought that's what I'm supposed to do.

Especially for ADHD people there's a common phenomenon because we can get really excited meeting new people so it's hard for us to separate between romantic and platonic feeling.

Gwen talks about her feelings to Julia the feeling she thought were romantic at first but turned out she just really like her in another and she discovered she didn't really wanted a romantic relationship with her like she thought at first.

I loved Gwen and Quentin myself and I thought they were funny and dynamic, I just want to make things clear that while you can still ship them, she's only faking her feelings and using him as a tool,

If you still want to ship them under this terms it's fine, they can still have funny and interesting dynamic, but don't ship Gwen romantically because that's just an insult to the aroace community.

And happy soon pride month 🎊🏳️‍🌈

Meow 🧌

AHHH!! AHHHHH!!!! AAAHHHHHHHHHH!!!! Comm post boost help https://friezcomms.carrd.co. Also two af attacks stated in her on @toastraccoon and @Dodo-Dojo

Friez commission info

Friez commission info

My character art commission information

Twink hours

Art dump

Maven posting b4 bed

Her in their gender fuck swag (uses any pronouns Maven is Maven nothing more)

Middle school vs now

Bro these are the same people☠️☠️☠️ And I dipped for a while cause demotivated but I’ll drop an art dump next 🏋️

Oc antags time

Disclaimer Meme isn’t w antags. Also there are like 7 more, 4 of those are w the lineup but I’m too tired to do it.

James the Octopi demon update

Girlbossing even more now

Ocs x a Christmas carol

This is actually pt 2 of something I have on insta 👍anyways the boyfriends

I SPENT A REALLY LONG TIME ON THIS I HOPE YALL LIKE IT

Oh hay also book 3 comes out this November :)

Where are my green haired chloe price simps at??? 🙏🙏

How does a hair colour change how attractive a person is its actually insane 🤭

Shadow Is Non-Binary, And No One Can Change My Mind. Though His Pronouns Are He/Him. He Was Created In A Test Tube With Hedgehog And Black Doom’s DNA. I’m Not Even Sure DarkArms HAVE Genders.

I am soooooo happy with this

The characters are Neil and Andrew from the “all for the game “ series by Nora Sakavic

It’s a book series about the Mafia, murder and crime but also love, found-family and sports. (There’s also LGBT+ representation 🏳️‍🌈)

if you have not read it, you are missing out!!

Song: Guillotine by Jon Bellion

Mary/Mark Reed, Jack Rackham and Anne Bonny, my fave historical throuple

hi 🩵 could you write how you hc abby's sexuality and why? what are the details in the game you noticed that support your hc? i love to think of abby as either pan or les, i feel like both could be her. but i feel very sad thinking she's straight :(. maybe someone like you explaining why they think abby is sapphic and using her personality to support your hc will help me out! kind regards :)

Don’t be sad about her potentially being straight!! She’s not explicitly stated as anything, so all headcanons are welcome and equally valid. My personal opinion is that Abby is pansexual or unlabeled, but regardless, queer. She strikes me as someone who doesn’t lead with labels or make her identity a point of definition—more of a “I love who I love” kind of person. She seems like someone who would fall for people who make her feel safe and seen. She lost her father young. She never had a maternal model. She grew up in a militant environment where vulnerability was dangerous. That means her emotional connection to others, especially romantic ones—is probably built slowly, from trust and shared experience, rather than immediate spark or gendered attraction. She’s not someone who’s chasing “the idea” of a partner, she’s someone who responds to the actual person in front of her. That also makes her more open to falling for people across gender lines, without needing to categorize it. That leads me to believe her sexuality isn’t rigid, and certainly not defined by gender.

She’s not shown being attracted to women, but the absence of that doesn’t mean anything. The game doesn’t give us any hints that she’s been romantically or sexually involved with a woman, but that’s probably because her story is hyper focused on revenge, grief, and survival. Romantic or sexual tension outside of Owen doesn’t really enter the picture, even in subtle ways. Her world is narrow and purpose driven. But she never really says anything heteronormative or dismissive about queer identity either. Through her emotional bonds we see that she connects deeply with people regardless of gender. She forms emotional trust slowly but completely. She’s drawn to connection and shared values. Her attraction and trust are built through shared experience. She doesn’t label herself, ever, and I think she wouldn’t feel the need to unless it became relevant. She has the emotional openness and grounded practicality of someone who loves people, not categories.

Her relationship with femininity, identity, and emotional expression is deeply shaped by both her trauma and her personality. Abby doesn’t perform femininity in a socially conventional way—not because she’s rejecting it, but because it was never central to her identity. Because she’s deeply disconnected from the “expected” version of traditional femininity; makeup, dresses, dainty behavior, emotional expressiveness on demand, she’s free from typical gendered expectations. Instead of trying to mold herself into it, she leans further into strength, practicality, and stoicism—which many queer women do when they grow up without a roadmap for softness that includes them. Since she didn’t have a mother to model that femininity, she was probably never taught or encouraged to engage with gender roles or a girlier side of herself. That left her with space to become someone shaped more by function, purpose, and self sufficiency than aesthetics or gendered performance. She made her own path, and it led her toward strength. That kind of emotional detachment from traditional markers of femininity often coincides with queerness—not because masc presenting women are automatically queer, but because a lack of socialized attachment to gender roles often opens the door for questioning everything those roles are connected to, including attraction and identity. Abby doesn’t feel like someone who needs to define herself by how she’s perceived. She just is.

The Owen relationship was real, but complicated. Abby and Owen were in love, and yes, there’s genuine chemistry and affection there. But there’s also a deep emotional misalignment, especially as time goes on. Owen becomes more idealistic, passive, and emotionally confused, while Abby doubles down on discipline, action, and keeping herself mentally resilient. Some people interpret the tension in their relationship as a sign Abby was never really attracted to him—just going through the motions out of obligation or comphet. But I disagree. I think she genuinely loved him, was physically attracted to him, and cared deeply. The boat scene (awkwardness aside) is reciprocated by her and it seemed like she wanted that connection in the moment. However, love ≠ compatibility. She loved Owen, but she outgrew him. I think that says more about Abby’s growth and trauma, not a reflection of her sexual orientation.

Could she be a lesbian experiencing comphet? Sure, it’s not impossible, I personally just didn’t read her that way, even as someone who has struggled with comphet themselves. Abby doesn’t show signs of resenting or disassociating from her relationship with Owen (in my opinion) just the circumstances surrounding their entanglement. She’s not passive in it, and she initiates physical and emotional intimacy. That doesn’t feel like compulsory heterosexuality, it feels like a real (but flawed) relationship that she outgrew, and possibly even a trauma bond. As badly as I want to see her with a woman, she could very well meet another man, fall for him and have a healthy relationship. That being said if they did make her a lesbian in part 3 (if we ever get it) I’d be ecstatic!

Abby is often misread—by both in world characters and players, as “too masculine,” “manly,” or even “unnatural.” That dissonance between how she looks and how the world interprets it could deeply resonate for a lot of queer people who don’t fit binary beauty standards. But Abby doesn’t apologize for her strength. She owns it. And that quiet defiance is queer as hell. She clearly knows that others see her body and think she looks “too masculine” or “unattractive,” but she never apologizes for it. She chooses function over appearance, strength over daintiness—not to perform, but because that’s who she is. She has self assurance in spite of being misunderstood by others and refuses to shrink herself to meet their standards.

Abby’s strength isn’t just for survival—it’s a core part of her self concept. Fitness isn’t just part of her job. It’s how she processes life. She builds her body with intention, as a form of control, agency, and emotional regulation. That kind of deliberate relationship with one’s body might mirror experiences, particularly for masc-leaning queer women or nonbinary people—who use physicality as both a shield and a sense of self in a world that doesn’t always see them clearly. Her muscles aren’t accidental. They’re a statement. They’re her armor, but also her identity. I do think Abby’s relationship with fitness, strength, and her body can be viewed as queer, even if it’s not exclusively so. In the context of the WLF, being strong is practical. It’s survival. It makes sense that she would train hard regardless of her identity, especially given her role. It’s not explicitly gay that she’s jacked and likes working out. But what those choices mean emotionally, and how they contrast with heteronormative expectations is. The way she uses her body as a vessel of identity, control, and love? That can absolutely be read through a queer lens—and meaningfully so.

How Abby interacts with Lev is so important. The way she immediately accepts Lev—no hesitation, no confusion, no need to ask questions, is incredibly telling. That kind of instinctive affirmation doesn’t just scream ally, it suggests lived empathy. She leads with respect, action, and emotional intelligence, especially when someone is vulnerable. And in Lev’s case, she never misgenders him, she defends him immediately, even against her own people. She doesn’t act like he’s “different.” She just includes him. This doesn’t automatically mean Abby is queer herself, of course—but when you combine this with everything else, it does start to look like someone who may have a personal understanding of what it means to feel different, unlabeled, or quietly shunned—and who maybe recognizes something familiar in Lev’s journey, even if they never talk about it directly. It feels like a silent kind of solidarity, even without any explicit confirmation.

This is subjective, but even her energy itself doesn’t seem completely straight. She feels queer coded in the way she carries herself. Not just because she’s muscular or rejects feminine norms (that alone isn’t a marker of queerness), but because she moves through the world in a way that doesn’t seem gendered. She’s not very verbally expressive, but she uses physicality as a language—training, protecting others, touching carefully, fighting hard. That embodiment of love, grief and control through action is a deeply somatic and queer way to navigate the world, especially when words don’t feel safe or available. Abby feels deeply, but she doesn’t always name or process her feelings in real time. That could mean her understanding of her own sexuality might not even be clearly labeled, even to herself. She might not ever stop and ask herself because her emotional compass doesn’t run on theoretical self definition. It runs on who makes her feel safe, connected, alive. It’s fluid.

All of this builds a strong case for Abby being queer in essence and practice, even if she’s never labeled that way in canon. So while it’s totally valid for someone to read her as straight, gay, bi, pan, or questioning, my take is that she’s pan or unlabeled queer, with a deep capacity for connection that transcends gender. It just hasn’t been fully explored yet because her story arc was focused on trauma, redemption, and survival—not identity.

i hope that answers your question, sorry it took me a minute to get back to you. if you read this far thanks for stopping by! 🤍

❦ abigail anderson; beauty, brains AND brawn

chess, lit fic novels, classical music. she’s such a lowkey nerd, it’s adorable. a beautiful brainiac with an intense workout schedule- what’s not to love?

an analysis on how abby growing up without a mom shaped who she is and her perception of femininity:

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Growing up without a mother meant her understanding of femininity, softness, and nurture came from absence. Without a maternal influence, she didn't have a guiding figure for emotional softness, or a role model for how to navigate vulnerability, especially in relationships. There was no one to show her how to be girly, no mother-daughter traditions, no one to teach her about motherhood. She probably doesn't even know her mother's favorite color or the sound of her laugh.

I don’t think it was something she resented, but it left an emptiness that Abby didn't quite know how to fill. She didn't have the maternal warmth or lessons that could help shape her understanding of her femininity or intimacy. Instead, her father's presence was both comforting and limiting, keeping her grounded but also confining her to a role she took on with no real guidance beyond her own instincts. Jerry did his best, but he wasn't necessarily equipped to teach her how to be delicate or to guide her through a nuanced understanding of herself as a woman.

Her dad was a gentle man, but also a bit carefree, often embarking on spontaneous adventures, leaving Abby to pick up the pieces and keep things running smoothly. She had to be responsible, mature beyond her years, and quickly became someone her father could rely on in ways that were far more profound than the typical parent-child dynamic. Abby had to grow into a caretaker role at a young age, though it came naturally to her, given that she was so deeply tied to her father's wellbeing. She still carried the weight of managing the practicalities of life in a way he didn't always feel compelled to. Because it was just the two of them, Abby's dad became her entire world - her role model, her compass, her constant. She inherited his pragmatism, his quiet humor, his hands-on way of showing love. But being raised by a single father meant Abby had to figure out her emotional world on her own. He was present, and loving, but not always expressive.

✮ This shaped how Abby expresses love: quietly, through action. Through showing up. Through fixing things, carrying the heavy load, remembering how you take your tea. Not because it was taught— but because it's how she learned to care.

Her relationship with femininity is self-defined. Without a maternal influence, Abby had to define her identity as a woman on her own terms. She doesn't perform femininity in conventional ways — and never felt pressured to. There was no one telling her to wear dresses or play with dolls, so she gravitated toward what felt good in her body. Sports. Climbing trees. Strength training.

Now, she finds beauty in the unexpected. She's not traditionally "girly," but she notices the details. She admires curves, softness, the kind of woman who owns her space — not because Abby feels lacking, but because she values what she didn't grow up around. It also makes her protective — of people who move through the world vulnerably, who offer gentleness without armor. She has a quiet reverence for that, like it's sacred. It made her pay close attention to the women around her. It's why she has so much respect for quiet strength, for softness that's chosen and not expected. She notices the small ways women hold space for each other — in friendship, in tenderness, in care — and sometimes finds herself wondering: Would my mom have done that? Would she have held my face in her hands when I cried?

Abby had to figure out a lot on her own, and she learned to keep most of her struggles to herself, fearing that her vulnerability might be too much for others to handle. There are parts of Abby she struggles to articulate because she never had the words growing up. It's why she turns to writing sometimes, and gets quiet when conversations shift too emotional too fast. Her grief isn't loud— it's woven into the fabric of who she is.

And yet, with the right person, she'd slowly find ways to let someone in. To speak about the silence. To share that old photograph. To admit, one night under the stars, "I don't know much about her... but I think you would've liked her. And I think she would've liked you, too."

In a partner, Abby would find someone who could teach her things her father couldn't, someone to balance out her tendencies to be over responsible and always holding things together. Offering Abby a softer, more emotionally open way to be, showing her that it was okay to sometimes not have all the answers, to let go of the burden of always being the one in control. A way for Abby to experience and understand the tenderness she had missed out on from her mother, forcing Abby to confront aspects of herself she had always kept at arm's length. Abby could begin to see herself differently, not just as the strong, reliable one, but as someone worthy of emotional care and tenderness, too once she allows herself to trust someone enough to soften.

details of ellie’s room (joel’s garage) and dina!

for the ellie girls