Minimal - Blog Posts
A Hologram Rose.
Death and All of His Friends
When the World was Black and White.
skull tears
Cyber Samurai.
(The Dark Lord.)
Alright, so as my post yesterday mentioned, I’m taking a Main Title Design course, taught by Ash Thorp over at LearnSquared. This lesson was about typography. The homework was to choose a sample logline and create three different cast-and-crew mock-ups, using different variations of the same font family.
I chose a horror sample called "Three Points," the logline of which is: A World War I pilot briefly loses consciousness inside of the Bermuda Triangle and upon waking, fails to discover land or water, and his gas tank remains full.
Playing around with the fairly standard font family Agency, I created three shots from three different title sequence options. I tried to keep the font fairly intact, making only a few subtle changes to hopefully connect it more to the plot ideas, of mystery and horror.
(Images 1-3 are one set, then 4-6, and then 7-9.)
@ashthorp
Cod Market.
AKA “Couldn’t Resist”
Working on the most recent lesson for Main Title Design taught by Ash Thorp, the homework was to create a title sequence for a documentary about the Apollo missions. In the process, I came up with this title card. Not exactly the vibe I was going for, but it speaks to my glitchy, sci-fi, cyberpunk side.
Perhaps, if this were an Alien-esque horror movie, I could get away with it.
Coda.
The End.
Expoart #140.
(Stay tuned for new projects.)
The Enigmatic Staircase.
Axii.
Sunset in Splintered Shadow.