Nd Stevenson - Blog Posts
For those of you who haven't watched Nimona yet, this is all you need to know about the movie
Mermista can’t stand Harley Quinn
Mermista: Ughhh! Can’t you just shut up for a few minutes?!
Harley Quinn: Awww, but why?
Mermista: For one thing, you don’t respect personal boundaries. Secondly, you never seem to think about the consequences of your extreme actions. And finally, your jokes are NOT that funny.
Harley Quinn: (shocked) You… you don’t think I’m… (gets teary-eyed) funny? ;-(
I haven’t seen a lot of crossover fanart of She-Ra and the 2019 version of DCSHG. But I found an opportunity to make a meme out of a screenshot I just took. No offense to any Harley Quinn fans, but I thought this would make for an interesting scenario if she and Mermista ever had an interaction like this.
She-Ra and the Princesses of Power belongs to Noelle/ND Stevenson, Dreamworks, and Netflix
DC Superhero Girls (2019) belongs to Lauren Faust, DC Comics, and Cartoon Network
Nimona and Melog @gingerhaze
hi tumblr im back with more nimona..🩷
edit: 4K NOTES? thank u so much… also i love reading your guys silly hashtags on reblogs u guys r too nice
fav marlene variant
this. this right fucking here.
Once more, for the people in the back:
CATRA AND ADORA ARE NOT SISTERS.
Not "Adopted" or "related by blood", they were NEVER sisters, Period. They grew-up together as best friends in a military-school/orphanage. Plus, Shadow Weaver was their mentor, NOT their "mother".
"Oh but that page from the show bible-"
-Was made before the show ever went into production and was written either by Dreamworks or Netflix higher-ups, without ND Stevenson's consent. So it makes perfect sense that Stevenson fought long and hard, with all of his strength, against these ideas being forced upon the story so that Catra and Adora could fully consummate their love for each other and make cartoon history. Sadly, these bad-faith actors are so desperate to turn Stevenson into this disgusting "incest-abuse fetishist", not because they care about "wanting good writing" or "better representation" but because they want less competition. It's what they tried to do with Rebecca Sugar and others, lie about a genuine, honest-to-goodness LGBTQ+ creator fighting for diversity being the most depraved, most vile monster imaginable just so they can chase them out of the industry and take their place as "the better creator".
Because they believe the animation industry works like some high-school popularity contest where the only way upwards is to tear others down.
“Did you see the way that little girl looked at me? Kids. Little kids. They grow up believing that they can be a hero if they drive a sword into the heart of anything different. And I’m the monster? I don’t know what’s scarier. The fact that everyone in this kingdom wants to run a sword through my heart or that sometimes I just wanna let ‘em.” “We have to get you out of here. Over the wall. We won’t stop until we find some place safe, okay? We’ll go. Together. No matter what we do, we can’t change the way people see us.” “You changed the way you see me... Didn’t you?
NIMONA (2023), based on the comic by ND Stevenson, who came out as transgender in 2022