All Eurovision fans out there know that the staging is half of the performance and it can either kill you or raise you.
Uuden Musiikin Kilpailu has had a track record of producing both over the recent years. Here are my top three for each category. The performances do not appear in my favourite order!
TOP3 THE BEST UMK STAGINGS that have managed to elevate the songs :
The Rasmus - Jezebel (2022 UMK winner)
Despite of being the biggest favourite when going in to UMK last year The Rasmus’ song didn’t quite reach the hights as a studio cut. However, the playful and colourful live performance elevated this one for me
Akseli Kankaanranta - Looking back (2020 winner)
Akseli pushed through passed the fan favourite Cicciolina back in 2020 with his well balanced and stylish live performance!
NormaJohn - Blackbird (UMK 2017 winner)
Back in 2017 Blackbird left many people cold with its studio cut but when performed live.... the emotion was real and very atmospheric!
TOP3 THE WORST UMK STAGINGS that have ruined the song’s success in the contest :
Bess - Ram pam pam (UMK 2022)
Bess Ram Pam Pam eventually became the biggest hit in Finland last year but her UMK staging ended up being messy, confusing and not meeting the hype of the song before going in to the UMK live.
Erika Vikman - Cicciolina (UMK 2020)
Can someone explain me what those bears and forest do on the same stage with sinful Cicciolina? This performance made no sense to me at all. Not then or not now.
Saara Aalto - Monsters (winning song in 2018)
Despite of winning the entry ticket to Lisbon’s Eurovision back in 2018 Monsters live performance was complex to start with. I liked the beginning with the cape and all but they ended up adding here too many elements (this got worse in Lisbon).
Uuden Musiikin Kilpailu Final takes place tomorrow February 25th on Yle Areena at 9pm (FIN time zone)! Let’s see how the seven acts will do and if fan favourites are able to keep their positions!
After two years of selecting internally our representative YLE has gone back to have an open competition. Out of the 400 songs sent out, the final 6 artists with their songs were released in January. I feared the worse and hoped for the best. But compared to many other years material we’ve had this is a gigantic leap to the right directions. Here are my thoughts (the songs appear in the order of their release) - please click the link in the title of the song to listen the tracks.
Saara Aalto represented Finland in 2018 as internally selected artist.
1. TIKA - I LET ME HEART BREAK
THE power ballad. The X-Factor winner 2018 in Finland is specialized in them and she has a voice for it! However I feel something is missing. It has the right structure but it’s missing some filling. Surprisingly it has kept in the race within the ratings on Youtube (almost 200 000 views) and Spotify (over 120 000 streamings) making it the third most popular UMK entry this year. I haven’t lost my faith though and I’ll give the live version a chance.
2. ERIKA VIKMAN - CICCIOLINA
The most buzzed about. The song special theme (Italian porn star /politician whose story gave the name for the song) has received attention international and national along with the headlines. I’m bothered by Erika’s poor English skills though and her mispronunciation of the title. However I find her way from the Finnish tango scene to the pop sky interesting. It has a nostalgic Euro/ Finnish pop vibe but doesn’t represent the 2020 scene of either of them - it can be a pro or a con. The song sounds just out dated and something that Finns have been sending to ESC for decades with a little success. I find it difficult to understand why would we be going back for that. However it has a catchy chorus though. Unfortunately general opinion is against me and Cicciolina has been viewed over 1 million times on Youtube and streamed on Spotify over 1200 000 times. I just hope that these people click the song out of curiosity for once and will not be voting for it. Even though the international ESC bloggers seem to excited about it too. I really stand alone.
In 2014 Softengine brought Finland our best result (11th in the final) since Lordi’s victory (2006).
3. AKSEL KANKAANRANTA - LOOKING BACK
Our only male entry. This was the first one I actually liked. Well produced but tt could go further though. I wish they’d update it a bit or the live version will give it much needed kick. I really like his singing! He is fairly popular also among UMK 2020 entries - viewed over 200 000 times on Youtube and streamed almost 200 000 times on Spotify.
4. F3M - BANANAS
I understand why people wouldn’t like this but that’s exactly why I do! It’s a bit goofy,definitely catchy but also annoying. The song has some definite hooks that will be playing in your head all day but I wonder is it too forgettable? And people like this! Not doing bad on bloggers lists and on Youtube + Spotify considering.
5. SANSA - LOVER VIEW
Hate to say this but the loser of the crowd. A very unlikely winner. It doesn’t interest people. However Sansa’s song was the one I was the most excited about beforehand because of the dance and electronic style. It’s nicely produced but too light and easy. I wish there would be something to catch me properly. A great ac companion for a run or to the gym but perhaps that is its biggest problem. The most annoying thing is that I get it why they’ve left the song like this because I understand people who like music without too much drama or screaming.
6. CATHARINA ZUHLKE - ETERNITY
She competed in UMK 2017 and is back for another round. The first time I heard her song Eternity I knew this was it! From the Perfect Villain to a perfect pop song! However I’m afraid that it might be too predictable and that’s why it hasn’t become a Youtube/ Spotify favourite (or is it because she was released last). I really hope the live goes well for this one. I’m hopeful based on the positive comments and the mix of two genres (slow ballad in the beginning to catchy euro pop in the end).
The representitive will be selected tonight at 9pm (finnish time). Make sure you’ll be voting for your favourite(s)!
UMK artists 2020.