Eurovisionsongcontest - Blog Posts

UMK25 Song Review: Sekaisin

Uuden Musiikin Kilpailu (UMK) is back and stronger than ever! We have seven new artists ready to compete for the trophy and the ticket to Basel in May! The third song keeps the quality strike even!

Costee - Sekaisin

Costee is man of 100 million streams and three studio albums under his belt. So a very familiar name in the Finnish music scene!

He started learning music at the age of 8 and he started his career in a band called Sima. His own record deal he signed in 2017 and it's been one hit after another since that. Now days he runs his own record company.

He is known to be an emotional man who is not afraid to be open. He tends to be into darker sounds and vision but lately there has been a more hopeful tune in his music. His UMK entry Sekaisin also fits into this description.

Sekaisin holds a strong contrast to the previous UMK25 entry Nelli's Hitaammin Hautaan. This one is dark with a good elektrobeat. The start is promising, building strongly.

1st chorus works but after that it goes downhill. It doesn't deliver the beginning's promises which is a damn shame.

A lot of people compare this to Benjamin from 2023 with his Hoida Mut but this doesn't reach the same hights and catch you in the same intensity.

Personally I'm not crazy about his voice and I think he pronounces lazily. But there is love for this one as it still holds top20 spot in Spotify Finnish charts so even if he's not winning the trophy he will be fine after UMK.

What do you think of the third UMK25 track and what are the chances of Costee to advance to ESC? Talk to me in the comments below!

UMK25 Song Review: Hitaammin Hautaan

Uuden Musiikin Kilpailu (UMK) is back and stronger than ever! We have seven new artists ready to compete for the trophy and the ticket to Basel in May! The second song won't leave anyone cold!

Nelli Matula - Hitaammin Hautaan

Nelli Matula has been a recording artist since 2016 and since then released two albums, achieved Emma (Finnish Grammy) nominations and wide popularity in Finland with her gold-and platinium streaming singles. She's a name you should know!

The singer takes part in UMK25 with her deeply personal song Hitaammin Hautaan which is inspired by the health issues she suffered a few years back. The song fits her musical style and what people have grown to expect from her so for her most loyal fans the song is already a hit!

Hitaammin Hautaan is a pure pop track that doesn't play too many games with different genres. Again sounding in the beginning like a ballad it picks up a beat that is very difficult to resist. Chorus is strong and memorable and I do believe we have the next Ylivoimainen (UMK, 23) or Ram Pam Pam (UMK, 22) making here.

Her voice is very clear and fine and goes well with the melody. There's a beautiful harmony here with the visuals, the pink and grey color scene isn't too over the top but still princess enough like and she fits the role like a glove. This is probably the best UMK25 videoclip btw!

Structure like this is pretty close to perfection: builds up is just right and keeps the viewer / listener hooked. There's nothing life changing here but still enough that pleases you until the very end.

These types of songs are very popular in the national selections because now days many shows offer fame and opportunities for tracks to become big hits even without the trophy. However, that's where they'll stay as viewers rarely give their votes to these big radio hits.

What do you think of the second UMK25 track and what are the chances of Nelli to advance to ESC? Talk to me in the comments below!

UMK25 Song review: Nightmares

Uuden Musiikin Kilpailu (UMK) is back and stronger than ever! We have seven new artists ready to compete for the trophy and the ticket to Basel in May! The first song kicked off the UMK season with a banger!

Neea River - Nightmares

Neea River is a singer-songwriter who was discovered on Instagram (she sang Céline Dion's All By Myself) during her holidays in L.A. The singing sensation has since written songs for other artists (Bess, Laura Voutilainen, Blanka, K-Pop artists etc). So she has a full day job as a music professional and she's made a name for herself as one.

As a solo artist she's been pushed by her label to switch to Finnish but she's always found English as a more natural choice. Now days, she has own label. She loves dance pop genre, loud bangers and Eurovision. Her musical influencers are Britney Spears, Weekend and Rihanna.

Her UMK song Nightmares was inspired by traumatic experience and reminds the people that there's always an exit of the difficult experiences. She wrote it together with Ilkka Wirtanen and Petri Alanko. With Nightmares she wants to bring pure pop banger to Eurovision from Finland.

Nightmares is her first own song to be released as a solo artist. And so far it has been compared to Loreen (Sweden, 2023), Keiino (Norway 2019) and Saara Aalto (Finland, 2018). This defintely has a nordic sound!

The beginning starts with a dark, mysterious tone - some might be fooled to think we have a ballad in our hands. The song builds up strong to the first drop which reveals the EMD/ disco beat which is the core of the song. This could be easily taken from early 2000's house music scene.

The woman can sing even though many have been worried the layered edits on her voice during the track. Personally, I'm not one of those people. There's a debate going on whether the dancing she does in the music video is part how you do it in this type of music or if she's actually just not the best at it.

It's true that often EMD tracks it's difficult to get a real climax, a drop happening later in the song because the beat is so strong and in here the song tends to continue kind of predictably without further surprises. This bothers me a bit tbh.

A lot of people speak about "the eurovision sound" and how much this song has it. Yeah would be an easy fit to the contest and a big pleaser for a lot of people. But I don't see this pulling a lot points

However, this is an impressive defeat for someone producing her own music as independantly as Neea does and running her own label on top of it - I do hope all the best for Neea but I have a feeling this ain't our UMK25 winner.

What do you think of the first UMK25 track and what are the chances of Neea to advance to ESC? Talk to me in the comments below!

UMK 2024 Song Review - Vox Poppuli

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö ends with another rap entry!

Mikael Gabriel x Nublu - Vox Poppuli

Mikael Gabriel is one of the best known Finnish artists who started his career back in 2007 and has since released 7 studio albums and multiple smash hits. He's had more number #1s than one can count!

A big name UMK audience has been requesting to participate to the contest for years.

His mother is estonian which might explain why he is collaborating now with Nublu, highly succesful rap artist in Estonia. This is surely one of the most interesting UMK entries this year.

Vox Poppuli means in Latin the voice of the people. The song begins with eurodance entry but moves quickly to the 90's / 2000's rock-pop sound that will continue throughout the song. This reminds me of Blink 182 or similar rock band. There's a young energy here despite of its nostalgic sound for older generation.

As a rap song and as a non-rap music fan - this might be the least irritating of the rap songs in UMK24 - also even though musically this seems to be a bit tedious, one note kind of thing, I think this is delivering the crazy fun act better than Windows95man which had kind of similar idea with his performance. I like the choir a lot! Also points for Nublu's rap part in Estonian and not in English.

This has already become somewhat a domestic hit gathering views on Youtube and streams on Spotify. This is easy to listen even though not your cup of tea, it's radio friendly with a catchy memorable chorus and therefore a potential UMK winner. Also MG enjoys a loyal and young fandom so it is expected them to pick up their phones and vote on Saturday night.

Video clip keeps you hooked and we can expect a crazy staging at Nokia Arena at Tampere!

What do you think of the seventh UMK24 track and would you vote for Mikael Gabriel x Nublu to go all the way to Malmö? UMK final takes place on February 10th!

UMK 2024 Song Review - Sini Sabotage

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö continues with another rap entry!

Sini Sabotage - Kuori Mua

Sini Sabotage is one of the best known Finnish artists but at the same time one of the rare female rappers in the country. She started her career with a banger Levikset Repee roughly a decade ago and has since released 3 studio albums and multiple radio hits. She has fought her way to the top.

Despite of being somewhat a dream name for UMK for years the idea of sending her new Kuori Mua song to the competition was actually proposed to her by the songwriters and producers.

Kuori Mua which means peel me in Finnish is bold even as a title. If you're familiar with her personality and music you'll notice how this instantly fits her like a glove.

Kuori Mua begins with inviting piano notes and moves quickly to the electronic beat. The song has heat, rush - it tells you how to move and focus. This screams gay anthem. All the banger elements are here and they're well produced.

The lyrics and beat are energetic and sensual - some might be irritated by the Finglish here but I'm not a Finnish rap expert enough to say if this is common for Finnish rap. Chorus is a bit flat, it doesn't bunch me as I'd wish it would. This needs several listens even though it is memorable though. Musically I especially enjoy the beginning of the second verse and the bridge here. The piano based moments give the juiciest sounds. The song improves towards the end but still doesn't meet the expectations in my opinion.

Kuori Mua is not on top of the Youtube and Spotify lists when comparing the UMK24 tracks and I think it hasn't grown to become the banger they'd hoped for even in domestic levels.

What comes to the live performance music video promises several options and it must be big since this has been chosen to start the UMK show on Saturday (Feb 10th). I have no doubt she wouldn't be able to deliver this live.

What do you think of the sixt UMK24 track and would you vote for Sini Sabotage to go all the way to Malmö? UMK final takes place on February 10th!

UMK 2024 Song Review - Windows95man

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö continues with another entry!

Windows95man - No Rules!

Windows95man is a shy family man from the Finnish capital area who's made a name for himself as multitalented entertainer. The man is a visual artist and a photographer plus owns his own gallery in Helsinki but is the best known aka Windows95man. It all started from Youtube but quickly grew to become famous as a DJ who wears cut off shorts (magic shorts according to him) and Windows95 t-shirt.

He represents the same liberated crazy spirit as Käärijä last year. He does a lot of things that are not seen suitable for a Finnish man of his age in style and in music and feels no shame of doing so! Good for him!

No Rules is his first song in which he collaborates with Henri Piispanen who delivers the vocals.

No rules is a throwback from the 90's which according to Windows95man influenced his musical style the most (as born in the mid 80's). Musically this is part of the eurodance genre and reminds many of E-Type.

Musically it holds all the necessary elements that a proper 90's banger needs and Piispanen impresses with his high notes (can he deliver live?). However, what is a strong point for No Rules can be also its death.

This is a nice, funny, catchy add to UMK24 selection but doesn't really meet the high quality of the previous songs, does it. This can be seen as a joke entry especially with the music video which reminds me a sketch on TV. Musically this can be quite irritating for many. It doesn't offer anything new and some listeners might tune off before the song has reached its 3-minute run.

Last year Portion Boys delivered a similar entry but still bringing their own musical value to the table. I just don't see No Rules doing the same despite of possibly becoming a guilty pleasure for some UMK fans. In Eurovision this is something what we could have sent a decade ago but now UMK as Eurovision has topped its game since. Wiwibloggs were on point with their a Nokia reference - it's nice to down a memory lane for a moment but would someone still buy one? No.

This is still a decent first single and I hope nothing but the best and love in the future!

What do you think of the fifth UMK24 track and would you vote for Windows95man to go all the way to Malmö? UMK final takes place on February 10th!

UMK 2024 Song Review - Jesse Markin

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö continues with another entry!

Jesse Markin - Glow

Jesse Markin is one of the most promising upcoming Finnish indie artists who released his debut album Folk in 2019 and was widely awarded for it for example with an Emma (Finnish Grammy) as the best newcomer in 2020. He released his follow-up album Noir in 2021. Musically he would be categorized as a rap artist but his music is greatly influenced by other genres which shows also in his UMK 2024 entry.

He is one of the rare UMK artists taking a stand announcing that in case of winning UMK he would not go to Malmö if Israel participates ESC 2024.

Glow written partly in Finnish toilets but also in the streets of Ghana, is definitely something else. A fresh summer breeze in the middle of cold January - this is a song that no one expected to receive from Finland.

This ain't a simple track, instrumentally rich, would even call it noisy - a lot is going on in here. I hear reggaeton, afro-beats, hip hop / rap, electro / house well, smoothly produced urban sounds - musically this reminds me of Black Eyed Peas a bit. Chorus is memorable and uplifting with "you're gonna make it" where the verses tend to remain a bit flat.

The song doesn't have really a proper bridge and I don't think the rap section in the halfway of the song should be considered as such. And I don't think it's giving the correct energy here but this might be a personal preference. The track seems then a little long and repetitive. Visually this is on of the weakest of UMK video clips this year. Even though the lama is kind of cute!

However, there's a lot of love for this song out there. For those into this kind of genre, the track is an instant earworm but for others it has a risk of disappearing in the background as.. well background music. When speaking about views on YT and streams on Spotify Glow is losing in both lists for its competitors (being 7th and 6th). But Glow does serve a strong feel good vibe and I'm so glad it's here! It does bring light and different perspective to the 2024 UMK line up.

What do you think of the fourth UMK24 track and would you vote for Jesse Markin to go all the way to Malmö? UMK final takes place on February 10th!

UMK 2024 Song Review - Sara Siipola

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö continues with a ballad this time!

Sara Siippola - Paskana

Sara Siipola is fairly a new name in the sky of Finnish female artists. She kind of popped out of nowhere making a record deal with Sony Music in 2019 and releasing her first singles which were fairly successful. She also released her debut album "Kaunis Kun Itken" two years later and last year she was seen in popular music tv-show "Tähdet, Tähdet".

Still never heard of of her before and the artist announcement did nothing to me.

Paskana is power song that gives no hope. It's very raw lyrically and vocally.

It's a modern ballad with immediate hook. The song itself is not a traditional power ballad but does instrumentally push its boundaries. The electronic beat has 80's sound which also reminds many of the Russian girl duo t.A.T.u's sound. R'n'b beat separates it from an average ESC ballad and makes this super easy to listen.

Sara's voice can be compared to Amy Winehouse's being capable of interpreting the painful text brilliantly. The topic of being "paskana" which is translated as fucking wreck, is easily relatable. Social media quickly filled on Monday night with heartfelt comments from people around the world crying and feeling this song.

This is simply captivating - you can't pass this without stopping to listen to this and feeling what she sings. This will translate across language barriers.

ESC doesn't allow swearing so in case of winning UMK Sara would have to find another title for her song which might be a difficult task. There have been hopes of her translating this into English or pieces of it but I do hope this masterpiece remained in Finnish. Also this would differ quite a lot from our previous ESC entries. The last time we heard a female ballad from Finland was in 2017 with NormaJohn.

In a scenario where she didn't win UMK she might be the next Bess (Ram pam pam, 2022) or Kuumaa (Ylivoimainen, 2023) which either were the winning acts but made the biggest hits of their careers with the help of UMK. Reactions have been positive everywhere you go and her UMK videoclip has already been viewed over 240 000 (more than Sexmane) times. She's on her way to stardom!

What do you think of the third UMK24 track and would you vote for Sara Siipola to go all the way to Malmö? UMK final takes place on February 10th!

UMK 2024 Song Review - Sexmane

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö continues!

Sexmane - MANIA

Max Scene aka Sexmane is currently the most streamed artist in Finland and also he has a connection to UMK. His little brother Isaac Scene competed in 2022 with Kuuma Jäbä.

Since releasing his debut album Sextape in 2019 he has been Emma awarded (Finnish Grammys) and he's managed to beat his previous successes with each release. He will no doubt have a lot of loyal young voters out there!

As a background info he and his brother grew up in a religious community where hymns were in and commercial music was not. He mentions this fairly often in the interviews so I believe it had an impact on his creativity and that he even ended up in the music industry.

MANIA is a song about mental health. "It's ok not to be ok" he says.

The song slaps you right at the face with MANIA. There's a lot of autotune in here from the very beginning and many have questioned if he can pull this through live. This is no basic pop tune you can put into a box within a certain genre. This is a hip hop / rap song with a heavy rock push. Music experts can peal this like an onion because it has plenty of layers to go around for all.

The song goes on smoothly having a strong pre-chorus and the anthemic MANIA is catchy and difficult to forget. I'm not a fan of rap music but I do enjoy listening to this even though my very first reaction was fear. The guitar solo at the end of the song is impressive and much needed add. The song ends with a scream.

Musically there's a strong pull towards our last ESC entry and a lot of people are criticizing of sending MANIA right after Cha Cha Cha (can anything be better?). In contrast to Käärijä's drinking party hit, there's some real pain and seriousness here. The beat is pushy and urges you to rush to act. And him desperately screaming in his pain and getting it out of his space - we see a lot of symbolism in the videoclip.

I kind of play with the idea of this winning because of the orange theme. In 2022 we had The Rasmus with Jezebel having a yellow staging, Käärijä last year obviously with his green effect, this would be a great continuity with the orange look.

What do you think of the second UMK24 track and would you vote for Sexmane to go all the way to Malmö? UMK final takes place on February 10th!

UMK 2024 Song Review - Cyan Kicks

Again the hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Malmö has officially started!

Cyan Kicks - Dancing With Demons

Cyan Kicks is a Finnish alternative rock/electric pop band established back in 2016. They had their big break in UMK 2022 when they came second with Hurricane losing to The Rasmus. I do remember for rooting for Hurricane two years ago!

Since then, they've been busy with making music and touring around Europe. This shows. They've also mentioned themselves the growth of confidence and experience, and especially the vocalist Susanna. This time around they're bolder and loader but still not losing their familiar energy and sound. But it's inevitable to compare their 2024 entry to Hurricane of UMK22 and perhaps their biggest contestant might actually be themselves from two years ago.

For many the 22 entry was instantly memorable and still is and the question is can DWD do the same?

Dancing With The Demons is the first of seven UMK24 entries to be released. And what a start it is!

The song is kicked off with a promising electronic beat and it builds up nicely towards the first chorus which I have to admit I'm slightly disappointed that it's not grabbing enough. Personally I'm liking the second verse and Susanna's interpretation of the lyrics here. I even saw somewhere a Lady Gaga comparison.

Instrumentally this is very rich and there's a lot to take in. Lots of volume which makes me worry if Susanna's vocals which are rather light in here, are strong enough to carry it through? Even though I know she can sing live obviously. As seconds turn into minutes there's more volume, more instruments and more noise coming up!

A lot of people have criticized the bridge but my musical (rock) taste is generic enough to love it actually. I'm loving the "follow me's" here. In three minutes it's tricky to get an instrumental part squeezed in but DWD manages to do just that. The whole band is clearly involved in this with 150% and musically this can be quite overwhelming. The ending is as load as the beginning. Lyrically not the best of songs but this wasn't the band's strong suit in 2022 either.

This is well and heavily produced track that can be blamed of sounding a slightly bit too mainstream and plastic lacking originality and organic sound. However, this is a question of personal taste. Live performance we don't need to worry with this entry because as we remember from UMK 22 - they'll nail it.

Visually this is impressive. Susanna and the band rocking under the rain (she was actually with fever when shooting the video!) and everything we see supports what we hear. Sexy, load, wet, explosive. It's actually difficult to listen the song without its video because that's how astonishing it is! And the pair clearly belongs together. UMK music videos have come a long way!

What do you think of the first UMK24 track and would you vote for Cyan Kicks to go all the way to Malmö? UMK final takes place on February 10th!

How should voting system be changed in Eurovision?

So..... Community is buzzing about the results of the Grand Final and especially the voting system. I find it unlikely EBU wouldn’t change the system in somehow considering how huge is the people’s reaction and they did drop the juries from semifinals last year so... Anyhow here are some options. 

1. JURIES ARE DROPPED FROM EUROVISION ENTIRELY 

France 2023. 

I don’t think this will happen. First of all, there are too many delegations and countries that benefit from the jurers. Second, it wouldn’t change the problem. Last year folks were crying why Juries didn’t stop Ukraine winning with sympathy televotes. People don’t always know the best and we do make decisions based on politics etc soo.. Every year we’re not happy with either side of voting system but I do believe we need both sides to continue in the contest. 

2. JURIES PERCENTAGE WILL BE DROPPED 

Currently jurers hold 50% of the votes in the final (semifinals it’s only televote). In some national finals their percentage is less and people votes have more impact. If this scenario did happen, would it be 30%? 40%? 45%? 

Ukraine 2023. 

3. JURERS WILL BE INCREASED TO ADD DIVERSITY OF THE VOTES 

Currently there are 5 jurers / country. Would adding more people bring diversity of giving the points? Because they often are surprisingly aligned on their big favourites. They should be musical professionals or media professionals experticed in music industry and they’re not allowed to talk about the acts to each other or have any connection to the delegations, artists etc. 

4. BRINGING IN 3RD VOTES (TELESCOPIC)

Georgia 2023. 

Sanremo and Benidorm Fest use Telescopic votes. I think they have 15-25% impact to the final points. This might help to smoothe the biggest differences between audience and the jurers or make the final decision in some cases perhaps. 

5. KEEPING JURERS BUT MAKING JURY SHOW PERFORMANCES PUBLIC 

Currently only the audience that bought the tickets to Jury shows and press sees the actual Jury show. Would it be better to add visibility here by publishing the performances later on Youtube? 

Armenia 2023. 

6. KEEPING JURERS AND CHANGING CRITERIA 

So the current criteria being: 

Vocal capacity of the artist(s)

Performance on stage

Composition and originality of the song

Overall impression of the act

Every year the entries outside of pop genre seem to be receiving less Jury love. Jurers should represent different genres and parts of the industry though to appreciate rock, rap entries for example. I wonder is the singing overly hyped in the criteria and should there be different guidelines for it because you can’t judge pop song singing and rock song singing in the same way. 

7. KEEPING JURERS BUT MAKING THEM VOTE ALL THE ACTS 

Croatia 2023. 

Again to make the jury votes more even and less in favour for the big favourites only, would it help if they’d judge ALL the entries? Having limitations on how many 12 points etc you can give of course. This would also solve the zero points dilemma. 

8. KEEPING JURIES BUT CHANGING TELEVOTING TO VOTE 3 ACTS WITH THE SAME PRICE 

In Junior Eurovision public must choose 3 different acts I believe. Not sure how this would work but it would help diving the points instead of people voting for their one and only favourite. In years like these when we have such a strong televote favourites like Finland and Sweden, they tend to suck all the votes and there isn’t much left to anyone else. We saw the televote scores being quite small even for songs that were loved (Austria, Moldova, Czechia etc)

Portugal 2023. 

9. KEEPING THE JURIES BUT CHANGING TELEVOTING FOR FREE

They do this in Melodiefestivalen I think. They’ve built up an app just for voting where voting is free. Again people wouldn’t just vote for the number 1 favourite but several acts and this would also perhaps prevent the unpleasent zero points situations. 

What are your thoughts on the voting system in Eurovision and how would you change it? 

Who will qualify from ESC SF2 in 2023?

Eurovision is on! Rehearsals are on! We’ve seen most of them performing at the multiple preparties and the first clips on Tiktok and Youtube are in!

It’s time to predict who will qualify on May 11th from Semifinal 2! These are my predictions based on the reactions, comments, listens and clicks in social media, Youtube and Spotify.

Some I will get right, others I may not probably a lot because this is Semifinal 2 with less big fan favourites - However, that’s the risk you will take by continuing reading this.

1. Denmark - Reiley - Breaking my Heart

Reiley is a major Tik Tok star which might be perhaps one of the reasons why he is opening this semi. In Denmark we heard him performing with heavy autotune and the studio cut wasn’t any better but in the rehearsals clips his singing wasn’t that bad actually. They do have a clever staging prop, house like and Reiley is walking through each room - he’s wearing a pink outfit (ESC23 trend). Reminds me a bit of Snap last year. However, in the longer snippet the stage feels a bit empty and his performance in my opinion is not filling it enough.

I kind expected this to become viral or to have some sort of buzz but he’s quite low with views and listens online, there wasn’t much talk (no good or bad) at the preparties either. The song sounds like it starts in the middle and continues like that for the next 3min. So obviously not my personal fave this one. Is Tik Tok generation gonna vote for him? I have doubts. I say OUT. 

2. Armenia - Brunette - Future Lover

Brunette’s music video was already high quality and therefore quite promising. The song has fairly good views and listens in different platforms which indicates that it does have a growing fandome and interest. 

Visually this reminds me of Bulgaria 21 (Victoria) and I see it being memorable and strong enough to break the cursed spot number 2 position. Vocally she seems also on point in the rehearsal clips. I say IN. 

3. Romania -  Theodor Andrei -  D.G.T. (Off and On)

There aren’t many entries that we can say that are surely out but Romania unfortunately is. The guy is 18 years old and rumour has it the song was his school project. He can sing allright and he clearly has a passion. Personally I’m not connecting with this song and I know not many are. The song itself seems messy, his performance to be honest a bit cheap with the dancers and now with his changed pink outfit (we have a lot this year) he will not stand OUT. 

4. Estonia - Alika - Bridges

This is perhaps the best or at least one of the best ballads of ESC23. Dramatic, theatrical but also a little cold. She sings amazingly no doubt. 

The staging seems to be loyal to EestiLaul, she has her piano, similar outfit and structure how she performs on stage - but alone. I wonder if the stage is too empty even though I enjoy the visuals that LED screens are providing. This can fail but I want to believe so IN. 

5. Belgium -  Gustaph - Because of You 

Gustaph has been one of the raising stars of this season, selected quite early on last winter. This is catchy, super 90′s - and it works in my opinion, LED screens are showing the lyrics, Gustaph and his backing vocals / dancers are having fun on stage which will sure come across to the audiences at home. IN.  

6. Cyprus -  Andrew Lambrou -  Break a Broken Heart

This is a decent pop song with a beautiful man singing well - it offers nothing new but what it does it does it well This reminds me of Estonia 2021, it didn’t go through though so bad example but as a song type and a bit visually. 

He sings well. On the stage he’s alone but his presence does fill it. I usually don’t lean on too much whose neighbours are in which semi but Greece is in semi II so... I’m pretty confident this will go to the final. IN. 

7. Iceland -  Diljá - Power

This girl is so full of enery and POWER. There’s a lot of love for this I know even though personally I’m not connecting with this. She’s in a such great physical form obviously but I find her movements and dancing a bit weird even though they might show off her power indeed. The visuals are better on the LED screen what they were in Iceland but I do wonder does the stage look empty? The vocals she nails every time though. 

Iceland does struggle usually to get through - they don’t have loyal neighbours who would back up them and even other Nordics tend to find them weird. I have too many doubts - OUT. 

8. Greece -  Victor Vernicos -  What They Say

Victor’s indie pop song starts a bit slowly. The energy is great at its best but you need to wait for it. Visually I like the colour choices here (anything but red please!) and the lightning effects do work well. I’m not super on board about the wardrobe choice and his jumping - even though it’s age appropriate as he’s 16 years only. But maybe this will appeal more to the younger generation. On the LED wall they also use his own face being reflected - which seems to be somewhat a trend also in ESC 2023. His pronounciation has improved though.

However, Greeks tend to receive votes annyally from their neighbours (Cyprus especially) which might save them even with a weaker song. I see enough potential here so IN. 

9. Poland - Blanka - Solo

This is the hit for summer 2023! Not my personal favourite but this has been elevated a lot by the staging. The colours, visuals (especially on the floor) highlight the summer theme and as a song this is instantly catchy. 

They’ve also added a dance break + wardrobe change which I think work better than in Israel’s performance this year from Semi I. This is IN. 

10. Slovenia - Joker Out - Carpe Diem

Right after the release of the Carpe Diem this grew quickly to become a fan favourite. There’s a lot of positive, free, catchy energy here which will come across despite of not being sung in English. The rehearsals and preparties have proved how the band has charisma and confidence to carry this through. During the clips we don’t see any big props or tricks on the stage except the Carpe Diem reflected in the background - simplicity works here the best. 

I’m slightly put off by the pink outfits as we have some this year. However, potential Top 10 in the Final. IN! 

11. Georgia - Iru - Echo

Georgia often joins the party but their efforts are often not memorable in Eurovision. Not this year. Iru’s vocals are amazing, lyrics not so much but this song is hell of a stormy ballad. The staging supports this with lots of wind I like the so called waterfall LED screens behind her. The white outfit with red lips is divine. 

The idea of the song and performance is not complicated but this is a fine example how simplicity sometimes works the best when performed by a true professional. She slays this easily to the final and will bring Georgia its best ESC result to date for sure. IN. 

12. San Marino -  Piqued Jacks - Like an Animal

We have a few rock entries in this semi. San Marino however offers perhaps the weakest of them unfortunately. Another red theme here, they seem to lean on the rockers charisma but as a song it’s not memorable and catchy in the same way as Slovenia and Australia are. He sings well, they sound good, the lights effects work what we saw from the rehearsal clips. 

However, this doesn’t enjoy much of the ESC hype, love, interest based on the clicks and San Marino has struggled in the past to qualify. I don’t see this year being different unfortunately. OUT. 

13. Austria -  Teya & Salena -  Who the Hell Is Edgar?

These girls don’t take themselves seriously. Their song reflects the same attitude. Instantly catchy, memorable - no one can stop themselves to “poe, poe, poe..” after hearing this. They have a good use of the stage here. It is red theme again but it’s detailed and well executed, we have Edgar Allan Poe face in the background, the girls’ styling is on point, the movements that they do make sense. Clearly a lot of planning and thought has gone into this staging. 

I can’t say nothing bad about this. Probably a winner of Semi II. IN. 

14. Albania -  Albina & Familja Kelmendi - Duje

Albania is every year the first official entry for a new ESC season. Very often I end up supporting them because their songs are high quality, ethnic and tell  a story. Not this year. I’m not connecting with this. And based on the clicks and views, listens not many do.

When Albania hasn’t had a red staging in Eurovision? It’s their national colour but after San Marino and Austria’s red performances... this might not stand out. Albina performs her emotional, dramatic song with her family. I struggle to recognize Albina from the rehearsal clip to be honest but on the other hand she is the only one properly styled compared to the family. We have lots of split ends here and I’m deeply concerned for Albania. I say OUT. 

15. Lithuania -  Monika Linkytė - Stay

My ESC guilty pleasure for 2023 season. I like this one a lot. The gospel kind song and Monika is easy to approach. They’ve transferred the same staging from Lithuania to Liverpool but everything is bigger and brighter. I love how Monika and the background singers have been styled - visually this is beautiful.

Vocally she nails it - no concern. As a song, this tends to start a bit slowly. This is the entry which I’m most doubtful about if it will go through or not. It might. It might not. I say OUT. 

16. Australia - Voyager - Promise

Voyager tried to get their feet wet at ESC already last year but instead became a runner-up in Australia Decides. Their current song Promise is constantly being compared to last year’s Dreamer which perhaps was a bit more impactful.

However, their live staging is full of rock’n roll and high energy. They know what they’re doing and the lead singer is very charismatic. This is load enough which I believe will not be unnoticed by the voters. IN. 

Did you agree with my choices? Or disagree with my opinions? Who do you think will qualify from Semifinal 2? Talk to me in the comments below!

Who will qualify from ESC SF1 in 2023?

Eurovision is on! Rehearsals are on! We’ve seen most of them performing at the multiple preparties and the first clips (even super shots ones) are in! 

It’s time to predict who will qualify on May 9th from Semifinal 1! These are my predictions based on the reactions, comments, listens and clicks in social media, Youtube and Spotify.

Some I will get right, others I may not - that’s the risk you will take by continuing reading this. 

1. Norway - Alessandra - Queen of Kings

She’s IN. No question. HUUUUUUGE viral hit by now. There was some concern about Alessandra’s vocals (MGP used autotune) when performing live but she’s on point based on the first rehearsal clip. Visually they’re loyal to National Final one but her outfit is a bit different, she’s wearing a crown look a like hair band and there’s more light now on the stage. 

2. Malta - The Busker - Dance (our own party)

This is worst spot in semifinals to perform as second in Eurovision. Lots of good entries have failed because 15 other amazing songs will follow and people tend to forget. However, Malta’s lively and colourful performance does stand a chance. The song stands out with its saxophone sound. If this did go through would I be sad, definitely not but being where it is, second and between two dark songs (Norway, Serbia) I say this is OUT.

3. Serbia - Luke Black -  Samo mi se spava (Само ми се спава)

One of my faves this year but I know a lot of people who’re not warming up to this Hatari II. However, their staging looks improved and Luke’s performing very confident. This kind of dark pop is exciting for many! In Eurovision it doesn’t matter how many haters you have but how many lovers, based on the interest in Spotify / Youtube I’d say this might appeal enough voters to be IN.

4. Latvia - Sudden lights -  Aijā

Indieband with a strong chorus. In the national selection the staging didn’t impress me but this is one of my faves again. Lamps are there though but there’s a good energy in here which I hope will come across to the audience.  This is still boarderline, this can go to either direction. But I have faith so IN. 

5. Portugal - Mimicat -  Ai coração

Portugal has been topping their game in preparties and even though you wouldn’t like this kind cabaree music - this is very authentic, catchy, memorable. And she can sing and perform - true pro! The stage looks a bit empty without the couch but I do have faith in Portuguese staging skills because they have nailed it during the few previous years. I still say IN.

6. Ireland - Wild Youth - We are one

Why the producers put this at 6th? If this had been an opener for this semi Wild Youth could have had a chance. However, they’re going all the way with the staging, using every inch of that stage: we have golden body, pyros, stairs - we know the guy can sing but the song is a bit generetic and forgettable. This breaks my heart but OUT. 

7. Croatia - Let 3 -  Mama ŠČ!

A big fan favourite. Huge interest before going in to Eurovision, they also did well in the preparties. We saw some aspects from the pics and Tik Tok clip that we saw before (same LED screen, cannons). Not my personal favourite but a lot of people love this kind of quirky performance so IN.

8. Switzerland - Remo Forrer - Watergun

One of my personal faves this year but again - a lot of people don’t agree with me though. The anti-war song was actually written two years ago which I kind of hope would push some buttons among the voters. However, Switzerland was one of those unfortunate countries last year who went to Final with Jury votes only and received 0 points from audience. This time around Semifinals have only audience voting so I’m afraid there might be payback and especially since it’s another Swiss ballad. 

Staging like this can be strong but the clip didn’t convince me yet. Pretty dark and they have similar strings attached to the dancers as Finland had in UMK (why are you coping??). I love this but I say OUT. 

9. Israel - Noa Kirel - Unicorn

She’s IN. This is not my favourites to be honest, just because it’s so messy genre like. Israel was a bit of mystery to everyone because they didn’t participate to any preparties and they kept all their plans as a secret. But she sounds amazing and the Tik Tok clip and the photos promise us a spectacle. The seem to have a running unicorn in the LED screen, she’s in this bright box, upside down and in the end she’s making Chanel style break dance. This will please many for sure and high chances of becoming a top5 in the final. 

10. Moldova - Pasha Parfeni -  Soarele și luna

This is one of the most ethnic entries this year and Pasha Parfeni is no stranger to Eurovision as he represented Moldova also back in 2012. The song is memorable, it does stand out and the live performance even just from the pictures doesn’t disappoint. Moldova is a master of creating memorable performances even with a smaller budget and there’s no way that this didn’t go through. So IN.

11. Sweden - Loreen - Tattoo

Do I need to say this? IN. The LED sandwich so called what they used in Sweden was a lot bigger(16 m² ) but I don’t think the current size (6,25 m² ) will cause actual problems because the camera work will make it look larger. This is copy paste from Melodiefestivalen so pretty epic. A lot of people do complain however that Loreen is not bringing anything new to ESC as this does remind her victorious song Euphoria from decade ago. However, potential winning song for sure! 

12. Azerbaijan -  TuralTuranX -  Tell Me More

One of the indie entries we have this year. I quite like it but... this is not a crowd pleaser unfortunately and in Eurovision you kind of have to be. This is such a good feel song but no. Stating isn’t doing much either, they’re standing on the platform of spaped by the heart playing their quitars. Unless there is something major happening what wasn’t revealed in the Tik Tok clips. I’m sorry, OUT. 

13.  Czechia -  Vesna -  My Sister's Crown

There’s so much love for this entry but at the same time there’s talk that this might be the shock non-qualifier. They didn’t perform as well and confidently as people were expecting them to during the preparties. However, in their live rehearsals we see them wearing rose coloured outfits, they have long braids - there’s a message of we’re not your dolls combined with some doll movements so very strong female empowerment thing going on. This can get too messy but hard to say from the Tik Tok clip itself. I still belive this would be IN. 

14.  Netherlands -  Mia Nicolai & Dion Cooper -  Burning Daylight

Another sleepy ballad. I don’t hate it. And to be honest this has the strongest ballad staging I’ve seen so far. Mia and Dion are standing on this moving platform and walking towards, around, from each other. This can be a moment, beautiful one. Their voices go nicely together. BUT this comes after a strong Czechia and before Finland. I don’t see this year being very kind to the ballads, people are clearly having more reactions (clicks, listens etc) towards the quirky songs of ESC 2023. I say OUT. 

15. Finland - Käärijä - Cha Cha Cha 

A big fan favourite when going in for the rehearsals. Many didn’t expect Käärijä’s team to change the stating at all actually because it was pretty damn good already at the UMK. However, they have upgraded it. They have this big wooden box on the stage, according to photos and the Tik Tok clip he’s in it at some point and also the dancers where they emerge at one point. The silhouette is awesome! Great add and super powerful! There’s pyro at the end also, colours of the rainbow - the human snake has movement. This is so good! If Finland doesn’t win the ESC alltogether I do belive this will make the televotes to explode at the semi for sure! IN! 

What do you think of the songs in Semifinal 1 and who do you think will qualify? Talk to me in the comments below! 

UMK 2023 - review

Gone are the years when Finns were ashamed of their Eurovision selection! 

We saw signs of improvement in the attitude of Finnish artists and music industry towards UMK / Eurovision already in 2020 before the COVID-19 hit us. I would wanna say a game changing factor happened when YleX (radio channel, part of YLE broadcasting company) joined in the production team after ESC 2019. 

Robin’s song Girls like you was elevated by the fun, uplifting and may I say a bit risky staging! (UMK23)

Three years ago Erika Vikman was the moral winner with her Cicciolina even though not winning the actual trophy and ticket to Rotterdam. Her song became a major hit launching her musical career to new hights in Finland. I even dare to say that she did change the competition with her song and performance. 

In 2021 the world saw music shows differently on TV and it was much needed face lift also for UMK. The other songs had no chance against Blind Channel. These were the years when the staging improved overall tremendously even though we had a few misclick (Teflon Brothers 2021, Erika Vikman 2020). 

Lxandra’s Something to lose was one of the most beautiful moments in UMK23! I would have wanted this to reach a much higher climax at one point though..

In 2022-2023 we really saw big Finnish names participating UMK (The Rasmus, Benjamin, Robin Packalen, Kuumaa) and also having some new artists emerging (Bess, Younghearted, Käärijä) and making a name for themselves some even without the UMK trophy. 

In 2023 UMK final gathered 2,1 millions viewers (in 2022 1,9millions), the lyric videos on Youtube were viewed almost 5,5 million times and the songs were listened on Spotify over 14 million times! 

In 2023 we finally have the quality that we need and the people’s interest (abroad and home) that we want! 

Kuumaa’s Ylivoimainen live performance was simple but effective! However, when watching it for the first time it seemed a bit dull and not having enough to keep you interested. (UMK23)

Finns tend to complain about the number of UMK songs and how 6-7 is not enough but if this is the quality they deliver, personally I need no more! I’ve voted 5 UMK songs now in two years in a row and I’m content! This is also a money factor, if we had more songs would the level of quality hold? In music, music videos and in the live statings? I would be doubtful.

I also like the way things are being revealed and when. Mid Jan for artists anouncements is a perfect time just before the ESC national selection kicks off and I love that the songs are being dropped from there without any delay or waiting times. For seven days, there was always something new to look for each day! Late Feb has become a bit a pattern for UMK final but technically this could be later but would it ruin the hype then? 

Keira’s No business on the dancefloor was excellent with catchy coreography and simple stating. However, the fact that she’s a new artist came across a bit. (UM23) 

UMK has received criticism about stagings over the years which we’ve seen improving each year (this year being perfect). Also camera work, angles haven’t been on point (las year Isaac was a bit of a disaster) but last night was a big jump to the right direction! 

What still is left to improve however is the acoustics - every year we complain about the artists vocals sounding shitty when in reality they sound good at the actual venue. The venues have been changing over the years (Tampere’s Mediapolis, Turku’s Logomo etc). Even last night the sounds of the audience singing, clapping were overwhelming the artists vocals which I think damaged the reactions of the people watching the live at home. 

Benjamin’s Hoida Mut was well executed and performed except vocally... However credits for performing ALONE! 

So overall UMK was smash hit with high quality performance and not just the competing ones and with a winner (Käärijä - Cha cha cha) that is definitely taking a risk. The hype has already spread outside of Finland and Cha cha cha is predicted to become a televote winner (juries, you never know). Time will tell us in a few months.. 

UMK top 3 worst and best stagings (recent years)

All Eurovision fans out there know that the staging is half of the performance and it can either kill you or raise you. 

Uuden Musiikin Kilpailu has had a track record of producing both over the recent years. Here are my top three for each category. The performances do not appear in my favourite order! 

TOP3 THE BEST UMK STAGINGS that have managed to elevate the songs : 

The Rasmus - Jezebel (2022 UMK winner)

Despite of being the biggest favourite when going in to UMK last year The Rasmus’ song didn’t quite reach the hights as a studio cut. However, the playful and colourful live performance elevated this one for me

Akseli Kankaanranta - Looking back (2020 winner) 

Akseli pushed through passed the fan favourite Cicciolina back in 2020 with his well balanced and stylish live performance! 

NormaJohn - Blackbird (UMK 2017 winner) 

Back in 2017 Blackbird left many people cold with its studio cut but when performed live.... the emotion was real and very atmospheric! 

TOP3 THE WORST UMK STAGINGS that have ruined the song’s success in the contest : 

Bess - Ram pam pam (UMK 2022)

Bess Ram Pam Pam eventually became the biggest hit in Finland last year but her UMK staging ended up being messy, confusing and not meeting the hype of the song before going in to the UMK live. 

Erika Vikman - Cicciolina (UMK 2020)

Can someone explain me what those bears and forest do on the same stage with sinful Cicciolina? This performance made no sense to me at all. Not then or not now. 

Saara Aalto - Monsters (winning song in 2018) 

Despite of winning the entry ticket to Lisbon’s Eurovision back in 2018 Monsters live performance was complex to start with. I liked the beginning with the cape and all but they ended up adding here too many elements (this got worse in Lisbon). 

Uuden Musiikin Kilpailu Final takes place tomorrow February 25th on Yle Areena at 9pm (FIN time zone)! Let’s see how the seven acts will do and if fan favourites are able to keep their positions!

UMK 2023 Song review - Portion Boys

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with glam rock anthem!

Portion Boys - Samaa taivasta katsotaan

Portion Boys have been around for a while. They originally started from Youtube back in 2010 and by releasing regurarly singles slowly but surely made theirselves a name in Finland. Especially the few last years have been succesful for them. They’ve become known as a positive dance-pop group with a lots of personality. 

Samaa taivasta katsotaan represents quite well the band’s musical repertoire and style. It offers a great ending to UMK23 series (as it was released as the seventh and the last track) and also to UMK23 show on February 25th. This is a very rich song, we have several elements and genres mixed in this one and it is the thing that might keep the viewer hooked for the entire 3 minutes but it might also be the thing that breaks charm.

I get the feeling of the song trying too hard. It’s trying to please everyone - we have the rock rap, anthem like instrumental parts, heavy metalish screaming going on. Even the lyrics mention several countries and make references in foreign languages. It’s a mess and it’s up to one’s personal taste whether it’s a mess for your taste. 

The song reminds a bit of Eurovision Movie: Fire Saga by its vibes and with its to be honest Eurovision clichés. Even reference to Latvian Pirates in 2008 has been made in social media. There’s a certain sillyness in here but also the spirit of becoming one despite all our differences. Usually these kind of entries haven’t done very well in ESC.

However,  this might be one of the rare UMK23 entries that I do not wish to advance to ESC. On another year yes but not in 2023 when we have better options. However, I have to admit it does hold the strongest hook in UMK23. This might go against the lovers of Cha Cha Cha as it musically and spiritually stands completely on the other side of the edge. However, I can see this becoming a true Finnhit classic and bringing people together on the dancefloor.

What do you think of the seventh UMK23 track and would you vote for Portion Boys’ Samaa taivasta katsotaan to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 Song Review - Kuumaa

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with another nostalgic retro banger! 

Kuumaa - Ylivoimainen

Kuumaa had their breakthrough back in 2016 and their debut album came out three years later. They’ve also released several radio hit singles regurarly over the years and today they’re described as “most interesting pop group in Finland” Quite recently they also won Emma Award (Finnish Grammy) for being the best group so they’re surely becoming hot in the Finnish music scene (their name actually means hot!) Again another entry that has a full package and vision ready even before entering to UMK. 

Ylivoimainen is another retro entry in UMK this year and it’s being seen competing directly with Benjamin’s Hoida Mut. However, this perhaps gives more indie pop vibes and it reminds me a bit of A-ha’s Take on me actually. This sounds very Kuumaa and this kind of contemporary nostalgic tunes are what they do the best. I cannot praise the chorus enough - it’s catchy, it’s warm, irresistable, probably the strongest chorus in UMK23, 

Ylivoimainen is super easy to listen, easy to sing and dance along and it actually invites you to do so. It’s an embrace that will instantly make you feel safe. Ylivoimainen is a crowd pleaser and well produced radio hit (reached number one in Finnish Spotify already!) but it still has authentic sound without being too slick (Robin - Girls like you). BUT as we saw last year’s with Bess’s entry Ram Pam Pam, becoming a hit is not enough to get you a ticket to Liverpool - you need to get the Finns to vote also. However, they do have a solid fan base in Finland who might be showing their loyalty on February 25th. 

As a package - this might be the best UMK23 entry. The song ticks all the right boxes and we have a band that we know can deliver energetic live performance. However, if this did advance to ESC - we already have several more or less nostalgic boy band entries (Slovenia, Latvia, Ireland) which Kuumaa would go against and to be honest I’d worry if we’d stand out enough as we could do perhaps with another artist (let’s say Käärijä?) 

What do you think of the sixth UMK23 track and would you vote for Kuumaa’s Ylivoimainen to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 Song Review - Käärijä

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with ..... I don’t know what this is actually! 

Käärijä - Cha Cha Cha 

Most of Finns had never heard of Käärijä before the artist release of UMK23 a month back. Including me. So zero expectations. I didn’t know the language he was gonna perform, I maybe expected some dancy sounding tune based on the title. However, he described his song that “this track combines all three big Finnish loves together: party, pop and heavy music”. Should have known something crazy will be coming up ever since I read he’s a ESC Verka Serduschka fan (Ukraine 2007).  

Cha Cha Cha gets your attention from the first second untill the last one. You know right away that you have something in here. The song kind of starts with rap, there’s techno sounds also, the darkness reminds me of Hatari (Iceland 2019) the chorus is aggressive almost violent but catchy and memorable as hell. The music video is a perfect fit to this! Be prepared to be knocked out by some Cha Cha Cha!

There’s no one like this in UMK or in Eurovision. Then when you think you’re figured out the song everything turns upside down and the song becomes this pop-folk banger. I can hear Verka here actually! A definite late night dancefloor hit in a Finnish bar! The ending is explosive, just pure fireworks and you’re like WTF did I just hear. 

There’s a wide selection of genres here, just take your pick while trying to put this guy into one box.

Käärijä likes to confuse people and traditional sounds aren’t his thing. This is definitely clear! Cha Cha Cha will surely test boundaries, push some people away as it will cheer up and encourage others. This will surely cause a reaction and sometimes that’s all it’s needed from a decent hit and Eurovision song. In the end lovers count more than the haters. This is by far the most played and watched UMK entry this year in all the platforms. Foreigner ESC bloggers have been mostly excited about this and highlighting how Finnish language fits these hard sounds perfectly. 

I can definitely see this advancing to ESC (I don’t think even a bad UMK staging might stop people from voting for this!) and put my money on it that Europeans will this time around understand a piece of Finnish crazyness! 

What do you think of the fifth UMK23 track and would you vote for Käärijä’s Cha Cha Cha to go all the way to Liverpool? UMK final takes place on February 25th!

10 things I DON’T wanna see in ESC 2023

The new Eurovision season is slowly kicking in and first countries are already releasing their national selection contents! And it’s time to set things straight with the passed season and things I’d hope would be improved for ESC 2023! 

10. Tik Tok exclusive 

ESC did a different approach in 2022 with sharing the media content from the rehearsals instead through Youtube but via Tik Tok. I understand the clips being more secretive because the public feedback is brutal towards the product that is not finished and especially when it’s the artist’s first rehearsal on ESC stage. 

However, I’d keep Youtube as equal social media channel and avoid favoring anyone over another. I know EBU wants to expand the viewer age range towards more younger and keep up with its time but this just didn’t feel right. 

9. No zero points

This is a real crime each year. From the audience side more difficult to predict and prevent but from professional juries... Switzerland, Azerbaijan and Germany were the 0 point countries and I find this so hard to believe that no one appreciated the singing, originality, staging in any of these three performers. 

8. Green room interviews back please

Italy did ESC in their own way and that was their prerogative but it was obvious the country doesn’t have the experience and connection with the show. Lacking Green Room interviews almost entirely and not having their own host as in previous years was a void that wasn’t filled. 

7. No hosts mistakes!

In the same breath I could say that ... the hosts’ script wasn’t the best. The chemistry between Alessandro, Laura and Mika didn’t come across. I knew it was there. I love Laura but her personality and sense of humour didn’t get to shine. There were clear hiccups along the show which the biggest were hosts getting confused with the country names. There’s no excuse for that. This is the biggest music TV show in the world, you’ll learn the 40 countries names and flags. Period. 

6. The winner of previous year not giving the trophy to the new one

This is a tradition in ESC as it is in many other contests. This gives such a wrong image about the previous winner’s relationship towards the contest and I do see it as part of carrying through your “ESC winner duty” to pass the title to the next one. 

This didn’t happen this year. And it looked bad in every way. 

5. The previous year’s winner not singing their winning song at ESC 2023

As in the previous, there are certain traditions that shouldn’t be broken. This seemed like Måneskin didn’t want to bother with ESC this year and they used it to promote their new song. They didn’t want to remember the winning moment or even the song. Be present and part of ESC 2022. I repeat: this felt bad. 

4. Fan community media being excluded! 

Obviously being an active follower of several fan community web sites and bloggers I was dying to know my favourite ESC bloggers opinions on the rehearsals, on the site, how everything was... 

This didn’t happen. Not in the way as in previous years. They didn’t have the right to produce the content freely in the premises of the contest, limiting live content and their access to it. This was EBU decision and not so much RAI (Italian broadcaster).

3. Have a back up plan for technical hiccups

Okay the sun which was the major element of the ESC 2022 stage.. not working as it should be wasn’t exactly a small hiccup. However, not having a a proper back up plan was beyond disappointing to viewers and telegations and to be honest a complete lack of professionalism by the event organizers. 

It was just there - this big black hole. The black sun expression was very on point

2.  Semi-final 2 voting scandal among jurers

It was really hard to choose between number 1 and two as they were both very severe crimes we saw in ESC this year. I believe in juries. I don’t always agree with them but I don’t find the 100% public vote simple and the best and that’s why the PROFESSIONAL juries are there. To appreciate good singing, songwriting, staging - efforst being made that the audience might miss or not vote for. 

Having jury votes being tampered like this was unforgiveable and no wonder the ESC voting has been changed (probably due to this). 

1. No online bullying of the artist

Ronela said it, no one comes for this contest to be bullied. Everyone believes in their performance and does their best and it’s a question of personal taste often what you think of the result.

This is obviously part of bigger problem how people treat each other online and especially people they don’t know hiding behind the anonymous usernames. I wish the community would grow to become more loving and respectful when commenting someone’s work. 

What do you want to or don’t want to see in ESC 2023? 

UMK 22 : My top

If pandemic has had any positive effects during the last two years – it is on Eurovision. The contest is now being seen differently as an oppurtunity to promote your music and gain fame than ever before. Television in general I guess since performing live has been pretty challenging now for the passed two years.

Last year’s Eurovision results showed how people are craving for live music, self made songs about real emotions and not pre-choreographed dance moves. All top 3 of winning songs were not sang in English and represented each of them a different genre. Blind Channel brought Finland the best result since Lordi’s victory 15 years prior and have ever since been embraced by charts all over the world. This is the professional spirit I’ve been longing in Finland for years.

UMK 2021 Winners Blind Channel

Uuden Musiikin Kilpailu (UMK) offers perhaps the best national ESC selection of the season! All the seven acts are already published artsits with their own characters, style and paths. These are all very well produced products already on its own merits and it’s only matter of one’s personal taste whether or not the song is your cup of tea. 

This year’s black horse The Rasmus could be easily thought to be the automatic winner being the most famous band among the seven entries but these six other entries do give a fare and balanced battle and the best one will win!

Music videos have also been upgraded what they were from previous years matching to each performance and atmosphere. Check each one by clicking the title of the song below! 

Cyan Kicks : Hurricane

Cyan Kicks

This was such an explosive start for this year’s UMK! Cyan Kicks comes from the same record label as last year’s Blind Channel and to be honest they do share some of the same elements. They call their style as modern rock. In genres Hurricane succesfully blands electronic as rockier sounds together. The energy here is undenyable. I cannot think of anything to add to this one. Only live performance will define where they will stand in the race to Torino..

Pros : self made song

Cons : generetic lyrics

BESS : Ram Pam Pam

Bess

The most surprising UMK entry so far and my ultimate favourite! People tend to compare this to Erika Vikman’s Cicciolina a couple years back but I personally I find this 10 x times better. The chorus is catchy and you find yourself singing along Ram Pam Pam instantly! The song is ultimately about freedom and breaking up from a bad relationship. For me this is the best pop-music can offer and I’m so in love with Bess’ raspy voice. I seriously wouldn’t mind if this won the ticket to Italy!

Pros : bold perfomance on the video and hopefully on the stage

Cons : The title of the song + swear words in the lyrics which would have to be changed for ESC

The Rasmus : Jezebel

The Rasmus

The big name among this year UMK entries. Frankly I’m surprised they weren’t just internally selected as for Darude and Saara Aalto. However having them competing this way brings much needed spice to the show. First sight and hear promises well (Desmond Child was one of the songwriters btw!) – I loved the black and yellow look and the quitar (new quitarist Emppu getting much deserved attention through entire song). The song follows safe pattern in its rock genre and moves smoothly from one part to the next one. Tiger roaring is a nice add. However I was slightly disappointed in the chorus – it didn’t explode, reach the hights as I would have wanted. But then the song does improve the more you listen to it and at this point it does sound quite natural as the song goes on. This is hit and stage ready and very familiar from The Rasmus with or without Eurovision.

Pros : Solid, high quality performance

Cons : Too safe? Can The Rasmus answer to these crazy high expectations?

Younghearted : Sun numero

For me less known band but Younghearted has established a reputation of singing beautiful, acoustic songs. Sun Numero makes no exception. This is a heartfelt break-up ballad. The song builds up nicely but a bit too slowly to my taste, the singing is amazing though. This is a great add to this years UMK. I don’t have much to say about this and it bothers me.

Pros : Emotional, gentle – easy to listen

Cons : Too forgettable?

Olivera : Thank God I’m an Atheist

Oliveira was completely new artist for me so no expectations but the song title promised bold, ironic attitude. The first thinfg you hear after pressing play is the VOICE! So unique, strong… I hear so much soul and character. The second thing that blows me away here is the lyrics, they’re so deep which makes me think again that is ESC able to appreciate this talent and art enough? She’s not super well known in Finland but I hope her participation in UMK gets her much deserved attention. I’m loooking forward to see how her R’n’B ballad is staged. Despite of the memorable beat, atmosphere her voice and lyrics are definitely the hook in this one! 

Pros : Self produced without a big label behind her

Cons : Just another ballad? Will her voice deliver live? 

Tommi Läntinen : Elämä kantaa mua

Every year UMK has a ”senior artist” entry. Last year it was Danny, this year it’s Tommi Läntinen. I prefer Tommi, his songs have always had more flavour even though I cannot call myself a fan by all means. His 1994 hit ”Syvälle Sydämeen Sattuu” about school bullying is a timeless Finnish classic among others. ”Elämä Kantaa Mua” however carries a more uplifting, positive message than Danny’s song last year or Tommi’s previously mentioned hit. The song is written by Finnish rock band Haloo Helsinki, who are one of the best loved rock bands in the country and if they were performing this song, this would be all over the charts. Even sung by Tommi it does have a radio play appeal and the tune does suit for him. He interprets the lyrics in his personal way and has a strong presence. This has grown on me significantly. Would I want him to represent Finland in Turin? Perhaps not but I do hope all the best and success for him with this song.

Pros : well written and performed pop hi

Cons : age group tends to separate this further from the other entries and voters

Isaac Sene : Kuuma jäbä

Another surprise in UMK 22! And probably the hottest one which has promised to make you blush! This is a genre, style and artist I wouldn’t normally listen. However one has to give credit a song well composed and played and charismactic performer. I don’t know if he reminds me of Young Michael Jackson, Justin Timberlake or Justin Bieber - or perhaps a mix of all them? This lingers somewhere between pop-R’n’B but includes also electronical sounds. There was a small fuzz around this song if it had been relesed before UMK release – however since no actual recording of this release has emerged, it remains only as a rumour. There’s nothing I would add or remove but as mentioned before not my cup of tea.  

Pros : daring, not a traditional ”Finnish” song

Cons : Is he only a teenage idol? Will this sexy performance appeal to voters?  

What do you think of this year’s UMK entries? UMK takes place on February 26th at 9pm (FI timezone) on YLE. 

Top 10 reasons why Turin is the best Italian city to host Eurovision 2022

The Eurovision 2022 is officially open as any song released since September 2021 can be considered to compete in Eurovision next year. Usually this has been accompanied by the news of the location and exaxt dates and possibly to go with the logo, theme of the upcoming contest. However this year the wait was fashionably late as customed in Italy- the winning country of Eurovision 2021. 

17 Italian cities competed to host world’s most watched TV contest for example the Italian capital Rome, fashion and business hub Milan, culinary and musical center Bologna and of course the city where Eurovision itself origins : San Remo. Turin made it’s way to number one spot and Eurovision Executive Supervisor Martin Österdahl describes it is the perfect host city!

Here are my top 10 reasons why Turin, this dark but festive city is the best choice to host Eurovision 2022! 

1. Turin is the capital of Piedmonte and significant cultural and business center in Northen Italy. All together 2,2 million people live in the city’s metropolitan area. 

2. Turin is no stranger to great international events and is best known for hosting Winter Olympics of 2006. Actually the venue is the very same PalaOlimpico (13 000 capacity). 

3. The city has an excellent location up North close to the French and Swiss borders and other major Italian metropol Milan. Besides city has it’s own iternational airport 16 km from the city with direct connections from Paris, London, Amsterdam, Munich, Barcelona for example. 

4. Italian espresso, TV, automobile industry and telecommunications have all their origins in Turin. 

5. RAI - the Italian broadcaster has significant amount of production in the city which eases the steps to organize the event. Turin has been mentioned frequently as a potential host city in Italy over the years whenever Italian artist (almost every year) has come up close to winning. 

6. Turin was the first capital of Italy. 

7. Turin is popular among Italian and international tourists and it’s famous of its multiple museums such as National Museum of the Italian Risorgimento, National Cinema Museum and National Car Museum. 

8. Turin is known by a nick name “Little Paris” or “The Paris of Italy” for its natural beauty.  

9. Besides Eurovision you can also squeeze a day trip or two to the Alps! 

10. Mole Antonelliana - the iconic tower from Italian two cent coins is in Torino!. 

Turin is definitely on my travel to do list! Do you agree with my choices and with the selection of the ESC host city 2022? 

Best non-english tracks of ESC2020

I’m painfully aware that Eurovision 2020 is not happening due to ongoing COVID-19 situation. Getting over this grief will take a long time. But as i’m in love with many songs of this season and which cannot be used for ESC 2021 I intend to give respect to the artists as much as I can. So here are all the NON-ENGLISH tracks from this season. They appear in alphabetical order. 

BELARUS

VAL - Da Vidna (not confirmed if they will automatically go for ESC 2021)

CROATIA

DAMIR KEDZO - Divlji Vjetre (not confirmed if he will automatically go for ESC 2021)

ISRAEL (parts in English)

EDEN ALENE - Feker Libi (confirmed for ESC 2021) 

ITALY 

DIODATO - Fai Rumore (not confirmed if he will automatically go for ESC 2021) 

FRANCE (parts in English)

TOM LEEB - Mon Alliée / The Best In Me (not confirmed if he will automatically go for ESC 2021)

PORTUGAL

ELISA - Medo De Sentir (confirmed not going for ESC 2021)

SERBIA

HURRICANE - Hasta La Vista (not confirmed if they will automatically go for ESC 2021)

SLOVENIA

ANA SOKLIC - Voda (not confirmed if she will automatically go for ESC 2021)

SPAIN 

BLAS CANTÓ - Universo (confirmed for ESC 2021)

SWITZERLAND

GJON’S TEARS - Répondez-Moi (confirmed for ESC 2021)

UKRAINE

GO_A - Solovey (confirmed for ESC 2021)

ESC19 songs that I LOVE but probably WON'T DO WELL

As the rehearsals keep mixing my lists here are some of my loves during Eurovision 2019 which I’m afraid that I’ll stand alone for. (random order) 

ISRAEL / Kobi Marimi / Home

Even though automatic qualifier as the host country I haven't seen much hype around this. However for me this is the best ballad of the season and Kobi singing just moves me (to tears!).

GERMANY / S!sters / Sister

There's a lot negativity around this one apparently due to the national selection but since I didn't follow that.. I'm kind of liking this. Not the best but definitely one of the biggest growers of the season.

FINLAND / Darude feat. Sebastian Rejman / Look away

My country with unfortunate and unlucky ESC history. As this is second internally chosen Finnish artist for ESC I'd wish this to do well. The song is however a bit repetetive and missing that climax and Sebastian's singing aint' one of the best in the contest (he's improved though). I do have hope though the icy performance does stand out (even though being the 3rd in Semifinal 1) between Moldova and Poland who represent totally different genres.

POLAND / Tulia / Fire of Love (Pali sie)

The staging has improved Poland's chances. However this is a heavy track that will create all sorts of reactions. But I do hope these ladies have more lovers than haters!

ALBANIA / Jonida Maliqi / Ktheju tokës

The underrated song of this season. Her voice, charisma, presence is one of a kind and the song has a nice ethnic sound which makes it stand out - I just hope they've got some drama, colour planned for us what comes to the staging!

AZERBAIJAN / Chingiz / Truth

This is fun and different from the rest of the upbeat tracks. Some people think it's over produced, too dark but from the first hear I loved it. I hope they'd do well! 

ARMENIA / Srbuk / Walking out

What a voice! There's nothing wrong with the song but I worry we've heard this before and people might forget this since this starts semifinal 2.

Once an ESC artist always an ESC artist

Five artists have participated Eurovision before but didn’t quite get enough on first round- 

RUSSIA / Sergey Lazarev / Scream (Stockholm 2016) 

SAN MARINO / Serhat / Say na na na  (Stockholm 2016)

HUNGARY / Joci Pápai / Az én apám (Kiev 2017)

NORTH MACEDONIA / Tamara Todevska / Proud (Belgrade 2008)

Serbia / Nevena Božović / Kruna (Malmö 2013)

My negative review of 2018

So this is the part where I tell you how everything went wrong and everything was shitty! If I had to decide based on this experience whether to travel somewhere else for Eurovision the answer would be NO. I’m so glad I didn’t pay hundreds of euros for flights and accommodation in Lisbon and instead just happened to be here. I’m glad I did this - now I don’t need to wonder and I’m happy to continue my Eurovision love by watching it all from tv and/or online! 

Organization could have been better from the fans’ point of view. The lining up hadn’t been planned properly, there were no fences so cutting in line was kind a easy. Inside the arena not all the screens were on so if you were short and didn’t have seat you might have not seen anything. Also sound quality wasn’t on point when the shows started on the May 8th. The difference between Tuesday and Saturday sound quality is like night and day! Missed several performances on Tuesday’s live show because of the screens and sounds problems. And it was my only live ticket! Just seriously disappointed. 

Also the ticket sales went obviously down south. The arena was quite empty for even Semi I live show and Semi II jury show. The standing arena wasn’t nearly full. Blue ticket, the official one had sold out all tickets but apparently the tickets were being sold on other websites three times more expensive! And a lot of people didn’t apparently buy them for Semis even though the Final shows with its jury and rehearsals were sold out in reality. There could have been use for those tickets which weren’t sold. I’m so pissed about this also cause when we got there there were nothing else left than standing area tickets! 

Overall never felt more left outside alone than this year when I was actually in Eurovision! But let’s move on to the actual songs and results! Obviously many of my loves left out already at the Semis but concentrating the main shockers and disappointments.

My ultimate favorite this year, Estonia. I was kind of disappointed that Elina didn’t get more points from the juries since her performance was so technically, vocally on point. And plus the visuals were memorable and standing out from the rest of the performances this year. Can’t believe she got less jury points than so many who were clearly worse singers and had less memorable performance. 

Bulgaria which had an amazing hype around their song the entire spring came 14th! The jury votes were fine I guess but I expected the audience to bring them up. The performance as the song were really dark but I think it all looked really good and stylish. Televoters gave them only 66 points. Wow. But still love their song! 

I’ve loved French entries for quite some years now and especially this year MadameMonsieur were the best find for me! But something goes wrong for France. They’ve had good songs, great singers and performers, also the visuality and the staging hasn’t been THAT BAD! But still they always fall down 10 positions at least in the actual results. Amir placed 6th in 2016 which was an amazing result for France but still kind of far away from the top 3 which he was originally favorite for. Alma (2017) and MadameMonsieur both placed 12th and 13th far away again from the what they were really going for and audience was cheering them up to. They seriously need to look into this. However France and MadameMonsieur remain for me the best find of Eurovision 2018.

My loves Spain and Portugal! I absolutely loved these songs! So beautiful and emotional, especially Spain! You could not watch that without smiling and feeling the song. But yeah.. I guess they took a hit because there were so many songs this year that went with stronger sounds and were instant hits where Claudia and the spanish couple were left behind and not many actually voted for them. Just sad. 

And what about the UK invention! Again! Last year it was the winning artist from the previous year who was intervened. But last year the guy didn’t take the mic. Poor Sury! But seriously what’s up with the security unable to keep the STAGE are safe! It is the stage for god’s sake! 

I loved Slovenian entry this year from the beginning. But apparently Lea felt her song was lacking drama since she added this cut in the middle of the song where no music or lights would work. In the semi it seemed like the host country screwed up but in the final she changed it to look like she stopped it. From the faces of the audience they didn’t get it or find it funny. Neither did I. Totally unnecessary. 

For two weeks I was hanging around the arena and in Lisbon hoping to spot any artist or blogger for an autograph or a photo. I did see Ireland’s Ryan in Belem on Sat one week before the final. He was wearing his sunglasses so wasn’t sure if it was really him. I POLITELY asked about it and he LIED to me that he wasn’t him. Later on saw posts on Instagram with exactly same clothes and in the same neighborhood. And I liked Irish entry and defended it for others who doubted it! Jerk. There goes my points for Ireland forever. He was the only “Eurovision star” I spotted the entire time. Tragic.

Australia! I loved Jessica’s bubly performance and yes maybe her song was a bit generetic but it was so inspiring and uplifting! And the crowds at the arena seemed to appreciate it. But televotes! OMG so low! She did not deserve this even though her vocals weren’t on point on Saturday night.

Belgium! Not qualifying! How is this possible! Sennek’s song was not my personal top favorite but I know many people liked it. Definite OMG moment this year. Found her live performance cool and giving so much life to her song! 

ESC2018: The big 6

Time to talk about some Eurovision! I’m bursting to talk all my favorites! And there are so many since I’m in love with almost all the entries this year! Sayonara to the years when the paying countries sent their crappiest songs ever existing because this year many of the fans favorites come indeed from:

FRANCE

One of the earliest entries this year. Even when I was watching through the national selection Madame & Monsieur stood out for me. Was super happy that the French audience saved them and brought them to victory and Mercy has been non-stop play ever since. Some say it’s too political but for me it’s simply touching…the subject, the words, her singing. Just absolutely adore her voice. There’s so much emotion in this performance. I like their sound. It’s organic. The lightness and softness. It’s French but not too much. If you’re into this take a listen their debut album which came out in 2016. Their live performance though wasn’t as good as I had hoped for which I’m eager to see if they’ll do honour for the studio cut. So here’s the official video untill..

The magnificent Madame Monsieur with “Mercy” from France.

GERMANY

I was so sad last year for Germany. There was a happy girl singing last song of the final. And she sang her heart out. I wanted to like her but the song was just bad. I admired her positivity. This is not the case clearly in Lisbon. This is not the best song of the competition but it’s a big leap from previous German entries. It is definitely speaking to me. Like France it has a touching theme which also makes it to stand out from the rest of the ballads. Some say it’s cheesy, generetic but the emotion is raw, fragile and real. I see so much potential in this!

Michael Schulte with “You won’t let me walk alone” from Germany.

ITALY

For me Italy is a treasure chest what comes to the music. They have so much talent what comes to singing, performing, songwriting… And the world doesn’t know about them cause italian artists are quite happy staying in their own country. I was spectical when I hear their victory and did not like it at first listen. But this song has grown so much. Again a bit political theme, similar to France but I don’t care! It’s amazing! Their singing is brilliant and their voices sound so good together. There’s an organic sound which makes it to stand out from the rest pop songs in the contest. The intensity makes my world stop for 3:30 minutes.

Ermal Meta & Fabrizio Moro with “Non mi avete fatto niente” from Italy.

PORTUGAL

I wasn’t familiar with Portugal’s Festival de Cancao before this year. But since living here what the hell. Also I was interested by the fact that Diogo Picarra was one of the songwriters and performers. He’s the only portuguese artist singing in portuguese I actually like (language learning). His song was not the best of him I think but I was sad to hear the rumors that he had copied his song from something that was released 30 years ago. I do believe in his honesty and was even more saddened to hear him dropping out from the competition. Anyhow the one act that got selected to represent Portugal. I did like her song the best. It’s not the winner song of the competition but I like the mystical sound in it which portuguese language adds to it. Nice beat. Claudia is cute and fragile while Isaura got her back. Looking forward how it’s gonna look like on big stage in Lisbon!

Cláudia Pascoal from Portugal with “O Jardim”.

SPAIN

One of the earliest entries. I loved it from the first time I saw it. The song itself isn’t that special on its own but when you see them performing it together – it’s just magic. It somewhat stands out being one of the rare simple ballads without big arrangements. I’m so happy to be back loving the Spanish entry! 

I guess they’re gonna ditch the pianos but I just prefer this original live version from Spain..

UK

It has all the qualities that a good pop song needs. It has the pretty girl, great voice and charisma. There’s the beat and catchy tune. But no. Still not reaching high enough. I’ve really tried to like this one but no. However very classic pop song, British pop and eurovision pop also. I’m still hoping that this song will do the same as the last year’s UK entry did. They developed the song and the final version Ukraine hit me.

And because there’s a limit of only 5 videos in each post cannot add UK entry here but you can check it out here: